Little Rock artist Kevin Cole has been selected for inclusion in a group exhibition at the Harlem Fine Arts Show in New York City. The show features works by African American artists from across the United States, highlighting diverse perspectives and contemporary practices within the Black art community.
Hervey Bay Regional Gallery in Queensland is closing out 2025 with three new exhibitions by local artists, opening November 28. The shows include a solo exhibition by Alywarr artist Dion Beasley, titled "Six Dogs," featuring his playful drawings of camp dogs inspired by his hometown of Tennant Creek and his children's books. Also on view are Brisbane-based Tyza Hart's "Appearing," a decade-spanning installation of ceramics and self-portraits, and the collaborative project "Weeds to Paper" led by papermaker Zela Bissett, which transforms invasive plants into handmade paper artworks in partnership with Butchulla Traditional Custodians.
The Tacon-Heaslip Gallery, a new 4,100-square-foot space at 22100 Woodward Avenue in Ferndale, Michigan, opened its doors on November 15 with a crowded grand opening. Founded by queer artist Jarrad Tacon-Heaslip, the gallery previously operated from a small studio on Hilton. Tacon-Heaslip intends the larger venue to serve as a visible, supportive hub for the LGBTQ+ community, with plans for Pride Month programming, artist collaborations, and community-centered initiatives. The gallery currently features Tacon-Heaslip's bold abstract expressionist works, which involve meticulous taping and layering processes, and aims to uplift a broader roster of artists.
Richmond artists have come together for a group exhibition titled 'Fall of Freedom' at Antennae Gallery. The show features works by multiple local artists responding to themes of political and social change, reflecting on the concept of freedom in contemporary America. The exhibition is organized as a collective response to current events, with participating artists contributing paintings, sculptures, and mixed-media works that explore loss, resistance, and resilience.
The Palmer Museum of Art at Penn State has announced a call for entries for a juried exhibition titled "Dreaming American Futures: Invitational 250," running from summer through fall of 2026. The exhibition marks the United States' 250th anniversary and is open to Penn State students, faculty, staff, alumni residing in Pennsylvania, and local artists within 50 miles of State College. Submissions must address themes of activating change, bridging the divide, the pursuit of happiness, and a more perfect union, which were developed from community input gathered during a summer 2025 installation. Digital submissions of up to three works are due by February 15, 2026, with no entry fee, and a jury including artist Folayemi Wilson, curator Janine Yorimoto Boldt, and artist Roberto Lugo will adjudicate the entries.
The article is a Q&A with an artist and co-director of the Global Spanish Initiative at the University of Virginia (UVA), discussing the exhibition 'Fuego Eterno.' The show, which opened August 29, features artists from indigenous and Afro-descended communities across the Americas and its diasporas, exploring themes of indigenous sovereignty, Nahua cosmologies, border resistance, and diaspora. The exhibition includes the co-director's own artworks and is accompanied by a symposium, a workshop with Peruvian artist Venuca Evanán Vivanco, a film screening, and a closing party.
Ten youth curators aged 15 to 17 from Seattle's Fresh Perspectives program have organized a new art exhibition titled "You, Me, & Everything Between Us" at King Street Station. The show is presented by the Seattle Office of Arts & Culture in collaboration with Seattle Public Utilities' 1% Art program. The teen curators—Audrey Mae Lumaguip, Billie Atkins, Bowie Logan, Bryan Emmanuel, Bunny Heminger, Cam Koga, Giselle Kalei Balansay, Max Santiago, Sammy Tewelde, and Nico Charbonneau—were mentored by artist and project manager Janet Nechama Miller. Seattle Public Utilities has set aside a budget to acquire works from the exhibition for the city's Civic Art Collection.
The Varley Art Gallery of Markham will host an opening reception on September 20, 2025, for two new fall exhibitions: "Kejie Lin: A Garden of My Own," a solo show of meticulous Chinese ink paintings by former landscape architect Kejie Lin, and "Sights of Convergence," a group exhibition featuring Jess Riva Cooper, Gabriela García-Luna, and Stanzie Tooth that explores the entanglement of human and natural worlds. The free public event includes a guided tour by guest curator Yuluo Wei, family-friendly activities, and light refreshments, with both exhibitions running through January 11, 2026.
A new art gallery called Cute Tomatoes Gallery has opened in Savannah's 41st Street district, next to Natasha Gaskill's restaurant Sixby and near other local hotspots. The gallery focuses on showcasing authenticity for Savannah-based artists, providing a fresh platform for local creative voices in the city's growing arts scene.
UNC Asheville will host the Post-Helene Symposium from September 24-26, 2025, to commemorate the anniversary of Tropical Storm Helene, which caused historic flooding in Western North Carolina in September 2024. The free, three-day event includes panels, concerts, art exhibitions, and a storytelling collaboration with NC Local titled "The Heart of the Mountains," featuring 12 news organizations including the Asheville Citizen Times. Highlights include the art exhibition "Looking Back to Move Forward" in the S. Tucker Cooke Gallery and a music faculty showcase concert "Hard Times, No More."
