Irene Monat Stern | Untitled (circa 1970s) | Available for Sale

The estate of Irene Monat Stern has made the painting 'Untitled' (circa 1970s) available for sale, highlighting the artist’s unique contribution to the Color Field movement. A Holocaust survivor who settled in Southern California, Stern developed a signature technique of staining unprimed canvas with acrylics to create organic, blossom-like forms. Her work is characterized by a sense of weightlessness and spatial depth that distinguishes her from contemporaries like Morris Louis and Helen Frankenthaler.

Lawrence Weiner | A Means To An End (Hand Signed) (2006) | Available for Sale

A hand-signed original exhibition poster by the late conceptual artist Lawrence Weiner, titled "A Means to an End" (2006), has been made available for purchase through ArtWise in Brooklyn. Created for Weiner’s solo exhibition at Le Musée de Sérignan, the color offset lithograph features the artist's signature in black pen and exemplifies his career-long investigation into language as a sculptural medium. The work is priced at $700 and includes a certificate of authenticity from the gallery.

REVIEW: The Open: Odyssey at Hastings Contemporary

Hastings Contemporary has launched its inaugural biennial, titled "The Open: Odyssey," featuring over 150 artists with connections to Sussex. Selected from a pool of 2,600 applicants by a panel led by Kathleen Soriano, the exhibition explores themes of marine ecology, migration, mythology, and coastal life. Notable works include Alan Patch’s large-scale hanging of plastic detritus, Kate Howe’s monumental waxed paper installation "The Moving Edge," and Kevin J J Warren’s sculptures made from salvaged fishing nets.

Theresa Hak Kyung Cha Made Human Again

The Berkeley Art Museum and Pacific Film Archive (BAMPFA) is hosting "Theresa Hak Kyung Cha: Multiple Offerings," a comprehensive exhibition that draws from the artist’s complete archives. The show highlights Cha’s multidisciplinary practice, spanning film experiments, performance documentation, and her signature linguistic explorations. By pairing finished artworks with archival materials and personal ephemera, the exhibition reveals a playful, puckish side of the artist that is often obscured by the tragic circumstances of her death and the heavy themes of exile and dislocation in her work.

Selling Collectibles Is Big Business. Heritage Auctions’s Joe Maddalena Says It’s Just Getting Started

Heritage Auctions achieved a record $2 billion in sales in 2025, driven by explosive growth in the collectibles market. CEO Joe Maddalena highlights the sustained and increasing global demand for categories like sports memorabilia, comic books, trading cards, and vintage toys, noting that money previously focused on traditional art is now consistently flowing into these areas.

Philadelphia Museum of Art Rebrands Again as "PhArt"

The Philadelphia Museum of Art has announced a rebranding to "PhArt," following the discovery of a long-lost Marcel Duchamp readymade—an early prototype of a whoopee cushion titled "Le rire"—in its archives. The institution is dropping "Museum" from its name to signal a commitment to art that transcends traditional boundaries, and the new branding will be featured prominently on social media.

Internet Goes Wild for The Met’s Newly Acquired Mannerist Painting

The Metropolitan Museum of Art's acquisition of a newly identified Mannerist painting, Rosso Fiorentino's "Madonna and Child with Saint John the Evangelist" (1512–13), has sparked a viral, irreverent reaction on social media. Commenters on the museum's Instagram post have described the muscular infant Jesus using contemporary slang like "baddie," "yasssified," and "caked up," drawing parallels to modern beauty trends.

Veronica Ryan review – the seeds are sensational but the detritus is distracting

A major retrospective of Turner Prize-winning artist Veronica Ryan has opened, showcasing her career-long exploration of organic forms and repurposed materials. The exhibition features new works made from plastic bottles, bandages, and avocado trays, alongside earlier sculptures in bronze and lead that reference seed pods and fruit.

4 Details to Understand Martin Schongauer’s 'Madonna of the Rose Bower' Currently at the Louvre

4 détails pour comprendre « La Vierge au buisson de roses » de Martin Schongauer actuellement au Louvre

The Musée du Louvre is hosting a major exhibition dedicated to the Rhenish master Martin Schongauer, featuring his 1473 masterpiece, 'Madonna of the Rose Bower.' On loan from the Dominican Church in Colmar, the painting is a rare survivor of Schongauer’s small extant painted corpus and is making a significant journey to Paris despite its extreme fragility. The work is celebrated for its intricate detail and grace, qualities that earned the artist the nickname 'Handsome Martin' and influenced successors like Albrecht Dürer.

‘Tide of Returns’: Ocean Space in Venice

The Repatriates Collective has launched 'Tide of Returns' at Ocean Space in Venice, an exhibition that redefines repatriation as a continuous process of spiritual and communal repair rather than a singular legal transaction. Set within the historic Church of San Lorenzo, the installation features immersive works such as 'From My Mother’s Country,' which utilizes thousands of handmade dolls from Namibia, and Verena Melgarejo Weinandt’s textile and video works exploring the symbolic power of water and braiding.

