The MEGA Fair-Exhibition Opens in a Former Milanese Factory: Photos and 5 Must-See Booths

In ex fabbrica di Milano ha aperto la mostra-fiera MEGA. Tutte le foto e 5 stand da non mancare

The third edition of MEGA Art Fair has opened in Milan, relocating to SPAZIO PROFUMO, a former perfume factory in the Barona district. Running from April 15 to 25, 2026, the event strategically bridges Milan Art Week and Design Week, featuring over 30 international exhibitors from Europe, Latin America, and Asia. Eschewing traditional booth structures, the fair utilizes a cohesive curatorial layout that integrates industrial archaeology with contemporary practices, including a dedicated video program and a section titled 'City of Glass.'

Directors Chosen by Internal Call Rather Than Competition: The Great Restoration of State Museums

Direttori scelti per interpello e non per concorso. La grande restaurazione dei musei statali

The Italian state museum system is undergoing a significant reversal of the landmark 2015 Franceschini reforms, which originally opened director positions to international competition and private-sector expertise. Recent appointments at major institutions like the Reggia di Caserta and the Gallerie dell’Accademia in Venice indicate a shift away from global searches toward internal ministerial assignments, effectively turning museum leadership back into a closed bureaucratic career path.

A new experimental and independent art and culture bookstore is about to open in Venice

A Venezia sta per aprire una nuova libreria d’arte e cultura sperimentale e indipendente

Rupture Arts & Books is set to open a new experimental art bookstore and cultural hub in Venice’s Santa Croce district on April 29, 2026. Moving from its previous Giudecca location to the city’s "museum quarter" near Fondazione Prada, the space will function as more than a retail outlet, incorporating an independent publishing house, a record label, and a podcast production studio. Founded by Alexandre Sap and Anne-Marie Gaultier, the project aims to redefine the contemporary reading space through a multidisciplinary approach.

Buddy Holly Center to host gallery talk, closing reception for ‘Daybook’ exhibition

The Buddy Holly Center in Lubbock, Texas, will host a closing reception and gallery talk for 'Daybook,' an exhibition of mixed media works by DFW-based artist Ashley Stecenko, on Sunday, May 17, 2026. Stecenko will lead a guided tour discussing her creative process, which combines drawing, printmaking, and quilting techniques to explore domestic spaces and personal memory. The exhibition includes her ongoing 'Little Ditties' series, where small journal-like pieces are sometimes sewn into larger patchwork compositions.

"36 Clicks of Mount Fuji": Photographer Julien Rocheblave Reinvents Hokusai's Legendary Prints

« 36 Clics du mont Fuji » : le photographe Julien Rocheblave réinvente les mythiques estampes d’Hokusai

French photographer Julien Rocheblave has completed a contemporary photographic reimagining of Katsushika Hokusai’s iconic print series, "Thirty-six Views of Mount Fuji." By locating the exact geographical vantage points used by the ukiyo-e master in the 1830s, Rocheblave captures the sacred mountain through a modern lens, juxtaposing Hokusai's original compositions with the realities of 21st-century Japan. The project, titled "36 Clics du mont Fuji," has been compiled into a book and will be showcased at the Rencontres d’Arles via Fisheye Gallery.

New National Galleries of Scotland chair to lead opening of Edinburgh’s The Art Works

The National Galleries of Scotland has appointed Catherine Muirden as the new Chair of the Board, effective 1 November 2025, for a four-year term. Muirden brings extensive experience from corporate roles at Barclays, Marks & Spencer, the John Lewis Partnership, and The Co-operative Group, alongside two decades of arts board service in Scotland, including as Vice Chair of Scottish Ballet and Chair of the Fruitmarket Gallery. She succeeds Benny Higgins, who led the board through a period of significant challenges. Director-General Anne Lyden expressed enthusiasm for working with Muirden to advance The Art Works, a new state-of-the-art facility in North Edinburgh that will serve as a community space, conservation center, and art storage hub, enabling broader public access to Scotland's national collection.

The Death of the Art School

In a faculty meeting at Purchase College in New York, an administrator referred to students as "consumers," prompting the author to reflect on the pervasive corporatization and "administrification" of American higher education. The article argues that this language reflects a broader restructuring of universities as businesses, where students are customers, knowledge is a product, and faculty are service providers. It cites data showing that between 1976 and 2011, non-faculty professional positions grew by 369% while tenure-track faculty grew by only 23%, and at Purchase College, administrator salaries rose over 45% from 2016 to 2024 while assistant professor salaries rose just 14%, with inflation at 31%.

