The African Art in Venice Forum is continuing its mission of addressing the continent’s artistic needs, even as it mourns the loss of Koyo Kouoh, a key supporter. The forum, which draws inspiration from a former champion, aims to amplify African voices in the global art scene, particularly during the Venice Biennale.
Barack and Michelle Obama commissioned 30 artists to create site-specific works for the Obama Presidential Center on Chicago's South Side, which begins visitor previews next week. The commissioned artworks span multiple media and will be integrated throughout the campus, reflecting the Obamas' commitment to public art and community engagement.
Museums across the United States are launching a series of ambitious exhibitions and programming designed to re-examine American history through a more inclusive and contemporary lens. These initiatives move beyond traditional patriotic narratives, utilizing diverse collections to explore the complexities of the nation's heritage, from indigenous perspectives to the legacies of industrialization and migration.
The 34th Outsider Art Fair in New York showcased a diverse range of compelling works, including cosmic explosion paintings, proto-Surrealist pieces, and standout artists like D.J. Raul Hardie and Anne Brown. A critic's survey highlighted these discoveries as genuine surprises, emphasizing the fair's continued role in presenting fresh, unmediated artistic voices.
ArtReview's feature 'The Museum in Crisis' presents a critical diagnosis of contemporary museums, questioning their foundational authority, purpose, and relevance. The article compiles perspectives from professionals, highlighting challenges like restitution claims, alienated audiences, and the need to dismantle colonial hierarchies embedded in language and display practices. It argues that museums must move beyond being mere preservers to become active producers of public knowledge.
The Miguel Hernández University in Elche, Spain, presents "Vientos del pueblo. Voices of Exile and Resistance," a group exhibition curated by Mónica Sotos. Inspired by Miguel Hernández's poem "Vientos del pueblo," the show features Argentine artists Ježik and Costa alongside Eugenio Merino, Gloria Oyarzábal, Ricardo Calero, Óscar Seco, Pierre Valls, and María Rosa Aránega. Through photography, video, installation, drawing, and archival works, the exhibition examines violence, borders, exile, and colonial legacies, challenging dominant power narratives.
Nikki Brovold has opened Luckygirl Gourmet Gallery in Portland's Pearl District, a hybrid space where art takes precedence over food. The gallery's inaugural exhibition, "Who's That Girl," features nine artists including Tom Relth, Eric Rue, Paul Solevad, Michelle Yamamoto, Richard Cutshall, and Paula Bullwinkel, with a focus on abstractive figuration and feminine perspectives. Brovold, who previously worked at a global consulting firm in New York and as a gallerist at the Portland Art Museum, curates the art while also offering a small selection of elevated snacks and drinks, such as Makabi & Sons cookies and Puff Coffee cold brew. The space is co-owned by Brovold's husband, Shawn Przybilla.
Laredo College has opened submissions for its 'Out of the Box' juried art exhibit, inviting local artists to submit unconventional, experimental, and bold works across all mediums. The submission period runs from December 29 to January 16, with artist notifications on January 20, and an opening reception scheduled for February 6 at the Martha Fenstermaker Memorial Visual Arts Gallery. Up to 30 artworks will be selected for the final show.
The IPER Festival delle periferie returns to Rome's Quadraro neighborhood for its fifth edition, titled "Super Lieux (Super luoghi) Periferie. Storie e geografie." Running until May 31, the festival features conferences, roundtables, study days, talks, exhibitions, and performances. A highlight is "Überlagerungen," a diffuse art review curated by Spazio Y that animates the Quadraro Vecchio district on May 16 with actions, installations, and shows from 4 PM to 11 PM. Participating venues include Spazio Kina, vineria Moggio, and osteria Grandma, with works by artists such as Lucia Bricco, Giulio Cassanelli, Felice Levini, and many others.
Triennale Milano, in collaboration with Qatar Museums, has launched a new educational program for recent graduates from Qatari universities. The initiative began with a selection call overseen by representatives of Design Doha, followed by a residency in Milan starting April 20. Five graduates—Reema Abu Hassan, Abdulrahman Al Muftah, Adriane de Souza, Maryam Hashim, and Meryem Omerspahic—participated in workshops, studio activities, and meetings during Milan Design Week. An open discussion about their experience will be held at Triennale on May 15 at 6 PM, featuring the participants and the bootcamp team.
EuGene V Byrd III has curated the 'Politically inCorrect' group fine art exhibition, now open at Railroad ATL inside the Future Gallery in Atlanta. Featuring over 50 artists and 110 to 120 works across painting, photography, sculpture, and collage, the show addresses what Byrd calls an overdue conversation about art and social responsibility. Inspired by W.E.B. Du Bois, the open-call exhibition asks artists to speak their truth on political and social issues, with pieces like Faif Quin's photograph referencing the killing of Charlie Kirk and Naylon D. Mitchell's portrait 'Mama Rosa' among the highlights. The exhibition runs through May 30.
