The Union Hall Gallery in San Diego's Golden Hill neighborhood recently debuted "Gossip," a multidisciplinary exhibition featuring the work of seven local female artists. The opening reception drew over 100 attendees, signaling a strong community interest in local grassroots art initiatives. Additionally, the city is preparing for the upcoming Barrio Logan Art Crawl, a recurring cultural event that highlights the region's creative scene.
The Mennello Museum in Loch Haven, Orlando, has launched the fourth edition of its 'Our Orlando' group exhibition, featuring three local artists: Tasanee Durrett, Mado Smith, and Martha Jo Mahoney. The show, curated by museum director Shannon Fitzgerald and co-curator Flynn Dobbs, includes four works each by Durrett and Mahoney and two by Smith, drawn from studio visits. The exhibition runs through late August with an opening reception on Friday.
The Islamabad Art Gallery has launched 'Souch Say Saqafat Tak,' a landmark exhibition showcasing the debut works of recent art school graduates from across Pakistan. Curated by Raheel Arshad in collaboration with Khyal Art Space, the show features a diverse array of mediums including digital glitches, traditional calligraphy, and abstract portraiture. The opening event drew significant cultural figures, including writer Irfan Ahmed Urfi and photographer Mobeen Ansari, highlighting a collective effort to bridge the gap between academic training and professional practice.
The ArtCentre of Plano has opened "Art With Impact," a juried exhibition featuring 70 Texas artists selected from over 200 submissions. The show fills the Saigling House in Downtown Plano with works spanning watercolor, metal sculpture, photography, mixed media, and cyanotype. Highlights include Best in Show awarded to Plano artist Jennifer Gillen for her watercolor "A Burst of Tulip," chosen by juror Kristin Rivas of Samuel Lynne Galleries. Executive Director Suzy Jones notes the exhibition reflects growing momentum in Plano's arts community.
The City of Perth (Boorloo) is celebrating NAIDOC Week 2025 from 6 to 13 July, marking 50 years of honoring Aboriginal and Torres Strait Islander voices, culture, and resilience. The 2025 theme, 'The Next Generation: Strength, Vision & Legacy,' is highlighted through a NAIDOC Week Exhibition at Council House Foyer (7 July–15 August), featuring works from emerging and established artists, supported by Mossenson Galleries and the Janet Holmes à Court Collection. Events include an Artist in Conversation with Tyrown Waigana on 9 July, the National NAIDOC Awards Ceremony on 5 July, and cultural performances by Wadumbah. Other city-wide events include the Goologoolup NAIDOC Screenings and the Wangening Bardip – Healing Stories Through First Nations Art exhibition.
unt leaders canceled anti ice show texts
Internal communications from the University of North Texas (UNT) reveal that administrators canceled an exhibition featuring anti-ICE (Immigration and Customs Enforcement) artwork due to concerns over political backlash and potential funding threats. The text messages and emails show leadership discussing the "political sensitivity" of the work and the risk of alienating state legislators, leading to the abrupt closure of the show before its scheduled run.
The Rubin Museum of Himalayan Art, which closed its New York physical space in 2024 to become a "global museum," has announced the winner of its 2025 Himalayan Art Prize: Khadhok – Tibetan Artists’ Collective, a Dharamshala-based group founded in 2023. The prize includes a $30,000 purse, the largest of its kind for Himalayan artists. Additionally, the museum named 15 recipients of its 2025 Research and Art Projects grants, distributing $200,000 total among projects ranging from $3,000 to $25,000, selected from 132 applications.
The Griffin Museum of Photography in Winchester is presenting a series of summer exhibitions running from late May through July 2026. Featured shows include "Photosynthesis XXI," a collaboration between Burlington and Winchester high schools; "Atelier 40," showcasing emerging and advanced photographers from a year-long portfolio course; "Caleb Cain Marcus: A Thousand Rectangles: On Design and the Expression of Art"; "Cassidy Thurber: I Want the Sun to Shine Down on You," the winner of the 2025 Carolyn Harder Scholarship; the 16th Annual Photobook Exhibition; a Handmade Photobook show; and "Visionary." A satellite location at Griffin Museum @WinCam will host Ellen Feldman's "WE PROTEST" from June 16 to September 1.
