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Tiffany Chung’s exhibition at the AD&A Museum maps history within deep geological time

The Art, Design & Architecture (AD&A) Museum at UC Santa Barbara has launched "Tiffany Chung: indelible traces," a mid-career survey of the Vietnamese American artist and UCSB alumna. The exhibition features over 70 works spanning 25 years, including her signature hand-drawn and embroidered maps, video, and sculptural installations. Curated by Orianna Cacchione, the show highlights Chung’s use of cartography to challenge colonial narratives and document the complexities of forced migration, climate crises, and the movement of botanical organisms across continents.

Danger and inspiration: Bangladeshi artists divided about country’s future after historic election

The 11th Chobi Mela photography festival in Dhaka has become a vital site for political discourse following Bangladesh's historic election and the 2024 revolution. Through public installations like 'Women in the July Uprising,' artists are documenting the pivotal role of women in toppling the previous regime and addressing the subsequent erasure of their contributions under the new political landscape. The festival also highlights the ongoing struggle for justice regarding the 'disappeared' through the documentary work of photographers like Mosfiqur Rahman Johan.

Contemporary art on paper at DESA Unicum

The DESA Unicum auction house in Warsaw has opened its latest "Contemporary Art. Works on Paper" exhibition, which will culminate in an auction of the presented works. This edition is notable for its broad historical scope, featuring pieces created between 1940 and 2025, and includes museum-quality works and rare sketches by key Polish avant-garde artists.

Conceptual artist Theresa Hak Kyung Cha’s gets expansive tribute in California show

The Berkeley Art Museum and Pacific Film Archive (BAMPFA) is presenting *Theresa Hak Kyung Cha: Multiple Offerings*, the first survey of the late conceptual artist’s work in over two decades. Running from January 24 to April 19, the exhibition draws on BAMPFA’s substantial holdings of Cha’s art and archives, showcasing her multidisciplinary practice—including concrete poetry, mail art, textiles, ceramics, performance, and film. Curator Victoria Sung, alongside curatorial associate Tausif Noor, aims to de-emphasize Cha’s best-known work, *Dictée*, and instead highlight the fluidity of her process, revisiting themes across different media from the early 1970s to the early 1980s. The show features a recreation of her 1980 film *Exilée*, documentation of performances such as *Réveillé dans la Brume* (1977), and early ceramics and textiles never before shown publicly.

Ackland Art Museum to Open Two Major Exhibitions Exploring Identity and Color

The Ackland Art Museum in Chapel Hill will open two new exhibitions on January 30, 2026. "Bill Bamberger: Boys Will Be Men" presents introspective portraits of male students from Durham School of the Arts, exploring masculinity through photography and audio interviews. "Color Concentrated: A Salon-Style Show from the Robertson Collection" reimagines modernist works from the museum's collection in a dense, single-wall installation inspired by 19th-century Parisian Salons.

Tiffany Shlain uses trees and technology to trace Jewish history in new exhibit

Tiffany Shlain, a multidisciplinary artist and founder of the Webby Awards, has opened a new exhibition titled "Ancient Wisdom for a Future Ecology: Trees, Time, and Technology" at the di Rosa Center for Contemporary Art in San Francisco. The show, which debuted in October 2024 at the Skirball Cultural Center in Los Angeles as part of a Getty Museum initiative, uses massive tree trunk slices—some weighing 10,000 pounds—to explore Jewish history, feminism, and existential questions. Shlain, known for her work blending feminism, technology, and Judaism, also co-created a video on the teenage brain with Goldie Hawn and recently screened her 2005 documentary short "The Tribe."

Humid Traces

Humid Traces, curated by Federico Pérez Villoro, is an exhibition at an unnamed New York venue that examines how bodies of water are weaponized as borders amid climate change and extreme weather. The show features international artists—including Dele Adeyemo, Natalia Lassalle-Morillo, Zishaan A Latif, Caio Reisewitz, Susan Schuppli, Marisa Srijunpleang, Studio Folder, and Leonel Vásquez—whose works in installation, sound, photography, video, and data visualization reveal the violent effects of migration-control technologies and water's material memory.

