Frank Stella’s eye-dazzling collection of Navajo weavings to go on view

An exhibition of Navajo (Diné) weavings from the collection of the late artist Frank Stella opens on 15 May at Peter Pap Rugs at Arader Galleries in New York City, running until 10 June. The show features 40 weavings from the 19th and early 20th centuries, acquired by Stella over four decades for their optical effects and resonance with his own work. Organized by dealer Peter Pap in collaboration with Stella’s widow Harriet McGurk, the exhibition also includes geometric drawings by Stella from the 1960s, on loan from the Frank Stella Estate.

“Primary Structures,” Turns 60

On April 28, 1966, The New York Times published a review by conservative critic Hilton Kramer of the Jewish Museum's exhibition “Primary Structures,” organized by curator Kynaston McShine. Kramer, disdainful of contemporary art, described the 42 American and British artists as rejecting personal expression and subjective inflection, yet he acknowledged the show as the first comprehensive glimpse of a style that would define the 1960s. The exhibition featured then-little-known artists including Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, Anne Truitt, John McCracken, Larry Bell, Robert Smithson, Judy Chicago, Philip King, Michael Bolus, and David Annesley, and is now recognized as the ur-survey of Minimalism—a term McShine deliberately avoided.

rana begum abstractions industrial strength

Rana Begum’s solo exhibition, "Reflection," is currently on view at the Gallery at Windsor in Vero Beach, Florida, following its debut at the SCAD Museum of Art. The exhibition showcases Begum’s signature style, which utilizes industrial materials like metal bars and reflectors to create elegant abstractions influenced by American Minimalism and Islamic architecture. The show traces her journey from a young immigrant in the UK to a Royal Academician, highlighting her ability to manipulate light and color through geometric forms.

maurizio cattelan gioni beware of yourself

Massimiliano Gioni reveals that for nearly a decade, from 1997 to 2006, he acted as Maurizio Cattelan's ghostwriter and public impersonator, writing all of Cattelan's texts, press releases, and interviews, and even giving lectures and television appearances in his place. Gioni describes how he fabricated lies and half-truths, speaking as Cattelan at universities like Yale and NYU, on Vatican Radio, and during the media storm over Cattelan's sculpture of hanged children in Milan, all for a monthly fee of $500.

whitney museum downtown preview

The Whitney Museum of American Art is preparing to open its new Meatpacking District museum, designed by Renzo Piano, on May 1. The new building will nearly double the museum's previous exhibition space, with two floors dedicated to its collection, and is expected to benefit from the millions of visitors who use the High Line. Despite past public criticism of expansions by other major New York museums like MoMA and the Frick, insiders including former MoMA curator Robert Storr and former Whitney director David Ross express strong support for the move, viewing it as a necessary and bold step forward.

kids hamptons wet paint

Artnet News's Wet Paint column announces Brian Belott's upcoming exhibition "Upside Down Zebra" at the Watermill Center in Water Mill, Hamptons, opening next week. The show features over 400 artworks made by children under age 6, including offspring of Willem de Kooning and Henry Miller, alongside 40 response pieces by contemporary artists like Robert Nava, Chris Martin, Darren Bader, Katherine Bernhardt, Carroll Dunham, and Christopher Wool. Belott draws from the archive of educator and psychologist Rhoda Kellogg, who collected over two million children's drawings, organizing works by her 20 types of scribbles.

joel peter witkin photography

Joel-Peter Witkin, the controversial photographer known for his macabre and surreal imagery, is the subject of a new exhibition titled “Joel-Peter Witkin: The World Is Not Enough” at A Gallery for Fine Photography in New Orleans. The show features a wide cross-section of his work, from early pieces like the cadaver-based still life *The Kiss* (1982) to recent works such as *The Soul Has No Gender* (2016), a portrait of a transsexual woman posed as Mary Magdalene. Witkin, a mainstay on artnet’s Top 300 list, personally prints each photograph and continues to explore themes of death, beauty, and the marginalized in society.

German artist Georg Baselitz dies aged 88

German artist Georg Baselitz has died at age 88, as confirmed by the Thaddaeus Ropac gallery. Known for his expressive paintings and sculptures, Baselitz rose to prominence in the 1960s after a scandal over sexually symbolic works led to a high-profile court case. He pioneered painting canvases upside down from 1969 onward, a technique he used to grapple with German history and collective guilt. His work spanned six decades and included notable sculptures, such as a wooden figure at the 1980 Venice Biennale that appeared to perform a Nazi salute, which he later clarified was inspired by an African artifact. Baselitz achieved international acclaim in the 1980s and became one of Germany's highest-priced living artists, alongside Gerhard Richter.