What Made Marcel Duchamp’s Readymades So Revolutionary?

Marcel Duchamp transformed the trajectory of 20th-century art by introducing the 'Readymade,' a concept where mass-produced, everyday objects are elevated to the status of art through the artist's selection rather than manual craft. Beginning with a bicycle wheel in 1913 and a bottle rack in 1914, Duchamp eventually formalized the term during a 1915 stay in New York, where the city's industrial modernity and lack of rigid class structures inspired him to challenge traditional definitions of creativity.

Lost Cecil Beaton and Lee Miller Photos Turn Up in Old Scrapbook

A previously unknown scrapbook containing over 150 unseen photographs by Cecil Beaton and Lee Miller has been acquired by the University of Oxford’s Bodleian Library. Compiled between 1943 and 1949 by Roland Haupt, a darkroom assistant who processed film for both photographers during World War II, the album includes rare war reportage, portraits, and personal mementos. Among the highlights is an unpublished alternative shot of Miller in Adolf Hitler’s bathtub and Surrealist-inflected images of the conflict's aftermath.

Self-Made at the American Folk Art Museum explores a century of artists inventing themselves

The American Folk Art Museum has launched "Self-Made: A Century of Inventing Artists," an exhibition exploring the work of self-taught creators who operated outside traditional institutional frameworks. Featuring a diverse array of drawings, paintings, and sculptures by figures such as Henry Darger, Bill Traylor, and Sister Gertrude Morgan, the show examines how these artists used their practice to construct identities and narratives in environments that often offered little formal recognition.

UWS’s American Folk Art Museum Marks Two Milestones With New Shows

The American Folk Art Museum on the Upper West Side is celebrating its 65th anniversary and the upcoming 250th anniversary of the United States with two major exhibitions: “Folk Nation: Crafting Patriotism in the United States” and “Self-Made: A Century of Inventing Artists.” These shows feature works ranging from 19th-century textiles to 20th-century paintings by self-taught icons like Morris Hirshfield and Reverend Benjamin Franklin Perkins, highlighting how marginalized and non-academic artists have historically interpreted American identity and personal narrative.

Julie Mehretu Captures Our Contemporary Chaos in Shimmering Abstract Paintings

Julie Mehretu has established herself as a preeminent voice in contemporary abstraction by creating dense, multilayered canvases that synthesize architectural drawings, maps, and media imagery. Her work is characterized by a meticulous accumulation of marks that transform sociopolitical data and historical events into ethereal, gestural compositions. By layering information until it reaches a point of abstraction, she explores how individual and collective identities are shaped by the built environment and global shifts.

5 Artists on Our Radar This April

Artsy has highlighted five emerging and established artists to watch this April, selected based on recent gallery representation, exhibition success, and market data. The list features Peruvian painter Sylvia Fernández, known for her meticulous and majestic depictions of the natural world, alongside four other artists who have made significant impacts through recent art fairs and new bodies of work.

Gagosian's Rare Gallery Failures Reveal Art World's Challenges

Larry Gagosian, often considered the most powerful art dealer in the world, has publicly reflected on rare professional setbacks, including a failed 2016 gallery opening in San Francisco and a misunderstood location in Geneva. These admissions coincide with a strategic shift for his empire, marked by the opening of a new street-level gallery at 980 Madison Avenue in New York. The move signals a departure from the exclusive, upper-floor models of the past toward a more accessible physical presence.

Artist Offers Haunting Meditation on the 2025 L.A. Fires for the Whitney Biennial

Artist Kelly Akashi has created a major installation for the 2026 Whitney Biennial titled 'Monument (Altadena)', a 13-foot-tall chimney and walkway made of clear glass bricks. The work is a direct response to the 2025 Los Angeles wildfires, which destroyed her home and studio, leaving only the original brick chimney standing. She collaborated with mason Christian Inga to meticulously reconstruct this remnant in a new, spectral form.

Why do we like watching women die, asks Marina Abramović in Copenhagen

Marina Abramović has unveiled her latest immersive exhibition, "Seven Deaths," at Cisternerne in Copenhagen, a subterranean former reservoir. The installation features seven films where Abramović reimagines the tragic ends of famous operatic heroines—such as Tosca and Madame Butterfly—originally made famous by Maria Callas. Accompanied by actor Willem Dafoe, Abramović uses these cinematic vignettes to explore themes of heartbreak, endurance, and the cultural fascination with the "tragic feminine."

Creativity takes root

Students at Southern Methodist University (SMU) gathered at the Meadows Museum in Dallas for the inaugural 'ArtMix Thursday,' a monthly event designed to foster creativity and community through hands-on art-making. The debut session featured a mosaic-making workshop held in collaboration with the SMU Craft Club, allowing students to engage with the museum in a relaxed, non-academic setting. This initiative is part of a broader effort by the institution to integrate more deeply with student life through new programming and expanded membership benefits.

