Photo London, the UK’s leading photography fair, is relocating

Photo London, the UK's leading photography fair, is relocating from Somerset House to the newly renovated Olympia in west London starting with its 11th edition in May 2026. The move follows a decade at Somerset House and coincides with Olympia's £1.3bn redevelopment co-designed by Heatherwick Studio and SPPARC. Director Sophie Parker cited feedback from galleries and collectors requesting a more flexible, cohesive space, while co-founder Michael Benson called the relocation a 'thrillingly adventurous reimagining' of the fair's future.

Art Gallery of Hamilton is now free to visit for the rest of the summer

The Art Gallery of Hamilton (AGH) has announced free admission for all visitors during July and August 2025 as part of a new initiative called "Hamilton Strong." The program aims to support community health and wellbeing by providing a space for healing, reflection, and connection amid financial insecurity and political anxiety. Free entry is funded by a private donor and applies during regular business hours, though the gallery remains closed on Mondays, Tuesdays, and Wednesdays. Current exhibitions include Helen McNicoll: An Impressionist Journey, Taking Root: Recent Acquisitions, and The Shape of Curiosity, along with the Zucker Sculpture Garden and AGH Creative Lab. Members receive a two-month extension, and new memberships purchased in July or August come with two extra months.

A Testimony to Survival and Hope Amid Chaos and Destruction

Vian Sora's first solo museum exhibition in the United States, 'Outerworlds,' is on view at the Santa Barbara Museum of Art (SBMA) through September 7. The exhibition features vibrant, layered abstract paintings that the artist describes as deeply personal, including 'Forest Remains,' a 2023 SBMA acquisition that she considers a self-portrait about migration and assimilation. Sora, born in Baghdad and a survivor of the Iran–Iraq War, Gulf War, and the 2003 invasion, discussed her work in a conversation with SBMA Chief Curator James Glisson, explaining how a 2015 hysterectomy led to a dramatic shift in her style toward bold, colorful compositions. The show will travel to the Speed Art Museum in Louisville and the Asia Society Texas Center after its Santa Barbara run.

Holbein drawings go back on show at Kunstmuseum Basel after almost 20 years

The Kunstmuseum Basel has reinstalled a collection of extremely fragile Hans Holbein drawings in a dedicated gallery as part of a major rehang of its 14th- to 19th-century galleries. The works, mostly preparatory studies by the Northern Renaissance painter, have not been publicly displayed for nearly 20 years and are so light-sensitive that the gallery's lighting system activates only when visitors enter. The museum's director, Elena Filipovic, notes that the drawings entered the collection in 1661 and have been kept undercover since the 1980s, last appearing in a major Holbein exhibition in 2006.

A Journey to Distant Memories, a solo-exhibition of works by Pennsylvania- based painter O’Neil Scott.

The Zillman Art Museum at the University of Maine in Bangor announces a new solo exhibition, "A Journey to Distant Memories," featuring works by Pennsylvania-based painter O'Neil Scott. Running from May 16 to September 6, 2025, the show includes never-before-seen paintings and some of the artist's largest compositions. Scott, born in Spanish Town, Jamaica, draws inspiration from memories of his youth, exploring themes of community, migration, and the passage of time through works such as "In Case of Emergency" and "Fading Promises." Admission to the museum is free in 2025 thanks to sponsor Birchbrook.

Major show of African American quilts opening at BAMPFA — despite federal funding cuts

The Berkeley Art Museum and Pacific Film Archive (BAMPFA) is opening "Routed West: Twentieth-Century African American Quilts in California" on June 8, the first major museum survey of its vast African American quilt collection. The collection, bequeathed by Oakland collector Eli Leon in 2018, includes over 3,000 quilts, with 100 featured in the exhibition. The show focuses on migration during the Second Great Migration (1940–1970) and highlights artists like National Heritage Fellow Laverne Brackens, Rosie Lee Tompkins, and Arbie Williams, alongside multi-generational quilting families. The exhibition opens despite recent federal funding cuts for conservation work on the quilts.