Bahar Behbahani Brings the Persian Garden to NYC

Bahar Behbahani's project "Damask Rose: A Gathering" transformed three fountains on Governors Island into a Persian garden using handwoven carpets and crocheted canopies. The event, part of Governors Island Arts's annual Interventions series, brought together over two dozen community practitioners and cultural groups for a four-hour gathering focused on storytelling, music, and art-making. The article also covers Mana Contemporary's Spring Open Studios in Jersey City, a new Gaza monument in Paterson, Sarah Lucas's public sculpture at the New Museum, and other New York-area art news.

Seoul’s new Centre Pompidou Hanwha museum opens next month—can it live up to expectations?

Seoul's new Centre Pompidou Hanwha museum will open to the public on June 4, 2025, marking the Pompidou's second Asian branch after its collaboration with Shanghai's West Bund Museum. The four-year partnership between the Hanwha Foundation of Culture and the Centre Pompidou will feature two exhibitions per year from the Pompidou collection, starting with "The Cubists: Inventing Modern Vision." The museum occupies 11,000 square meters over four floors of Hanwha Group's 63 Building, with one gallery dedicated to early 20th-century European art and another to global contemporary art with a Korean focus, curated in-house. The inaugural Korea Focus section includes local artists such as Kim Whanki and Yoo Youngkuk.

S.I. Newhouse’s 11-Foot-Wide Jackson Pollock Drip Painting Sells for Record-Breaking $181.2 M.

A Jackson Pollock drip painting, *Number 7A* (1948), formerly owned by media magnate S. I. Newhouse, sold at Christie’s on Monday night for a hammer price of $157 million, totaling $181.2 million with fees. The work, measuring nearly 11 feet wide, received over 60 bids in a 10-minute bidding war and set a new auction record for the Abstract Expressionist artist, surpassing the previous high of $61 million set in 2021. The winning bid was placed by a buyer represented by Christie’s global president Alex Rotter, with Swiss mega-dealer Iwan Wirth acting as an underbidder, possibly for collector Laurene Powell Jobs.

Frieze New York Is an Assembly-Line Salad

At Frieze New York, curator Lucien Zayan searches for artworks exploring the relationship between food and art, finding a piece by Aki Goto at Europa gallery that reflects on sugar, colonization, and cavities. The fair features works like David Lamelas's "To Pour Milk into a Glass" (1972) from Dia Art Foundation and Mungo Thomson's "Snowman" (2023) at Karma, while a performance by Kite (Oglála Lakȟóta) at the Counterpublic triennial booth offers a reprieve from the monotonous fair experience.

What is Nicole Kidman Doing in a Christie’s Video Promoting the Upcoming S.I. Newhouse Sale?

Christie’s has released a two-minute promotional video featuring actress Nicole Kidman interacting with Constantin Brancusi’s bronze sculpture *Danaïde* (1913), ahead of the S.I. Newhouse collection sale in New York. The sculpture carries a pre-sale estimate of $100 million, and the video—inspired by a Man Ray film of Lee Miller—shows Kidman dancing around the work to David Bowie’s “Golden Years.” The sale, scheduled for May 18, includes 16 masterpieces from the late media magnate’s collection, expected to total around $450 million.

The exhibitions to see in New York during Art Week 2026

Le mostre da vedere a New York durante l’Art Week 2026

The article highlights a selection of must-see exhibitions in New York during the 2026 Art Week, spanning major museums and galleries. At MoMA, three shows explore memory, identity, and artistic experimentation: Elizabeth Murray's retrospective on fragmented painting, Naufus Ramírez-Figueroa's works addressing Guatemala's civil war, and Arthur Jafa's curated connections across the museum's collection. The Whitney Museum presents the 82nd Whitney Biennial, featuring 56 artists questioning what it means to be 'American,' alongside an Andy Warhol exhibition of rarely seen polaroids from 1972-73. Hauser & Wirth debuts its first Carol Rama show, highlighting six decades of her experimental, anticonformist art.

A Joan Mitchell diptych and a rare stack by Donald Judd: our pick of the May auctions

The Art Newspaper highlights five major lots from New York's May 2025 auctions. Phillips offers Joan Mitchell's diptych 'Plain' (1989), estimated at $5-7 million, from the collection of late Miami art patron Tina Hills. Christie's presents Donald Judd's rare copper and red Plexiglas 'Untitled (Stack)' (1969), estimated at $10-15 million, from the Minimalist collection of the late Henry S. McNeil Jr. Sotheby's leads with Jean-Michel Basquiat's 'Museum Security (Broadway Meltdown)' (1983), estimated above $45 million, and Mark Rothko's 'Brown and Blacks in Reds' (1957), estimated at $70-100 million from the collection of late dealer Robert Mnuchin.

