The Mint Museum in Charlotte has successfully secured a rare exhibition featuring the works of Italian Baroque master Caravaggio, culminating a complex four-year negotiation process. This landmark show marks a significant achievement for the regional institution, bringing world-class masterpieces that are seldom seen outside of major European capitals or top-tier global museums to North Carolina.
The newly formed Estonian women’s contemporary art collective, Phoenix, has launched its latest group exhibition titled "Quintessence" at the Vabaduse Gallery in Tallinn. Curated and designed by Eveli Varik, the show features works from 17 members of the collective, including Marina Aleksejeva, Lylian Meister, and Tiiu Rebane. The exhibition explores the Aristotelian concept of the "fifth essence," or ether, serving as a metaphor for the distilled core of creative power and the spiritual immersion required for artistic rebirth.
Tasmanian artist Joan Humble is presenting her final exhibition at the Lady Franklin Gallery in Hobart, featuring over 40 works that span from large-scale paintings to her signature miniatures. Despite a terminal cancer diagnosis at age 88, the internationally acclaimed artist remains dedicated to her craft, completing a three-year effort to document the rugged beauty of Tasmania’s South West Wilderness. Humble, a recipient of the prestigious Golden Bowl for miniature art, continues to work on remaining commissions, citing the intense concentration required for painting as a vital source of strength.
British artist and critic Matthew Collings has sparked intense legal and ethical debate with his exhibition "Drawings Against Genocide" at Joseph Wales Studios in Margate. The show features graphic imagery, including depictions of Jewish figures consuming infants and denials of sexual violence committed on October 7, 2023. Despite calls from Israeli officials and Jewish community members for legal intervention, Kent Police have stated that no criminal offenses were identified, as the work is currently classified as political criticism rather than a direct incitement of racial hatred.
Thirty-five fiber artists from the Southern California/Nevada region of Studio Art Quilt Associates (SAQA) are showcasing their work in the exhibition “Beyond the Canvas” at the Poway Center for the Performing Arts. The exhibition features a diverse range of styles, including abstract designs, landscapes, and representational pieces, all created using fabric and thread rather than traditional paint or clay. Featured artists such as Kathleen McCabe, Mary Tabar, and Kathy Piper demonstrate the versatility of the medium through works that range from hand-dyed cotton abstracts to nature-inspired imagery.
The University of Hawai‘i at Mānoa is hosting its 2026 MFA Thesis Exhibition from March 7 to March 29 at The Art Gallery. The showcase features the culminating work of five Master of Fine Arts candidates: Diane Chen, Ashley Jeneé Collins, Caroline Holmes, Sheldon Wong, and Mia Zheng. The exhibition represents the final requirement for the terminal degree in visual arts, highlighting a diverse range of practices from personal narratives to broader contextual explorations.
A rare oil painting by the late Scottish artist Alexander Goudie, titled 'The First Drink' and depicting a scene from Robert Burns's poem 'Tam o' Shanter', is set to be auctioned by McTear's in Glasgow. The painting, created in the late 1990s, is estimated to fetch between £10,000 and £20,000 at the Scottish Contemporary Art Auction on February 26th.
A new exhibition titled 'Not A Pretty Landscape' opens at Kaleider Studios in Exeter from January 31 to February 1, featuring 15 artists who present contemporary and unconventional views of the South West, deliberately avoiding traditional coastal and rural landscapes. Curated by Exeter-based artist Claire Le Day, the show emerged from an open call with no rules or experience requirements, only the condition that no pretty landscapes be submitted. Artists keep 100% of their profits, and most will be present to meet visitors and manage sales. Featured artists include Jo Beer, whose portraits have been recognized by the National Portrait Gallery and the Royal Society of Portrait Painters.
Giant Runt, an artist-run gallery in Fort Worth, Texas, has announced an open call for a 2026 juried group exhibition. One selected artist will receive a $500 prize and a solo exhibition at the gallery in 2027. The call is open to artists of all media and locations, with the only requirement that artworks fit through a standard seven-by-three-foot door. Co-owners Cosmo Jones and Max Marshall will jury the show, which is scheduled to run from February 23 to April 11, 2026. Applications are due January 31, 2025.
An art exhibition by painter George Gavriel was removed from the Blue Iris Gallery in Paphos after the gallery’s owner received death threats. The threats began following a social media post by a candidate for the far-right ELAM party, escalating through Saturday. Gavriel withdrew the works, which often address political and religious themes, to protect the owner, who chose not to file a formal complaint. Three young people briefly entered the gallery’s basement and removed some pieces, which were later restored.