'Hugh Hayden: American Vernacular' at the Frye Art Museum, Seattle, WA, United States

The Frye Art Museum in Seattle will present 'Hugh Hayden: American Vernacular' from June 28 to September 28, 2025, marking the artist's first solo museum exhibition on the West Coast. The show features Hayden's meticulously crafted wooden sculptures and multimedia installations that transform everyday objects—such as designer shoes carved from tree bark and basketball hoops woven from grain stalks—into darkly humorous commentaries on identity, desire, and belonging.

Daniel Johnston: I Think, I Draw, I Am

Daniel Johnston: I Think, I Draw, I Am is the largest New York solo exhibition of work by musician and artist Daniel Johnston (1961-2019). Curated by Lee Foster, co-owner of Electric Lady Studios and Curatorial Advisor for the Daniel Johnston Trust, the show features over 300 drawings that reveal the psychological depth and formal inventiveness of Johnston's comic-inspired art. Johnston first gained fame as a lo-fi musician in Austin, Texas, in the 1980s, and his graphic art reached a national audience when Kurt Cobain wore his Hi, How Are You? T-shirt at the 1992 MTV Music Awards.

Small Formats, Great Tensions

Kleine Formate, große Spannungen

The Paper Positions art fair in Berlin is celebrating its tenth anniversary, held in the vast Tempelhof Airport hangar with around 70 galleries. The fair focuses exclusively on works on paper, showcasing artists like Kubra Khademi, whose series "Women in simple situations" features nude female bodies as acts of resistance and political visibility. Other highlights include Annegret Soltau's pierced paper works, Una Ursprung's layered collages, Dirk Krecker's typewriter compositions, and Tina Heuter's tissue-paper sculptures, alongside photography by Stefanie Moshammer and vibrant works by Madita Kloss.

85% of All US Museums Need Repairs, Study Finds

A March survey by the US Government Accountability Office (GAO) found that 85% of all US museums need repairs, with 77% having at least one structural issue endangering their collections. Federal funding does not cover construction-related expenses, and 73% of the roughly 11,900 museums surveyed reported building system or facility problems posing health or safety risks. The American Alliance of Museums noted the data aligns with years of reports from museums struggling with aging infrastructure and unpredictable funding.

Between Ruins: Zazou Roddam by Ben Broome

London-based artist Zazou Roddam explores the intersection of pop culture nostalgia and historical trauma through the manipulation of found objects and archival media. Her practice, rooted in a long-standing fascination with the 'detritus of history' found in London’s Portobello Road Market, gained significant attention following her debut solo exhibition at Brunette Coleman. Central to her recent work is the video piece 'Pop Inflection (The City)', which meticulously edits footage from 'Sex and the City' to track the architectural and psychological shifts in New York City before and after the 9/11 attacks.

That Lovely Land of Might-Have-Been at The Falstaff Project

A new group exhibition, "That Lovely Land of Might-Have-Been," opened at The Falstaff Project in El Paso, featuring works by over twenty artists including Haydee Alonso, Diamond Stingily, and Edward Thomasson. Curated by artist Miguel Bendaña, the show presents a diverse range of media, from video installations to other contemporary forms, and will run from January 29 through March 8, 2026.

Jemima Wyman

Jemima Wyman's retrospective "Deep Surface" surveys three decades of her work exploring DIY aesthetics of concealment, protest iconography, and political solidarity. Born in Sydney and based in Los Angeles since 2004, Wyman is known for collages of masked protesters, activist signage, and street rally residues, as seen in works like *Aggregate Icon (RBW)* (2016) and *Mass Monument (Y & B)* (2018). The exhibition highlights her early inspiration from Fluxus, Minimalism, and Yayoi Kusama, as well as the influence of Brisbane's late-1990s art scenes and postcolonial Indigenous Australian art debates. Wyman, who has Indigenous (Palawa) heritage, uses camouflage and disguise to blur boundaries between visibility and concealment, figure and ground.

