The Italian Ministry of Culture has acquired a rare double-sided Renaissance painting by Antonello da Messina, 'Ecce Homo; Saint Jerome in Penitence,' for $14.9 million in a private sale with Sotheby's New York. The work was withdrawn from a planned public auction, and its final institutional home is now the subject of a heated debate among major Italian museums and the artist's hometown.
Critic and artist Aria Dean, known for her influential essays on digital culture and race, has staged a new theatrical work titled "The Color Scheme" as part of the Performa biennial. The piece imagines a 1920s meeting in Berlin between two Black intellectuals, marking a shift from her usual focus on contemporary online life to historical Black culture and politics. Dean's essays are collected in the recent book "Bad Infinity" from Sternberg Press, and her art has appeared in major exhibitions including the Hammer Museum's Made in L.A. Biennial and the Whitney Biennial.
Marie Antoinette, the final queen of France, is the subject of a blockbuster exhibition titled "Marie Antoinette Style" at London's V&A museum, running through March 22. The show highlights her boldly modern taste, her patronage of women artists like Élisabeth Vigée Le Brun and Anne Vallayer-Coster, and her role as the first French queen to own and redecorate her own palace, the Petit Trianon. The article details how she used her influence to secure Vigée Le Brun's admission to the Académie Royale and pressured the Louvre to exhibit Vallayer-Coster's work, while also exploring how her extravagant spending earned her the epithet "Madame Déficit" and contributed to her downfall during the French Revolution.
The Las Vegas Museum of Art (LVMA) has unveiled architectural designs by Pritzker Prize-winning architect Francis Kéré for its first standalone museum, a 60,000-square-foot building at Symphony Park in downtown Las Vegas. The design incorporates local stone, baobab trees, and a canopy for shade, drawing inspiration from the Mojave Desert and the city's culture, with a central staircase evoking a canyon. The museum, supported by a land donation from the city and a partnership with the Los Angeles County Museum of Art (LACMA), has raised over half of its $200 million goal and is slated to open in 2029.
The Stahl House, the iconic midcentury modern home in the Hollywood Hills also known as Case Study House No. 22, has been listed for sale for the first time in its 65-year history. The property, designed by architect Pierre Koenig and immortalized in a famous photograph by Julius Shulman, is priced at $25 million. Siblings Shari and Bruce Stahl, who grew up in the house, are selling it due to the challenges of maintaining it as they age. The home was originally built for $37,651 as part of Arts and Architecture magazine's Case Study program and remains the only one in the program still under original family ownership.
This article explores the history and significance of illuminated manuscripts, correcting the common misconception that they were exclusively produced by medieval European monks. It highlights five standout examples, including the Très Riches Heures du Duc de Berry, made for Jean I, Duke of Berry around 1411 by the Limbourg brothers, and the Book of Kells, created around 800 C.E. by monks of Iona Abbey. The article notes that illuminated manuscripts, defined by the decorative use of gold or silver, date back to the 4th century B.C.E. and span cultures from the Middle East to Africa and Mesoamerica, serving primarily as status symbols rather than reading material.
New York-based artist Saya Woolfalk is the subject of her first retrospective, "Saya Woolfalk: Empathic Universe," at the Museum of Arts and Design (MAD) in New York. The exhibition, curated by Alexandra Schwarz, runs from April 12 to September 7, 2025, and surveys two decades of Woolfalk's multidisciplinary practice, which blends science fiction, fantasy, and critical examinations of race, science, anthropology, and identity. The show is organized into chapters highlighting major projects, including her fictional "Empathics"—a race of women who can fuse with plants—and features sculptures, video, painting, works on paper, a commissioned audio drama, and live dance performances.
