Saif Azzuz, an artist of Libyan and Yurok heritage, presents a new body of work that intertwines themes of water, fire, and family, drawing from his experiences in both the Louisiana Bayou and the San Francisco Bay. The article, published by The New York Times, explores how Azzuz's mixed Indigenous and North African background informs his artistic practice, blending personal history with environmental and cultural narratives.
The Mütter Museum in Philadelphia, known for its collection of medical artifacts including human remains, has been embroiled in controversy since a 2023 ProPublica investigation revealed it held Native American remains without repatriating them as required by NAGPRA. The museum's executive director Kate Quinn and then-president Mira Irons responded by removing digital content mentioning human remains, sparking a petition signed by over 30,000 people accusing them of reactive decisions. High-level staff departed, donors requested their body parts back, and both Quinn and Irons eventually resigned. The museum is now led by science historians Erin McLeary and Sara Ray.
Artist Shane Malone-Murphy launched his first solo exhibition, 'Say Again, This Place', at the Courthouse Arts Centre in Tinahely, County Wicklow. The show features site-responsive works using materials like glass, soot, ash, and clay, developed during his residency at the centre. Supported by The Arts Council and Wicklow County Arts Office, the exhibition explores themes of place, memory, and materiality through objects in states of transition.
Manchester Museum in the UK is asking visitors whether the mummified remains of Asru, an Egyptian woman who lived around 2,700 years ago, should remain on display. The public consultation, running until the end of August, invites comments online or in a box next to her case. The museum notes that Asru's body was acquired in the early 1800s by the sons of a man who profited from slavery, shipped to Manchester, and unwrapped in 1825.
A tribute exhibition titled "Jennifer Johnson: Atmosphere, Colour and Light" will be held at The Loft Studio, Salcombe Art Club, from May 24 to June 7, 2025, celebrating the life and work of Devon-based artist Jennifer Johnson, who died last year after a long battle with cancer. The exhibition, organized by her son Christopher Derrick, will showcase her extensive body of work—including watercolours, oils, drawings, collages, and digital art—and will raise funds for St. Luke’s Hospice, which cared for her in her final days.
Koyo Kouoh, the acclaimed Cameroonian-born curator who was appointed to organize the 2026 Venice Biennale, died on Saturday at a hospital in Basel, Switzerland, at age 57. Her husband confirmed she died of cancer following a recent diagnosis. Kouoh had been selected in December to become the first woman from Africa to curate the prestigious international exhibition, and the Biennale's statement mourned her loss as leaving "an immense void in the world of contemporary art."
Rapper Ferg, also known as Darold Brown, has opened his SoHo loft to reveal his debut solo painting exhibition, "CHOSEN." The show, curated by Anne-Laure Lemaitre and Larry Warsh of No More Rulers, features a body of work that includes figuration, abstraction, and mixed media, all rooted in personal memory and family influence. The exhibition grew out of Ferg's decision to paint the cover art for his album "DAROLD" himself, marking his first self-portrait and a return to the visual art he practiced as a teen.
An art exhibition in Guernsey marks the 80th anniversary of Liberation Day, featuring works by 12 local artists who explored the island's wartime occupation through family histories, personal recollections, and archival research. The Occupation Arts Collective organized the show, which was sponsored by Guernsey Arts.
Artist Maja Malou Lyse will represent Denmark at the 61st Venice Biennale in 2026 with her project 'Things To Come'. The work is a video created in collaboration with DIS, starring actresses from the porn industry, and explores the intersection of science, fiction, and pornography, inspired by a study on how virtual sexual stimuli affect the body.
The article reports on the 2025 Met Gala, where celebrity guests showcased elaborate, art-inspired fashion on the red carpet. The event, held at the Metropolitan Museum of Art in New York, featured designs that transformed the human body into living canvases, with many looks referencing the evening's exhibition theme.
The article profiles artist Davide Hjort Di Fabio, whose work explores the experience of chronic illness and the sick body through sculpture and installation. He uses materials like silicone, resin, and medical paraphernalia to create visceral forms that challenge conventional representations of health and the human form.
Catherine Christer Hennix's exhibition at Malmö Konsthall presents an austere yet expansive body of work that weaves together mathematics, mysticism, and sound. The artist's practice is characterized by a focus on absence, silence, and negative space, creating an immersive environment that challenges conventional sensory engagement.
THE IMAGE OF ANOTHER WORLD TAKES SHAPE IN A VIBRANT FORM FIVE PERUVIAN ARTISTS AT PINTA LIMA 2026
Pinta Lima 2026, an art fair in Peru, has unveiled a Special Project curated by Florencia Portocarrero and Irene Gelfman, featuring five young Peruvian artists: Elizabeth Vásquez, Fátima Rodrigo, Pierina Másquez, Verovcha, and Yone Makino. The exhibition transforms the gallery into an immersive, habitable space where diverse works in textiles, ceramics, painting, and installation form a cohesive map of contemporary Peruvian art.
