"Eine Startrampe für die Zukunft"
The article is a media roundup covering several stories from the art world. It includes an interview with Jeff Koons discussing his artistic process and philosophy, a portrait of artist Jorinde Voigt, a report on the robust Art Düsseldorf fair, a news piece about two valuable Gerhard Richter paintings on loan to a museum, and a review of the new LACMA building's non-linear curatorial approach.
5 Highlights der Art Düsseldorf
The Art Düsseldorf contemporary art fair has opened its latest edition, showcasing a diverse range of works that balance humor with urgent political and global themes. Highlights from the fair include Christian Jankowski’s monumental sculptures based on children's clay models at Galerie Crone, Julian Charrière’s environmentally conscious installations at Dittrich & Schlechtriem, and Jody Korbach’s satirical paintings that reference German art history and pub culture at Petra Martinez.
Acquavella Galleries in Manhattan has unveiled a major exhibition featuring over 50 works by Henri Matisse, many of which are rarely seen pieces drawn from private collections. This comprehensive survey includes paintings, drawings, and sculptures that span the artist's prolific career, offering a unique glimpse into works that typically remain behind closed doors.
VALIE EXPORT, the pioneering Austrian feminist artist known for her provocative performances centered on the female body, has died at age 85. Born in Linz in 1940, she adopted the name VALIE EXPORT in 1967 and quickly rose to prominence with iconic actions such as *TAP and TOUCH Cinema* (1968) and *Action Pants: Genital Panic* (1968), which challenged passive representations of women. Her work spanned photography, film, and expanded cinema, and she participated in major international exhibitions including documenta 6 and 12, and the Venice Biennale, where she and Maria Lassnig became the first women to represent Austria in 1980.
The article reviews the sixth edition of MoMA PS1's quinquennial survey 'Greater New York 2026,' which coincides with the institution's 50th anniversary. It highlights works by artists such as Covey Gong, Win McCarthy, Mekko Harjo, and Sophie Friedman-Pappas, noting how the exhibition's themeless structure and use of reflective surfaces create a hall of distorted reflections. The show includes 53 emerging and midcareer artists, mostly millennials, and is accompanied by a block party and gala rather than a dedicated commemorative exhibition like FORTY (2016).
Georg Baselitz, the German painter, sculptor, and printmaker known for turning his canvases upside down, has died at age 88. Born Hans-Georg Kern in Saxony in 1938, he witnessed the bombing of Dresden as a child, an experience that shaped his artistic vision. Expelled from art school in East Berlin, he moved to West Berlin and adopted the name Baselitz. His first solo exhibition in 1963 was deemed obscene and confiscated. In 1969, he created his first upside-down painting, which became his signature. He rose to international prominence as a neo-expressionist in the late 1970s and 80s, represented Germany at the Venice Biennale in 1980, and continued working until his death. A recent series of his paintings will be shown at the Fondazione Giorgio Cini in Venice from May to September 2026.
ArtReview has compiled a running list of national pavilions for the 61st Venice Biennale, running from 9 May to 22 November 2026. The Biennale was set to be curated by Koyo Kouoh, who died on 10 May 2025. Recent announcements include Haitham Al Busafi representing Oman, Genti Korini representing Albania with a three-channel video installation titled 'A Place in The Sun (still)', and Matías Duville representing Argentina with an interactive salt-and-charcoal installation. The Australia Pavilion will feature artist Khaled Sabsabi and curator Michael Dagostino, who were initially dropped due to controversy over Sabsabi's 2007 film 'You' but later reinstated. Florentina Holzinger will represent Austria with a water-themed performance.
An upcoming exhibition at ArtReview pairs artists Richard Prince and Arthur Jafa to explore the ethics and aesthetics of image appropriation. Jafa's work, such as the video "Love is the Message, The Message is Death" (2016), uses found footage of police violence and Black cultural icons, while Prince's "Girlfriends" series rephotographs amateur snapshots from biker magazines. Jafa has cited Prince as a key influence on his own practice of transposing images across contexts.
Artist Rene Matić discusses their multidisciplinary practice and cultural influences in the latest episode of the ArtReview Podcast. The conversation explores Matić’s background as a second-generation skinhead of St Lucian heritage, their status as the youngest-ever Turner Prize nominee, and the upcoming commission for the grand opening of the V&A East Museum in April 2026.
The New Museum has reopened with 'New Humans: Memories of the Future,' a massive survey featuring over 150 contributors including Hito Steyerl, Precious Okoyomon, and H.R. Giger. Spanning 13 sections across the museum's new 5,500 square-meter extension, the exhibition traces the intersection of art, technology, and the human body from the early 20th century to the present. It juxtaposes interwar European works, such as Hannah Höch’s photomontages and Bauhaus ballets, with contemporary installations like Simon Denny’s sculpture of an Amazon worker's cage.