The Kimbell's January 2026 Schedule

The Kimbell Art Museum in Fort Worth, Texas, has announced its January 2026 schedule, headlined by the special exhibition "Myth and Marble: Ancient Roman Sculpture from the Torlonia Collection," running through January 25. The month-long program includes a wide range of free events such as Kimbell Kids Drop-In Studios, docent tours, lectures like "Women of a Certain Age" by Jessica L. Fripp, film screenings including "Destination: Ancient Rome," family festivals, sensory-friendly hours, and guided tours of the museum's iconic buildings designed by Louis I. Kahn and Renzo Piano.

UCR ARTS presents Transgresoras: Mail Art and Messages, 1960s–2020s

UCR ARTS' California Museum of Photography presents "Transgresoras: Mail Art and Messages, 1960s–2020s," an exhibition guest co-curated by Zanna Gilbert of the Getty Research Institute and Elena Shtromberg of the University of Utah. Running from September 13, 2025, to February 15, 2026, the show features over 50 Latinx and Latin American women artists who used mail art to subvert authoritarian censorship, turning the government's own postal system into a tool for creative expression across militarized borders. The exhibition includes video, sculpture, paintings, prints, and installations, organized into thematic sections addressing state control, gender, migration, colonialism, and ecology.

'ARTnews' Names 'Confessions of Fire' by Isaiah Davis '25 One of New York's Best Art Exhibitions of 2025

Isaiah Davis '25, a visual arts alumnus of Columbia School of the Arts, opened his third solo exhibition, 'Confessions of Fire,' at King's Leap gallery in Chinatown this fall. The exhibition, which runs through December 20, 2025, features steel sculptures and enamel paintings on metal that explore Black masculinity through the motifs of leather culture and steel, inspired by rapper Cam'ron's debut album. ARTnews named it one of New York's best exhibitions of 2025, with senior editor Alex Greenberger praising the sculpture 'Slave (2025)' as the most surprising work of the year. The New York Times critic Travis Diehl and Frieze critic George Egerton-Warburton also gave it positive reviews.

Aki Sasamoto invites viewers to her singular ‘life laboratory’ at the Museum of Contemporary Art Tokyo

Japanese artist Aki Sasamoto presents her first mid-career survey, 'Aki Sasamoto’s Life Laboratory,' at the Museum of Contemporary Art Tokyo (MOT). The exhibition traces two decades of her unique practice combining absurd sculptural devices—such as haemorrhoid cushions and oversized fishing lures—with improvised performances that blend humorous spoken narratives, physical actions, and mark-making. The show features installations, documentation, and live performances, with each room exploring a different relationship between performance and object or video.

Louvre acquires first-ever video work

The Musée du Louvre has acquired its first-ever video work, a piece titled *Les 4 temps (The 4 Seasons)* by Algeria-born artist Mohamed Bourouissa. The work documents the Tuileries Gardens over the course of a year, originally created as 52 weekly videos for the Louvre’s Instagram channel between February 2024 and February 2025. It will be displayed in the Salle de la Chapelle from 22 October to 19 January 2026. Bourouissa also composed the music for the piece by recording the vibrations of the garden’s plants.

The V&A's David Bowie Centre opens this week—here's what visitors can expect to see

The David Bowie Centre opens on 13 September at the V&A East Storehouse in Stratford, east London, offering free timed-entry access to a 90,000-piece archive acquired from the Bowie estate. Lead curator Madeleine Haddon highlights discoveries like Bowie's paint palette and a framed photo of Little Richard, alongside an interactive installation tracing his influence on pop culture. The centre features nine rotating curated displays, including guest-curated ones by Nile Rodgers and The Last Dinner Party, and connects to the upcoming V&A East Museum exhibition 'The Music Is Black: A British Story'.