New Mexico State University's Art Museum (UAM) will open three exhibitions on September 19, 2025: “Necessary Futures,” featuring New Mexico-based artists sheri crider, Haley Greenfeather English, and Szu-Han Ho; “Greetings from Tijuana,” a solo show by Mexican artist Georgina Treviño; and “Jennifer Ling Datchuk: RIPENING,” which examines women's labor and Asian American histories. A free public reception will be held from 5:30 to 7:30 p.m. on opening night, and all exhibitions run through March 7, 2026.
The Harold J. Miossi Art Gallery at Cuesta College hosted a closing ceremony for its latest exhibition, “High Tide,” on August 14. The event featured live jazz music, driftwood sculptures, and refreshments, showcasing works by over 60 local Central Coast artists. Artists were invited to nominate fellow creatives, resulting in a diverse display of paintings, ceramics, assemblage, digital media, and photographs. Coordinator Tim Stark described the exhibition as a reflection of the region's creative ecosystem, built on mutual trust and recognition among artists.
Studio 616 NYC and vignette have opened a group exhibition titled 'Harvest: The Art of Standing Together' in New York City. The show brings together multiple artists to explore themes of community, collaboration, and collective resilience through their works.
Sydney Fringe Festival has announced its full 2025 program, featuring over 460 events and more than 2,900 artists across four precincts and ten festival hubs this September. Highlights include the immersive theatre experience 'When Night Comes' by Broad Encounters, internationally acclaimed shows by storytelling duo Wright & Grainger, the return of the Queer and First Nations Hubs, and the reopening of the Eternity Playhouse as the home of the Off Broadway Hub. The festival kicks off with a free street party at The Rocks on 4 September, and includes SIDESHOW performances, the Cabaret Hub at Marrickville Town Hall, and a new group exhibition by Boomalli Aboriginal Artists Co-operative.
The Tacoma Art Museum presents an exhibition curated by Kenji Stoll that traces the evolution of Japanese visual culture from traditional ukiyo-e woodblock prints to contemporary anime-inspired works. The show features a diverse range of artists, including Roger Shimomura, whose painting "Minidoka No.5 (442)" references the Japanese American 442nd regimental unit in World War II, alongside self-taught artists like VanVan, who contributes manga-style drawings. Stoll himself, a tattoo artist, exhibits a large mural titled "Nikkei Butterfly," which celebrates Japanese diaspora culture through patterns and a samurai warrior motif. Other artists include Ed Augai, Lauren Iida, Hanako O’Leary, and Yoshiko Yamamoto, whose works bridge historical ukiyo-e techniques with contemporary themes of identity, memory, and female empowerment.
The Manchester International Festival (MIF) returns with a new edition featuring three standout art exhibitions. At Aviva Studios, "Football City, Art United" pairs top footballers like Vivianne Miedema and Ella Toone with artists such as Suzanne Lacy and the collective Keiken to create 11 co-produced works exploring gender, ritual, and identity. At the Whitworth gallery, the first international solo show of Indigenous Uitoto artist Santiago Yahuarcani presents over 30 works on bark canvas, addressing ancestral cosmology and the legacy of colonial violence during the rubber boom.
President Donald Trump's proposed 2026 federal budget seeks to eliminate all federal funding for the Institute of American Indian Arts (IAIA), the only four-year school dedicated to contemporary Indigenous arts. IAIA relies on federal funding for 75% of its operational costs and received $13 million in the prior two fiscal years; the budget also cuts over $500 million from the Bureau of Indian Education, which supports 37 tribal colleges including IAIA.
The Feminist Image Group (FIG), a local feminist art coalition, is opening a new exhibition titled "In the Land of…" at the San Diego Central Library on Sunday, running through Oct. 12. Originally invited to exhibit before the pandemic, the group shifted focus to address censorship after facing criticism directed at libraries and books. The show features 15 members' works in various media, including paintings, sculpture, fabric art, embroidery, and collage, confronting banned books, silenced histories, and the fight for free expression. Member Jennifer Spencer, a local photographer and painter, helped organize the exhibition and contributed an accordion-fold book piece inspired by Project 2025.
The Austin Central Library has issued an open call for exhibition proposals from Texas-based artists, collectives, curators, and creatives for its fall 2026 and spring 2027 seasons. Selected works will be displayed in the library’s 2,700-square-foot gallery for 12-week periods, with opportunities for artists to lead workshops or demonstrations. Applications are due by August 31, 2025, and will be reviewed by juries of local artists, curators, educators, and community leaders, with selected applicants announced in fall 2025.
A new art gallery concept, Prospect Refuge Gallery, opens in Northeast Minneapolis, led by Victoria Sass of Prospect Refuge Studio. The gallery's inaugural exhibition, "Homecoming: Objects of Origin," features works by New York-based ceramicist Jeremy Anderson, a Twin Cities native, showcasing ceramic vessels, lighting, and bronze-cast furniture that draw influence from Midwest rural architecture. The gallery aims to rotate regional talent through exhibitions focused on collectable design.