Sydney's art scene is energized by the opening of the 25th Biennale of Sydney, titled 'Rememory' and curated by Hoor Al Qasimi, which explores histories carried in the body rather than physical monuments. Concurrently, four notable exhibitions across the city engage with similar themes of legacy and history. Kirtika Kain's 'Unkept' at the Chau Chak Wing Museum creates a fictional archive from anti-caste traditions to address Dalit lineage and colonial collection politics, while Ron Mueck's 'Encounter' at the Art Gallery of New South Wales uses hyperreal sculpture to confront contemporary brutality and vulnerability.
ArtReview Podcast | Episode 3: Noémie Goudal
The ArtReview Podcast released its third episode featuring an interview with artist Noémie Goudal. Hosted by ArtReview editor J.J. Charlesworth, the conversation explores Goudal's practice through three selected artworks, touching on VR technology, the representation of time in photography, and the concept of 'immersiveness' in contemporary art.
À Venise, 22 expositions incontournables en marge de la biennale
The article highlights 22 must-see exhibitions happening alongside the 61st Venice Biennale, which is expected to be affected by geopolitical tensions but still promises artistic vibrancy. Notable events include Bvlgari's dual projects featuring artists Lotus L. Kang, Lara Favaretto, and Monia Ben Hamouda; the unveiling of the Asscher collection at the Ama Venezia foundation with works by Charles Ray, Jenny Saville, and Richard Serra; and the inaugural exhibition "The Only True Protest Is Beauty" at the Fondation Dries Van Noten, showcasing 200 objects across fashion, design, and art. Other highlights include a dialogue between Picasso, Morandi, and Parmiggiani at the Fondazione Bevilacqua La Masa.
Beaux Arts Magazine has published a comprehensive dossier on David Hockney, coinciding with his current exhibition at Galerie Lelong in Paris. The article presents a multi-episode series covering the British artist's career, from his iconic "Pool Paintings" like *A Bigger Splash* (1967) to his recent works created on iPad in Normandy. It highlights his ongoing exhibitions at multiple venues, including a major retrospective at the Centre Pompidou starting June 21, a dialogue with Matisse at the Musée Matisse in Nice, a show at the Van Gogh Museum, and a loan from Tate Britain to the Musée Granet in Aix-en-Provence. The piece also explores Hockney's fascination with Old Masters, his use of technology, and his enduring status as a pop art and hyperrealist superstar.
David Hockney presents "The Moon Room," a series of fifteen iPad drawings of full moons created during the 2020 lockdown, at Galerie Lelong in Paris until May 7, 2026. The exhibition, free and open to the public, features nocturnal landscapes Hockney painted from his farm in Normandy, inspired by Maupassant's "Clair de lune" and his own nightly observations. The works were first shown at the Musée des Beaux-Arts de Rouen in 2024 and later at the Fondation Louis Vuitton.
VALIE EXPORT, the radical Austrian performance artist, filmmaker, and sculptor widely regarded as the most significant feminist artist of the postwar era, died in Vienna on May 14, just three days before her 85th birthday. Her death was confirmed by Thaddaeus Ropac gallery, which represents her. Known for provocative works such as *Tapp und Tastkino* (1968), in which she invited passersby to touch her bare breasts through a miniature theater, EXPORT faced hate mail, death threats, and indecency charges but remained undeterred in her mission to challenge patriarchal norms through the female body and sexual agency.
The Hirshhorn Museum and Sculpture Garden in Washington, DC, acquired 314 works in 2025, bringing its collection to over 13,000 pieces. The acquisitions, announced in conjunction with the museum's 50th anniversary, include major works by Lorna Simpson, Sarah Sze, Mickalene Thomas, and Adam Pendleton, as well as photographs by Graciela Iturbide, Danny Lyon, Ezra Stoller, and Joel-Peter Witkin. The museum also received 176 works by Adam Pendleton as part of a multiyear gift from collectors Doug and Toni Gordon.
Georg Baselitz, the influential German Neo-Expressionist painter, printmaker, and sculptor, died on April 30 at age 88. His death was announced by Thaddaeus Ropac gallery, his longtime representative. Born Hans-Georg Kern in 1938 in Saxony, Baselitz was profoundly shaped by his childhood experience of war and the destruction of Nazi Germany. He was expelled from art school in East Berlin for "socio-political immaturity," moved to West Berlin, and adopted his pseudonym from his hometown. His first solo exhibition in 1963 was raided by police for obscenity, cementing his reputation as a provocateur. Known for his upside-down figures and fierce brushwork, he created series such as "Heroes" and "Fracture" that addressed trauma, violence, and the psychic toll of postwar life.
The Box, a pioneering Los Angeles gallery known for its nonprofit-style support of experimental and performance art, has announced its closure after nearly two decades. Founded in 2007 by Mara McCarthy, the gallery’s final exhibition featured late California painter Wally Hedrick, and a closing event will include a fashion show by Johanna Went. Mara McCarthy cited the shifting market for her father Paul McCarthy’s work and the loss of family homes in the Eaton Fire as factors behind the decision.
Multidisciplinary artist Trevor Paglen has been awarded the 2026 LG Guggenheim Award. The honor, established by the Solomon R. Guggenheim Museum and LG, includes an unrestricted $100,000 grant and recognizes artists working at the intersection of art and technology.