After 11 Years in Court, Heir Reclaims a Modigliani Looted by the Nazis

A French court has ordered the restitution of a 1918 Amedeo Modigliani painting, "Seated Man with a Cane," to the heir of its original Jewish owner. The artwork was looted by the Nazis in 1944 and had been held for decades by a holding company controlled by billionaire art dealer David Nahmad, who purchased it at auction in 1996.

Urgent Request from Participating Artists and Curators of the 61st Venice Biennale

第61回ヴェネツィア・ビエンナーレ参加アーティストおよびキュレーターによる緊急要請

A group of 73 artists and curators participating in the 61st Venice Biennale, including Yoshiko Shimada and Bubu de la Madeleine, have issued an urgent demand to the Biennale's board to revoke Israel's participation. The collective specifically objects to the decision to relocate the Israeli pavilion to the Arsenale, arguing that its presence contradicts the curatorial vision of Artistic Director Koyo Kouoh, which emphasizes the dignity of all life. They contend that the military and police presence required for the pavilion introduces an atmosphere of violence and fear that undermines the exhibition's integrity.

What souvenirs did they bring home from the Grand Tour? An exhibition in Milan to find out

Quali souvenir si portavano a casa dal Grand Tour? A Milano una mostra per scoprirlo

The Museo Poldi Pezzoli in Milan has announced a major exhibition for 2026 dedicated to the Grand Tour, the historic educational journey undertaken by European aristocrats through Italy. Moving beyond traditional landscape paintings, the show explores the material culture of 18th and 19th-century travel, featuring maps, notebooks, luxury jewelry, and fans that served as high-end souvenirs. A centerpiece of the exhibition is Giovanni Paolo Panini’s masterpiece 'Roma Antica,' which will be presented alongside a cinematic reinterpretation by director Ferzan Özpetek.

Showcasing lasting art

The University of Wisconsin-Whitewater's Crossman Gallery recently hosted the BA & BSE Senior Show, a showcase of diverse artworks created by graduating students. The exhibition featured a wide range of mediums, including photography, painting, sculpture, and print design, highlighting the creative versatility of the senior class. The event served as a professional milestone for students, allowing them to navigate the gallery submission process and network with faculty and the community.

‘OC Made’ at Fullerton Museum Center showcases local artists

The Fullerton Museum Center has launched "OC Made," a new biennial juried exhibition dedicated exclusively to artists living and working in Orange County. Curated by Georgette Collard and Jasmine McNeal, the inaugural show features over 130 artworks by more than 100 local artists selected from a pool of 260 submissions. The exhibition includes a diverse range of mediums, from glass sculptures and ceramics to photorealistic paintings of local landmarks, and awarded top honors to artists Ramón Vargas, Jaime “Germs” Zacarias, and Mahta Jafari.

Manifesta 16 Ruhr announces list of artists

Manifesta 16, the nomadic European biennial, has revealed the full list of 106 artists from 30 countries who will participate in its 2026 edition. The event will open on 21 June and take place across 12 decommissioned modernist churches in four cities in Germany's Ruhr region: Bochum, Essen, Duisburg, and Gelsenkirchen. The program includes 64 new commissions.

Exhibition | Bertrand Lavier, 'Brushstroke n.7' at MASSIMODECARLO Pièce Unique, Pièce Unique, Paris, France

French artist Bertrand Lavier is presenting a solo exhibition titled 'Brushstroke n.7' at MASSIMODECARLO Pièce Unique in Paris. The exhibition centers on a single, sinuous steel sculpture that translates the traditionally flat, expressive painterly gesture into a three-dimensional physical entity. This presentation marks Lavier's sixth solo show with the gallery and continues his decades-long exploration of the boundaries between painting, sculpture, and the readymade.

A New Luis Paret for the Prado

Un nouveau Luis Paret pour le Prado

The Museo del Prado in Madrid has expanded its 18th-century Spanish collection with the acquisition of a painting by Luis Paret y Alcázar titled 'María and Ludovica, the Painter’s Daughters'. The oil-on-copper work, dated 1783, depicts the artist's young daughters in a style reminiscent of nymphs. This acquisition was made possible through the significant bequest of Juan José Luna, which also recently funded the purchase of works by François Boucher.

Two Bouchers for the Prado

Deux Boucher pour le Prado

The Museo del Prado in Madrid has acquired two significant early pendant paintings by François Boucher, titled 'La Naissance et La Mort d'Adonis.' The works were purchased from a French private collection through the Madrid gallery Ana Chiclana, using funds from the bequest of the late department head Juan José Luna. The paintings have been restored and are currently on public display in the Goya's Majas room, awaiting the reopening of the museum's renovated 18th-century galleries.

Two Sales at Christie's

Deux ventes chez Christie's

Christie's in Paris is hosting two significant sales featuring masterpieces from the legendary Veil-Picard collection, which had been largely inaccessible to the public and scholars for decades. Highlights include a perfect Watteau drawing unseen on the market since 1900 and two major Hubert Robert paintings commissioned by the famed salonnière Madame Geoffrin, offering a rare glimpse into 18th-century Parisian interiors.