A West Side co-op building originally built for artists and later converted into offices is being transformed into a luxury condominium called Parc Beaufort. The building, located in a historic New York arts district, once housed a vibrant community of creatives before commercial use took over.
Air de Paris, a highly influential Parisian gallery known for representing many of the most significant contemporary artists, has become one of the earliest supporters of Contemporary Art Daily's parent organization, Contemporary Art Library. The announcement, made by Contemporary Art Daily, highlights Air de Paris's pioneering role in elevating the gallerist's activities into a form of artistic expression, and positions the gallery as a model for the entire field.
Iran’s participation in the 61st Venice Biennale remains uncertain after a public contradiction emerged between the Biennale Foundation and Iran’s Ministry of Culture and Islamic Guidance (MCIG). The Biennale Foundation had announced that Iran would not participate in the 2026 edition, curated by Koyo Kouoh, but Aydin Mahdizadeh Tehrani, director general of visual arts at the MCIG and commissioner of the Iranian Pavilion, stated in an interview with the Iranian Students’ News Agency (ISNA) that Iran never submitted a withdrawal letter. Instead, Iran requested more time and sent a letter on May 10 asking for the pavilion to open even if ineligible for prizes. Mahdizadeh Tehrani cited the US-Israel war with Iran as causing currency fluctuations that nearly tripled projected costs, complicating prior agreements, and noted that Iran had proposed a shorter exhibition period, which the Biennale rejected.
La Casa Encendida in Madrid has opened "Fundación," a site-specific sculptural installation by Brazilian artist Marlon de Azambuja. The work transforms one of the building's central towers into a walk-through sculpture, curated by Bruno Leitão. Using materials and gestures that modify existing architecture, the installation explores the concept of "founding" as a search for foundational knowledge, questioning divisions between reason and sensation while positioning the exhibition space as an experiential environment. The piece is on view until September 27, 2026.
BUILDING Gallery in Milan has opened "Tempo e passione," the first posthumous exhibition dedicated to Giovanni Campus (1929–2025), who died less than five months ago at nearly 100 years old. Curated by Marco Meneguzzo, the two-floor show spans Campus’s career from his Sardinian roots to his Milanese performances, featuring works that measure space using materials like springs and cords, alongside vintage video documentation of his actions in Piazza Palazzo Reale and Sardinia.
Stefano Boeri Architetti has been commissioned to transform a former ATAC bus depot in Rome's Prati-Delle Vittorie district into a multifunctional hub called Depositi delle Vittorie. The project, owned by the family behind the Fondazione Memmo, will convert the 16,000-square-meter disused site into a mixed-use complex featuring commercial, cultural, and leisure spaces, along with a 8,000-square-meter rooftop park suspended 15 meters high that will host art installations. Construction is set to begin in late 2027 and conclude by 2030.
TAILOR, the vertical newsletter from Artribune exploring the intersections of art and fashion, returns on Sunday, May 17, 2026. The upcoming issue focuses on "Science Fashion," an event held from May 13 to 15 at the MACRO – Museo d'Arte Contemporanea di Roma, curated by Dobrila Denegri, which investigates relationships between fashion, science, and new technologies. The newsletter also examines the rapid spread of the non-color white in fashion and design as a response to pandemic, crisis, and geopolitical tensions, offering analytical content for professionals, students, and enthusiasts.
The IPER Festival delle periferie returns to Rome's Quadraro neighborhood for its fifth edition, titled "Super Lieux (Super luoghi) Periferie. Storie e geografie." Running until May 31, the festival features conferences, roundtables, study days, talks, exhibitions, and performances. A highlight is "Überlagerungen," a diffuse art review curated by Spazio Y that animates the Quadraro Vecchio district on May 16 with actions, installations, and shows from 4 PM to 11 PM. Participating venues include Spazio Kina, vineria Moggio, and osteria Grandma, with works by artists such as Lucia Bricco, Giulio Cassanelli, Felice Levini, and many others.