In her Venice exhibition, Hanna Rochereau wants to archive the archive

Nella sua mostra a Venezia, Hanna Rochereau vuole archiviare l’archivio

Hanna Rochereau (Paris, 1995) presents her first solo exhibition in Italy, titled "Data Divas," at Mare Karina gallery in Venice. The show explores archival systems through a dialogue between painting and sculpture: canvases depict orderly shelves and filing cabinets filled with impenetrable boxes, while sculptural elements—tailor's mannequins, scattered papers, open drawers—introduce disorder. Rochereau uses a restrained palette of white and wood tones, referencing early 20th-century cubist and metaphysical art, particularly Morandi. The exhibition runs until July 18, 2026.

Un big della fotografia del Novecento è in mostra a Venezia: tanti scatti inediti

A major exhibition dedicated to 20th-century photography master Horst P. Horst has opened at Le Stanze della Fotografia on San Giorgio Maggiore Island in Venice. Titled "La Geometria della Grazia" (The Geometry of Grace), it is the largest and most significant show ever devoted to the photographer, featuring over 400 works—about half of which are exhibited for the first time. The display pairs original vintage prints with archival materials such as period magazines, preparatory drawings, sketches, letters from Coco Chanel and Salvador Dalí, and slide projections. The exhibition is organized into eight sections exploring Horst's constant search for balance and proportion, moving beyond his famous fashion photography for Vogue to highlight the classical and modernist influences in his work.

Un’importante collezione tedesca d’arte per la prima volta in mostra in Italia a Venezia

The Kelterborn Collection, a German private collection focused on video art and experimental installations, will be exhibited in Italy for the first time at Venice's Contemporary Forces platform from May 7 to September 27, 2026. The exhibition, titled "Who’s a good boy??," is curated by Anastasia Stravinsky and Mario von Kelterborn in collaboration with IKT – International Association of Curators of Contemporary Art, and features works by twelve artists including Joseph Beuys, Gary Hill, Laure Prouvost, and Ulay. The show aligns with the theme of the 61st Venice Biennale, exploring power "in minor keys."

Are the Visitors' Lions at the Venice Biennale an Opportunity for Art Criticism? Let's Seize It?

I Leoni dei Visitatori alla Biennale di Venezia sono un’opportunità per la critica d’arte. Cerchiamo di coglierla?

The article discusses the newly instituted "Leoni dei Visitatori" (Visitors' Lions) at the Venice Biennale, established after the resignation of the International Jury. The author, Alberto Villa, argues that this change shifts significant influence to art media and critics, as visitors will rely on reviews and recommendations from specialized magazines, websites, and social media to decide which pavilions to prioritize. Villa calls on critics to embrace this responsibility with heightened critical rigor, seeing it as an opportunity to revive the mediating role of art criticism.

Fellow Painters and Also Friends. Zandomeneghi and Degas Are on Show in Rovigo

Colleghi pittori e anche amici. Zandomeneghi e Degas sono in mostra a Rovigo

Palazzo Roverella in Rovigo is hosting the exhibition "Zandomeneghi e Degas. Impressionismo tra Firenze e Parigi," curated by Francesca Dini. The show brings together works by Italian 19th-century painter Federico Zandomeneghi and French Impressionist Edgar Degas, featuring about fifteen paintings and sculptures by Degas alongside works by Zandomeneghi. It explores their friendship, mutual artistic influence, and shared commitment to realism, tracing their connections from Florence's Caffè Michelangiolo to Paris, where their paths fully converged. Themes such as dance and the nude are highlighted, with works like Degas's "Classe de ballet" (1888) and Zandomeneghi's "Visita in camerino" and "Donna che si asciuga" on view.

Andrea Pazienza is alive! A major exhibition opening at MAXXI shouts it

Andrea Pazienza è vivo! Lo urla una importante mostra in apertura al MAXXI

The MAXXI museum in Rome is opening a major exhibition titled "Non sempre si muore" dedicated to Andrea Pazienza, the legendary Italian underground comic artist. Curated by Giulia Ferracci and Oscar Glioti, the show opens on April 24, 2026, and runs until September 27, 2026. It features over 500 original drawings, including a monumental mural Pazienza created live at the 1987 Fiera del Fumetto in Naples, recently restored by the museum. The exhibition is the second chapter of a larger research project by MAXXI, following the earlier show "La matematica del segno" at MAXXI L'Aquila, which focused on Pazienza's formative years. The title quotes a phrase Pazienza said in 1988 to British host Clive Griffiths shortly before his death, underscoring the enduring vitality of his work.

A Baroque Too Baroque: Reflections on the Colossal Exhibition in Forlì

Un Barocco troppo barocco. Riflessioni sulla colossale mostra di Forlì

A massive exhibition titled "Barocco: il gran teatro delle idee" (Baroque: The Grand Theater of Ideas) is on view at the Museo Civico San Domenico in Forlì, Italy. The show, curated by a committee of six, ambitiously attempts to define the Baroque across the 17th and 18th centuries, extending its scope to include France and Spain, and even suggesting its echoes in the 20th century. It features approximately 300 works, including paintings, sculptures, and decorative arts.

