The Museo Reina Sofía in Madrid has opened a major retrospective of Spanish painter Juan Uslé, titled "That Ship on the Mountain." The exhibition features approximately 100 works spanning four decades, tracing the artist's journey from his childhood in Cantabria to his established career in New York City. It notably uses the traumatic shipwreck of the Elorrio, which Uslé witnessed as a boy, as its conceptual starting point.
The rise of short-form video platforms like Instagram and TikTok has transformed painting from a static medium into a performative spectacle. To compete with algorithmic preferences for transformation and speed, artists are adopting specific visual grammars such as the "art reveal"—where a canvas is dramatically flipped toward the camera—and "speed painting," which turns the creation process into a high-stakes live event. These trends emphasize the labor and human presence behind the work, often utilizing emotional storytelling and direct engagement to build dedicated fanbases outside traditional gallery structures.
The Atlanta Contemporary is presenting the group exhibition 'Unbound Narratives: Embodied Language,' curated by Karen Comer Lowe. It features works by artists February James, Bethany Collins, Gabi Madrid, and a’driane nieves across film, painting, and mixed media, focusing on how each translates personal and embodied experience into visual and linguistic forms. Key pieces include nieves's monumental painting on grief and rage, Collins's text-based interrogation of racial identity, James's debut stop-motion film exploring stillness, and Madrid's inscribed headboards addressing healing and cultural memory.
A new musical titled 'A Mirrored Monet' explores the life of Impressionist painter Claude Monet, focusing on his later years as he reflects on his youth, his artistic struggles, and the personal sacrifices he made, particularly regarding his first wife Camille. The production uses innovative set design to immerse the audience in the Impressionist style and features a strong cast portraying Monet and his contemporaries.
Contemporary artists continue to grapple with the legacy of Marcel Duchamp, specifically his 1917 readymade "Fountain." This analysis highlights four modern creators who have directly referenced or reinterpreted the iconic porcelain urinal to explore themes of gender, domesticity, and institutional critique.
Marcel Duchamp’s seminal Dadaist work, "Fountain," famously disappeared shortly after its 1917 debut at the Society of Independent Artists exhibition. To satisfy growing institutional demand and ensure the work's legacy, Duchamp authorized and oversaw the creation of several editions and replicas in the 1950s and 60s, which now reside in major museum collections worldwide.
Marcel Duchamp's 1917 submission of a porcelain urinal titled 'Fountain' to the Society of Independent Artists remains one of the most provocative acts in art history. By selecting a mass-produced object and designating it as art, Duchamp introduced the concept of the 'readymade,' effectively decoupling the value of an artwork from the manual skill of the artist.
Artist Megan Jenkinson presents her latest body of work, 'Secateur / Sequitur', at Two Rooms in Auckland. The exhibition features intricate photocollages that blend botanical elements with man-made materials like wire, drawing inspiration from classical philosophy and the Japanese art of ikebana. Jenkinson’s meticulously structured compositions explore the tension between the natural world and human systems of order.
The American Folk Art Museum has launched "Self-Made: A Century of Inventing Artists," a new exhibition exploring how self-taught creators define their own identities. Spanning from the early 20th century to the present, the show features a diverse array of mediums including painting, photography, and sculpture. Key works include John Kane’s 1928 self-portrait, which reflects his immigrant experience, and Joe Coleman’s contemporary reflections on the COVID-19 pandemic.
Chinese artist Sun Yitian has partnered with the Samsung Art Store to feature her large-scale painting "Ken" (2023) as part of the Art Basel Hong Kong 2026 digital collection. The work, which depicts Barbie’s male counterpart at a massive three-meter scale, explores themes of mass production, the male gaze, and the hollow nature of modern plastic icons. The collaboration marks a bridge between Sun's physical painterly practice and the digital accessibility of contemporary art on domestic screens.
The Fondation Louis Vuitton in Paris has launched "Calder: rêver en équilibre," a massive retrospective featuring over 300 works by the American modernist Alexander Calder. The exhibition spans the artist's entire career, from his early engineering-influenced "Circus" performances and hand-wrought jewelry to his iconic suspended mobiles and monumental outdoor sculptures. Notably, the show marks the first time the Frank Gehry-designed institution has installed artworks on its exterior lawns, creating a dialogue between Calder’s geometric forms and the building's avant-garde architecture.
