2 exhibits at Portland Museum of Art show off photography, decorative arts

The Portland Museum of Art (PMA) is presenting two concurrent exhibitions: "Ming Smith: Jazz Requiem — Notations in Blue" (through June 7) and "Precious: The Value of Ornament" (through July 19). The Ming Smith exhibition showcases the pioneering Black photographer's emotive, manipulated images, including jazz club scenes and portraits, drawn from the museum's collection and loans from The Gund at Kenyon College. The decorative arts exhibition highlights the value of ornament in applied arts.

Art in Chicago: A Guide for Collectors, Curators and the Curious

This article introduces a comprehensive guide to Chicago's art world, published by a local outlet. The guide features multiple sections exploring the city's art history, key institutions, and lesser-known venues, including feature stories on the Hyde Park Art Center, the Arts Club of Chicago, the National Museum of Mexican Art, the South Side Community Art Center, the Renaissance Society, and the School of the Art Institute of Chicago. It also includes a massive 22-page "Art Geography" directory of museums, nonprofits, galleries, and alternative spaces, written by seasoned art critics. The editor, Brian Hieggelke, acknowledges the daunting task of covering a hometown art scene after forty years, but aims to provide both a resource for newcomers and fresh insights for longtime locals.

Lee Ufan stars in Venice with a major exhibition by Dia Art Foundation

Dia Art Foundation presents a major solo exhibition of Lee Ufan at SMAC Venice, opening May 9, 2026, as an Official Collateral Event of the 61st Venice Biennale. Curated by Jessica Morgan, the show spans over sixty years of the artist's career, featuring historical and unseen paintings, monumental installations, and new site-specific works across eight rooms. It includes seminal series such as *From Point*, *From Line*, *From Winds*, *With Winds*, *Correspondance*, and *Dialogue*, tracing Lee's evolution from the 1960s to the present.

North America’s Longest-Running Exhibition of International Art Has Landed at the Carnegie Museum

The 59th Carnegie International, titled "If the word we," has opened at the Carnegie Museum of Art in Pittsburgh, marking North America's longest-running exhibition of international art. Featuring 61 artists and collectives from countries including Brazil, Benin, China, Indonesia, Lebanon, Peru, Taiwan, and South Africa, the exhibition explores the theme of "we" as an evolving proposition. It includes nearly 40 newly commissioned projects—the largest number in the International's history—spanning painting, photography, sculpture, installation, video, and theater. Notable works include Jonathan González's performance "The Strikebreakers" and Georges Adéagbo's installation "Le Socialism Africain," which uses discarded objects to examine Western power and colonial legacies in Africa.

Sheila Hicks’s Cosmic Art Jewelry Comes To The Venice Biennale

Artist Sheila Hicks is presenting a new collection of jewelry, titled "Cosmic Jewelry," at the Venice Biennale, developed with Elisabetta Cipriani Gallery, London. The collection debuted on May 6 at the Monaco & Grand Canal Hotel during the opening of the 61st International Art Exhibition of La Biennale di Venezia, alongside works by other artists such as Giorgio Vigna and Michele Oka Doner. Known for her monumental textile-based works, Hicks has translated her signature use of thread and fiber into wearable art, creating brooches and necklaces that incorporate gemstones and minerals, produced with Atelier L & L. The pieces draw from her larger-scale "Boules" and "memory bundles," reflecting a two-year process of rethinking proportion and movement for bodily adornment.

Richard Diebenkorn | Untitled (For Harvey Gantt) | For Sale

Artsy is offering for sale Richard Diebenkorn's work "Untitled (For Harvey Gantt)", a piece by the renowned American painter associated with Abstract Expressionism and the Bay Area Figurative movement. The artwork is listed on the online platform, making it available to collectors and art enthusiasts.

Jim Dine | Dorian Gray With Rainbow Scarf (1968) | For Sale

Jim Dine's 1968 lithograph and collage 'Dorian Gray With Rainbow Scarf' is being offered for sale through Palm Beach Modern Auctions. The work, signed and numbered 119/200 from an A edition, was printed by Atelier Desjobert and Atelier LeBlanc in Paris and published by Petersburg Press in London. It is part of Dine's 'The Picture of Dorian Gray' suite and is listed with a starting bid available through Artsy's platform.

Exhibition | Mark di Suvero, 'Avanti!' at Paula Cooper Gallery, 534 West 21st Street, New York, United States

Paula Cooper Gallery in New York will present an exhibition of large-scale sculptures and drawings by Mark di Suvero from May 2 through July 17. The show features the debut of the kinetic sculpture 'Avanti!' (c. late 1990s), a human-intervention piece with a suspended beam that viewers can rock with their body weight, alongside the 1986 work 'Nelly' and the stainless steel 'Tables Turn’d' (2004), as well as a selection of works on paper including interactive "sliding drawings."