Jewyo Rhii, a Seoul-born artist from the first generation to come of age during South Korea's dramatic political shifts in the 1980s, has been selected for this year's Korean Artists Today project. Her work, which began as personal explorations of misplacement and survival using ephemeral materials and found objects, evolved around ten years ago into collaborative projects like Love Your Depot (2019), a series of storage-unit-like installations that question the lifespan of artworks. Rhii's practice includes object-oriented performance pieces such as Ten Years Please (2007-17) and Lie on the Han River (2003-06), and she has shown at institutions including the Queens Museum, the National Museum of Modern and Contemporary Art (MMCA) in Seoul, and the Venice Biennale.
The Western Gallery at Western Washington University presents its annual BFA art showcase titled “In Good Company,” featuring works by graduating students that explore themes of identity, belonging, and vulnerability. Student artists like Alesandra Caroline, Antonio Mejia Wolf, and Matt Berry use diverse media—including sculpture, film, and interactive installations—to address personal and cultural experiences, such as Mexican American identity and queer sanctuary.
Ariel Katzir's mixed-media portrait 'I do see you' won the Overall Acquisitive Award at the City of Gosnells Community Art Exhibition and Awards, earning $5,000 and a place in the city's art collection. The painting depicts local non-verbal First Nations artist Darryl Dempster, who communicates through his art. Other category winners received $500 across media including oil, acrylic, watercolour, digital, mixed media, youth, and Aboriginal artist categories. The exhibition runs until May 25, with a People's Choice Award sponsored by Maddington Central.
On Friday, the Ukrainian Art Festival (UKUfest), Estonia's first festival dedicated to contemporary Ukrainian art, launched with new exhibitions opening simultaneously at five galleries across Tallinn: Fotografiska Tallinn, Juhan Kuus Documentary Photo Center, Temnikova & Kasela Gallery, Truus Gallery, and ArtDepoo Gallery. The exhibitions feature works by nine Ukrainian artists—Tania Ruda, Taras Bychko, Vira Minailova, Maya Kolesnik, Pavlo Mazai, Viktoria Berezina, Anton Hudo, Roman Minin, and Andrii Palval—many created specifically for the festival. Two charity auctions are planned: one on May 11 at Kadriorg Art Museum hosted by the Kozytskyi Charity Foundation, with proceeds split between artists and medical transport for Ukraine; and another on May 13 at Noblessner Foundry, with all proceeds going directly to artists. Additional works are available for purchase via the Osta.ee platform. The festival runs through June 30.
Malak Mattar, a 25-year-old self-taught Gazan artist, has become the first Palestinian to receive a solo exhibition at London's Central Saint Martins (CSM). After winning a scholarship for a Master's in Fine Art at CSM, she was trapped in Gaza until October 6, 2023, the day before the Hamas attack and subsequent Israeli invasion. Her show, opening May 15 at Window Galleries, features powerful works like 'No Words' (2024), a monochrome canvas likened to Picasso's Guernica, and 'Gaza's Phoenix' (2025), a colorful collage symbolizing resilience. Mattar has also faced institutional challenges, including a lack of public solidarity from the University of the Arts London (UAL) regarding Gaza and financial disparities compared to Ukrainian students.
Imelda Cajipe Endaya, a pioneering Filipino feminist artist, will hold her first U.S. solo exhibition in nearly two decades at Silverlens New York, opening May 8, 2025. Titled "There is Still a Tomorrow, Mother" and curated by Eugenie Tsai, the show spans works from 1982 to 2023, highlighting the overlooked roles of Filipino women through colonialism, war, and dictatorship. The exhibition features mixed-media pieces incorporating materials like cloth gloves, woven bamboo, and crocheted textiles, alongside paintings such as "Tutol ni Dolorosa" and the installation "The Wife is a DH," which address themes of erasure, migration, and resistance.
Fort Worth Contemporary Arts presents 'Chasing Shadows: BFA Studio Art Thesis Exhibition' from April 17 to April 24, 2025, featuring works by Ellie Evans, Jasmine Ramirez, Lydia Welling, and Madeline Smith. The exhibition explores surreal and ethereal spaces, inviting viewers to reconsider ordinary objects through eerie and celestial perspectives.
A new public art exhibition titled "Ansamn" (meaning "Together" in Haitian Creole) opens April 25 in Brooklyn, featuring the work of Haitian-American artist Mel Isidor. Her mixed-media collage, part of her "Roots" series, honors her late aunt Yolette and incorporates archival family photos with original photography from a road trip through Haiti. The month-long billboard exhibit, presented by SaveArtSpace and curated by Yvena Despagne of Art x Ayiti, runs during Haitian Heritage Month.
At TEFAF New York, held at the Park Avenue Armory, the art fair known for its European roots showcased a range of works. Our critic highlights five lesser-known artists who stood out, offering fresh perspectives that cut through the traditional art-world star system.
The article reports on the return and expansion of a major independent art fair, now located on the far side of Chinatown. It highlights six standout artists whose works are featured at the fair, emphasizing the event's stylish and curated atmosphere.