Serpentine has launched "I DIDNT REALISE YOU THOUGHT LIKE THAT," a new online game and critical thinking tool by artist and game designer Danielle Brathwaite-Shirley. Available from May 21, 2026, on web and mobile platforms, the project extends the world of Brathwaite-Shirley's acclaimed "THE DELUSION" and explores polarization, identity, and social connection beyond the gallery. Developed with nonprofit Beyond Code Collective and supported by Glass Castle Foundation, the game places players in a post-apocalyptic universe where they encounter fictional characters and make decisions that shape narratives and determine multiple endings, drawing on real-world materials from news cycles, social media, and community testimonies.
Fractured Horizons: Imaging After Images, the second edition of VSDesign's international exhibition series, returned to the NYCxDesign Festival in 2026, running for a week in New York. Organized by VSDesign in partnership with RAC Studio and Asia Design Week, the exhibition featured 60 works by artists and designers from across Asia and North America, spanning architecture, urbanism, product design, visual communication, and interactive media. The show explored how images no longer simply depict space but actively produce, operate, and regulate it, treating the image as a spatial mechanism rather than a neutral surface.
The Curator’s Choice exhibition at Art on Target in Nelson Mandela Bay showcases 10 selected artists, ranging from emerging talents to established practitioners, including an octogenarian and recent graduates. The show, now in its third year, is an offshoot of the annual Same Size-Same Price-No Signature exhibition and was curated by Art on Target director Bretten-Anne Moolman. Artists were chosen by a diverse panel of over 20 local professionals, educators, and art lovers, and were given eight months to prepare new works for the exhibition, which opened on 13 May.
Bangladeshi visual artist Ashfika Rahman has been recognized by The New York Times as one of the six must-see shows at the Venice Biennale, with her work "Than Para — No Land Without Us" featured in the collateral exhibition "Still Joy — From Ukraine into the World." The installation, presented by the PinchukArtCentre and curated by Björn Geldhof and Oleksandra Pohrebnyak, incorporates thousands of small temple bells gathered from different spiritual traditions and draws on testimonies from Ukraine as well as the struggles of Indigenous communities in Bangladesh's Hill Tracts.
The Susan Velder Gallery and More in St. Walburg, Saskatchewan, is hosting 'Invisible Winds: Stories You Can Not See, Journeys toward Wholeness,' a traveling exhibition curated through the Organization of Saskatchewan Arts Councils (OSAC). Featuring 19 local artists, the show explores hidden emotional realities such as adoption, PTSD, trauma, and resilience through mixed-media works, including Holly Hildebrand's textured portraits 'Ghosts and Shadows: Heather' and 'Ghosts and Shadows: Teanna.' Visitors are encouraged to scan QR codes to hear artists' stories, and many return multiple times to absorb the heavy themes.
The Oklahoma Arts Council has received the largest gift in the history of the Oklahoma State Art Collection: ten works by influential Native artists from The Howard L. and Mary Ellen Meredith Collection, donated by America Meredith and Samonia Byford in honor of their parents. The donated works include pieces by Benjamin Harjo Jr., Norma Howard, Vanessa Paukeigope Jennings, Ruthe Blalock Jones, Shan Goshorn, Doc Tate Nevaquaya, Jane Osti, Juanita Pahdopony, Jeri Redcorn, and Dick West. The artworks are now on display in the Betty Price Gallery at the Oklahoma State Capitol, alongside two other recent acquisitions.
Frieze New York has opened with strong early sales, particularly in the Focus section, which is dedicated to emerging and underrepresented artists. This year's Focus prize was awarded to W Galería for its presentation of Seba Calfuqueo, a Mapuche artist whose work addresses colonialism, environmentalism, and gender identity through ceramic sculptures and hair-based materials. Her pieces are priced between $8,000 and $40,000, reflecting the market's growing interest in politically engaged contemporary art.