An adjunct professor at Hamline University in St. Paul, Minnesota, Erika López Prater, lost her job after showing her art history class two Medieval paintings depicting the Prophet Muhammad during an online lecture on October 6, 2022. She issued a content warning before displaying the images, which came from a 14th-century manuscript by Rashīd al-Dīn and a 16th-century work by Mustafa ibn Vali. A student, Aram Wedatalla, complained, and the university's administration, including associate vice president David Everett, decided not to renew her contract, calling the incident Islamophobic. The decision has sparked widespread debate, with a Change.org petition signed by over 2,500 scholars and a condemnation from PEN America.
The Prado Museum in Madrid has launched the third installment of its "The Female Perspective" series, a self-guided thematic route highlighting the collection of Queen Isabella Farnese. The route, running through May 2026, features 45 works from the queen's 1,000-piece collection, including five pieces newly out of storage and a Murillo sketch stolen in 1897 recently recovered from France's Musée de Pau. This is the first edition focused on a single woman, showcasing Farnese's role as the Royal Collection's most significant donor.
The Vatican Museums have completed the decade-long restoration of the Hall of Constantine, one of the Raphael Rooms, revealing that Renaissance master Raphael himself painted two figures—Justice and Friendship—in the hall, contrary to the long-held belief that the entire room was executed solely by his assistants after his death. Conservators identified Raphael's hand by his distinctive oil-on-resin technique, which differed from the traditional fresco methods used by his assistants Giulio Romano, Gianfrancesco Penni, and Raffaellino del Colle. The discovery was made during a meticulous restoration that began in March 2015 and finished in December 2024.
The Frick Collection is presenting a single-picture exhibition of Parmigianino's portrait 'Schiava Turca' (circa 1531–34), on loan from the Galleria Nazionale di Parma. The painting, whose title means 'Turkish Slave,' depicts a woman in elaborate headdress and chains, whose identity has long been a mystery. Curator Aimee Ng proposes a new interpretation: that the sitter is the poetess Veronica Gambara, based on her confident demeanor and the Pegasus emblem symbolizing poetic inspiration. The article also recounts Vasari's anecdote about Parmigianino's absorption in his work during the 1527 Sack of Rome, and explores the painting's connection to Mannerist ideals of beauty.
The Museo del Prado in Madrid has opened its first-ever exhibition dedicated to a female artist, "The Art of Clara Peeters," 197 years after the museum's founding. The show features 15 major works by the Flemish still-life painter, active in early 17th-century Antwerp, and is curated by Alejandro Vergara, the museum's Chief Curator of Flemish and Northern School Painting. The exhibition runs from October 25, 2026, to February 19, 2017, and is co-organized with the Koninklijk Museum voor Schone Kunsten in Antwerp.
Julie Mehretu has established herself as a preeminent voice in contemporary abstraction by creating dense, multilayered canvases that synthesize architectural drawings, maps, and media imagery. Her work is characterized by a meticulous accumulation of marks that transform sociopolitical data and historical events into ethereal, gestural compositions. By layering information until it reaches a point of abstraction, she explores how individual and collective identities are shaped by the built environment and global shifts.
Fiona Pardington has created a new series of human-scale photographic portraits of native New Zealand birds, many of which are extinct or endangered, using taxidermy specimens from regional museums. The series, titled "Taharaki Skyside," will be exhibited at the Aotearoa New Zealand pavilion at the 2026 Venice Biennale. Pardington, who has Māori and Scottish ancestry, incorporates the birds' eyes with superimposed historical landscapes to evoke their lost habitats and spiritual significance as intermediaries between human and divine worlds in Māori culture.
The article discusses the enduring style of Sade Adu, frontwoman of the British group Sade, following the band's announcement of their induction into the 2026 Rock and Roll Hall of Fame. It highlights how Adu's signature look—scraped-back hair, red lipstick, hoop earrings, and simple black dresses or denim—has become iconic and influential, with her outfits featured in exhibitions like V&A East's 'The Music is Black' and referenced by celebrities such as Drake. The piece traces the origins of her style to her fashion design studies at Saint Martin's School of Art and her early work with designer Fiona Dealey.