Intervista all’artista del Padiglione Danese della Biennale di Venezia 2026 che ha messo in scena i porno divi
The Danish Pavilion at the 2026 Venice Biennale presents "Things to Come," a project by artist Maja Malou Lyse (b. 1993, Denmark), curated by Chus Martínez. The installation combines a three-channel video developed with DIS, materials from Cryos (the world's largest sperm bank), and performers from the porn industry, embedding them within the pavilion's architecture to explore the convergence of pornography, biotechnology, desire, and visual culture as a single system of imaginary production.
Alla Biennale di Venezia c’è un padiglione di merda! Il Lussemburgo partecipa con un progetto che fa parlare la cacca
The Luxembourg Pavilion at the 2026 Venice Biennale features an installation titled "La Merde" by artist Aline Bouvy, centered on a cinematic manifesto that uses excrement as a metaphor to explore shame, social classification, and bodily discipline. The immersive environment includes a film, spatialized sound composition, and a steel-and-mirror architecture, with an anthropomorphic talking, walking, and farting excrement puppet interacting with visitors. The work also includes a sculptural alter ego titled "E.T. The Excremential," blending Bouvy's body with Spielberg's extraterrestrial figure.
Gli animali che siamo. La nuova metamorfosi dell’appartamento-showroom Casaornella a Milano
Interior designer Maria Vittoria Paggini has unveiled the 2026 edition of Casaornella, her apartment-showroom in Milan's Via Conca del Naviglio 10, during Design Week. Titled "L'animale sociale" (The Social Animal) with the subtitle "Nessuno mi può giudicare" (Nobody Can Judge Me), the space is completely restructured each year. For this edition, Paggini removed all doors to create a fluid, open-plan layout, using curtains for privacy. The project explores themes of authenticity and human relationships in the digital age, inspired by Italian pop songs from Mina to Luigi Tenco, which form the exhibition's soundtrack.
Gli spazi accoglienti dell’artista italiana Donatella Spaziani alla sua prima grande mostra in Cina
Italian artist Donatella Spaziani has opened her first major solo exhibition in China, titled "Incolume tra le cose" (Unharmed Among Things), at the Sichuan Fine Arts Institute Art Museum in Chongqing. The retrospective features over 100 works, including drawings, collages, site-specific installations, and sound art, spanning her career and highlighting her recent residency in the city. The exhibition eschews chronological order, instead creating an immersive environment where the artist’s signature silhouettes and explorations of the human body interact with the architectural space of the museum.
La vulnerabilità vista dallo sguardo di due artiste in mostra in Romagna
The Galleria d’Arte Contemporanea Vero Stoppioni in Santa Sofia is hosting "Corpi invisibili, fuori controllo" (Invisible Bodies, Out of Control), a dual exhibition featuring artists Claudia Amatruda and Carla Giaccio Darias. Part of the broader "Un Problema del Genere" festival, the show explores the concept of vulnerability through contrasting artistic methods. Amatruda utilizes photography, sculpture, and video to depict bodies in risky, natural environments that highlight relational dependency, while Giaccio Darias uses archival imagery and painting to present fragmented, anatomical forms that challenge the viewer's gaze.
University of Kansas students and teachers are showcasing ceramics that defy gravity and traditional form at Off-Site Art Space in Lawrence. The exhibition, titled “Almost a Body: Not Quite a Thing,” features works by artists-in-residence Seuil Chung and SunYoung Park alongside their students, including pieces like Natalie Slutsky’s “Vital Exchange,” an anatomical heart with arteries forming a Möbius strip. The show highlights innovative techniques such as using sand-filled brick boxes for firing, French cleat mounting systems, and beeswax finishes inspired by natural forms from the McGregor Herbarium.
Arario Gallery Shanghai presents Huang Hankang's solo exhibition 'The Sky Remains as the Bird Departs,' running from May 15 to July 4. The show uses Shanghai as a dynamic 'processing system' where images, histories, and cultures are constantly received, translated, and reorganized. Through installations and paintings, the exhibition compresses multiple visual and historical threads, featuring works such as 'Gate of Flesh and Soul,' which juxtaposes Giuseppe Castiglione's hybrid visual language with the Cathay Theatre and fragments of George Washington's dentures, and 'Overlaid Life,' which contrasts a Song Dynasty crystal rabbit with cultivated orchids. Other pieces like 'Void Resonance' and 'Nameless Mark' explore perception, the body, and cultural mediation.