Writer-artist Nia Zera recently opened her exhibition "Cobalt Blue" in Chennai, featuring 31 paintings on shaped wooden panels that draw parallels between Dravidian communities in south India and African cultures. The works explore shared histories of resource wealth and colonial exploitation, inspired by Karen Blixen's 'Out of Africa' and Zera's own upbringing near the Muthuvan Kudi community in Munnar, Kerala. The exhibition took one year and one month to complete, using a predominantly blue palette referencing cobalt and blue-green algae from Africa.
Art on Main in Dallas is presenting "Women in Art: Revealing Our Magnificence," a juried exhibition featuring bold, expressive works across mediums such as painting, drawing, photography, fiber art, sculpture, printmaking, and ceramics. The opening reception includes live music by the East Dallas Uke-A-Ladies and a set by DJ MISO, along with a Best in Show award presentation, and the exhibit runs through May 30.
McLean Project for the Arts (MPA) has announced the opening of its 2026 Spring Solo Exhibitions, featuring three distinct solo presentations by Sabine Carlson, Zsudayka Nzinga, and Darlene R. Taylor. The exhibitions include Nzinga’s exploration of American labor and diaspora through mixed media, Taylor’s textile-based portraits honoring Black motherhood, and Carlson’s paintings depicting environmental rescue efforts between humans and water birds. The shows will run from April 30 through June 13, 2026, at the McLean Community Center.
SOBO Art Gallery in Orlando will host the Young Creatives Showcase on October 2, featuring artwork by high school and college students. The showcase, co-founded by Victoria Pestrichello, Branton Urbieta, and Fritz-Lee Saint Paulin, includes a collaborative piece that artists have been building together, as well as individual works in various media such as photography, pencil, and acrylic. Pestrichello, a UCF student, contributed handprints to the collaborative Dalmatian painting, while her own abstract piece, "Conosci il nemico? Do you know your enemy?", was inspired by negative news coverage.
KAG in Tokyo is presenting a group exhibition titled "月を射る" (Shooting the Moon), running from May 19 to August 16, 2026. The show takes its starting point from a prose poem of the same name by Korean poet Yun Dong-ju (1917–1945), who wrote it in 1939 under Japanese colonial rule and later died in a Fukuoka prison. The exhibition spans pre-war and wartime educational films, propaganda, performance, and contemporary fieldwork, featuring works by artists such as Inoue Kan (Lee Byung-woo), Choe Seung-hui, Kamei Fumio, Yoshimi Yasushi, Atsugi Taka, Fujii Hikaru, Yamamoto Seiko, T.T. Takemoto, Morita Reine, Gataro, and Shirakawa Masao. It examines the management models formed by the former empire and the spiritual structure of colonialism that underlies contemporary issues, centering on works that carry the "memory of censorship"—banned, deleted, or denied existence by national, administrative, or social norms.
The Studio Museum in Harlem has launched an open call for applications to its 2026–27 Artist-in-Residence programme. The year-long residency, running from November 2026 to October 2027, offers a $50,000 stipend, private studio space, curatorial mentorship, and culminates in a public exhibition for a small cohort of selected artists. The programme is specifically geared toward supporting artists of African and Afro-Latinx descent.
The El Paso Museum of Art (EPMA) and the Museo de Arte de Ciudad Juárez (MACJ) have launched an open call for the eighth edition of the Border Biennial/Bienal Fronteriza. Scheduled to open in September 2026, the exhibition invites artists living within 300 miles of the El Paso-Juárez border to submit works under the theme "Imagining the Border." This iteration will expand its scope to include multi-sensory art, poetry, and spoken word, with 30 selected artists displaying works across both international venues.
CUATRO VOCES LATINOAMERICANAS EN TORNO AL INTENSIVO CURATORIAL DE MONTEVIDEO
Independent Curators International (ICI) held the Montevideo Curatorial Intensive in March 2026, in partnership with the ESTE ARTE fair and the Faculty of Arts at the University of the Republic (Udelar). This was the first time the program took place in Uruguay, bringing together twelve emerging curators from Uruguay, Brazil, Argentina, Chile, Venezuela, Ecuador, Colombia, and the United States for eight days of seminars, debates, and mentorship. Led by independent curator Marina Reyes Franco, the intensive included visits to local cultural spaces such as CasaMario, SUBTE, and the Espacio de Arte Contemporáneo, as well as a trip to Punta del Este to tour galleries and artist studios. The program featured presentations by international faculty including Ionit Behar, Victoria Noorthoorn, Maya Juracán, and Keyna Eleison, and concluded with a public symposium at the Museo Nacional de Artes Visuales (MNAV).
