Like a concrete aircraft carrier: was LA’s giant new $724m gallery really worth all the carbon emissions?

The Los Angeles County Museum of Art (LACMA) is set to open its new $724 million David Geffen Galleries, designed by Swiss architect Peter Zumthor. The massive concrete structure, which spans Wilshire Boulevard like a bridge, represents a twenty-year effort led by director Michael Govan to create a non-hierarchical, single-level museum space. The building's design features eight massive pavilions supporting a sprawling 110,000 square foot gallery floor, intended to house the museum's diverse permanent collection in a transparent, fluid environment.

‘An open letter to the nation’: National Gallery of Art reckons with America at 250

The National Gallery of Art in Washington D.C. has launched "Dear America: Artists Explore the American Experience," a major exhibition marking the United States' 250th anniversary. Featuring over 100 works on paper by 95 artists, the show eschews traditional patriotic tropes in favor of a nuanced, self-critical look at the nation's history. Organized around the themes of land, community, and freedom, the exhibition juxtaposes iconic imagery from artists like Roy Lichtenstein and Thomas Moran with provocative contemporary perspectives from Zanele Muholi and Carrie Mae Weems.

National Gallery picks Tokyo Olympic stadium architect to design new wing

The National Gallery in London has selected Japanese architect Kengo Kuma to design a major new wing as part of its ambitious £750m "Project Domani." Kuma, known for the Tokyo Olympic stadium and V&A Dundee, beat out high-profile competitors including Norman Foster and Renzo Piano. The expansion will occupy a site near Trafalgar Square currently housing a hotel and office complex, and is supported by record-breaking £150m donations from both the Julia Rausing Trust and the Crankstart foundation.

‘The violence of racist tyranny’: African Guernica goes on display alongside Picasso masterpiece

The Reina Sofía museum in Madrid has installed Dumile Feni's 1967 drawing 'African Guernica' directly opposite Pablo Picasso's iconic 'Guernica' painting. This pairing is the centerpiece of the museum's new annual exhibition series 'History Doesn’t Repeat Itself, But It Does Rhyme,' which aims to place works from different cultural contexts in dialogue with Picasso's masterpiece.

From Project Hail Mary to Saturday Night Live UK: your complete entertainment guide to the week ahead

The article provides a comprehensive weekly entertainment guide, highlighting upcoming cultural events across cinema, music, art, and stage. Key art recommendations include a major Frank Bowling exhibition at the Fitzwilliam Museum, a Hurvin Anderson survey at Tate Britain, and a drawing-focused exhibition from Bruegel to Rembrandt at Compton Verney.

Ary Scheffer en 2 minutes

Ary Scheffer (1795–1858) was a Dutch-born Romantic painter who became a central figure in Parisian artistic and cultural life during the July Monarchy. He was the official portraitist of the Orléans family and created deeply melancholic, spiritual works inspired by Dante, Goethe, and the Gospels. His studio at 16 rue Chaptal, in the Nouvelle Athènes district, hosted legendary Friday gatherings attended by Chopin, Liszt, George Sand, and Dickens, and now houses the Musée de la Vie romantique. Key works include *Le Dévouement patriotique des six Bourgeois de Calais* (1819) and *Les Femmes souliotes* (1827), both acquired by the French state.

I think I didn't understand many artists

"Ich glaube, ich habe viele Künstler nicht verstanden"

Adrian Searle, the long-standing chief art critic for The Guardian, is stepping down after three decades at the publication and nearly 50 years in art criticism. In a reflective interview, Searle discusses his transition from a practicing painter and educator to a critic, noting that his early interactions with students like Peter Doig and Isaac Julien helped him realize his true strength lay in writing rather than art-making. He recounts his experiences navigating the British art scene, from the decline of Greenbergian abstraction to his encounters with formidable figures like Richard Serra.

With $116 Million Gift, National Gallery Will Send Its Art Around Nation

The National Gallery of Art in Washington, D.C., has received a $116 million gift from billionaire art collector Mitchell P. Rales. This donation will fund a new program to send the museum's collection on long-term loans to smaller institutions across the United States in perpetuity, significantly expanding its national reach.

What to See This Spring at Museums Across the U.S.

Major museums across the United States are preparing to launch a diverse array of exhibitions for the spring season. Highlights include a comprehensive Marcel Duchamp retrospective at the Museum of Modern Art in New York, an exploration of Etruscan civilization at the de Young Museum in San Francisco, and a major fashion-focused exhibition at the Phoenix Art Museum.

Getty Center in Los Angeles Is Closing for Year of Renovations

The Getty Center in Los Angeles has announced it will close to the public for a full year starting in March 2027. This significant hiatus is required to facilitate a major infrastructure overhaul, primarily focusing on the replacement of its aging computer-operated tram system and the modernization of several gallery spaces within the Richard Meier-designed campus.

Why Felix Gonzalez-Torres’s Go-Go Dancer Piece Remains Subversive

The New York Times examines the enduring power of Felix Gonzalez-Torres's 1991 performance piece "Untitled" (Go-Go Dancing Platform), in which a go-go dancer performs on a pedestal for a brief, scheduled period each day. The work, currently on view at the Art Institute of Chicago, uses the dancer's absence as a central component, creating a poignant metaphor for queer presence and loss.