Documenta unveils first all-woman curatorial team for 2027

Documenta has announced the first all-woman curatorial team for its 16th edition, set to take place in Kassel, Germany, from June 12 to September 19, 2027. Artistic director Naomi Beckwith, deputy director and chief curator of the Solomon R. Guggenheim Museum, selected four curators—Carla Acevedo-Yates, Romi Crawford, Mayra A. Rodríguez Castro, and Xiaoyu Weng—to develop the exhibition, publications, and programming. Each curator brings distinct expertise: Acevedo-Yates focuses on diaspora and cultural production; Crawford on race and American visual culture; Rodríguez Castro on writing and editing; and Weng on globalization, feminism, and decolonization.

Guggenheim Fellows Featured in Stockton’s Art Gallery

Stockton University’s Art Gallery in Galloway, New Jersey, will present a fall exhibition titled “Diverse Perspectives in Photography: Four Black Guggenheim Fellows in the Philadelphia Region,” running from September 4 to November 8. The show features works by four African American photographers who are Guggenheim Fellows: Donald E. Camp (1995), Ron Tarver (2021), William E. Williams (2003), and Wendel A. White (2003). The exhibition opens with a free reception and panel discussion moderated by Julie L. McGee, associate professor at the University of Delaware, and includes a lecture by Laura Auricchio, vice president of the John Simon Guggenheim Memorial Foundation, on the fellowship’s 100th anniversary.

After a century in storage, an 18th-century tapestry goes on show at Blenheim Palace

A rare 18th-century tapestry, *The Battle of Arbela*, has gone on public display at Blenheim Palace in Oxfordshire, UK, after more than a century in storage. The tapestry, part of the *Story of Alexander the Great* series commissioned by the first Duke of Marlborough in 1707, was woven by Flemish weaver Judocus de Vos and designed by French artist Charles Le Brun. It depicts Alexander the Great's victory over the Persian Army at the Battle of Gaugamela in 331 BC. The piece is now exhibited in the palace's Great Hall until 26 August, following conservation work completed in the early 2000s.

A tome accompanying the Lahore Biennale is a celebration of authenticity

The second Lahore Biennale took place in early 2020 across Lahore, Pakistan, with installations at historic sites such as the Badshahi Mosque, Lahore Fort, Tollinton Market, and Bradlaugh Hall. Artists like Barbara Walker and the Pak Khawateen Painting Club presented works addressing colonial erasure, sexuality in an Islamic Republic, and water scarcity. Skira has published the "Lahore Biennale 02 Reader," edited by Sheikha Hoor al Qasimi and Iftikhar Dadi, which compiles essays and reflections from the biennial's academic forum, including contributions from the Ajam Media Collective and anthropologist Seema Golestaneh on Sufism and state power in Iran and Pakistan.

Sicily's new anti-mafia museum honours ‘strength of the vulnerable over fear’

Sicily has inaugurated the Museum of the Present (Museo del Presente) inside Palermo's historic Palazzo Jung on 23 May, marking 33 years since the assassination of anti-Mafia judge Giovanni Falcone. The museum commemorates Mafia victims and confronts the ongoing threat of Cosa Nostra through personal artifacts, multimedia installations, and historical documentation, including items from Falcone and his colleague Paolo Borsellino. The opening was attended by Italy's interior, justice, and culture ministers, and entry remains free until 19 July.

King Charles Shares Art from His Personal Collection for an Inside Look at Royal Tours

King Charles and Queen Camilla held a reception on July 9, 2025, to celebrate a new exhibition at Buckingham Palace featuring 72 artworks from the monarch's personal collection. The works, created by artists who accompanied Charles on foreign tours over the past 40 years, include paintings, sketches, and even an iPad image. The exhibition, titled "The King’s Tour Artists," opens to the public from July 10 to September 28 and marks the summer opening of the palace. Charles began inviting artists on tours in 1985, and since then, 43 artists have joined him on 70 tours to 95 countries, with the King acquiring at least one piece from each artist.