Exhibition | William Turnbull, 'Origins (1946–1959)' at Karma, Chelsea, New York, United States

Scottish artist William Turnbull (1922–2012) is the subject of a new exhibition titled 'Origins (1946–1959)' at Karma gallery in Chelsea, New York. The show surveys Turnbull's early career, focusing on the transformative period after World War II when he moved between Surrealist Paris and Abstract Expressionist New York. It features key works such as the sculpture 'Horse' (1946), inspired by a Parthenon marble at the British Museum, and 'Playground (Game)' (1949), reflecting his interest in phenomenology and movement. The exhibition traces his evolution from an illustrator and Slade School student to a sculptor and painter who engaged elemental forms like the horse, standing figure, and human head.

The New York Historical Celebrates Artist Betye Saar’s 100th Birthday with a New Exhibition Featuring Her Black Doll Collection

The New York Historical will present "Betye Saar’s Black Dolls" from May 8 to October 4, 2026, celebrating the artist’s 100th birthday. The exhibition features 27 dolls from Saar’s promised gift of over 100 Black dolls to the museum, alongside 15 watercolors and several assemblages, including "Hoo Doo Woman" (1974) and "Indigo Mercy" (1975). Saar, a key figure in the Black Arts and feminist art movements, began collecting Black dolls in the late 1960s after growing up without one.

Lubaina Himid has been busy ‘Predicting History: Testing Translation’

Lubaina Himid has been selected to represent the United Kingdom at the 61st International Art Exhibition of La Biennale di Venezia in 2026 with a major solo installation titled 'Predicting History: Testing Translation' at the British Pavilion. The exhibition, running from May 9 to November 2026, features a new series of large, multipaneled paintings in dazzling colors, surreal settings, and a soundscape created in collaboration with artist Magda Stawarska. Himid, a Turner Prize-winning pioneer of the Black British Art Movement and Emeritus Professor at the University of Central Lancashire, explores themes of belonging, migration, and making a home in a new place.

Anni Albers Wasn’t Afraid to Start From Zero

Nicholas Fox Weber's new biography, *Anni Albers: A Life*, draws on his nearly 25-year friendship with the artist to offer an intimate, nuanced portrait of the pioneering textile artist. The book traces Albers's journey from her birth in Berlin in 1899, through her studies and teaching at the Bauhaus and Black Mountain College, her escape from Nazi Germany in 1933, and her later years in Connecticut. Weber, who serves as executive director of the Josef & Anni Albers Foundation, fills the biography with lively anecdotes—from her love of Kentucky Fried Chicken to her sharp wit—while correcting the "stock stories" she often repeated, revealing her personality and artistic dedication with rare depth.

Billie Holiday Comes to Queens

A shortlist of artists including Thomas J Price and Tavares Strachan is competing to design a new public monument honoring jazz legend Billie Holiday in Queens, New York. The New York City Department of Cultural Affairs has revealed six commission proposals for the project, which aims to celebrate Holiday's groundbreaking legacy as a vocalist and cultural icon. Separately, the Museum of the City of New York is opening the Puffin Foundation Center for Social Activism, dedicated to civic engagement and social justice.

The Divine Powers of “Chicken Linda”

Performance artist Linda Mary Montano, now in her 80s, invited writer Taliesin Thomas into her home in Saugerties, New York, which functions as a living shrine filled with altars, experimental sculptures, and religious iconography. Montano, who calls herself “Chicken Linda” to connect with the Holy Spirit, discussed her six-decade career as an endurance performance artist, her Catholic faith, her studies with guru Shri Bhramananda Saraswati, and her influential early years in San Francisco during the First Wave feminist art movement. She also recounted personal tragedies, including the murder of her former husband Mitchell Payne, which led to her video work “Mitchell’s Death,” now in the collections of MoMA and the Museum of Conceptual Art, Los Angeles.

“Gaza Love” Monument Unveiled in Paterson, NJ

Artist and activist Kyle Goen's sculpture "Gaza Love" (2014) was permanently installed outside the South Paterson Library Community Center in Paterson, New Jersey, as part of the city's newly dedicated Gaza Square on Main Street. The unveiling took place on Palestine Day, May 17, and commemorates Paterson's large diasporic Palestinian community. The sculpture, which borrows the typography of Robert Indiana's LOVE series and the colors of the Palestinian flag, originated during protests against the 2014 Gaza War and has been used in organizing spaces for over a decade, including during the 2021 Strike MoMA movement.