The Kenyan artist who was a revelation at the last Biennale is on show at Masaccio's house in Tuscany

L’artista del Kenya rivelazione all’ultima Biennale è in mostra alla casa di Masaccio in Toscana

Kenyan artist Agnes Waruguru, a breakout star of the most recent Venice Biennale, is presenting her first solo museum exhibition in Italy. Titled 'From What We Are,' the show is curated by Alessandro Romanini and is on view at the Centro per le arti contemporanee Casa Masaccio in San Giovanni Valdarno, Tuscany.

Clouds and Their Multiple Meanings Take Center Stage at an Exhibition in Piacenza

Le nuvole e i suoi molteplici significati finiscono al centro di una mostra a Piacenza

The XNL Piacenza contemporary art center has launched "Oltre le nuvole. Beyond the Clouds," a multidisciplinary exhibition running through July 5, 2026. Curated by Chiara Gatti, Paola Pedrazzini, and Gianmarco Romiti, the project explores the cloud as a symbolic and shifting element across art history, literature, cinema, and music. Featuring works by twenty contemporary artists including Piero Manzoni, Mario Schifano, and Leandro Erlich, the show integrates site-specific installations with a 3D auditory landscape and theatrical performances.

WUF13: Director of National Art Museum explains how art shapes cities and urban change [INTERVIEW]

At the 13th session of the World Urban Forum (WUF13) in Baku, Shirin Malikova, director of the Azerbaijan National Art Museum, gave an interview discussing how art reflects and shapes urban development. She cited historical examples such as Bernardo Bellotto's 18th-century vedute paintings, which were used to reconstruct Warsaw's historic center after WWII, and the Eiffel Tower, originally a temporary installation that became a permanent symbol of Paris. The museum also presented an exhibition at the forum focusing on Baku's transformation across different eras, highlighting how art captures the multilayered history and cultural identity of cities.

TOXIC’s ‘ALWAYS EVER SINCE 83’ brings four decades of uncompromising practice to Woodbury House

Torrick Ablack, known as TOXIC, will present a major solo exhibition titled 'ALWAYS EVER SINCE 83' at Woodbury House in London from 14th May to 26th June 2026. The show features new paintings alongside rarely seen early works dating back to 1983, marking what the gallery calls a long-overdue recognition of TOXIC's career. TOXIC emerged from the downtown New York scene of the early 1980s alongside figures like Jean-Michel Basquiat, Keith Haring, and Rammellzee, and participated in the landmark Post-Graffiti exhibition at Sidney Janis Gallery in 1983. The exhibition positions 1983 as a psychological and artistic turning point, tracing over four decades of his uncompromising practice.

Carole Harris’ Origin Story in “This Side of the River” at MOCAD

The article reviews Carole Harris's solo exhibition "This Side of the River" at the Museum of Contemporary Art Detroit (MOCAD), curated by Abel Gonzalez Fernandez. The show features twenty fiber pieces and archival materials spanning from 1966 to the present, tracing Harris's creative evolution and her responses to Detroit's social and urban changes. It highlights early works like "Potpourri" (1976) and "Black Jack" (1976) from her 1977 debut at Gallery 7, a Black Power-era space founded by Charles McGee, and later pieces such as "Down the Road a Piece" (2003) that mark her shift toward improvisational, abstract compositions.

Exhibition | Merlin James, 'See Through' at P420, Bologna, Italy

The gallery P420 in Bologna has opened "See Through," the second solo exhibition by Welsh artist Merlin James. The show features a non-linear curation that blends works from different decades, ranging from landscapes and interiors to erotic scenes and near-abstract compositions. James’s approach treats the exhibition as a "jam session," where visual and thematic repetitions provide a structure for diverse painterly explorations.

‘House of Galleries (Volume 11)’: Niquu Eyeta and Ghizlane Sahli in a Shared Field of Care, Memory, and Material Becoming.

Artists Niquu Eyeta and Ghizlane Sahli are featured in a dual presentation titled ‘House of Galleries (Volume 11),’ showcased by the gallery Sakhile&Me. The exhibition creates a dialogue between Eyeta’s organic compositions, which utilize plant pigments and clay, and Sahli’s intricate 'alveoli' structures made from silk and repurposed plastic. Both artists emphasize the concept of material as a living archive, focusing on themes of ecological consciousness, ritualistic repetition, and the reanimation of discarded matter.

art knight foundation kristina newman scott miami

Cultured magazine profiles Kristina Newman-Scott, the newly appointed Vice President for Arts at the Knight Foundation, ahead of Miami Art Week. Newman-Scott, a former practicing artist who led Connecticut's Office of the Arts and State Historic Preservation Office, discusses her career journey and her vision for integrating culture into community development. The article also highlights Maribel Pérez Wadsworth, Knight's President and CEO since 2023, and the foundation's $485 million investment in arts and culture over the past two decades.