Never Before Seen Art From King Charles’s Royal Tours Debuts at Buckingham Palace

A new exhibition titled "The King's Tour Artists" has opened in the Buckingham Palace Ballroom, showcasing over 70 works from King Charles III's private collection. The artworks, created by 43 different artists during 70 royal tours to 95 countries and regions since 1985, are displayed together for the first time. The exhibition was viewed by the King and Queen during a reception marking 40 years of the King's initiative to bring artists on official tours. Highlights include a 1985 watercolor from Italy and 2007 portraits of Charles and Camilla by James Hart Dyke from a visit to the Gulf States. The show runs from July 10 to September 10, 2025, as part of the Palace's summer opening.

‘Our pattern, our document’: this Indigenous Australian community is using design to assert its rights

A new exhibition at the Art Gallery of New South Wales (AGNSW) in Sydney, titled 'Yolŋu power: the art of Yirrkala', showcases the work of 90 Yolŋu artists from the remote community of Yirrkala in Australia's Northern Territory. The exhibition highlights how the community's art centre, Buku-Larrŋgay Mulka, has produced sacred clan designs known as miny'tji for eight decades, and how these patterns were used as legal and political documents to assert land and sea rights. Key moments include the 1963 Yirrkala Bark Petition, the Saltwater Project (1996) initiated by artist Djambawa Marawili, and the subsequent 2008 High Court ruling recognizing Indigenous ownership of the intertidal zone under the Land Rights Act.

Key player in Norval Morrisseau forgery ring pleads guilty

James White, a central figure in a long-running forgery ring producing fake artworks by Indigenous Canadian artist Norval Morrisseau, pleaded guilty in Ontario Superior Court to creating forged documents and trafficking forged artworks. White admitted to trafficking 502 fake works, some sold for tens of thousands of dollars. The plea follows a multi-year investigation called Project Totton, led by Inspector Jason Rybak of the Thunder Bay Police Service, which uncovered three large forgery networks operating in Ontario. Two other alleged accomplices, Paul Bremner and Jeffrey Cowan, still face charges, while earlier guilty pleas from David Voss and Gary Lamont resulted in five-year prison sentences.

'I'm a container for my own spirit': Nickola Pottinger on her show of sculptures at the Aldrich Contemporary Art Museum

Nickola Pottinger presents her first solo museum exhibition, "fos born," at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, curated by chief curator Amy Smith-Stewart. The show features Pottinger's emotive, organic sculptures called "duppies," inspired by Jamaican folklore and her West Indian upbringing in Brooklyn. Constructed from recycled materials like furniture, bones, bird cages, and pigmented paper pulp made from family documents and rubble, the works explore themes of cultural identity, motherhood, and the duality of post-colonial existence. The exhibition centers on the recent birth of Pottinger's daughter, Zora, with pieces like "Give tanks and praises" (2025) incorporating a cast of the artist's pregnant torso.

Tate Liverpool receives £12m from UK government to support delayed revamp

Tate Liverpool has received a £12m grant from the UK government's Public Bodies Infrastructure Fund, bringing the Department of Culture, Media and Sport's total contribution to the gallery's redevelopment to £18.6m. The funding, combined with additional philanthropic donations from the Garfield Weston Foundation (£3m), the Wolfson Foundation (£1.25m), and the Ross Warburton Charitable Trust, plus a £10m award from the Ministry of Housing, Communities and Local Government, has raised a minimum of £32.85m toward the project, now costed at £35m. The gallery, closed since October 2023, had postponed its planned 2025 reopening to 2027 due to fundraising difficulties.