The Torre Grimaldina, a medieval tower in Genoa's Palazzo Ducale, has reopened after extensive restoration and safety upgrades funded by Italy's PNRR (National Recovery and Resilience Plan). Built in the late 13th century as a symbol of municipal power, the tower later served as a prison for political dissidents, including Risorgimento patriots and anti-fascist activists, as well as the violinist Niccolò Paganini. The restoration has preserved historic graffiti and inscriptions left by inmates, while reopening the tower's belvedere offering panoramic views of the city.
Triennale Milano, in collaboration with Qatar Museums, has launched a new educational program for recent graduates from Qatari universities. The initiative began with a selection call overseen by representatives of Design Doha, followed by a residency in Milan starting April 20. Five graduates—Reema Abu Hassan, Abdulrahman Al Muftah, Adriane de Souza, Maryam Hashim, and Meryem Omerspahic—participated in workshops, studio activities, and meetings during Milan Design Week. An open discussion about their experience will be held at Triennale on May 15 at 6 PM, featuring the participants and the bootcamp team.
Chi è il nuovo Ministro della Cultura in Ungheria nel primo governo post-Orbán? Il profilo di Zoltán Tarr
Zoltán Tarr è stato nominato Ministro delle Relazioni Sociali e della Cultura nel primo governo post-Orbán in Ungheria, guidato dal nuovo Primo Ministro Peter Magyar. Tarr, 52 anni, ex pastore della Chiesa riformata ungherese ed europarlamentare per il PPE, ha promesso di ripristinare la libertà d'espressione e smantellare il sistema di favoritismi politici nella cultura, dopo 16 anni di governo autoritario di Viktor Orbán.
Intervista all’artista del Padiglione Danese della Biennale di Venezia 2026 che ha messo in scena i porno divi
The Danish Pavilion at the 2026 Venice Biennale presents "Things to Come," a project by artist Maja Malou Lyse (b. 1993, Denmark), curated by Chus Martínez. The installation combines a three-channel video developed with DIS, materials from Cryos (the world's largest sperm bank), and performers from the porn industry, embedding them within the pavilion's architecture to explore the convergence of pornography, biotechnology, desire, and visual culture as a single system of imaginary production.
Intervista alle curatrici che hanno portato l’Italia alla Craft Week di Londra
Amalia di Lanno and Valeria Zerbo, founders of the London-based curatorial platform Avant Craft, are bringing Italian ceramics to the London Craft Week for the first time. Their exhibition, "Contemporary Perspectives on Italian Ceramics," showcases a selection of independent Italian artists and designers who explore ceramics as a material investigation, sculptural experimentation, and cultural continuity. The show opens on May 14 with a "Meet a Master" event featuring artist Riccardo Monachesi, marking the official kickoff of Avant Craft.
From May 13 to 15, 2026, the MACRO – Museo d’Arte Contemporanea di Roma will host "Science Fashion," an event curated by Dobrila Denegri that explores the intersections of fashion, science, and new technologies. The program brings together international researchers and practitioners in experimental fashion to discuss urgent issues such as climate emergency, energy, and interspecies coexistence. It is part of the broader multi-year initiative "Experiments in Fashion and Art," launched in 2024 with "Critical Fashion," and involves collaborations with NABA, Sapienza University of Rome, and UnitelmaSapienza.
Come cambiano le aste d’arte se online tutto sembra un video game?
The article examines how digital infrastructure has transformed art auctions from exclusive in-person rituals into real-time competitive interfaces. Online sales, which peaked during the pandemic, now account for about 16% of the global art market in 2025 (down from 18% in 2024), according to the Art Market Report by Art Basel and UBS. Digital tools enable instant bidding, global streaming, and discreet participation, allowing collectors to compete without physical presence. The piece highlights the gamification of auctions, noting that ArtTactic has launched Art Forecaster, a platform where users predict auction prices in tournament-style competitions, blending market engagement with ludic elements.
Il fotografo Valerio Minato colpisce ancora. Lo straordinario scatto della luna rossa allineata con lo skyline di Milano: “ho atteso per 5 anni”
Italian photographer Valerio Minato captured a striking image on May 2, 2026, showing a giant red moon aligned with Milan's skyline, including the Porta Garibaldi skyscrapers and the Duomo with its Madonnina. The photograph, which went viral, was the result of a five-year pursuit involving astronomical calculations, multiple location scouting across northwestern Italy, and precise timing to align the moon with the city's landmarks. A Ryanair Boeing 737-800 crossing the lunar disk added an unexpected cinematic element.