The acclaimed Venezuelan electronic musician Arca, born Alejandra Ghersi, is transitioning into the visual arts with her first institutional exhibition at the Institute of Contemporary Arts (ICA) in London. Titled "Angels," the body of work consists of visceral, heavily textured paintings created using a chaotic mix of oils, acrylics, melted plastic, and latex. Ghersi turned to the physical medium as a therapeutic response to professional burnout, using the permanent nature of painting to process personal trauma and reconnect with the raw creative enthusiasm she felt before her music career became a global profession.
The 60th Venice Biennale, titled "Stranieri Ovunque – Foreigners Everywhere," has opened to a polarized reception. Curated by Adriano Pedrosa, it is the first Biennale led by a Latin American curator and heavily features artists from the Global South, Indigenous creators, and queer artists, marking a significant departure from the Eurocentric focus of past editions.
Guy Wildenstein has resigned as president of Wildenstein & Co., the prestigious art gallery founded by his family in 1875, after 35 years in the role. He is succeeded by his son David Wildenstein, who previously served as vice president overseeing investment and real estate, while his daughter Vanessa Wildenstein becomes vice president and director of the New York location. The announcement was made to the Art Newspaper, which first reported the news. Wildenstein, 80, was convicted of tax fraud in 2024 in a high-profile French case involving the concealment of masterworks to avoid inheritance taxes, receiving a four-year prison sentence with house arrest and a €1 million fine.
A new documentary titled "Pretty Dirty: The Life and Times of Marilyn Minter" premiered at the DOC NYC film festival at IFC Center, chronicling the artist's four-decade career and personal struggles. Directed by Jennifer Ash Rudick and Amanda Benchley, the film follows Minter's journey from a dysfunctional upbringing in the South—with an emotionally abusive mother and her own battles with addiction—to her eventual rise as a major figure in contemporary art. It highlights her gritty, provocative enamel-on-metal paintings, her commercial work for Tom Ford and Zara, and her cultural impact through projects like Madonna's 2009 tour and the TV show Gossip Girl. The documentary features interviews with celebrities such as Lizzo, Jane Fonda, and Miley Cyrus, as well as art-world peers like Laurie Simmons and Jeff Koons.
Adrian Cheng, the mega-collector and regular on ARTnews' Top 200 Collectors list, has announced his new venture ALMAD Group after resigning as CEO of his family's Hong Kong property firm New World Development Co. (NWD) last year. The company will focus on digital assets, blockchain technologies, and immersive digital experiences across entertainment, sports, and media in mainland China, Southeast Asia, and the Middle East. ALMAD has absorbed Cheng's art-meets-commerce platform K11 by AC, which includes the K11 Craft and Guild Foundation, the K11 Art Foundation, and the K11 Art Malls that pair luxury retail with exhibitions by artists like Damien Hirst and Takashi Murakami.
Time magazine released its annual Time 100 list on September 20, 2025, naming the most influential people of the year across six categories. Four art world figures made the list: visual artists Yoshitomo Nara and Mickalene Thomas (categorized as an "innovator"), architect Annabelle Selldorf, and novelist/filmmaker/performance artist Miranda July. The list also includes corporate CEOs, Trump administration members, fashion designers, and athletes, with each entry accompanied by a write-up from a fellow celebrity.
The New York Supreme Court ruled against former hedge fund manager Philip Falcone in a case brought against pawnbroker BLCE over loans secured by artworks and a diamond ring. Judge Lyle E. Frank sided with BLCE's counter-claims of fraud and breach of contract, finding that Falcone made misrepresentations when securing loans with the same artworks—including pieces by Pablo Picasso, Damien Hirst, and Richard Prince—from multiple lenders. Falcone had claimed the ring was "wrongfully foreclosed," but the court determined he failed to raise genuine issues of material fact.
Banksy has unveiled a new artwork featuring a lighthouse with the text 'I want to be what you saw in me,' posted on his Instagram account without any caption or location details. The piece, rendered in his signature black stencil on a stucco wall, appears to be his first major work since the 2023 'Beastly London' campaign, which included animal-themed murals across the city. Within two hours of posting, the image garnered over 300,000 likes, continuing the artist's tradition of cryptic, location-ambiguous public interventions.