Desmond Morris, zoologist, presenter and surrealist painter, 1928–2026

Desmond Morris, the zoologist, author, television presenter, and surrealist painter, has died at the age of 98. He was best known for his 1967 book *The Naked Ape* and the television program *Zoo Time*, but maintained a parallel, influential career in the visual arts as a painter and curator.

The Asian Market Carries Art Basel Hong Kong

Le marché asiatique porte Art Basel Hong Kong

Art Basel Hong Kong 2026 concluded with strong attendance and significant sales, demonstrating the fair's central role in the Asian art market. The event attracted over 91,000 visitors and featured 240 galleries, with a strong presence from the Asia-Pacific region, Europe, and the United States. Major international galleries like Gagosian, Hauser & Wirth, and David Zwirner reported multimillion-dollar sales of works by artists such as Louise Bourgeois, Liu Ye, and Marlene Dumas, alongside notable transactions for works by Tracey Emin and Antony Gormley.

In New York, Sotheby's Exhibition-Sales Are Packed

À New York, les expositions-ventes de Sotheby’s font salle comble

Sotheby's New York has experienced an unprecedented surge in public attendance at its exhibition-sales held in the iconic Breuer Building. In just two weeks, over 25,000 visitors—a 3.8-fold increase from the previous year—queued around the block to see works by artists like Gustave Klimt, Maurizio Cattelan, and René Magritte, with total attendance from November to late January reaching 46,325. The crowds, reminiscent of a major museum show, initially overwhelmed staff, who had to manage the flow to preserve the viewing experience for high-value clients.

Wyeth-Centric Brandywine Museum Will Be Transformed by Kengo Kuma & Associates

The Brandywine Conservancy & Museum of Art in Chadds Ford, Pennsylvania, has selected Tokyo-based architecture firm Kengo Kuma & Associates to lead a $100 million transformation of its campus. The project will expand the current 15-acre site into a 325-acre public preserve and garden with ten miles of trails, including a new 40,000-square-foot freestanding museum and a renovation of the existing 19th-century grist mill building. Kengo Kuma will add 14,000 square feet of gallery space, and the new trails will connect the two museums to the original studios of N. C. Wyeth and Andrew Wyeth.

Siteless Athens Arts Institution NEON Closing After 14 Years

The Athens-based cultural institution NEON, founded by prominent art collector Dimitris Daskalopoulos in 2012, is closing after 14 years. Operating without a permanent building, NEON organized 44 exhibitions across unconventional spaces, including ancient archaeological sites, commissioning works by artists such as Marina Abramović, Anastasia Douka, and Danh Vo. Its final project is a trilogy by artist Michael Rakowitz titled "Michael Rakowitz & Ancient Cultures," which began at the Old Acropolis Museum and will conclude later this year.

Art Publisher Owes $102.2 Million in Damages for Late Robert Indiana Works

A Manhattan jury has ordered art publisher Michael McKenzie to pay $102.2 million in damages for creating unauthorized or adulterated versions of works by the late Pop artist Robert Indiana. The lawsuit, brought by Indiana’s former business partner the Morgan Art Foundation, alleged that McKenzie produced Indiana-related junk products that infringed trademark and copyright, including reproductions of Indiana’s iconic “LOVE” design and the artworks *The Ninth American Dream* (2001) and *USA FUN* (1965). The jury found McKenzie liable for exploiting Indiana in the final years of his life, after the artist granted power of attorney to his caretaker, Jamie Thomas.

Robert Rauschenberg Foundation Estate Sold to Florida Resort

The Robert Rauschenberg Foundation has sold the late artist’s twenty-two-acre estate on Captiva Island, Florida, to the neighboring South Seas resort for $45 million. The sale includes ten buildings, most notably Rauschenberg’s custom-built 8,000-square-foot studio and his historic "Beach House." While the resort plans to integrate the property into its operations and host art-related programming, the foundation cited escalating maintenance costs and environmental risks from climate change as the primary reasons for the divestment.

8 Must-See Solo Gallery Shows in May

Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for May, highlighting exhibitions in New York, Chicago, San Francisco, and Los Angeles. Featured artists include Domenico Gnoli at Lévy Gorvy Dayan, John Stezaker at Gray in Chicago, Alison Elizabeth Taylor at Jessica Silverman in San Francisco, Charles Ray at Matthew Marks Gallery and Jeffery Deitch in Los Angeles, Jose Dávila at Sean Kelly, and Peter Hujar at Ortuzar, among others. The article provides details on each artist's practice and the scope of their exhibitions, such as Gnoli's largest U.S. show in five decades and Hujar's restaging of his final solo exhibition.