‘This is the place of dreams’: Patrizia Sandretto Re Rebaudengo’s Venetian island venue opens to public

Patrizia Sandretto Re Rebaudengo opened San Giacomo, a Venetian lagoon island she and her husband bought in 2018, to the public on May 7 during the Venice Biennale. The former military site now houses exhibition spaces in converted munitions storehouses, featuring a solo show by Matt Copson curated by Hans Ulrich Obrist, selections from the Sandretto collection with works by Michael Armitage, Sarah Lucas, Victor Man, and Lynette Yiadom-Boakye, and outdoor installations by Pamela Rosenkranz, Claire Fontaine, Hugh Hayden, and Goshka Macuga. The island also includes a chapel-like structure by Hayden and a rocket sculpture by Macuga.

How Painter Akira Ikezoe Became This Spring’s Breakout Star in New York

Japanese-born painter Akira Ikezoe has become a breakout star in New York this spring, appearing simultaneously in two prestigious exhibitions: the Whitney Biennial and MoMA PS1's Greater New York. His absurdist, diagrammatic paintings—featuring naked figures, skeletons, and dairy-centric narratives—have drawn significant attention from curators and critics. Despite lacking a New York gallery, Ikezoe is represented by Proyectos Ultravioleta in Guatemala City and was also included in the 2025 Sharjah Biennial, positioning him for rapid ascent in the art world.

Mom, I'm Gonna Be an Artist!

Hyperallergic's Saturday newsletter, edited by Valentina Di Liscia, rounds up a week of art-world activity marked by protests and resistance. Staff Writer Isa Farfan asked 15 artists to share advice from their mothers for Mother's Day, featuring responses from Pat Oleszko, whose work is in the Whitney Biennial. The newsletter also covers editor-in-chief Hakim Bishara's report on a historic strike for Palestine and workers' rights at the Venice Biennale, where dozens of national pavilions shut down, and Editor-at-Large Hrag Vartanian's review of the central exhibition "In Minor Keys." Additional stories include Damien Davis on artists and consignment agreements, Matt Stromberg on the LA Art Book Fair, a protest against Jeff Bezos at the Met Gala, MoMA PS1's upcoming Teresa Margolles survey, and a picket at the American Folk Art Museum.

In Venice, Arthur Jafa and Richard Prince Ask: What Is Appropriate to Appropriate?

Arthur Jafa and Richard Prince are showing their work together in a joint exhibition titled "Helter Skelter" at the Fondazione Prada in Venice. Curated by Nancy Spector, the show explores the artists' shared practice of appropriation, a connection that began when Prince attended the debut of Jafa's video work AGHDRA (2021) and later deepened through conversations about race, property, and self-authorization. Jafa has long admired Prince's approach, calling him "the blackest white artist I know," and the exhibition pairs their works to examine how appropriation functions differently for a Black artist versus a white artist.

Alma Allen Flops in Venice

Hyperallergic reports on the 2026 Venice Biennale, with Editor-in-Chief Hakim Bishara criticizing the U.S. pavilion's exhibition of Alma Allen's work as a disappointing departure from the previous editions' profound explorations of Indigenous life and Black sovereignty. Editor-at-Large Hrag Vartanian offers a positive review of the main exhibition "In Minor Keys," while Greta Rainbow covers a poetry procession honoring the late artistic director Koyo Kouoh. Additional stories include a review of the film "The Christophers" about an artist and forger, and news of workers at the American Folk Art Museum picketing for higher wages.

Art Movements: New Museum Names Its First Artist Studio Residents

The New Museum has named Yun Choi, Alison Kuo, and Korakrit Arunanondchai as the first artists-in-residence for its new Artist Studio, a 730-square-foot space created by the museum's OMA-designed expansion. The residencies will run from spring 2025 through winter 2027, with each artist developing new work, onsite exhibitions, and public programs. Separately, Forge Project announced its 2026 fellows—six Indigenous artists including Jay Bellis, Heidi Brandow, and Tiare Ribeaux—who will each receive $25,000 and a three-week residency. In other news, the Robert Therrien Estate has left Gagosian for David Zwirner Gallery, Laurel Nakadate won the Maud Morgan Prize, and Frieze New York revealed a staff uniform designed by artist Reika Takebayashi.

New Louvre Chief Christophe Leribault Reveals His Vision for the Museum Post-Heist

Christophe Leribault, the new director of the Louvre, has outlined his vision for the museum following a $100 million heist in October 2025. The Apollo Gallery, where the theft occurred, will reopen in July with a redesigned display that removes mineral cases to highlight its Romantic wall paintings, inspired by Versailles’s Hall of Mirrors. Empress Eugénie’s diamond-and-emerald crown, crushed by the thieves, is being restored and will become a new highlight. Security upgrades include window bars, 100 new cameras by 2026, a mobile police station, and a new security coordinator. The heist led to the resignation of former director Laurence des Cars in February.