Nacho Polo and Robert Onuska, co-founders of the design gallery Studiotwentyseven, discuss their art collection in an interview with The Art Newspaper. Housed in their Tribeca apartment, the collection spans painting, sculpture, and photography with an emphasis on materiality and sculptural form. They recount their first acquisition—Ron Gorchov's *Autolykos* (2019)—and their most recent purchase, Alex Katz's *Nine Women 5* (2009). The couple also shares their instinctive buying process, a regret over missing a Nick Cave sculpture, and their anticipation for the Jean and Terry de Gunzburg collection at Sotheby's this spring.
A collateral exhibition titled "Alchemical Universe" at the Palazzo Soranzo Van Axel in Venice features 35 lacquer paintings by Chinese-German artist Su Xiaobai. Curated by Stephen Little of the Los Angeles County Museum of Art (Lacma) and designed by architect Kulapat Yantrasast, the show spans Su's early experiments to recent works created for Venice, including suspended temple tiles and floor pieces on mirrored Murano glass. Su, who was advised by Gerhard Richter in 2003 to focus on lacquer, now works exclusively in the medium, layering and scoring tree sap to create contemplative abstract works.
A selection of Navajo textiles from the personal collection of minimalist artist Frank Stella is being exhibited and sold for the first time. The 55 textiles, dating from the late 19th and early 20th centuries, will be on view at Arader Galleries in New York from May 15 to June 10, then travel to Peter Pap Rugs in New Hampshire in June. Priced between $6,500 and $25,000, the collection includes a large 19th-century blanket that Stella lent to a seminal 1972 exhibition at LACMA. Stella began collecting these works in the mid-1960s after being introduced to Navajo art by Donald Judd and Tony Berlant.
The 30th edition of the International Fine Print Dealers Association (IFPDA) Print Fair concluded at New York’s Javits Center, featuring 77 international exhibitors. The fair showcased a vast chronological range of works, from $2 million Edvard Munch prints to contemporary editions priced at $200, attracting a diverse crowd of collectors and institutional buyers.
Artist Josh Kline has sparked intense debate across the New York art world with his viral essay, "New York Real Estate and the Ruin of American Art," published in the journal October. The text serves as a scathing critique of the current state of the American art industry, diagnosing it as "sick" due to skyrocketing real estate costs, systemic power imbalances, and a market that has become an unsustainable "conveyor belt" of commercial painting. Kline argues that the economic pressures of post-pandemic New York have made the city a hostile environment for experimental and conceptual practices.
The Studio Museum in Harlem has selected Derriann Pharr, Simonette Quamina, and Taylor Simmons as its 2026 Artists-in-Residence. This cohort will be the first to work in the museum's new Bruce Llewellyn Artist in Residence Center, with their residency running from March 15 to October 15, culminating in an exhibition and publication funded by the Glenstone Foundation.
Rachel Harrison's recent exhibition "The Friedmann Equations" at Greene Naftali in New York was a highlight of 2025, featuring her signature brainy, oblique, and funny sculptures and drawings. The show included works alluding to Marcel Duchamp and his alter-ego Rrose Sélavy, as well as drawings riffing on Hans Holbein's portraits of Henry VIII and his court. During a visit to the gallery, Harrison's dealer Carol Greene handed the author a copy of Harrison's new children's book, "Hold Still, Henry!", which reproduces those Holbein-inspired drawings in a board-book format for young readers. The book is published by Rookie Books, a small press founded in 2022 by artist Camillo Paravicini of Basel, Switzerland, who has previously worked with artists like Monster Chetwynd, Martin Parr, and Nathalie Du Pasquier.
Artnet News editors compiled a list of the worst artworks they encountered in 2022, including a chaotic performance by Poncili Creación at NADA Miami, an overproduced Danish Pavilion installation by Uffe Isolotto at the Venice Biennale, and a Paul Cézanne painting at the Barnes Foundation that disappointed a critic. The article offers subjective, critical takes on these works, describing the NADA performance as bizarre and jolting, the Danish pavilion as graphic and lacking a powerful message, and the Cézanne as a disappointment within an otherwise memorable museum visit.
Sperone Westwater, the venerable New York gallery that celebrated its 50th anniversary two months ago, will close as an entity on December 31, 2025. Co-founders Angela Westwater and Gian Enzo Sperone have decided to pursue separate endeavors, affecting 28 artists and estates. The gallery, known for representing legends like Bruce Nauman and David Lynch, will continue its current Richard Long show through December 13 and attend Art Basel Miami Beach as planned. The closure follows months of rumors and comes as both partners are in their 80s.
The Museum Brandhorst in Munich has opened "Five Friends," a major exhibition exploring the interconnected creative and personal relationships among John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, and Cy Twombly. Spanning 180 works from the late 1940s through the 1970s, the show includes paintings, sculptures, costumes, musical scores, photographs, and letters, beginning with Cage's silent composition 4'33" and Rauschenberg's White Painting. It is the first exhibition to bring these five figures together, drawing on loans from Cologne's Museum Ludwig and U.S. institutions, and coincides with the centenary of Rauschenberg's birth.