Indonesian artist Dini Nur Aghnia presents her solo exhibition 'What Gathers, What Holds' at Gajah Gallery in Yogyakarta, opening April 25, 2026. The exhibition features a new body of work exploring landscape through layered compositions of clay, resin, and patchwork textiles, moving away from a totalized vista to focus on fragments and accumulative change.
Chinese artist Zhang Mingxuan, 27, debuted her first mature body of work in a 2023 solo exhibition at Hive Center for Contemporary Art in Shanghai, featuring paintings and prints of distorted human forms wrapped in torn nylon hosiery. Her process involves stretching, tearing, and pressing nylon-clad boards onto canvas to create uncanny impressions of compressed, fetal-like bodies. The works, created after she completed her MA in printmaking at the Royal College of Art in London, explore themes of violence, embodiment, and the limits of the body through a labor-intensive method blending painting and printmaking.
The 5th Floor in Tokyo is hosting "Stilllive Documents 2019–2025," a retrospective exhibition running from May 14 to June 7, 2026, that reviews the activities of the performance platform Stilllive. The show features unpublished photographs and video materials from 2019 to 2025, presenting them not as mere traces of events but as records of relationships, tensions, and responses that emerged in each moment. Stilllive was founded in 2016 by Yuki Kobayashi and graduates of the Royal College of Art's Performance program, and has held annual events since 2019 at venues including the Goethe-Institut Tokyo. A new performance, "Stilllive 2026," will take place on May 16–17 at BUoY in Senju Nakamachi, Tokyo, connecting past accumulations to future practice.
第29回アートフィルム・フェスティバル @ 愛知芸術文化センター12階アートスペースA
The 29th Art Film Festival will take place on June 15, 2025, at the Aichi Arts Center's Art Space A in Nagoya, Japan. Organized by the Aichi Prefectural Museum of Art, the festival features a special screening program centered on the film collective Kūzoku. Highlights include the premiere of Katsuya Tomita's 'Senkō Issenri ILHA FORMOSA' (2025), the 33rd original video work commissioned by the Aichi Arts Center, alongside earlier works by Tomita and Toranosuke Aizawa, such as 'The Daughter of Chiang Rai' (2012) and 'Flower Tale Babylon' (1997). The event also includes a talk session with Tomita and Aizawa after the screenings.
Artist Anastasia Pavlou’s practice is explored through her engagement with literature, memory, and the materialization of language. Her large-scale paintings, which draw formal comparisons to Art Informel and Abstract Expressionism, function as conceptual lexicons where titles—often direct citations from writers like Dionne Brand and Virginia Woolf—carry as much weight as the paint itself. Works such as "The Reader Interrogates Narrative, but Poetry Interrogates the Reader" demonstrate her interest in the "spectral" side of nomenclature, where naming serves to summon ghosts of the past while acknowledging the failures of language to capture emotion.
Nona Faustine’s first retrospective, ‘What My Mother Gave Me,’ is on view at the Center for Photography at Woodstock until 10 May 2026. The exhibition gathers nearly three decades of the artist’s work, spanning series such as *Young Mothers*, *Mitochondria*, and *White Shoes*, to explore themes of matrilineal memory, the Black female body, and the afterlives of slavery in urban spaces. Faustine’s photographs range from intimate depictions of young motherhood to defiant nude self-portraits that transform sites of erasure into counter-monuments of presence.
KÜTRAL VARGAS HUAIQUIMILLA: PERFORMAR LA SANGRE, HABITAR SU FLUJO, DIMENSIONAR LA HERIDA
Mapuche visual artist and performer Kütral Vargas Huaiquimilla presents "Performance de la sangre" (Performance of Blood) at Galería Gabriela Mistral in Santiago, Chile. Based on the artist's 2024 novel of the same name, the exhibition utilizes video-performance, sculpture, and clinical materials like medication vials to explore the intimate and collective experience of living with HIV. The project marks a significant interdisciplinary intersection of Mapuche identity, pharmacology, and contemporary medicalization.
Panteha Abareshi, a 26-year-old Canadian-born artist based in Tucson, creates performances, videos, sculptures, and installations that explore their experience as a disabled and chronically ill person. Their work often tackles taboo subjects, such as a recent solo exhibition at Human Resources in Los Angeles that screened pornography and sparked discussion about the representation of disabled bodies in fetish materials. A key piece, "CAREGIVING," features a silicone hand with a finger pulled back by a string nailed into its own wrist, symbolizing the violent balance in medical care and caregiving.
The Metropolitan Museum of Art has published an article titled "The Body Is Art." The content appears to focus on the human body as a subject within art, likely exploring representations and interpretations of the body in the museum's collection.
The article reviews 'Costume Art,' an exhibition at the Metropolitan Museum of Art that explores the intersection of fashion and the human form. It examines how garments and accessories are presented as sculptural objects, highlighting the dialogue between clothing and the body through historical and contemporary pieces.