Cartwright Hall Art Gallery in Bradford has launched a new exhibition of Pre-Raphaelite masterpieces paired with contemporary reflections from the local LGBT+ community. Members of the Equity Partnership charity collaborated with museum staff to reinterpret 19th-century works by artists such as Dante Gabriel Rossetti, Ford Madox Brown, and John Collier through the lens of lived queer experience.
The National Pavilion of Qatar has announced its presentation for the 61st Venice Biennale, titled "untitled 2026 (a gathering of remarkable people)." Commissioned by Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani and co-curated by Tom Eccles and Ruba Katrib, the exhibition features a tent-like structure designed by Rirkrit Tiravanija. The space will host a collaborative program including a film by Sophia Al-Maria, performances by Tarek Atoui, a large-scale sculpture by Alia Farid, and a culinary program by chef Fadi Kattan.
Art critic Philip Kennicott reflects on the profound psychological impact of Raphael’s Renaissance masterpieces, specifically citing the 'Madonna of the Meadow' in Vienna and the 'Alba Madonna' in Washington, D.C. He describes how these works possess a unique ability to cure 'museum fatigue' and mental clutter, offering a sense of serenity and clarity that feels particularly necessary in the current cultural climate.
The University of Colorado Boulder's Department of Art and Art History has announced a series of spring events, including the 'Art History Showcase' featuring scholarship by Tylyn King, Bella Malherbe, and Felicity Wong. The program also highlights the second group of the 2026 MFA Thesis Exhibition featuring Ethan Cherry, Brionna Garcia, and Cal Young, alongside a visiting artist lecture by Rutgers professor Barbara Madsen and a symposium on Black Queer Aesthetics.
The Metropolitan Museum of Art has launched a major retrospective titled 'Raphael: Sublime Poetry,' featuring over 230 works sourced from more than 60 international institutions and private collections. The exhibition provides a chronological survey of the Renaissance master’s career, spanning his early years in Urbino to his definitive period at the papal court in Rome, and includes iconic paintings such as the 'Alba Madonna' alongside rare preparatory sketches and immersive projections of his Vatican frescoes.
Riapre a Milano la galleria internazionale che mette in dialogo artisti contemporanei e maestri della storia dell’arte. L’intervista
The artist-run space Octagon is set to establish a permanent home in Milan at Via Maroncelli 12, officially opening on April 15, 2026, during the city's Art Week. Founded by artist Jacopo Mazzetti in 2018, the gallery is transitioning from a nomadic model that saw recent collaborations in Paris and Athens to a fixed physical presence. The inaugural exhibition will feature works by the French Symbolist master Odilon Redon, maintaining the space's signature curatorial approach of bridging historical art with contemporary perspectives.
The Museum of Arts and Design (MAD) in New York has opened "Uncanny Valley," a major exhibition dedicated to the Los Angeles-based duo Nikolai and Simon Haas. The show features 85 works spanning 15 years of their practice, showcasing their signature blend of art, furniture, and craft through zoomorphic sculptures and kooky forms. Organized in collaboration with the Cranbrook Art Museum, the exhibition places these physical objects against surreal, algorithmically-generated backdrops that explore the intersection of human craftsmanship and digital technology.
Dealers Matteo Consonni and Dawid Radziszewski have merged their respective galleries, Madragoa in Lisbon and Galeria Dawid Radziszewski in Warsaw, to form a single entity: Consonni Radziszewski. The new gallery launched with a third physical space in Milan, timed to coincide with the city's art week and the Venice Biennale. This merger follows a three-year period of collaboration on art fair booths and joint artist representation, specifically for photographer Joanna Piotrowska.
ELENA DAMIANI, XIMENA GARRIDO-LECCA E ISHMAEL RANDALL-WEEKS: SIGNAL AND STRATA
An exhibition titled 'Signal and Strata' featuring Peruvian artists Elena Damiani, Ximena Garrido-Lecca, and Ishmael Randall-Weeks was presented at the Carpenter Center for the Visual Arts from February 5 to April 5, 2026. The show, examined in an accompanying essay by curator Madeline Murphy Turner, focuses on how the artists use materials like travertine, copper, and concrete to interrogate narratives of modernity, resource extraction, and the climate crisis.
