10 Art Books for Your Spring Reading List

Hyperallergic has published a curated list of ten art books recommended for spring reading. The selection emphasizes historical retellings through an artistic lens, featuring works such as a memoir by activist-artist Susan Simensky Bietila, a chronicle of the Jewish Bund by Molly Crabapple, and the first major catalog on artist Theresa Hak Kyung Cha in 25 years. The list also includes exhibition catalogs like "Chicano Camera Culture" and a monograph on painter Ewa Juszkiewicz.

Timm Ulrichs, Pioneering Conceptual Artist, is Dead at 86

German conceptual artist Timm Ulrichs has died at age 86. His death on April 29 in Berlin was announced by the Kunstverein Hannover, where he was the oldest member. Ulrichs studied architecture before declaring himself a “total artist” in 1961, inspired by Kurt Schwitters. His provocative works included displaying himself as a living artwork in a glass case, running naked with a lightning rod, and spending hours inside a hollowed boulder. He also created concrete poetry, computer art, and copy art, and taught sculpture at the Kunstakademie Münster from 1972 to 2005. His work appeared in Documenta 6 and solo exhibitions at the Sprengel Museum Hannover and Kunstverein Hannover.

See Photos from Archives of Nine Photographers Going to Center for Creative Photography

The Center for Creative Photography at the University of Arizona has acquired the archives of nine photographers: Laura Aguilar, Jack Dykinga, Jody Forster, Frank Gohlke, Mark Klett, Nathan Lyons, Stephen Marc, Patrick Nagatani, and Susan Wood. The collections include photographic prints as well as supporting materials like correspondence, notebooks, and working proofs that document the artists' creative processes.

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The Robert Rauschenberg Foundation has announced the recipients of its Rauschenberg Centennial Awards, granting $100,000 in unrestricted funds to five creators across four disciplines. The winners include Senga Nengudi for art, David Thomson for performance, Chandra McCormick and Keith Calhoun for photography, and Patricia Spears Jones for writing. Established to commemorate the late artist’s 100th birthday in 2025, the awards recognize alumni of the foundation’s Captiva Residency program who demonstrate artistic excellence and community impact.

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Beverly Buchanan, who lived in Athens, Georgia for over 20 years, often paid for everyday needs with her artworks, trading them with her doctor and local community members. A new exhibition titled "Beverly's Athens" at the University of Georgia's Athenaeum showcases works borrowed from local collections, including pieces from her doctor's personal collection and sculptures from her own backyard. The show features her flower drawings, which her dealer Betty Parsons once rejected, as well as her "ruins" sculptures and archival footage of her garden. Curators Mo Costello and Katz Tepper, both artists who are chronically ill, organized the exhibition to highlight Buchanan's ecosystem of exchange and survival.

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Martin Parr, the acclaimed British photographer known for his wry, colorful images of tourists and leisure culture, died on December 6 at his home in Bristol, England, at age 73. His death was announced by the Martin Parr Foundation, which noted he had been diagnosed with myeloma in 2021. Parr was a longtime member of Magnum Photos and published countless photobooks, shot fashion campaigns for Vogue and Gucci, and created iconic series such as "The Last Resort" (1983–85) and "Small World" (1987–94). A retrospective themed around climate change and overtourism is planned for 2025 at the Jeu de Paume in Paris.

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American artist Llyn Foulkes has died at age 91, as confirmed by Kent Fine Art. Known for defying stylistic categorization, Foulkes was an early pioneer of Pop art, showing at Fergus Gallery in the mid-1960s ahead of Andy Warhol. He won the painting prize at the Paris Biennale in 1967 and represented the United States at the IX São Paulo Art Biennial that same year. His work incorporated collaged elements and explored themes of photography, Americana, and commercial pop culture. Foulkes was also a jazz musician, performing with R. Crumb and forming the Rubber Band, which appeared on Johnny Carson's Tonight Show. He invented a one-man-band instrument called the Machine and participated in Documenta 13 in 2012, with a retrospective at the Hammer Museum in 2013.