Gli effetti percettivi dei dipinti di Alessandro Gioiello sono in mostra a Roma
Alessandro Gioiello's solo exhibition "Pensieri Sparsi" is on view at Galleria Richter Fine Art in Rome, featuring oil-on-canvas works such as "Broken Flowers" (2026), "Quarantatreesimo" (2025), and "Tiscert" (2026). The show presents a stream-of-consciousness approach where color and composition emerge from a lengthy process of selection and transformation, inviting viewers to reconstruct meaning through the creative gesture rather than a linear narrative.
At the 2026 Venice Biennale, two seagulls built a nest in front of the Polish Pavilion in the Giardini. Organizers chose to protect the nest with a small fence and a sign, turning it into an unofficial "Nature Pavilion." The birds share incubation duties equally, drawing large crowds who pause to watch their cooperative behavior amid the Biennale's intense geopolitical tensions, including protests against the Russian Pavilion, pro-Palestinian actions, and debates over Israel's cultural role.
A Roma è nato un nuovo spazio culturale che lavora sulla memoria della città (anche attraverso le cartoline)
A new cultural space called URBS has opened in Rome's Testaccio district, founded by architect Andrea D'Antrassi in collaboration with Giovanni Colombara. The space debuted in 2024 as "The Smallest Museum by URBS," a 20-square-meter venue housing over 1,600 historical postcards of the city, creating a visual archive spanning different eras. The museum also hosts temporary exhibitions, such as the current show "Not Mine, Not Yours" by Iranian artist Mehrdad Shadrooh, curated by Barbara Blasi, which draws from a family video-photo archive covering over eighty years of history. A commercial space has also been opened in Trastevere.
Method Delhi is presenting 'Slow Rot', a group exhibition featuring ten contemporary Indian artists whose works explore human fragility, psychological unrest, and the grotesque. The show runs from May 9 to July 3, 2026, at Method's New Delhi space in Defence Colony, with free entry. Participating artists include Aditya Dhabhai, Dhruvi Jain, M. Imran Ahamed, Milan Sharma, Mitali Das, Priyesh T., Revant Dasgupta, Riya Chandwani, Sajid Wajid Shaikh, and Tithi Das, working across painting, sculpture, and mixed media.
A new exhibition titled 'Seen/Unseen' has opened at the Midland Cultural Centre in Ontario, curated by Gayle Fortin. It features immersive fibre installations, atmospheric landscapes, and abstract works by four artists from The October Collective: Charlotte Williams, Amy Bagshaw, Pauline Bradshaw, and Lindsay Smail. Highlights include Bagshaw's site-specific fibre installation using industrial materials, an interactive 'Grounded Echoes Cairn' where visitors add inscribed stones, and QR codes linking to artists' stories. The exhibition runs alongside a Members' Exhibition and a community mural celebrating Quest Art School + Gallery's 30th anniversary.
The article describes an exhibition titled 'The Flowers of Coromandel' by artist Su Meng-Hung, held at Tina Keng Gallery in Taipei, Taiwan. The exhibition showcases Su Meng-Hung's works, likely exploring themes related to the historical Coromandel Coast and its cultural intersections, presented through the artist's unique visual language.
Artist Avi Amesbury has opened her new exhibition, 'Shifting Perspectives: The Self Reconciliation Project', at Bundaberg Regional Art Gallery in Australia. The show combines ceramics, mixed media, and sound to explore her personal family history as a descendant of white settler colonists in Western Australia. Over three years, Amesbury traveled across the country for residencies at Fremantle Arts Centre and Central Craft in Alice Springs, collecting wild clays and collaborating with composer MJ from Those Who Ride With Giants to incorporate poems, writings, and landscape sounds into the installation.