A True-to-Life Biennale

Hakim Bishara, editor-in-chief of Hyperallergic, reflects on the 61st Venice Biennale after returning to New York, describing it as historical, political, and thrilling. He counters critics who claimed the Biennale imploded due to boycotts and resignations, arguing it was more alive than ever. The late Koyo Kouoh's main exhibition "In Minor Keys" is praised for reflecting global woes and joys. The article also highlights a major strike by artists and cultural workers that disrupted the pre-opening, the first cultural strike in the Biennale's 131-year history, with 54 artists in the international exhibition and 22 national pavilion teams withdrawing from awards consideration in solidarity with the jury's resignation.

American Folk Art Museum Workers Picket Gala, Calling for Higher Wages

Workers at the American Folk Art Museum in New York City, represented by UAW Local 2110, picketed the museum's annual gala at the Mandarin Oriental in Manhattan on May 6, 2026. They demanded higher wages and better benefits after contract negotiations stalled for nearly two years. Frontline workers earn $19 per hour, about $12,000 below the city's living wage, while the museum's CEO Jason Busch earned $321,882 in 2024. The union requested a three-year contract raising wages to $30 per hour, but management offered only $21.50 and refused to guarantee existing benefits, leading to the protest.

Pussy Riot and FEMEN Join Forces in Punk Protest in Venice: ‘Russia Kills! Biennale Exhibits!’

On Wednesday morning, Pussy Riot and FEMEN led a protest outside the Russian Pavilion at the 2026 Venice Biennale, chanting slogans like “Russia kills! Biennale exhibits!” and “Blood is Russia’s art!” Dozens of protesters, some in pink balaclavas and others bare-chested with floral crowns, gathered in the Giardini under light rain, carrying guitars and blasting punk rock and hip-hop. The action was organized by Nadya Tolokonnikova and other Pussy Riot members alongside FEMEN, a Ukrainian-founded women’s movement. They released pink, yellow, and blue smoke, and Tolokonnikova criticized the Biennale for allowing Russian participation while artists who oppose the war in Ukraine are imprisoned. She proposed an alternative exhibition, “Resistance Imprisoned,” currently on view in Strasbourg, featuring incarcerated artists.

The Carnegie International Looks Back at Itself

The 58th Carnegie International at the Carnegie Museum of Art in Pittsburgh looks back at its own 130-year history, featuring a gallery dedicated to past iterations. The exhibition includes Chris Ofili's "The Adoration of Captain Shit and the Legend of the Black Stars" (1998), which was originally shown in the 53rd International in 1999, the same year Ofili's more notorious "The Holy Virgin Mary" sparked controversy at the Brooklyn Museum. The article reviews how the current iteration captures the excitement of earlier exhibitions while providing commentary on authoritarianism and militarism.

The Enigma of Alison Knowles

Lauren Moya Ford reviews the only book dedicated to Fluxus artist Alison Knowles, who died six months ago. The book, "Performing Chance: The Art of Alison Knowles In/Out of Fluxus" by Nicole L. Woods (2026), attempts to illuminate Knowles's life and work, but Ford notes that much of her personal life remains mysterious despite the author's efforts. The article is part of a broader books newsletter that also features new tomes on Hans Holbein’s portraits, Jan Staller’s photographs of Manhattan construction sites, and a discussion of a Black Panther family album at the Studio Museum in Harlem.

​​​​Art Movements: Curators Named for El Museo's Latine Art Survey

El Museo del Barrio has announced the curatorial team for the 2027 edition of La Trienal, its landmark survey of Latine contemporary art. The show will be organized by Susanna V. Temkin, interim chief curator at the museum; Zuna Maza, assistant curator; and guest curator Kaitlin Garcia-Maestas, formerly of Socrates Sculpture Park. In other biennial news, Amanda Carneiro and Raphael Fonseca were named chief curators of the 37th Bienal de São Paulo, the jury of the 61st Venice Biennale resigned after omitting Russia and Israel from awards consideration, and Marcello Dantas was appointed senior curator of the Vancouver Biennale. Hedwig Fijen will step down as director of Manifesta, with Emilia van Lynden and Catherine Nichols taking over in a new co-leadership model. Janne Sirén will resign as director of the Buffalo AKG Art Museum, Kate Kraczon was named chief curator at the Montclair Art Museum, and Charlie White was appointed dean of WashU’s Sam Fox School of Design & Visual Arts. Marina Abramović has designed wine labels for the Ornellaia estate, with limited-edition bottles to be auctioned by Bonhams to benefit the Guggenheim Pop exhibition.

The Revolutionary Tapestry of Nigerian Modernism

The exhibition "Nigerian Modernism" at Tate Modern in London is the first show of its kind in the UK, surveying how Nigerian artists forged a postcolonial identity across the 20th century. It features works by pioneers such as Aina Onabolu, Benedict Enwonwu, and members of the radical Zaria Art Society, including Uche Okeke, Jimo Akolo, and Clara Etso Ugbodaga-Ngu, highlighting their break from British artistic traditions and embrace of local visual heritage.