The article profiles praxis ARTSPACE in Adelaide, Australia, which was originally a former brothel and is now a leading arts space celebrating its tenth anniversary. Founded and directed by Patty Chehade, the space offers professional exhibition facilities for emerging and established artists, featuring a mix of one-person and thematic shows. Notable artists exhibited include Liz Butler, Dianne Longley, Olga Sankey, and Margaret Ambridge.
Artist Sung Tieu has sold her work *Declaration of Donation* (2025) for €25,000 to fund a new board member at KW Institute of Contemporary Art in Berlin. The work, a contract engraved on four A4-sized mirrors, stipulates that the proceeds cover the five-year term of curator and academic Mi You, whom Tieu nominated to the board. The sale directly challenges KW’s board structure, which requires a €5,000 annual fee from each member—a key revenue stream for the institution amid Berlin’s arts funding cuts. Tieu’s piece argues that such fees perpetuate exclusion and economic gatekeeping, and that institutional change requires structural shifts, not mere declarations of inclusivity.
The Mütter Museum in Philadelphia, known for its collection of medical artifacts including human remains, has been embroiled in controversy since a 2023 ProPublica investigation revealed it held Native American remains without repatriating them as required by NAGPRA. The museum's executive director Kate Quinn and then-president Mira Irons responded by removing digital content mentioning human remains, sparking a petition signed by over 30,000 people accusing them of reactive decisions. High-level staff departed, donors requested their body parts back, and both Quinn and Irons eventually resigned. The museum is now led by science historians Erin McLeary and Sara Ray.
The article profiles photographer and innkeeper Ray Reiss, offering a glimpse into his personal art collection. It explores the unique intersection of his dual careers, highlighting how his work as an innkeeper influences his perspective as a collector and how his photographic eye informs the pieces he acquires.
The Onera Foundation, a nonprofit dedicated to preserving historic American architecture, has opened a physical venue in New Canaan, Connecticut. Its inaugural exhibition, "Treaties on De-Fences" (through March 2026), features sculptures and prints by Spanish American artist Jorge Otero-Pailos, inspired by his work preserving the Eero Saarinen-designed US Embassy in Oslo. The foundation, founded by David B. Peterson, acquired the landmark 1836 Greek Revival building in 2018 and restored it to host exhibitions and public programs.
Danielle Brathwaite-Shirley's exhibition *The Delusion* opens today at Serpentine North in London, running until 18 January 2026. The Berlin-based artist and video game designer presents a series of multiplayer video games that challenge players to confront ethical, political, and moral choices. Games like *The Unifier* require collaborative problem-solving while prompting reflection on censorship, and *The Validators* transforms an arcade shooter into a contemplative experience addressing censorship, dehumanisation, and hope. The exhibition was developed with a team of artists, researchers, technologists, and members of Brathwaite-Shirley's Black trans and queer community, and builds on the artist's ongoing work archiving Black trans histories.
Ten youth curators aged 15 to 17 from Seattle's Fresh Perspectives program have organized a new art exhibition titled "You, Me, & Everything Between Us" at King Street Station. The show is presented by the Seattle Office of Arts & Culture in collaboration with Seattle Public Utilities' 1% Art program. The teen curators—Audrey Mae Lumaguip, Billie Atkins, Bowie Logan, Bryan Emmanuel, Bunny Heminger, Cam Koga, Giselle Kalei Balansay, Max Santiago, Sammy Tewelde, and Nico Charbonneau—were mentored by artist and project manager Janet Nechama Miller. Seattle Public Utilities has set aside a budget to acquire works from the exhibition for the city's Civic Art Collection.
The Woodmere, a museum in Philadelphia, sued the Trump administration after an executive order revoked a $750,000 federal grant from the Institute of Museum and Library Services (IMLS). The museum had already received roughly $195,000 of the funds, but the order targeting "unnecessary" federal bureaucracy cut the remainder. On September 4, the IMLS reinstated the full grant, leading to the dismissal of the lawsuit, which had been scheduled for a first hearing on September 12. The grant, part of the Save America's Treasures program, was intended for conservation, catalog updates, and digitization projects.
Art x Love, a creative agency owned by Allyse and Mac Love, has opened a new gallery called Forever Changes in downtown Akron, Ohio. The gallery offers local artists of all skill levels the opportunity to display and sell their work through both free and paid display options, with a community open house scheduled for July 11. The space at 35 S. Main St. features over 200 artworks by 22 local artists, including both newcomers like Boo Koch and Day Watajii, and established artists such as Karen Koch, Julienne Hogarth, and David Lile. The gallery operates on a non-curatorial model, accepting nearly all submissions suitable for public display, and aims to provide a zero-risk platform for artists who have never shown their work before.
