From controversy to clarity: how a Philadelphia medical museum is rethinking the display of human remains

The Mütter Museum in Philadelphia, known for its collection of medical artifacts including human remains, has been embroiled in controversy since a 2023 ProPublica investigation revealed it held Native American remains without repatriating them as required by NAGPRA. The museum's executive director Kate Quinn and then-president Mira Irons responded by removing digital content mentioning human remains, sparking a petition signed by over 30,000 people accusing them of reactive decisions. High-level staff departed, donors requested their body parts back, and both Quinn and Irons eventually resigned. The museum is now led by science historians Erin McLeary and Sara Ray.

The Lilley Museum of Art launches newest exhibition, 'To Hold a Form'

The Lilley Museum of Art at the University of Nevada, Reno has launched a new exhibition titled 'To Hold a Form: Art with Sound in the Work of Jennie C. Jones, LaRissa Rogers and Naama Tsabar.' The show features immersive, interactive sound art, including a site-specific performance by artist-in-residence Naama Tsabar and a team of musicians. Visitors are invited to touch and activate Tsabar's felt wall pieces strung with piano wires, which produce sound when handled, challenging traditional museum etiquette. The live performances took place on October 1 and 2, 2025, but the exhibition remains open to the public.

Lansing’s gallery and museum scene lively, despite losing a big one

The Lansing area lost the Lansing Art Gallery this year, but the local arts scene remains vibrant with several other venues. The Michigan History Museum offers immersive exhibits on state history, including the special exhibition “Black Bottom Street View” about Detroit’s historic neighborhood. The MSU Museum is undergoing an 18-month renovation but hosts a pop-up exhibition “Physical Spells [The Wor(l)d in the Atom]” featuring artist Violeta López López. The Nelson Gallery in downtown Lansing continues to showcase local contemporary art and plans holiday events, while Struk Studio, founded in 2023 by David Such, offers a contemporary mixed bag of works.

Faizi Rahmeen Art Gallery yet to open doors

The Faizi Rahmeen Art Gallery in Karachi, Pakistan, remains unfinished over 35 years after its inception, despite being initiated during the tenure of former MQM Mayor Dr. Farooq Sattar. Construction of the ground-plus-three-storey structure was completed by 1992 at an estimated cost of Rs80 million, but work stalled after the launch of "Operation Clean-Up" against the MQM and the dissolution of the local government. A brief revival in 2007 only saw installation of glass panels and floor tiling; core civil works are only 70% complete, and key systems like electrical, mechanical, revolving stage, and sound system are still pending. The site, formerly the residence of renowned author Atiya Begum and artist Faizi Rahmeen, was donated to the Karachi Metropolitan Corporation (KMC) in trust with the explicit intention of establishing an art gallery. KMC's Culture, Sports and Recreation office now operates from the property, but the gallery itself remains stalled due to lack of political priority for arts and culture.

"Journey in the Wake of Catastrophe": Yad Vashem Unveils New Art Exhibition

Yad Vashem – The World Holocaust Remembrance Center in Jerusalem has unveiled a new exhibition titled "Journey in the Wake of Catastrophe" by Israeli artist Tal Mazliach. The exhibition features eleven original works commissioned specifically for the show, which draw a visual and emotional connection between the Holocaust and the October 7th Hamas attack. Mazliach, a resident of Kibbutz Kfar Aza who survived the attack by barricading herself in her home for over 20 hours, is the second artist selected for Yad Vashem's 'Residency' Project. Her paintings incorporate tribal motifs, bold colors, and layered text, blending personal testimony with collective memory by drawing on Yad Vashem's archival collections.

Prospect New Orleans will not take place in 2027

Prospect New Orleans, the contemporary-art triennial, will not hold its city-wide exhibition in 2027. Instead, the organization will publish a book titled "20 Years of Prospect" to mark its 20th anniversary, featuring essays, personal accounts, and archival images. Executive director Nick Stillman told Artnews that launching another large-scale exhibition is "not the focus right now," citing a need to pause, reflect on the triennial's legacy, and ensure its accomplishments are properly documented. Financial pressures and national political uncertainty, including concerns about federal arts funding under the Trump administration, also influenced the decision.

Should UK museums display mummies? One institution is asking its visitors for their view

Manchester Museum in the UK is asking visitors whether the mummified remains of Asru, an Egyptian woman who lived around 2,700 years ago, should remain on display. The public consultation, running until the end of August, invites comments online or in a box next to her case. The museum notes that Asru's body was acquired in the early 1800s by the sons of a man who profited from slavery, shipped to Manchester, and unwrapped in 1825.