Vincenzo Trione's new book aims to redefine the concept of the avant-garde (reviews by his students)

Il nuovo libro di Vincenzo Trione vuole ridefinire il concetto di avanguardia (le recensioni dei suoi allievi)

On March 9, 2026, at IULM University in Milan, Vincenzo Trione presented his new book *Rifare il mondo. Le età dell’avanguardia* (Einaudi, 2025). The event was part of the cultural program *Leonardo alla IULM*, which also featured pages from the Codex Atlanticus on loan from the Biblioteca Ambrosiana. Trione, a professor at IULM, discussed the book with four of his students: Anna Luigia De Simone, Vincenzo Di Rosa, Anna Calise, and Alessia Scaparra Seneca. The talk, titled "Nessuna parola caratterizza l’arte contemporanea più di avanguardia," explored the concept of the avant-garde, its historical legacy, and its contemporary reactivation through movements, manifestos, collectives, and cultural phenomena.

Archie Rand On the Irreducibility of Painting in a Post-Digital Age

Archie Rand, now in his late 70s, recently held his first extensive solo show in years at Jarvis Art in New York, featuring his new body of work titled "Heads." The exhibition reclaims painting's primordial function, emphasizing the connection between brain and hands, imagination and reality. Rand, who emerged from the downtown New York scene in the late 1970s and early '80s, has witnessed the full postwar evolution of American art. His career includes a pivotal synagogue mural commission that led to backlash from the Orthodox community and a break with critic Clement Greenberg, pushing him toward representational forms. He found allies in figures like Philip Guston and John Ashbery, and after his wife's death ten years ago, began reflecting on mortality and childhood influences.

Immersive exhibitions and visits not to miss from spring to summer in France

Les expos et visites immersives à ne pas rater du printemps à l’été en France

The article from Beaux Arts Magazine highlights a selection of immersive art exhibitions and experiences across France for spring and summer 2026. Featured attractions include "Passion Japon" at Parc de la Villette in Paris, a journey through Japanese culture with Hokusai and Hiroshige projections; "L'Odyssée Céleste" at Église Saint-Eustache, a 3D light spectacle with live choral music; "Frissons" at the Musée d'Orsay, an interactive light installation by artist Adrien M responding to visitors' movements; and a Picasso immersive experience at Les Baux-de-Provence.

Relaxe pour le coupeur de tête

The latest issue of Le Journal des Arts (n°677, May 15, 2026) covers several major art-world stories: the Venice Biennale opening amid controversy, the final adoption of a French law on the restitution of cultural property looted during colonization, the V&A East museum's strategy to attract younger audiences, the uneven economic impact of Monet's legacy on the town of Giverny, and the structuring of the market for Nabis artists.

Décès de Bruno Bischofberger

Bruno Bischofberger, the influential Swiss gallerist and art dealer, has died. Known for his Zurich gallery that represented major contemporary artists, Bischofberger played a pivotal role in the careers of figures like Jean-Michel Basquiat, Andy Warhol, and Francesco Clemente. His death marks the end of an era for the post-war and contemporary art market.

Jack Goldstein “Pictures, Sounds and Movies” at Kunst Museum Winterthur

Jack Goldstein (1945–2003), a Canadian-born artist and CalArts graduate, is the subject of the exhibition "Pictures, Sounds and Movies" at Kunst Museum Winterthur. The show highlights his role in the Pictures Generation, a group that in the 1970s rejected traditional art forms by appropriating images from advertising, television, and popular culture, while Goldstein also explored the autonomy of Minimal Art objects.

Julia Heyward “Miracles in Reverse” at Kunstverein Nürnberg

Kunstverein Nürnberg – Albrecht Dürer Gesellschaft is presenting "Miracles in Reverse," the first institutional solo exhibition in Europe by American artist Julia Heyward (born 1949). Heyward was a central figure in New York's downtown art scene during the 1970s and 1980s, and her work anticipated major developments in art history. The exhibition showcases her distinctive practice developed over five decades.

Muscle memory: Natasha Tontey’s wild Venice installation explodes perceptions of Indonesian history

Natasha Tontey's new installation "The Phantom Combatants" at the Ateneo Veneto in Venice reimagines the story of Len Karamoy, a woman who was part of the CIA-funded Permesta resistance movement in North Sulawesi, Indonesia (1957-1961). The 22-minute film, commissioned by the LAS foundation and Amos Rex, features absurdly muscular mutant warriors and draws on Indigenous belief systems, video games, Indonesian soap operas, and B-movie aesthetics to explore themes of autonomy, resistance, and historical perspective.