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Sotheby’s Paris raised €18.6 million ($21.5 million) from two live sales of the Manny Davidson collection this week, with a third online sale still ongoing. The collection, spanning nearly 500 lots, included rediscovered Old Masters, 18th-century gold enamel, and an automaton clock by James Cox. Highlights included Michael Sweerts’s *A young man wearing a turban holding an upturned roemer: the fingernail test* (1648–52), which sold for €1.6 million, and Joshua Reynolds’s *Self-Portrait, in doctoral robes* (ca. 1770), which fetched €838,200. The evening sale achieved 83% sell-through by lot, with most buyers from Europe and a third from the US.

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The Museum of Modern Art (MoMA) has completed an extensive conservation project on Andrew Wyeth's iconic painting "Christina's World" (1948), which will soon return to public view. MoMA senior collections photographer Adam Neese documented the process, using advanced imaging techniques such as high-magnification photography, raking light, and infrared reflectography to reveal hidden layers and reworkings by Wyeth. The analysis showed that Wyeth altered the eaves of the house, shed, and horizon line, deepening the painting's emotional isolation. The conservation team also studied the paint's chemical makeup, noting tiny bubbles from water added to egg yolks in the tempera.

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Lawrence Abu Hamdan's exhibition "Zifzafa" has opened at the Munch Museum in Oslo, featuring a politically charged exploration of sound as both a celebration of life and a tool of displacement. The show centers on a forensic audio investigation into the impact of 31 wind turbines planned for the Israeli-occupied Syrian Golan Heights, or Jawlan. Key works include the video projection *Wind Ensemble* (2024) featuring saxophonist Amr Mdah, CGI animations *Tilting at windmills i, ii & iii* (2024), and the 45-minute film *Zifzafa: Livestream Audio Essay* (2025), which uses a video game walkthrough format to simulate the sonic pollution that will affect local homes—some as close as 115 feet from the turbines. The game incorporates field recordings by local composer Busher Kanj Abu Saleh and turbine noise from Germany, highlighting the sounds of daily life and resistance.

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This article profiles British painter Joseph Mallord William Turner (1775–1851), detailing his rise from a barber's son to one of Britain's most famous artists. It covers his early training at the Royal Academy Schools, his mastery of watercolor and oil, and his prolific output of over 500 oil paintings and thousands of works on paper. Key works discussed include *Jedburgh Abbey* (c. 1832), *Fishermen at Sea* (1796), and *The Battle of Trafalgar* (1822), the latter of which sparked controversy for historical inaccuracies. The piece notes that for his 250th birthday, international institutions are celebrating his legacy.

A book exploring the evolution of J.M.W. Turner’s positions on slavery

Art historian Sam Smiles has released a comprehensive new book examining J.M.W. Turner’s complex relationship with the slave trade, expanding on his 2007 discovery of the artist's personal investment in a Jamaican cattle farm that utilized enslaved labor. The research traces Turner’s financial ties from his early patronage by wealthy plantation owners to his own speculative ventures, challenging the long-held perception of the artist as a straightforward abolitionist.

They Painted the American West. History Painted Them Out

The exhibition "Women Artists of the American West: Colorado and Utah: 1885–1935" at History Jackson Hole spotlights seven forgotten female artists, including the adventurous mountaineer and painter Helen Henderson Chain. Curated by the founders of the Paris-based nonprofit AWARE, the show uncovers the lives of women who documented the Rocky Mountains and local communities while navigating the restrictive social norms of the late 19th century. Through paintings and photographs, the exhibition challenges the traditional, male-dominated "heroic" narrative of Western expansion.

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An inmate in a Virginia prison has had the July/August issue of the Humanist magazine rejected by prison censors because it contains a reproduction of Peter Paul Rubens's painting of Adam and Eve, in which Eve's breasts are visible despite fig leaves covering the couple's genitals. Attorney Jeffrey E. Fogel filed a federal lawsuit on August 31 on behalf of the American Humanist Association, arguing that the rejection violates the First and Fourteenth Amendments and has caused financial harm to the publisher. The article in question, titled "Everything You Know about Sex is Wrong," aims to challenge binary gender concepts.