Katie DeGroot: The Arboreal Life

Katie DeGroot's exhibition "The Arboreal Life" at Kathryn Markel Fine Arts in New York (April 2–May 9) presents tree paintings that anthropomorphize branches into human-like figures. Works such as "Chit Chat" (2026) and "Family Matters" (2025) depict trees leaning, gesturing, and tangling in ways that suggest intimate relationships, arguments, and familial bonds. DeGroot, who moved from New York City to a farm in upstate Fort Edward, began using fallen branches as models after lacking human subjects, developing compositions that emphasize color, texture, and the interplay of fungi and lichen. Her use of opaque and translucent watercolors balances natural observation with poetic interpretation.

Exhibition | Jens FÄNGE, 'Antechamber' at Perrotin, New York, United States

Perrotin New York presents 'Antechamber,' an exhibition of over twenty new paintings by Swedish artist Jens Fänge. The works feature distorted, labyrinthine interiors populated by people, animals, and mannequins, using layered materials like oil, vinyl, linen, and burlap to create compositions that blur the line between figuration and abstraction. Recurring motifs such as doors, windows, halos, and locusts shift meaning across the show, which draws inspiration from Hans Christian Andersen's fairytales and Nathanael West's surrealist novels.

'Intellectual Structures: Trigger, Judgment, and Decision' at Each Modern, Taipei, Taiwan on 25 Apr–6 Jun 2026

The group exhibition 'Intellectual Structures: Trigger, Judgment, and Decision' at Each Modern in Taipei explores the cognitive processes behind artistic creation. Featuring works by DAZHI, Ding Hongdan, Jing Ao, Liang Yuanwei, Wenjue, and Xu Qu, the show examines how human thought remains distinct from artificial intelligence by focusing on the 'neural algorithms' of the brain. The curatorial framework breaks down the creative act into three stages: the initial sensory trigger, the critical judgment between experience and transcendence, and the final decision that collapses multiple possibilities into a singular work.

'Time in the Interstices' at Whitestone Gallery, Beijing, China on 25 Apr–6 Jun 2026

Whitestone Gallery in Beijing will present the group exhibition 'Time in the Interstices' from April 25 to June 6, 2026. The show features four Korean artists—Soonik Kwon, Seungtaik Jang, Kim Deok Han, and Lee Chae—whose painting practices explore time as an internal, structural element of the work, rather than a linear narrative or backdrop.

Studio Sessions: Lauren Boilini

Seattle-based artist Lauren Boilini has reached a significant career milestone with the simultaneous opening of her first museum exhibition at the San Juan Islands Museum of Art and her first solo gallery show, "The Good Death," at J. Rinehart Gallery. Boilini’s practice is rooted in deep scientific research, including residencies at biological stations and insectariums, which she translates into large-scale, frenetic paintings of animals and ecosystems. Her current work explores the intersection of animal behavior and the human condition through dense, layered compositions that blur the lines between struggle and pattern.

Fifteen must-see design events during Mexico City art week 2026

Mexico City's annual art week, anchored by the Zona Maco fair, is expanding its focus to include a significant design component in 2026. The event features 15 highlighted design-focused exhibitions and installations, including site-specific shows in modernist houses, a dedicated collectible design category at Zona Maco, and exhibitions by international names like Lee Broom and Lanza Atelier.

Two Openings Signal Manila’s ‘New Wave of Cultural Activity’

Gajah Gallery, founded in 1996 and already operating in Singapore, Jakarta, and Yogyakarta, opened a new space in Mandaluyong, Manila, in November. Its inaugural exhibition, "Confabulations, A Fantasy of the Real," curated by Joyce Toh, features Filipino artists such as BenCab, Leslie de Chavez, and Kiri Dalena alongside peers from Indonesia, Singapore, and Malaysia, including a bronze sculpture by Marina Cruz produced at the gallery's Yogya Art Lab. Separately, Ames Yavuz, with spaces in London, Singapore, and Sydney, presented a pop-up group show, "Hold Everything Dear," in Makati, displaying over 50 Filipino artists and collectives. Both openings signal a surge in international gallery interest in Manila ahead of the Manila Art Fair in February 2026.

Signal Space Gallery for Digital Art to Launch in Prague

Signal Space, a new permanent gallery dedicated to digital art, will open in Prague's Neo-Renaissance Market Hall on September 30, 2025. Launched by the collective behind the Signal Festival, the inaugural exhibition, "Echoes of Tomorrow," features eight artworks including pieces by Playmodes Studio, Shohei Fujimoto, Quayola, and Max Cooper. The gallery aims to offer deeper engagement with digital media beyond typical screen-based content, with a program that also includes DJ sets, live performances, and lectures on creative coding.