‘An immense void in the world of contemporary art’: Koyo Kouoh, curator of the 2026 Venice Biennale, has died, aged 57

Koyo Kouoh, the acclaimed Cameroonian-born curator who was appointed to organize the 2026 Venice Biennale, died on Saturday at a hospital in Basel, Switzerland, at age 57. Her husband confirmed she died of cancer following a recent diagnosis. Kouoh had been selected in December to become the first woman from Africa to curate the prestigious international exhibition, and the Biennale's statement mourned her loss as leaving "an immense void in the world of contemporary art."

Aaward-winning art retailer celebrates two decades of fine art

Hepplestone Fine Art, an award-winning art retailer in Lancashire, is celebrating its 20th anniversary. Founded by Clive and his son Giles, both avid art collectors, the gallery opened in 2004 in a small space at the Carrington Centre in Eccleston. In 2010, it relocated to a purpose-built gallery at Heskin Hall Shopping Village, which allowed for expanded exhibitions and evening events. The gallery gained national recognition by winning Art Retailer of the Year from the Fine Art Trade Guild in 2016 and 2018. In 2024, it opened a second location in Wilmslow, Cheshire. A highlight was hosting the first UK gallery appearance by American artist Todd White, who continues to exhibit with them every two years. The gallery now represents emerging talents like Stockport's Lucy Manfredi and remains focused on bringing fine art to collectors both in-person and online.

Best Booths at Frieze, the Workhorse of Contemporary Art

The article highlights standout booths at Frieze New York, held at the Shed, featuring 65 galleries. It notes a dominant presence of paintings alongside a surprising array of small sculptures, offering a curated look at the fair's most compelling presentations.

How Two Men with Hard Heads Broke Through Murano’s Glass Ceiling

Edoardo Pandolfo and Francesco Palù, the founders of the glass brand 6:AM, are revitalizing the traditional glassmaking industry of Murano with a contemporary, "punk" sensibility. By collaborating with master artisans and pushing the technical boundaries of the medium, the duo creates avant-garde pieces that challenge the island's historical aesthetic while maintaining its rigorous craftsmanship standards.

Pearl Fryar, a Picasso of Plants, Dies at 86

Pearl Fryar, the visionary self-taught topiary artist who transformed his yard in Bishopville, South Carolina, into a world-renowned botanical masterpiece, has died at age 86. Starting in the 1980s with no formal training, Fryar used a gas-powered hedge trimmer to sculpt salvaged plants into gravity-defying, abstract geometric forms that drew thousands of international visitors to his three-acre property.

At the 34th Outsider Art Fair, Still Genuine Surprises

The 34th Outsider Art Fair in New York showcased a diverse range of compelling works, including cosmic explosion paintings, proto-Surrealist pieces, and standout artists like D.J. Raul Hardie and Anne Brown. A critic's survey highlighted these discoveries as genuine surprises, emphasizing the fair's continued role in presenting fresh, unmediated artistic voices.

Iran’s Participation in the Venice Biennale Still Uncertain

Iran’s participation in the 61st Venice Biennale remains uncertain after a public contradiction emerged between the Biennale Foundation and Iran’s Ministry of Culture and Islamic Guidance (MCIG). The Biennale Foundation had announced that Iran would not participate in the 2026 edition, curated by Koyo Kouoh, but Aydin Mahdizadeh Tehrani, director general of visual arts at the MCIG and commissioner of the Iranian Pavilion, stated in an interview with the Iranian Students’ News Agency (ISNA) that Iran never submitted a withdrawal letter. Instead, Iran requested more time and sent a letter on May 10 asking for the pavilion to open even if ineligible for prizes. Mahdizadeh Tehrani cited the US-Israel war with Iran as causing currency fluctuations that nearly tripled projected costs, complicating prior agreements, and noted that Iran had proposed a shorter exhibition period, which the Biennale rejected.

REINTERPRETATIONS BY DEMIAN FLORES OF VIOLENCE MYTH AND REPRESENTATION

Mexican artist Demián Flores presents "America. New Visions from the Old World," a graphic arts exhibition at the Instituto Cultural de México in Madrid. The show features forty works that reinterpret 16th-century engravings by Theodor de Bry, whose images of Indigenous peoples—ranging from idealized noble savages to violent cannibals—shaped European perceptions of the Americas. Flores draws on his earlier series "Collateral Disasters" (2012), inspired by Goya's "The Disasters of War," to critique how colonial visual narratives constructed otherness and justified violence.