Christie’s spring marquee auctions in New York brought in a combined $489 million with fees across two evening sales: the Leonard & Louise Riggio: Collected Works sale and the 20th Century sale. The Riggio collection, featuring 39 works heavy on Surrealism, modernism, and Minimalism, achieved $272 million with buyer’s premium, led by Piet Mondrian’s Composition With Large Red Plane, Bluish Gray, Yellow, Black and Blue (1922) at $47.56 million and René Magritte’s L’empire des lumières (1949) at $34.9 million. The 20th Century sale included major canvases by Monet, Rothko, and Warhol, but the hammer total of $409 million fell below the $446 million pre-sale low estimate, indicating the auction house did not meet expectations.
A new feature-length documentary titled "The Hammer" will premiere at this spring's Cannes Film Market, chronicling the five-decade career of Swiss auctioneer and art advisor Simon de Pury. Produced by Simon Wallon, who previously made a documentary on casting director Bonnie Timmermann, the film features cameos from artists Marina Abramović, Jeff Koons, Ai Weiwei, and Chloe Wise, and includes executive producer Catherine Quantschnigg. Filming took place in New York, Tokyo, London, Cannes, Miami, and Monaco between July 2023 and February 2025.
SBI Art Auction is set to host a major two-day auction event in Tokyo this March, coinciding with Art Fair Tokyo. The first sale, "Modern Legacy," features a prestigious single-owner Japanese collection including masterpieces by Léonard Tsuguharu Foujita, Edvard Munch, and Egon Schiele. The second sale, "Bloom Now," focuses on contemporary and Pop art, highlighting works by Roy Lichtenstein and Takeda Teppei, with the combined events carrying a low estimate of JPY 1.25 billion ($7.9 million).
Jeff Koons and Stella McCartney have launched a limited-edition capsule collection for Spring 2026. The collection features ready-to-wear items like hoodies, t-shirts, tote bags, and keychains, adorned with prints of Koons's artworks such as "Untitled (Girl with Dolphin and Monkey)" (2006) and sculptures from his "Made in Heaven" series, paired with McCartney's playful slogans like "Slippery When Wet" and "Doggy Style." The release also includes a reimagined pendant based on Koons's iconic "Rabbit" (1986) sculpture.
A cache of M.C. Escher drawings and prints, created during his time in Italy and later, fetched a stunning total of $7.8 million at Christie’s on July 22, quadrupling its low presale estimate. The auction, titled 'The Art of Infinity,' featured 65 lots, with nearly every work on paper surpassing the previous record for an Escher work in the medium. The top lot, *Reptiles* (ca. 1943), sold for $529,200—five times its low estimate—while *Relativity* (ca. 1953) achieved $504,000, ten times its low estimate. The sale largely came from the collection of Robert Owen Lehman Jr., a documentary filmmaker and member of the Lehman banking family.
An exhibition titled “How Quantel’s Paintbox Changed Our World” at the Phoenix Cinema and Arts Centre in Leicester, U.K., showcases 20 long-lost digital artworks made with the Quantel Paintbox, a pioneering 1980s computer graphics machine. The works, created by artists including David Hockney, Keith Haring, Larry Rivers, and Jennifer Bartlett, were tracked down by graffiti artist and photographer Adrian Wilson, an early Paintbox user. The exhibition is organized by the Computer Arts Society and marks the first public display of these pieces.
Dave Sharkey, a former professional boxer, and his wife Ann founded a photographic studio on Oxford Street in London in 1953, offering passport photos with a 10-minute turnaround. The studio, later run by their son Philip, became a popular spot for celebrities including Muhammad Ali, Mick and Bianca Jagger, David Hockney, and Tilda Swinton. A new book titled 'Passport Photo Service,' published by Phaidon Press, compiles over 300 of these celebrity passport portraits from the 1950s to the 2010s.