The 82nd Whitney Biennial has opened, drawing attention for its weird, provocative nature that leaves viewers wanting more. The exhibition, held at the Whitney Museum of American Art, features a range of contemporary works that challenge conventional boundaries and spark dialogue.
The Museum of Islamic Art in Doha, Qatar, is hosting the 'Empire of Light: Visions and Voices of Afghanistan' exhibition, running through May 30, 2026. The show features rare Afghan artifacts, illuminated manuscripts, and contemporary works, curated by Nicoletta Fazio, and is partnered with the Aga Khan Trust for Culture. The museum, designed by I.M. Pei and opened in 2008, also offers weekend bazaars at MIA Park, enhancing the visitor experience with local crafts and jewelry.
The 59th Carnegie International, titled 'if the word we,' is set to open this Saturday at the Carnegie Museum of Art in Pittsburgh. The exhibition, one of the oldest and most prestigious surveys of contemporary art in North America, will feature works by a diverse group of international artists, curated around themes of collective identity and language.
An exhibition at the Crawford Art Gallery in Cork, Ireland, is showcasing the work of artists from the Crawford Supported Studios program. The program provides studio space, materials, and professional support for artists with intellectual disabilities, fostering their creative development and professional practice.
The Krannert Art Museum has opened "Memorias de la Mujer Lotina: Arpilleras, Women, and Coal in Chile," an exhibition featuring 23 arpilleras created by women from the coal-mining community of Lota. These colorful, hand-stitched textiles, which rose to prominence as a form of resistance during the Pinochet dictatorship, document the daily lives, heritage, and struggles of marginalized communities. The show features a centerpiece 16-foot-long collective textile created by 52 women ranging in age from 14 to 92, depicting scenes of labor, domestic life, and social activism.
The Herding Cats Arts Collective is presenting a month-long exhibition titled 'A Woman’s Place' at Castle Drogo, a National Trust property on Dartmoor. The exhibition, running throughout March 2026, features contemporary works that explore the domestic and social structures governing the lives of women connected to the estate during the late 19th and early 20th centuries. Through research conducted with castle historians, the artists utilize domestic materials and imagery to highlight the often-overlooked histories of both the working-class staff and the upper-class residents of the fortress.
The Dishman Art Museum is hosting a new exhibition that centers on the experiences and perspectives of immigrants, drawing on their voices to shape the show's narrative and artworks. The exhibit features contributions from artists who explore themes of migration, identity, and belonging through various media.
The Huntington Library, Art Museum, and Botanical Gardens in San Marino, California, will host the West Coast debut of “Radical Histories: Chicano Prints from the Smithsonian American Art Museum” on November 16. The exhibition features 60 works by some 40 artists and collectives from the Smithsonian American Art Museum, spanning over six decades of Chicano printmaking as a form of resistance, community building, and cultural reclamation. It traces key moments from the late 1960s Delano Grape Strike to the present, using silkscreens, posters, and offset prints. The Huntington has also commissioned a mural by Los Angeles–based artist Melissa Govea in partnership with Self Help Graphics & Art.
A new exhibition titled 'Crossing Lines: Contemporary Voices from Zimbabwe & South Africa' has opened in the Dallas Design District, showcasing work by three artists—Lloyd Maluleke, Nothando Chiwanga, and Pardon Mapondera. The show is a collaboration between DHV Artworks and the Indibano Art Residency, a Dallas-based program founded by Zimbabwean-born arts advocate Bukekile Dube. The artists explore themes of identity, movement, cultural boundaries, and ecology through mediums including painting, printmaking, photography, mixed media, and recycled materials.
Tehran-based O Gallery is participating in The Armory Show in New York for the first time, but US sanctions imposed in 2019 have forced the fair to remove the gallery's Tehran location from its website and refrain from promoting its presence. The gallery's name was briefly removed from the exhibitor list before being reinstated, and its location is only noted on signage at the Javits Center. Founder Orkideh Daroodi, a US citizen living in California, describes the participation as a milestone after years of work, despite challenges including currency devaluation, shipping costs, and bureaucratic hurdles. Two other Iranian galleries—Sarai and Dastan Gallery—are also exhibiting, listed online as having multiple locations.
The Great Plains Art Museum at the University of Nebraska–Lincoln will open “Reflections of Our People, Our Ways, Our Land” on September 5, the first-ever exhibition centered on Otoe-Missouria artists. Featuring 24 artists from the tribe, the show spans traditional to contemporary mediums and runs through December 20. The exhibition is part of the Walking in the Footsteps of our Ancestors project, funded by the Mellon Foundation, which aims to promote healing and reconciliation by reconnecting the tribe to its Nebraska homelands.