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British photographer Martin Parr, known for his highly saturated and often humorous snapshots of everyday life, died on December 6 at age 74 after a four-year battle with cancer. Parr's work, from his early black-and-white images of rural Yorkshire to his iconic color series like "The Last Resort" (1982–85) and "The Cost of Living" (1987-89), captured British eccentricities and social pretensions with a sharp, affectionate eye. He was a full member of Magnum Photos and his images, including those of mass tourism and consumerism, have been widely exhibited and collected.

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A long-lost painting by Peter Paul Rubens, a dramatic crucifixion scene dated to around 1614–15, was discovered among the possessions of a deceased Parisian homeowner during a routine appraisal. Auctioneer Jean-Pierre Osenat identified the work and consulted Rubens expert Nils Büttner, who confirmed its authenticity through x-ray imaging and pigment analysis. The painting sold at auction on November 30 for €2.3 million ($2.7 million), exceeding its presale estimate of €1–2 million.

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The Museum of Contemporary Art Denver has organized the first exhibition dedicated to conceptual artist Roni Horn's long-standing engagement with water. Titled "Roni Horn: Water, Water on the Wall, You're the Fairest of Them All," the show spans sculpture, photography, drawing, and bookmaking, exploring water's mutability, ecological resonance, and paradoxical purity. Horn, who has received a Ford Foundation grant, Guggenheim Fellowship, and three NEA fellowships, has shown at major institutions including the Menil Collection, Louisiana Museum of Modern Art, Whitney Museum, and Tate Modern, and is represented by Hauser and Wirth.

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Xiaowen Zhu, director of Esea Contemporary in Manchester, discusses her journey and the evolving representation of Asian artists in the global art world. Born in Shanghai, Zhu reflects on her formative encounter with Ai Weiwei's *Fairytale* at Documenta 12 in 2007, which shaped her understanding of diaspora and belonging. She now leads the UK's only non-profit art center dedicated to East and Southeast Asian (ESEA) artists, and serves on the British Council’s Arts and Creative Economy Advisory Group.

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On September 9, 2015, Queen Elizabeth II became the longest-reigning monarch in British history, surpassing Queen Victoria. To mark the occasion, the Royal Collection opened a photography exhibition titled “Long to Reign over Us,” featuring posed portraits and casual family shots of the Queen. Artnet News compiled 30 favorite photos and paintings of the monarch, including works by Cecil Beaton, Andy Warhol, and royal photographer Mark Stewart, highlighting her decades-long reign and her ease in front of the camera.

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Phillips New York is offering Roy Lichtenstein's 1994 painting *Nudes in Mirror* with a $20 million estimate this fall, despite—or perhaps because of—its history of vandalism. The work, from the Rush Family Collection, was slashed by a mentally unstable woman while on loan to the Kunsthaus Bregenz in Austria in 2005, leaving four 12-inch gashes that have since been expertly restored. Phillips is openly embracing the attack as part of the painting's mythology, detailing the incident in its catalogue and comparing it to other famous acts of art vandalism.

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German artist Günther Uecker, renowned for his spiritual approach to art and innovative use of nails as a sculptural material, died on Tuesday at age 95 in a Düsseldorf hospital. His family confirmed the death to German news agency dpa, though no cause was given. Uecker was a key member of the Zero Group, which sought to reset art to a "zero base," and his work ranged from nail-covered surfaces to pianos, chairs, and television sets. He also designed a prayer room for Berlin's Reichstag and participated in major exhibitions including Documenta 4 and the Venice Biennale.

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The article explores the artistic friendship between Renaissance masters Raphael and Albrecht Dürer, who never met but exchanged letters and artworks across 600 miles. Initiated when both were at the height of their careers, the correspondence began with Dürer sending Raphael a gouache self-portrait, to which Raphael responded with drawings, including "Two male nude studies" (1515) and "Three Standing Men" (1514-16). The friendship lasted only five years, ending with Raphael's death in 1520 at age 37. The exchange is documented by Giorgio Vasari in "The Lives of the Artists," and one surviving drawing bears an inscription by Dürer acknowledging Raphael's gift.