Va in asta una Maria Maddalena di Artemisia Gentileschi senza volto
The Viennese auction house Dorotheum has announced the sale of a rare, fragmented painting of Mary Magdalene by the Baroque master Artemisia Gentileschi. Dating from the artist's influential Florentine period (1615–1618), this autograph version of a work held in Palazzo Pitti is notably missing its central element: the head and shoulders of the saint have been physically cut from the canvas. Despite this dramatic mutilation, which experts speculate may have occurred in post-war Berlin, the work is estimated to fetch between €100,000 and €150,000 at the Old Masters auction on April 28, 2026.
Protezione e costrizione sono due facce della stessa medaglia. Una mostra a Roma lo dimostra
The gallery Monti8 in Rome is hosting a group exhibition titled "The Bell Jar," co-curated by Massimiliano Maglione. Inspired by Sylvia Plath’s 1963 novel, the show features seven international artists—Camilla Alberti, Ruby Chen, Mounir Eddib, Stephen Buscemi, Naomi Hawksley, Steffen Kern, and Amber Wynne-Jones. The exhibition explores the dual nature of the glass bell jar as both a protective shield for precious objects and a suffocating barrier that isolates the subject from the world.
Alexandra Noel presents a solo exhibition of new works at Derosia in New York, running from March 14 through April 25, 2026. The exhibition showcases the artist’s signature small-scale paintings, which often utilize intimate dimensions to explore complex psychological landscapes and domestic tensions.
Kyrgyzstan has chosen artist Alexey Morosov to represent the country at the 61st Venice Biennale in 2026. His pavilion, curated by Geraldine Leardi, will feature a large-scale installation titled BELEK, which explores Kyrgyz nomadic heritage, water as a sacred resource, and the impact of Soviet-era hydro-engineering on the landscape.
Marcel Duchamp’s legacy continues to shape contemporary art through his pioneering use of readymades, conceptual rigor, and institutional critique. This analysis identifies eight modern and contemporary artists whose practices echo Duchamp’s subversion of traditional aesthetics, ranging from his early experiments with found objects to his later explorations of gender and mechanical desire.
Congolese artist Jean Katambayi Mukendi presents his first solo exhibition in Germany, 'Ratio,' at the KW Institute for Contemporary Art in Berlin. The exhibition features drawings, sculptural installations, and works made from recycled materials that examine technological systems, energy infrastructures, and mineral extraction.
La famille Nahmad sommée de restituer à un agriculteur français un Modigliani spolié par les nazis, estimé à 21,5 millions d’euros
The New York State Supreme Court has ordered the restitution of Amedeo Modigliani’s 1918 painting, 'Seated Man (with a Cane)', to Philippe Maestracci, the grandson of Jewish art dealer Oscar Stettiner. The artwork, valued at approximately €21.5 million, was looted from Stettiner’s Paris gallery by the Nazis in 1944. Despite a 1946 court ruling in Stettiner's favor, the painting remained hidden for decades before being acquired in 1996 by the billionaire Nahmad family through an offshore entity.
La justice new-yorkaise ordonne la restitution d’un Modigliani à la succession d’Oscar Stettiner
A New York court has ordered the restitution of Amedeo Modigliani’s 1918 painting 'Seated Man with a Cane' to the heirs of Oscar Stettiner, a Jewish art dealer. The work was seized during the Nazi occupation of Paris and sold at a forced auction in 1944 before eventually being purchased by the billionaire Nahmad family via an offshore company in 1996. Judge Joel M. Cohen ruled that the evidence of Stettiner’s prior ownership was "unusually strong" and dismissed the defense's claims that the painting was a different version or that the claim was filed too late.
La justice new-yorkaise ordonne la restitution d’un Modigliani à la succession d’Oscar Stettiner
A New York judge has ordered the restitution of Amedeo Modigliani’s 1918 painting, "Seated Man With a Cane," to the heirs of Oscar Stettiner. The artwork, which was seized during the Nazi occupation of Paris and sold at a forced auction in 1944, had been in the possession of the powerful Nahmad art-dealing family since 1996. Judge Joel M. Cohen ruled that the evidence of Stettiner’s prior ownership was "unusually strong" and dismissed the defense's claims that the work was a different version or that the claim was filed too late.
A groundbreaking study from Colorado State University reveals that Native Americans in the western Great Plains were using dice for gaming over 12,000 years ago. Researcher Robert J. Madden identified two-sided dice made of bone or wood from archaeological sites in Wyoming, Colorado, and New Mexico, pushing the known history of games of chance back significantly further than previously recorded.