The Minnesota Marine Art Museum in Winona is hosting a "Spring New Look Weekend" from Friday through Sunday to celebrate two new collections. The first, "Myths & Legends of Minnesota: An Exhibition of the Minnesota Plein Air Collective," features 43 paintings by 32 artists created outdoors across the state, focusing on folklore, oral traditions, and waterways. The second, "Gordon Coons: Gidibaajimomin / We Tell Stories," showcases 18 new works by Ojibwa artist Gordon Coons, along with earlier pieces and examples of Woodland Style art from Norval Morrisseau and Sam Ash. The weekend includes plein air painting demonstrations, a printmaking activity with Coons, meet-the-artist tours, and an evening social.
The 2026 Venice Biennale, titled "In Minor Keys" by its late artistic director Koyo Kouoh, has been marked by loud protests and urgent environmental alarms, notably at Florentina Holzinger's Austria pavilion. Amid this chaos, the Hong Kong collateral exhibition "Fermata" at Campo della Tana offers a quiet counterpoint, featuring Kingsley Ng Siu-king's installation *Laundry Nocturne (2026)*, a rest lounge with padded floors and cushions that has caused visitors to doze off. The exhibition follows Kouoh's curatorial vision of creating space for silenced voices and convivial collectivity.
South African artist Gabrielle Goliath inaugurated an off-site Venice exhibition with a public poetry reading after her official presentation at the South African Pavilion was canceled. The performance, part of her ongoing series *Elegy* (2015), features seven singers sustaining a single tone for an hour as a mourning ritual. The work addresses femicide, rape culture, and the killing of Palestinian civilians, and includes new video and sound installations lamenting specific victims: South African teenager Ipeleng Christine Moholane, Nama women killed during Germany’s colonization of Namibia, and Palestinian poet Hiba Abu Nada. The South African Department of Sport, Arts and Culture rescinded Goliath’s invitation in January, deeming the work “related to an ongoing international conflict that is widely polarising.” Goliath unsuccessfully challenged the decision in South Africa’s high court, and the exhibition now runs throughout the Venice Biennale outside the official program before traveling to London in October.
An exhibition titled "The Contemporary Lore: Sojourn of Styles and Generations Unfurled" has opened in New Delhi, featuring works by 23 artists across different career stages and artistic styles. Curated by Kiran K. Mohan with a critical essay by art historian Johny ML, the show includes paintings, sculptures, and mixed media by artists such as Anil Gaekwad, Ashok Bhowmick, Harshwardhan Devtale, and others. The display is deliberately non-chronological, aiming to foster dialogue between seasoned practitioners and emerging voices.
The 61st Venice Biennale, scheduled to open on May 9, has been thrown into turmoil after its International Jury announced that national pavilions and artists representing countries whose leaders are charged with crimes against humanity by the International Criminal Court will not be eligible for prizes. This excludes Israel, represented by sculptor Belu-Simion Fainaru, and Russia from competing for the Golden Lion. The decision follows an open letter signed by hundreds of artists and curators demanding Israel's exclusion over the war in Gaza, and comes amid ongoing geopolitical tensions, including Russia's absence from previous editions after its invasion of Ukraine. The Biennale's theme, 'In Minor Keys,' curated by the late Koyo Kouoh, aimed to focus on dignity and listening to marginalized voices, but the prize ban has sparked accusations that identity politics are overshadowing artistic merit.
An exhibition at POD! community art gallery in Dundee, Scotland, features works by three Palestinian artists: Maysa Yousef, who is alive and exhibiting, and two others—Dorgham Qreaiqea and Heba Zaqout—who were killed in Israel's military campaign in Gaza. The display also includes artwork by children in Gaza who participated in art therapy workshops led by Yousef, who describes art as a means of survival and resistance amid ongoing violence and trauma.
Gunnedah Shire Council is calling for submissions for its annual NAIDOC Week Art Exhibition, which will celebrate 50 years of the 'Deadly' theme. Artists, hobbyists, schools, and community members are invited to submit works in any medium, including weaving, wood etching, metal work, dot painting, and decorated didgeridoos. A free workshop for First Nations women, led by emerging artist Hollie Crawford, will be held on 9 May to help participants create pieces for the exhibition. Entries are due from 22 to 28 June at the Gunnedah Bicentennial Creative Arts Gallery, with the exhibition running from 3 July to 7 August.