Street artist Ozmo acquitted in court: 'His work is not vandalism and has cultural value' (but in the meantime it has been erased)

Lo street artist Ozmo assolto in tribunale: “La sua opera non è imbrattamento e ha valore culturale” (ma nel frattempo è stata cancellata)

In summer 2022, street artist Ozmo (Gionata Gesi) created an unauthorized site-specific work on the Fonte di San Cerbone in Baratti, Italy, depicting two Etruscan coins with Medusa's face. The work sparked debate: the Piombino municipality and museum director Carolina Megale welcomed it, but the Soprintendenza (cultural heritage authority) reported it to prosecutors as illegal defacement. The artwork was vandalized and later removed in April 2023. On April 29, the Livorno court acquitted Ozmo, ruling that his intervention was not a crime but an artwork with cultural value, setting a legal precedent.

From Comics to TV: Quino's Legendary Mafalda Becomes an Animated Series

Dal fumetto alla tv: la mitica Mafalda di Quino diventa una serie animata

Netflix has announced a new animated series based on the iconic comic strip Mafalda, directed by Academy Award-winner Juan José Campanella. Produced by Mundoloco CGI, the project coincides with the 60th anniversary of the character's debut and marks a transition from the traditional black-and-white print medium to a dynamic, colorized digital format. The series aims to preserve the sharp social commentary and rebellious spirit of the original illustrations created by the late Argentine cartoonist Quino.

Jaya Ganguly’s art on feminism, pain & resistance. Watch the video

Jaya Ganguly, one of India's most prominent contemporary feminist artists, is the subject of a video feature exploring her exhibition at CIMA in Kolkata. Curated by Rakhi Sarkar, the show presents Ganguly's deeply emotional and thought-provoking artworks that address themes of feminism, pain, and resistance. The exhibition runs until June 13.

Exhibition | Huang Hankang, 'The Sky Remains as the Bird Departs' at Arario Gallery, Shanghai, China

Arario Gallery Shanghai presents Huang Hankang's solo exhibition 'The Sky Remains as the Bird Departs,' running from May 15 to July 4. The show uses Shanghai as a dynamic 'processing system' where images, histories, and cultures are constantly received, translated, and reorganized. Through installations and paintings, the exhibition compresses multiple visual and historical threads, featuring works such as 'Gate of Flesh and Soul,' which juxtaposes Giuseppe Castiglione's hybrid visual language with the Cathay Theatre and fragments of George Washington's dentures, and 'Overlaid Life,' which contrasts a Song Dynasty crystal rabbit with cultivated orchids. Other pieces like 'Void Resonance' and 'Nameless Mark' explore perception, the body, and cultural mediation.

AKKA Venice Project: Beyond the Exhibition

Lidija Khachatourian, founder of AKKA Project, discusses her gallery's evolution from Dubai to Venice, where it remains the only gallery dedicated to African and diasporic artists. In an interview with ART AFRICA, she explains her shift from a market-driven model toward a research-led, custodial approach that prioritizes long-term relationships and slowness over high-volume programming. The gallery, established in Venice in 2019, operates with a deliberate resistance to market pressures, focusing on care, continuity, and direct material support for its artists.

Two Visitors’ Lions have been established for the Biennale Arte 2026

La Biennale di Venezia has announced the establishment of two Visitors' Lions for the 61st International Art Exhibition, following the resignation of the International Jury appointed by curator Koyo Kouoh. The awards ceremony, originally scheduled for May 9, has been moved to November 22, the final public day, echoing a similar shift during the 2021 Architecture Exhibition due to COVID-19. The Visitors' Lions will be voted on by ticket holders who visit both exhibition venues between May 9 and November 22, with one award for the Best Participant in the exhibition "In Minor Keys" by Koyo Kouoh and another for the Best National Participation.

art investing market trends art basel report

Art advisor Ralph DeLuca returns to his Street Smarts column to dissect the 2026 Art Basel & UBS Art Market Report. He notes that global art sales reached approximately $59.6 billion in 2025, a 4% increase after two down years, but cautions that the recovery is uneven—sales of artworks above $10 million rose 30%, while the middle market stagnates. The U.S. remains the dominant market, accounting for 44% of global sales, though tariff threats and political volatility continue to disrupt the trade.