Zurich’s Galerie Philipp Zollinger Closes After 7 years

Galerie Philipp Zollinger in Zurich is closing after seven years, as announced by founder Philipp Zollinger on Instagram. Citing continued global instability and a lack of conditions necessary to sustain the gallery, Zollinger explained that despite his willingness to invest further, the market no longer supports growth. The gallery focused on Swiss and Scandinavian artists working in three-dimensional media, along with artists from Southeast Asia and the United States. Its final exhibition, a dual presentation of Renée Levi and Theo Eble, closed on April 18 at Galerie Mueller in Basel. The closure follows a previous move from a nomadic operation to a physical space on Rämistrasse, which shut in fall 2025 due to an unstable art market and shifting collecting trends.

London's Southbank Centre to receive £10m government funding boost

The UK government has announced a £10 million funding boost for London’s Southbank Centre as part of a broader £128 million investment package for 130 cultural venues nationwide. Administered by Arts Council England, the grant is earmarked for urgent infrastructure repairs, including fixing leaking roofs and modernizing rigging systems, coinciding with the center's 75th anniversary. Other major beneficiaries of the Creative Foundations Fund include the Baltic Centre for Contemporary Art and Firstsite gallery.

On Paranoid Time

Film Notes has published Qingyuan Deng's essay exploring the intersection of Lacan's concept of retroactive meaning and Eve Kosofsky Sedgwick's distinction between paranoid and reparative reading, as applied to recent artists' films and moving-image installations. The essay examines how works like Alison Nguyen's installation "Perforation, Ellipse" at New York's Storefront for Art and Architecture use cinematic techniques—such as perforations, splices, and missing scenes—to hold the temporal gap between an event and its belated political comprehension, focusing on the censorship of Vietnamese bolero songs after the American War.

Marie Zolamian’s Paintings Remain Little Mysteries

A retrospective of Tracey Emin's work at Tate Modern reveals how her art, frequently interpreted as raw personal confession, is deeply intertwined with the broader cultural and social forces of her time. The review argues that her oeuvre serves as a witness to a specific era, moving beyond purely autobiographical readings to reflect wider societal currents.

Joachim Trier on the Art of Calculated Chaos

A major retrospective of Tracey Emin's work has opened at Tate Modern in London. The exhibition presents a comprehensive overview of the artist's career, featuring her confessional and often provocative works that have defined her public persona.

How Dayanita Singh Got Into Venice’s Archives

Artist Dayanita Singh mounted a major exhibition titled "ARCHIVIO" at the State Archives of Venice, which opened to the public as an exhibition venue for the first time in its history. Without institutional funding or a public relations budget, Singh relied on a "friendship economy" to install her signature "photo-pillars"—images of Indian archival documents bound in red cloth. The show attracted visitors despite the lack of traditional promotion, as documented in an interview with Hyperallergic Editor-at-Large Hrag Vartanian.

Rare Early Basquiat Works Return to Brooklyn After HBCU Tour

An intimate collection of early Jean-Michel Basquiat works and ephemera, titled "Our Friend, Jean," is returning to Brooklyn's The Bishop Gallery starting May 16, 2026. The exhibition draws primarily from the archive of Alexis Adler, Basquiat's former roommate and partner from 1979–80, and includes paintings on sweatshirts, postcards, writings, and photographs Adler took of the artist. Originally presented in 2019, the show traveled to six historically Black colleges and universities (HBCUs) between 2022 and 2024, attracting 10,000 visitors and involving students in the installation process.

Art Movements: Meet The Met's New Photography Curator

The Metropolitan Museum of Art has appointed Oluremi C. Onabanjo as its new curator of photographs, bringing her expertise in African and Black diasporic histories from MoMA. This announcement leads a series of industry shifts, including Melissa Chiu’s move from the Hirshhorn to direct the Guggenheim, and the relocation of the influential gallery 47 Canal to Chelsea. Additionally, the New York Foundation for the Arts distributed nearly $500,000 in grants to 129 artists and organizations in Queens.

Artists Set Islamic Futurism Into Motion

A growing movement of artists is exploring Islamic Futurism, a framework that draws from Islamic philosophy, visual traditions, and speculative practices to imagine Muslim futures. Artists like Zarah Hussain, Ibrahim El-Salahi, and Soraya Syed are working across mediums—including light installation, digital animation, painting, and classical calligraphy—to reinterpret historical forms for contemporary and future contexts.

Beverly Buchanan’s Architecture of Care

Beverly Buchanan’s Architecture of Care

A major retrospective and a focused exhibition of artist Beverly Buchanan's work are now on view in Athens, Georgia, where she lived for many years. "Shacks, Stories, and Spirit: Beverly Buchanan’s Art of Home" at the Georgia Museum of Art features her canonical "Medicine Woman" sculpture, while "Beverly’s Athens" at the University of Georgia’s Athenaeum presents a rich archive of her ephemera, sketches, and community-focused works, marking the city's first institutional solo exhibitions of her art posthumously.

Mary Lovelace O’Neal, Painter and Civil Rights Luminary, Dies at 84

Mary Lovelace O’Neal, a painter, educator, and Civil Rights activist, died on May 10 at age 84 in Mérida, Mexico. Known for her monumental canvases and inventive “lampblack” works, she moved fluidly between abstraction and figuration, using layers of black pigment to assert Blackness and presence. Her career included studies at Howard University and Columbia University, activism with the Student Nonviolent Coordinating Committee, and connections to the Black Arts Movement.