What We’ve Been Up To: Landscape

The Denver Art Museum has published a feature titled "What We’ve Been Up To: Landscape," showcasing a selection of recent photographic acquisitions focused on the American landscape. The featured works span from the late 19th century to the present, including images by Steve Fitch, Henry Wessel, Jr., Yamamoto Masao, Marion Post Wolcott, William Henry Jackson, John Ganis, Terri Weifenbach, Christina Fernandez, Linda Connor, and Patrick Nagatani. The photographs document diverse terrains—from New Mexico and Colorado to New Jersey and Hawai'i—and employ a range of processes, from albumen and gelatin silver prints to inkjet and pigment prints.

Arts of Africa

This article explores the deep history and cultural significance of Africa's artistic traditions, focusing on the continent as the cradle of human creativity. It traces the development of diverse cultures south of the Sahara over 160,000 years, highlighting how artists and workshops translated worldviews into enduring creations. The text also examines Africa's Atlantic Coast engagement from 1445 onward, detailing early European contact, trade agreements along the Gold Coast, and the forced exodus of captives during the transatlantic slave trade, which deprived the region of its productive youth.

‘Art is an important way of depicting these atrocities’: London show shines a light on sexual violence in conflict

The Imperial War Museum (IWM) in London has opened "Unsilenced: Sexual Violence in Conflict," the first major UK museum exhibition to address the use of sexual violence as a weapon of war. Featuring video testimony from journalist Christina Lamb, the show draws on the IWM's collections and new testimonies from survivors, including propaganda posters, photographs by Lee Miller, and a newly acquired miniature Sonyeosang statue. Curators Maeve Underwood and Helen Upcraft re-examined the museum's holdings to uncover hidden narratives of sexual slavery and humiliation from World War II to the Russia-Ukraine war.

MSU Broad Museum showcases 'Nabil Kanso: Echoes of War' for first time in Michigan

Michigan State University's Broad Art Museum is presenting "Nabil Kanso: Echoes of War," the first Michigan exhibition of the Lebanese-American artist's work. On view through June 29, the show spans over four decades of Kanso's large-scale, expressive paintings that document the human toll of war, including works addressing the Lebanese Civil War, the Gulf War, and the Syrian conflict. Curated by Rachel Winter in collaboration with the Nabil Kanso Estate and professor Salah Hassan, the exhibition features "Scorching Sparks" (1980s), a painting never before publicly exhibited. Winter first encountered Kanso's work in 2022 and worked with his family to bring the show to fruition, timed to coincide with the 50th anniversary of the Lebanese Civil War and Arab American Heritage Month.

An expert's guide to artists' books: four must-read publications on the genre

The Warburg Institute in London is opening an exhibition titled "Art & the Book" (16 May–2 August) and organizing the Biblioteka Art Book Fair (20–21 June) to explore the medium of artists' books. Curated by Arnaud Desjardin and Hlib Velyhorskyi, the show spans examples from the 1960s to today. To help readers understand the genre, Desjardin—author of the reference work *The Book on Books on Artists Books* (2013)—recommends four key publications: Lucy Lippard's *Six Years* (1973), the exhibition catalogue *Looking Telling Thinking Collecting* (2004) edited by Anne Moeglin-Delcroix and others, Clive Phillpot's essay collection *Booktrek* (2013), and Michael Lailach's *Printed Matter: Die Sammlung Marzona/The Marzona Collection* (2005).

National Gallery spends £16m on altarpiece by unknown artist

The National Gallery in London has purchased a 500-year-old altarpiece, *The Virgin and Child with Saints Louis and Margaret and Two Angels*, for £16.4 million from an anonymous owner. The painting, created between 1500 and 1510, is of unknown authorship—experts cannot agree whether the artist was Netherlandish or French, with candidates including Jan Gossaert and Jean Hey. The oak panel was felled around 1483, and the work was first documented at the priory of Drongen in Ghent in 1602. It was sold through Sotheby’s with support from the American Friends of the National Gallery London and had been kept at the Lulworth Estate in Dorset, home of the Weld family.