Royse Contemporary in Scottsdale, Arizona, will present "UNTITLED," a solo exhibition by Mexican American artist Gennaro Garcia. The show features recent works across multiple media, including paintings, monosilk prints, giclée works, and sculpture, drawing on Garcia's childhood in Mexico and blending traditional and contemporary techniques. The exhibition runs through May 24, 2026, at the gallery in the Scottsdale Arts District.
Georgia foster teens have created a traveling art exhibit called the See Me project, sponsored by the nonprofit Georgia Appleseed, which has collected roughly 50 paintings, poems, and sculptures since 2023. The young artists, many first-time participants, explore themes of healing, hope, family, and belonging, often signing their works anonymously. The exhibit has been displayed at the Georgia Capitol, universities, community centers, and law firms, with artists paid $250 for their contributions.
Ngununggula, the Southern Highlands regional art gallery, has opened a major all-women exhibition titled *Old Days, New Days | Arlta-imankinya, Arlta-errama*, featuring artists from Tangentyere and Yarrenyty Arltere alongside Arrernte and Kalkadoon artist Thea Anamara Perkins. The show includes painting, sculpture, textiles, video, and works on paper, with a focus on women's roles in sustaining family and community life through care, gathering, and storytelling. Key works include Perkins' portrait series from The Slattery Collection and an immersive installation by Marjorie 'Nunga' Williams. The exhibition runs until 14 June 2026.
The Government of Yukon has added 11 new works to the Yukon Permanent Art Collection (YPAC), featuring artists Eugene Alfred, Misha Donohoe, Basia Hinton, Jane Isakson, Stephanie Luneta-Stevens, Jeneen Frei Njootli, Margret Njootli, Andy Pelletier, Dustin Sheldon, Maria Rose Sikyea, and Michelle Williams. Eight of these artists are represented in the collection for the first time. The pieces were selected from 134 submissions by 64 artists through an annual call for submissions process managed by the Yukon government and the Friends of Yukon Permanent Art Collection. An exhibition of the works is planned for fall 2026, and images are available on Yukon.ca.
The Ucross Art Gallery hosted an artists’ reception for its latest exhibition, "Resilience," which showcases the work of the 2025 Ucross Fellowship for Native American Artists recipients. Curated by Marwin Begaye, the show features a diverse range of media including sculpture by Gina Herrera, mixed-media works by Wade Patton, and visual and performance art by Sarah Ortegon HighWalking, alongside photography and poetry by writer Annette Saunooke Clapsaddle. The event was highlighted by a collaborative performance involving the Jingle Dress Dance and live woodblock printing.
The Massillon Museum is currently hosting "Isabelle Crawford: Pure Potentiality," a solo exhibition in its Studio M space featuring paintings and drawings by the Akron-based artist. Crawford’s work explores the intersection of human connection and perception, reflecting her commitment to using art as a tool for community engagement and social change. The exhibition, which runs through April 26, will be supplemented by a featured interview with the artist on the museum’s "MassMusings" podcast.
The WCU Fine Art Museum recently hosted its 58th Annual Juried Undergraduate Exhibition, featuring works by 25 student artists across various media including video, sculpture, and photography. Juried by artist Tracy Templeton, the showcase highlighted technical skill and personal expression, with top honors going to James Wood Boone for his time-based media piece "The Caretaker" and Valeria Enid Ramos for her portraiture.
The Ucross Art Gallery has launched "Resilience," a group exhibition showcasing the work of the 2025 Ucross Fellowship for Native American Artists recipients. Curated by Marwin Begaye, the show features a diverse array of disciplines including sculpture by Gina Herrera, literature by Annette Saunooke Clapsaddle, mixed-media by Wade Patton, and performance art by Sarah Ortegon HighWalking. The collection explores the intersection of cultural identity, heritage, and the enduring strength of Indigenous communities across the United States.