New Exhibition at Mexico City’s Jumex Museum Draws Parallels Between Soccer and Art

The Jumex Museum in Mexico City has launched a major exhibition titled "Football & Art: A Shared Emotion," timed to coincide with the city's role as a host for the 2026 FIFA World Cup. Curated by Guillermo Santamarina, the show features a diverse array of media including sculpture, photography, and commissioned installations from renowned artists such as Jeff Koons, Graciela Iturbide, and Marta Minujín. Notable works include a sculptural installation by the collective Tercerunquinto using salvaged seats from the Azteca Stadium and an embroidered piece by Sofía Echeverri honoring the 1971 Mexico Women’s National Team.

Jack White takes first visual art exhibition to London

Musician Jack White is set to debut his first major visual arts exhibition, titled 'These Thoughts May Disappear,' at Damien Hirst’s Newport Street Gallery in London. Running from May 29 to September 13, 2026, the show features a diverse array of sculptures, interactive installations, and furniture design that White characterizes as "hardware store art." The collection draws heavily from his background in upholstery and carpentry, incorporating found objects and industrial materials like resins and epoxies.

debbie ma dmd contemporary

Debbie Ma's solo exhibition "The Language of Surface: Paintings by Debbie Ma" is on view at the Bridgehampton Museum on Long Island through December 30, 2025. The show features Ma's geometric abstractions that incorporate marble dust and impasto techniques, creating tactile surfaces that bridge visual abstraction and material investigation. Works such as "Red Between the Lines II" (2025) and "From the Earth" (2025) demonstrate her exploration of line, shape, and color while referencing Modernist movements like Abstract Expressionism and Constructivism.

In Venice, a new project aims to transform museums into living, participatory spaces

A Venezia un nuovo progetto punta a trasformare i musei in spazi vivi e partecipati

The Fondazione Musei Civici di Venezia (MUVE) has launched "Performing MUVE," a new program set to begin in spring 2026 that reimagines museums as dynamic, participatory spaces. The initiative, developed by MUVE Academy and MUVE Education, will unfold across three venues: Museo Fortuny, Casa di Carlo Goldoni, and the new MUVEC – Casa delle Contemporaneità in Mestre. The program includes four distinct projects—led by Mattia Berto, choreographer Elena Ajani, actress Sara Urban, and dancer Giulia Gemma Manfrotto—that use dance, theater, and embodied practices to transform visitors from passive observers into active participants.

The MEGA Fair-Exhibition Opens in a Former Milanese Factory: Photos and 5 Must-See Booths

In ex fabbrica di Milano ha aperto la mostra-fiera MEGA. Tutte le foto e 5 stand da non mancare

The third edition of MEGA Art Fair has opened in Milan, relocating to SPAZIO PROFUMO, a former perfume factory in the Barona district. Running from April 15 to 25, 2026, the event strategically bridges Milan Art Week and Design Week, featuring over 30 international exhibitors from Europe, Latin America, and Asia. Eschewing traditional booth structures, the fair utilizes a cohesive curatorial layout that integrates industrial archaeology with contemporary practices, including a dedicated video program and a section titled 'City of Glass.'

Directors Chosen by Internal Call Rather Than Competition: The Great Restoration of State Museums

Direttori scelti per interpello e non per concorso. La grande restaurazione dei musei statali

The Italian state museum system is undergoing a significant reversal of the landmark 2015 Franceschini reforms, which originally opened director positions to international competition and private-sector expertise. Recent appointments at major institutions like the Reggia di Caserta and the Gallerie dell’Accademia in Venice indicate a shift away from global searches toward internal ministerial assignments, effectively turning museum leadership back into a closed bureaucratic career path.