Printmakers carve their place at Art Museum of Southeast Texas

The Art Museum of Southeast Texas is hosting a new exhibition focused on printmaking, highlighting the work of contemporary printmakers who are carving out a distinct space in the art world. The show brings together a range of techniques and styles, from traditional woodcuts to experimental mixed-media prints, demonstrating the enduring relevance and innovation within the medium.

Hungarian Modernity: the exhibition that sheds light on an overlooked painter at the Petit Palais, our photos

The Petit Palais in Paris is hosting the first French retrospective dedicated to Károly Ferenczy, a seminal figure in Hungarian art history. Running from April 14 to September 6, 2026, the exhibition features nearly 140 paintings and drawings, many on loan from the Hungarian National Gallery and private collections in Budapest. The showcase traces Ferenczy’s stylistic evolution from naturalism to symbolism and impressionism, highlighting his role as a founder of the Nagybánya artists' colony and a pioneer of en plein air painting in Central Europe.

New CMA Exhibition Showcases Columbus Artists to Watch

The Columbus Museum of Art is launching the 'Greater Columbus: 2026 Visual Arts Fellowship Exhibition' on April 15, featuring the work of six local artists. This annual showcase, organized in partnership with the Greater Columbus Arts Council, highlights the recipients of the 2025 Visual Arts Fellowship, including artist Dana Lynn Harper.

6 free Seattle art exhibits in April at museums and galleries

Seattle’s visual arts scene is offering several high-profile exhibitions accessible to the public for free throughout April. Highlights include a major outdoor installation at the Frye Art Museum by Cornish College of the Arts graduate Chloe King, whose work investigates the construction of cultural memory, alongside five other curated presentations across the city's museum and gallery network.

Snuffboxes stolen in Paris daylight robbery to go on display at V&A

Five 18th-century gold snuffboxes recovered after a violent daylight robbery in Paris are set to go on public display at the Victoria and Albert Museum. The objects were stolen in November 2024 from the Musée Cognacq-Jay during a high-profile heist that targeted pieces from the Rosalinde & Arthur Gilbert Collection, the Louvre, and the UK Royal Collection. Following an extensive police investigation and delicate restoration work by Parisian goldsmiths to repair damage sustained during the theft, the items will headline the opening of the V&A’s newly revamped Gilbert Galleries.

Self-generated income for UK museums ‘can only go so far’ in filling gaps left by funding cuts, report says

A new report from the National Audit Office (NAO) warns that state-funded UK museums are reaching a breaking point as they attempt to offset significant government funding cuts with self-generated income. Analyzing 15 major institutions including the British Museum and Tate, the report reveals that while self-generated revenue rose by 53% since 2021-22, it remains highly volatile and susceptible to external factors like tourism costs and membership churn. Despite a recent £31m funding boost from the DCMS, over half of these institutions report being in a worse financial position than they were three years ago.

Oregon artist’s ‘Don’t Touch My Hair’ exhibition makes complying impossible

Ashland artist Crystal Proffitt's interactive installation 'Don't Touch My Hair: An Interactive Crowned Experience' at the Langford Art Gallery in Phoenix, Oregon, invites viewers to touch the braids and locs attached to portraits of local Black models while listening to voice recordings about hair as cultural identity and resilience. The work, supported by the Oregon Cultural Trust and the Black Alliance & Social Empowerment (BASE) Southern Oregon, debuted January 3 and runs through January 24, after which it will join BASE's Black Cultural Legacy Series at the Rogue Gallery & Art Center in Medford. Proffitt intentionally allows the hair to show wear from handling, treating the erosion as part of the artwork's meaning.

Fit for a king: the drapery bedchamber at Germany's ‘Versailles of Swabia’ presents conservators with a special challenge

Friedrich I of Baden-Württemberg upgraded his summer residence, Ludwigsburg Palace in Germany, after allying with Napoleon and becoming king. Four prized rooms, including the unusually complete drapery bedchamber, are set to reopen in 2026 after substantial restoration. The bedchamber features original turquoise silks, now faded blue-green, and over 6,000 tassels, presenting a major conservation challenge. Textile conservator Anu-Susanna Ventelä notes it is likely the only palace in Europe with such an intact drapery room. The project is part of a larger revamp of 35 rooms funded by the State of Baden-Württemberg, with conservators consulting historical inventories to restore furnishings to their original layout.