The Gerry Squires RCA Memorial Gallery is opening today in Holyrood, Newfoundland and Labrador, housed within the Holyrood Heritage Society Museum and Gift Shop. The gallery honors Gerry Squires, a celebrated artist from the province who was appointed to the Order of Canada in 1999, and who lived in Holyrood from the early 1980s until his death. Premier John Hogan is expected to attend the grand opening.
The Museum of Fine Arts (MFA) Boston has returned two looted artefacts—a bronze relief plaque and a terracotta and iron head—to the Oba of Benin during a ceremony at Nigeria House in New York City. The works, stolen by British forces during the 1897 punitive expedition against the Kingdom of Benin, were traced to the collection of Augustus Pitt-Rivers and later acquired by investment titan Robert Owen Lehman, who donated them to the MFA in 2013 and 2018. The pieces will be handed over to Nigeria's National Commission for Museums and Monuments and ultimately to His Royal Majesty Omo N’Oba Ewuare II.
Manchester Museum in the UK is asking visitors whether the mummified remains of Asru, an Egyptian woman who lived around 2,700 years ago, should remain on display. The public consultation, running until the end of August, invites comments online or in a box next to her case. The museum notes that Asru's body was acquired in the early 1800s by the sons of a man who profited from slavery, shipped to Manchester, and unwrapped in 1825.
The Condé Museum at the Château de Chantilly, north of Paris, has opened a special exhibition of the Très Riches Heures, the celebrated 15th-century illuminated manuscript. For the first time in decades, the public can view the 12 monthly calendar pages as independent works, detached from the manuscript after a painstaking conservation project. The exhibition, running until October, also features around 100 loaned medieval manuscripts, sculptures, and paintings to contextualize the manuscript's importance. The Très Riches Heures, commissioned by the Duc de Berry and begun by the Limbourg brothers around 1411, has been held at Chantilly since 1856 and is normally never lent out due to the conditions of the Duke d'Aumale's bequest.
The New York Times has published a comprehensive guide aimed at aspiring gardeners, detailing the essential steps required to cultivate and maintain a successful green space. The resource covers foundational gardening knowledge, from soil preparation and plant selection to long-term maintenance strategies for various types of outdoor environments.
The heirs of the late artist Robert S. Neuman sued his longtime gallerist, June Kelly, to gain control of his artistic estate. The lawsuit, filed in New York, claims Kelly exploited her relationship with the elderly artist to secure ownership of hundreds of his works, while the family argues Neuman's renunciation of them was based on false information she provided. The family's victory in court, resulting in the transfer of the entire collection to them, sets a significant precedent for estate disputes involving artists and their dealers. It highlights the complex power dynamics and potential for exploitation in artist-gallerist relationships, especially as artists age, and may influence how galleries structure agreements to protect both their interests and those of an artist's heirs.
The US Supreme Court declined to hear an appeal from computer scientist Stephen Thaler, who sought to copyright an artwork generated by his AI system, the Creativity Machine. This decision upholds a lower court ruling that affirmed the US Copyright Office's rejection, which was based on the requirement that a human being must be the author of a creative work for it to be eligible for copyright protection.
The Sherman Fund has acquired works by emerging artists for donation to US museums, supporting new talent and expanding institutional collections. The initiative focuses on acquiring pieces from lesser-known contemporary artists and placing them in public institutions to increase accessibility and representation.
Asbury University is launching its Senior Spring Art Exhibits on March 2, a semesterly tradition that serves as a capstone for graduating art majors. The exhibitions will be spread across multiple campus venues, including the Blue, Kinlaw, Purple, and Red Galleries, as well as the Reasoner Hallway Gallery. Featured students include Vanessa Fischer, Ella Nelson, Hope Eland, Joshua Owen, and Kaja Jaques, showcasing a diverse range of media such as sculpture, graphic design, photography, and fabric arts installations.
The implementation of new EU regulations on the import of cultural goods over 250 years old is causing significant disruption at TEFAF Maastricht. Dealers and collectors are facing administrative hurdles, including difficulties obtaining mandatory EORI numbers and inconsistent enforcement by customs officials. These rules, which require extensive documentation for items originating outside the EU, have led to seized shipments and a general crisis of confidence among international exhibitors.
長野県150周年記念／リニューアル・オープン5周年記念「再編する－NAMコレクションの現在」@ 長野県立美術館
The Nagano Prefectural Art Museum has announced a major exhibition titled "Reorganizing – The NAM Collection Today," scheduled to run from April 29 to June 7, 2026. Celebrating the 150th anniversary of Nagano Prefecture and the 5th anniversary of the museum's renewal, the show features approximately 100 works from the permanent collection alongside new commissions by guest artists Naoya Hirata, Barrack, and Tomoko Sato. The exhibition is structured into three thematic sections focusing on sculpture, the layers of painting, and the re-reading of institutional history.