A new experimental and independent art and culture bookstore is about to open in Venice

A Venezia sta per aprire una nuova libreria d’arte e cultura sperimentale e indipendente

Rupture Arts & Books is set to open a new experimental art bookstore and cultural hub in Venice’s Santa Croce district on April 29, 2026. Moving from its previous Giudecca location to the city’s "museum quarter" near Fondazione Prada, the space will function as more than a retail outlet, incorporating an independent publishing house, a record label, and a podcast production studio. Founded by Alexandre Sap and Anne-Marie Gaultier, the project aims to redefine the contemporary reading space through a multidisciplinary approach.

Buddy Holly Center to host gallery talk, closing reception for ‘Daybook’ exhibition

The Buddy Holly Center in Lubbock, Texas, will host a closing reception and gallery talk for 'Daybook,' an exhibition of mixed media works by DFW-based artist Ashley Stecenko, on Sunday, May 17, 2026. Stecenko will lead a guided tour discussing her creative process, which combines drawing, printmaking, and quilting techniques to explore domestic spaces and personal memory. The exhibition includes her ongoing 'Little Ditties' series, where small journal-like pieces are sometimes sewn into larger patchwork compositions.

New National Galleries of Scotland chair to lead opening of Edinburgh’s The Art Works

The National Galleries of Scotland has appointed Catherine Muirden as the new Chair of the Board, effective 1 November 2025, for a four-year term. Muirden brings extensive experience from corporate roles at Barclays, Marks & Spencer, the John Lewis Partnership, and The Co-operative Group, alongside two decades of arts board service in Scotland, including as Vice Chair of Scottish Ballet and Chair of the Fruitmarket Gallery. She succeeds Benny Higgins, who led the board through a period of significant challenges. Director-General Anne Lyden expressed enthusiasm for working with Muirden to advance The Art Works, a new state-of-the-art facility in North Edinburgh that will serve as a community space, conservation center, and art storage hub, enabling broader public access to Scotland's national collection.

"36 Clicks of Mount Fuji": Photographer Julien Rocheblave Reinvents Hokusai's Legendary Prints

« 36 Clics du mont Fuji » : le photographe Julien Rocheblave réinvente les mythiques estampes d’Hokusai

French photographer Julien Rocheblave has completed a contemporary photographic reimagining of Katsushika Hokusai’s iconic print series, "Thirty-six Views of Mount Fuji." By locating the exact geographical vantage points used by the ukiyo-e master in the 1830s, Rocheblave captures the sacred mountain through a modern lens, juxtaposing Hokusai's original compositions with the realities of 21st-century Japan. The project, titled "36 Clics du mont Fuji," has been compiled into a book and will be showcased at the Rencontres d’Arles via Fisheye Gallery.

The Death of the Art School

In a faculty meeting at Purchase College in New York, an administrator referred to students as "consumers," prompting the author to reflect on the pervasive corporatization and "administrification" of American higher education. The article argues that this language reflects a broader restructuring of universities as businesses, where students are customers, knowledge is a product, and faculty are service providers. It cites data showing that between 1976 and 2011, non-faculty professional positions grew by 369% while tenure-track faculty grew by only 23%, and at Purchase College, administrator salaries rose over 45% from 2016 to 2024 while assistant professor salaries rose just 14%, with inflation at 31%.

In her Venice exhibition, Hanna Rochereau wants to archive the archive

Nella sua mostra a Venezia, Hanna Rochereau vuole archiviare l’archivio

Hanna Rochereau (Paris, 1995) presents her first solo exhibition in Italy, titled "Data Divas," at Mare Karina gallery in Venice. The show explores archival systems through a dialogue between painting and sculpture: canvases depict orderly shelves and filing cabinets filled with impenetrable boxes, while sculptural elements—tailor's mannequins, scattered papers, open drawers—introduce disorder. Rochereau uses a restrained palette of white and wood tones, referencing early 20th-century cubist and metaphysical art, particularly Morandi. The exhibition runs until July 18, 2026.