15 Art Shows to See in NYC This May

Hyperallergic's May 2025 guide to New York City art shows highlights 15 exhibitions, including a survey of Hawaiian Japanese-American artists from the Metcalf Chateau group at Ryan Lee Gallery, a retrospective of Malian photographer Seydou Keïta at the Brooklyn Museum, and Renée Green's multimedia project 'Secret' at Bortolami Gallery. The article also features Lynette Yiadom-Boakye's quietude-focused works, a meditation on grief and death, and a document of a city devastated by the AIDS crisis through portraits of inanimate objects, among other shows.

‘He sent someone to intimidate me’: Christopher Anderson, the photographer who shot Jeffrey Epstein

Photographer Christopher Anderson has revealed the details behind his 2015 encounter with Jeffrey Epstein, whom he photographed for a cancelled New York magazine profile. Anderson describes a series of unsettling interactions, including Epstein's attempts to buy the image rights for $20,000 and the eventual dispatch of a "mafia-esque" intimidator to Anderson's studio to seize a hard drive. The photographer's email exchanges with Epstein’s staff were recently made public as part of the Department of Justice's release of the Epstein files.

Dean Sameshima review – did the neighbours really not know? The extreme LA sex clubs hidden in plain sight

A new exhibition at Soft Opening in London presents Dean Sameshima's "Wonderland" series, photographs taken in the mid-1990s that document the exteriors of queer sex clubs and bathhouses in Los Angeles's Silver Lake neighborhood. The images, shot in a stark, formal style during daylight, capture the unremarkable facades of these clandestine spaces, with only descriptive titles hinting at the activities within.

From The Magic Faraway Tree to 5 Seconds of Summer: your complete entertainment guide to the week ahead

The Guardian has published a comprehensive weekly entertainment guide covering cinema, gigs, art exhibitions, stage performances, and home entertainment options. The guide highlights new film releases like the adaptation of Enid Blyton's 'The Magic Faraway Tree' and the documentary 'Orwell: 2+2 = 5', major concerts from 5 Seconds of Summer, and art exhibitions featuring Estonian modernist Konrad Mägi and Scottish painter Joan Eardley.

The Prototype of an Artist

Der Prototyp eines Künstlers

Timm Ulrichs, the self-proclaimed "Totalkünstler" (total artist) known for his boundary-pushing performances—tattooing himself, locking himself inside a hollowed boulder, and running naked in thunderstorms—has died at age 86 in Berlin. A pioneer of Land Art, Body Art, concrete poetry, and endoscopic imaging, Ulrichs created works that anticipated later artists like Isa Genzken, and was invited to Documenta 6 in 1977. Despite his prolific output and influence on younger generations, he often lamented being overlooked by the international art market compared to peers like Georg Baselitz and Gerhard Richter.

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Artist Lucy Raven has completed her film trilogy, "The Drumfire," with the release of Murderers Bar (2025). The 42-minute film documents the historic removal of four dams along the Klamath River, capturing the dramatic release of water and the restoration of a river system flowing from Oregon through Northern California. The work is currently on view at the Power Plant in Toronto and is scheduled to travel to the Institute of Contemporary Art Boston in May.

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Artist Jeff Koons has issued a statement clarifying his limited interactions with the late financier and convicted sex offender Jeffrey Epstein. Koons confirmed he and his wife attended a dinner at Epstein's home at the invitation of an MIT professor, but denied that Epstein ever visited his studio, contradicting earlier reports based on newly released court documents.

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The Wildenstein Plattner Institute (WPI) and the Romare Bearden Foundation have launched the first installment of a digital catalogue raisonné for the artist Romare Bearden, covering his work from 1964 to 1969. The project, which began in earnest in 2017, has so far documented 3,000 artworks, including 210 in this initial chapter, and has uncovered previously unknown works such as a portrait of artist Edmonia Lewis. The research builds on three decades of archival work by the foundation, which digitized Bearden's ephemera to aid in tracking down works he often gave away informally.