The Polish Institute in Paris is participating in the 25th edition of Nuit Blanche on June 6-7, 2026, with a program featuring photographer and war correspondent Agata Grzybowska, who will give an artist talk titled "Everyone deserves their own story," followed by a guided tour of an exhibition by Anglo-Polish photojournalist Chris Niedenthal. The event runs from 8 p.m. to 11 p.m., offering free access to the public as part of the citywide contemporary art festival.
The Doosan Yonkang Foundation has joined as a sponsor of the Korean Pavilion at the 61st Venice International Art Exhibition, held at Giardini Park in Italy until November 22. The pavilion, themed "Haebang Space," explores political and social changes in Korean society since liberation in 1945. Artistic Director Choi Bitna oversees the exhibition, featuring artists Noh Hyeri and Choi Goeun, along with fellows Han Kang, Kim Hoojoo, Lee Rang, Hwang Yeji, and Christian Nyampeta. This marks the foundation's first sponsorship of the Korean Pavilion as part of its visual arts support program.
The Doosan Yonkang Foundation, the philanthropic arm of South Korean conglomerate Doosan, is sponsoring the Korean Pavilion at the 61st Venice Biennale for the first time. The pavilion, titled "Liberated Space: Fortress and Nest," runs from May 9 to November 22 at the Giardini park in Venice, and explores political events and historical transitions in Korean society from 1945 to the present. Participating artist Noh Hye-ri is an alumna of the foundation's Doosan Art LAB program, and artistic director Choi Binna serves as a supervisor of the Doosan Curator Workshop, highlighting the foundation's direct investment in nurturing artistic talent.
Hong Kong's Affordable Art Fair (AAF) returns in May with the theme “See Art. Love Art. Own Art.”, featuring 106 local and international exhibitors—up from 98 last year—and artworks priced from HK$1,000 (US$128). The fair, held at the Hong Kong Convention and Exhibition Centre, aims to make art accessible to new and seasoned collectors alike, with a focus on transactions under US$50,000. Founder Will Ramsay highlights growing confidence in this market tier, citing a report by Affordable Art Fair × ArtTactic that shows 69% of galleries expect sales growth and that art fairs generate 44% of gallery revenues.
The Woodlands Arts Council (TWAC) presents 'ENTWINED,' its first exhibition featuring a married couple, artist-educators Bob Mosier and Karen Fearon. The show, on view from May 12 to August 6, 2026, highlights their individual practices—Mosier's intricate thread paintings that evolve into three-dimensional fabric sculptures, and Fearon's expressive drawings, paintings, and assemblages rooted in intuitive mark-making. Both artists incorporate found and reclaimed materials, and their work explores light, form, and the yin-yang of creative process. An opening reception is scheduled for June 18, 2026.
The Gimpo Cultural Foundation announced it will host a series of visual arts exhibitions through June as part of the '2026 Gimpo Arts Activity Support Project.' The program features solo and group shows across multiple genres—including crafts, painting, ceramics, installation, photography, and sculpture—at local venues such as the Gimpo Peace Culture Center, Boreumsan Museum of Art, Janggi Library Exhibition Hall, Willow Tree Gallery, and Bukbyeon Gallery. Artists include Kim Jiyong, Kim Wakon, Lee Kyooho, Yoon Jeonghye, Park Younggyun, and Choi Nakjun, along with groups like Gongbang Dowon-yo and Susaranghoe.
KAG in Tokyo is presenting a group exhibition titled "月を射る" (Shooting the Moon), running from May 19 to August 16, 2026. The show takes its starting point from a prose poem of the same name by Korean poet Yun Dong-ju (1917–1945), who wrote it in 1939 under Japanese colonial rule and later died in a Fukuoka prison. The exhibition spans pre-war and wartime educational films, propaganda, performance, and contemporary fieldwork, featuring works by artists such as Inoue Kan (Lee Byung-woo), Choe Seung-hui, Kamei Fumio, Yoshimi Yasushi, Atsugi Taka, Fujii Hikaru, Yamamoto Seiko, T.T. Takemoto, Morita Reine, Gataro, and Shirakawa Masao. It examines the management models formed by the former empire and the spiritual structure of colonialism that underlies contemporary issues, centering on works that carry the "memory of censorship"—banned, deleted, or denied existence by national, administrative, or social norms.