10 Art Shows to See in Los Angeles This May

Hyperallergic's May guide for Los Angeles highlights ten art shows, including a posthumous exhibition of Celeste Dupuy-Spencer's paintings at Jeffrey Deitch, Yoko Ono's first solo museum show in Southern California at The Broad, and a survey of Richard Mayhew's abstract landscapes at Karma. Other notable shows include Joe Brainard's matchbook miniatures at Chris Sharp Gallery, Gordon Parks's musical output at the California African American Museum, and a two-venue presentation of Magdalena Suarez Frimkess's ceramics and drawings.

Biennale di Venezia 2026. Le grandi mostre da non perdere in città

The article previews major exhibitions in Venice during the 2026 Biennale, highlighting a rich lineup of shows across the city's museums and foundations. Key highlights include a retrospective for Marina Abramović at the Gallerie dell'Accademia, a Peggy Guggenheim exhibition at her former home, and dual shows at Palazzo Grassi and Punta della Dogana featuring artists like Michael Armitage, Amar Kanwar, Lorna Simpson, and Paulo Nazareth. Other notable venues include Fondazione Prada, Ca' Pesaro, and the Museo Correr, with artists ranging from Joseph Kosuth to Jenny Saville.

Pittsburgh’s burgeoning gallery community readies for its moment in art world spotlight

Pittsburgh's commercial gallery scene is experiencing a resurgence as the Carnegie International, the country's longest-running recurring exhibition, prepares to open its largest edition yet with 61 artists. Since the pandemic, several young gallerists with experience in New York and Los Angeles have opened spaces in the city, including Romance gallery (2023) by former Whitney curator Margaret Kross, and april april gallery (2024) relocated from Brooklyn by Patrick Bova and Lucas Regazzi. Longer-established galleries like Concept, Zynka, and James Gallery have welcomed these newcomers, with local figures such as collector Evan Mirapaul noting that Pittsburgh's robust arts ecosystem—including museums, universities, and nonprofits—has long lacked a strong commercial gallery presence.

Digital Art Pioneer Nancy Burson Collapses the Border Between Mysticism and Quantum Physics

Nancy Burson, a pioneering digital artist, presents her latest solo exhibition "Light Matter" at Heft Gallery in New York, featuring "Quantum Entanglement" paintings that appear as white dots on black canvases but reveal jittering forms and depth when viewed through a phone camera. The 78-year-old artist, known for her 1980s composite portraits blending faces of businessmen and movie stars, continues her exploration of perception and technology, claiming a special gift to perceive the universe's emergent energy grid. The exhibition runs through May 2.

Colleen Barry Wants You to Believe in Pictures Again

Artist Colleen Barry presents her exhibition “Iconophilia” at Half Gallery in the East Village, featuring 14 recent paintings that explore motherhood, tenderness, and the complexity of image-making. The works include mythological references like the Capitoline Wolf and juxtapositions of ancient and modern imagery, such as a portrait of Grace Jones combined with the Roman god Janus. Barry, who grew up working class in New York and learned painting from her father, aims to counter contemporary distrust of images—especially among her children—by offering a reverent, iconophilic approach to visual culture.

The Turner Prize Has Revealed Its 2026 Nominees—and Already Courted Controversy

The Turner Prize has announced its 2026 nominees: Simon Barclay, Kira Freije, Marguerite Humeau, and Tanoa Sasraku. The award, administered by Tate Britain, includes a £25,000 prize for the winner. For the first time, the nominees' exhibition will be held at Teesside University's Middlesbrough Institute of Modern Art, an academic setting. The selection has already drawn criticism for being tame and safe, with Guardian critic Eddy Frankel describing the prize as "timid" and "fearful." Tate Britain director Alex Farquharson defended the nominees, praising the diversity and sculptural focus of their work.

Gagosian to Debut New Gallery With Duchamp’s “Readymades”

Gagosian has announced that the inaugural exhibition at its new ground-level space at 980 Madison Avenue will feature the iconic "readymades" of Marcel Duchamp. Opening April 25, the show will showcase a series of 14 authorized replicas created in 1964 by Duchamp and dealer Arturo Schwarz, including famous works like "Fountain" and "Bicycle Wheel." The exhibition is timed to run concurrently with a major Duchamp retrospective at the Museum of Modern Art, the artist's first in the United States in over half a century.

The Paradoxical Delights of South America’s Biggest Art Fair

The 22nd edition of SP-Arte has opened at the Oscar Niemeyer Pavilion in São Paulo, featuring 180 exhibitors. As Latin America’s largest art fair, the event continues to serve as a critical bridge for 'South-South' artistic relationships, drawing international curators like the Met’s Brinda Kumar. Despite a slightly smaller footprint than previous years, the fair showcases a robust selection of Brazilian talent alongside international galleries navigating the country's complex market.