Un big della fotografia del Novecento è in mostra a Venezia: tanti scatti inediti

A major exhibition dedicated to 20th-century photography master Horst P. Horst has opened at Le Stanze della Fotografia on San Giorgio Maggiore Island in Venice. Titled "La Geometria della Grazia" (The Geometry of Grace), it is the largest and most significant show ever devoted to the photographer, featuring over 400 works—about half of which are exhibited for the first time. The display pairs original vintage prints with archival materials such as period magazines, preparatory drawings, sketches, letters from Coco Chanel and Salvador Dalí, and slide projections. The exhibition is organized into eight sections exploring Horst's constant search for balance and proportion, moving beyond his famous fashion photography for Vogue to highlight the classical and modernist influences in his work.

Un’importante collezione tedesca d’arte per la prima volta in mostra in Italia a Venezia

The Kelterborn Collection, a German private collection focused on video art and experimental installations, will be exhibited in Italy for the first time at Venice's Contemporary Forces platform from May 7 to September 27, 2026. The exhibition, titled "Who’s a good boy??," is curated by Anastasia Stravinsky and Mario von Kelterborn in collaboration with IKT – International Association of Curators of Contemporary Art, and features works by twelve artists including Joseph Beuys, Gary Hill, Laure Prouvost, and Ulay. The show aligns with the theme of the 61st Venice Biennale, exploring power "in minor keys."

Are the Visitors' Lions at the Venice Biennale an Opportunity for Art Criticism? Let's Seize It?

I Leoni dei Visitatori alla Biennale di Venezia sono un’opportunità per la critica d’arte. Cerchiamo di coglierla?

The article discusses the newly instituted "Leoni dei Visitatori" (Visitors' Lions) at the Venice Biennale, established after the resignation of the International Jury. The author, Alberto Villa, argues that this change shifts significant influence to art media and critics, as visitors will rely on reviews and recommendations from specialized magazines, websites, and social media to decide which pavilions to prioritize. Villa calls on critics to embrace this responsibility with heightened critical rigor, seeing it as an opportunity to revive the mediating role of art criticism.

Fellow Painters and Also Friends. Zandomeneghi and Degas Are on Show in Rovigo

Colleghi pittori e anche amici. Zandomeneghi e Degas sono in mostra a Rovigo

Palazzo Roverella in Rovigo is hosting the exhibition "Zandomeneghi e Degas. Impressionismo tra Firenze e Parigi," curated by Francesca Dini. The show brings together works by Italian 19th-century painter Federico Zandomeneghi and French Impressionist Edgar Degas, featuring about fifteen paintings and sculptures by Degas alongside works by Zandomeneghi. It explores their friendship, mutual artistic influence, and shared commitment to realism, tracing their connections from Florence's Caffè Michelangiolo to Paris, where their paths fully converged. Themes such as dance and the nude are highlighted, with works like Degas's "Classe de ballet" (1888) and Zandomeneghi's "Visita in camerino" and "Donna che si asciuga" on view.

Andrea Pazienza is alive! A major exhibition opening at MAXXI shouts it

Andrea Pazienza è vivo! Lo urla una importante mostra in apertura al MAXXI

The MAXXI museum in Rome is opening a major exhibition titled "Non sempre si muore" dedicated to Andrea Pazienza, the legendary Italian underground comic artist. Curated by Giulia Ferracci and Oscar Glioti, the show opens on April 24, 2026, and runs until September 27, 2026. It features over 500 original drawings, including a monumental mural Pazienza created live at the 1987 Fiera del Fumetto in Naples, recently restored by the museum. The exhibition is the second chapter of a larger research project by MAXXI, following the earlier show "La matematica del segno" at MAXXI L'Aquila, which focused on Pazienza's formative years. The title quotes a phrase Pazienza said in 1988 to British host Clive Griffiths shortly before his death, underscoring the enduring vitality of his work.