Putin ‘Won’ the Venice Biennale, Quips Italian Culture Minister

Italian Culture Minister Alessandro Giuli stated that Russian President Vladimir Putin "won" the 2024 Venice Biennale, criticizing Russia's controversial return to the event. Giuli, who repeatedly denounced Russia's presence, told Corriere della Sera that Russian artists in the pavilion cannot express dissent against their regime. The Biennale faced widespread calls to remove Russia, with the EU threatening to withhold a €2 million grant, but organizers argued they lacked legal authority to exclude the country. Protests by Pussy Riot and FEMEN marked the pavilion's opening, while the Biennale's jury resigned en masse after announcing that nations charged with crimes against humanity would be ineligible for Golden Lions.

Malaysia Showcases Recovered 1MDB Artworks, From Picasso to Miró

Four artworks recovered from the 1MDB scandal—by Picasso, Miró, Balthus, and Maurice Utrillo—have gone on public display for the first time at the Malaysian Anti-Corruption Commission headquarters in Putrajaya. The paintings were repatriated from New York after being traced through Sotheby’s and shipped back to Malaysia on April 14. They are part of a broader art trail linked to the massive financial fraud, with Malaysian officials framing the display as an act of restitution rather than an art event.

Pleasure, parody and propaganda: rethinking the art of illustration in a new history of the genre

D.B. Dowd's new book "Reading Pictures" offers a sweeping 400-page history of illustration, tracing the genre from the Diamond Sutra frontispiece in Tang China (AD868) to Molly Crabapple's Gaza reports in 2015. The book examines key works such as Jules Chéret's 1891 poster for the Alcazar d'Été Club, Stuart Davis's caustic covers for The Masses, and Duong Ngoc Canh's Vietnamese propaganda poster, arguing that illustrations are meant to be "read" rather than admired like museum paintings.

Treasures From Matthew Perry’s Estate Head to Auction for a Good Cause

Heritage Auctions will sell a trove of artifacts from Matthew Perry's estate starting June 5, including scripts and memorabilia from the sitcom *Friends*, artworks by Banksy and Mel Bochner, and personal items like a 3D portrait of his invented superhero "Mattman." Proceeds benefit the Matthew Perry Foundation, a nonprofit focused on ending addiction stigma and expanding access to evidence-based care, founded after the actor's death in 2023.

Dark clouds, protests and resignations dampen start of 61st Venice Biennale

The 61st Venice Biennale opened under grey skies and rain, with political tensions overshadowing the art world's premier event. The Russian pavilion, absent for two editions due to the Ukraine war, reappeared with a party atmosphere, though the Italian ministry of culture confirmed it would not be open to the public. The Ukrainian culture minister called Russia's symbolic presence powerful. The Iranian pavilion withdrew without explanation, and a protest by 60 artists from the In Minor Keys show marched through the Giardini humming in solidarity against Israel's participation. Over 200 artists, including Lubaina Himid and Alfredo Jaar, signed an open letter demanding the Israeli pavilion's cancellation. The event also proceeded without its curator, Koyo Kouoh, who died in May 2025; her curatorial team delivered the exhibition following her plans.

Anish Kapoor says US’s ‘politics of hate’ should exclude it from Venice Biennale

Anish Kapoor has called for the United States to be excluded from the Venice Biennale, citing the country's "abhorrent politics of hate" and "incessant warmongering." His comments follow the resignation of the five-member international jury, who stepped down in protest over the inclusion of Israel and Russia. Kapoor praised the jury's decision as "courageous" but argued they should have also targeted the US. The US pavilion, featuring artist Alma Allen and his exhibition "Call Me the Breeze," has faced scrutiny over perceived Trump administration interference and a delayed selection process. Meanwhile, the Israeli and Russian pavilions remain flashpoints, with over 200 participants signing a letter demanding the cancellation of the Israeli pavilion, and the Russian pavilion closed to the public but viewable through windows.

81 artists withdraw from Venice Biennale competition

Venice Biennale Swamped in Protests Ahead of Planned Strike

The Art Not Genocide Alliance (ANGA) has announced a 24-hour strike for Friday, May 8, coinciding with previews of the 2026 Venice Biennale, alongside a protest rally organized by local group Biennalocene and Italian trade unions. Earlier this week, sixty artists staged a sonic protest at the Giardini entrance to draw attention to the plight of those affected by genocide and war in Palestine and elsewhere. The Latvian pavilion has also encouraged attendees to wear a design by artist Krišs Salmanis reading “Death in Venice – Russia go home!” Meanwhile, dissident artists Pussy Riot stormed the Russian pavilion waving Ukrainian flags, and the entire 2026 Biennale jury resigned after the decision to exclude countries whose leaders are charged with crimes against humanity by the International Criminal Court from competing for top prizes.

What Is the 2026 Met Gala Exhibit “Costume Art” All About?

The Metropolitan Museum of Art's Costume Institute will unveil its 2026 exhibition, “Costume Art,” on May 4, 2026, coinciding with the Met Gala. Curated by Andrew Bolton, the show explores the relationship between fashion and the human body, juxtaposing garments like Rei Kawakubo's bulbous Comme des Garçons ensemble with artworks such as Hans Bellmer's “La Poupée” and Albrecht Dürer's “Adam and Eve.” Mannequins cast from real bodies and mirrored heads by artist Samar Hejazi will enhance the immersive experience. The exhibition runs from May 10, 2026, to January 10, 2027, in the new Condé M. Nast Galleries.

The International Jury of the Biennale Arte 2026

The International Jury for the Biennale Arte 2026 has been announced, with Solange Oliveira Farkas serving as president. The jury includes curators Zoe Butt and Elvira Dyangani Ose, each bringing extensive experience in contemporary art from the Global South, biennial curation, and institutional leadership. Farkas is the founder of Associação Cultural Videobrasil, Butt founded the in-tangible institute, and Dyangani Ose is artistic director of the 2nd Public Art Abu Dhabi Biennial and former director of MACBA Barcelona.

Steel And Shadows Converge in “Larry Kagan: Men”

Louis K. Meisel Gallery in New York City will present “Larry Kagan: Men,” an exhibition of steel and shadow sculptures by artist Larry Kagan, opening May 9 and running through June 20. Kagan, a former engineer turned sculptor, creates intricate steel assemblages that, when lit from a calculated angle, project remarkably detailed shadow images onto the wall, blending material and illusion. The show includes works like “Michelangelo's Adam” (2025) and highlights his career shift from acrylics to metal in the 1980s under the mentorship of Richard Stankiewicz.

Looking for art, culture? See the latest Central Illinois exhibits

A roundup article highlights current and upcoming art and cultural exhibitions across Central Illinois, featuring venues such as the McLean County Museum of History, Krannert Art Museum, Prairie Aviation Museum, Peoria Riverfront Museum, Eaton Studio Gallery, Illinois Art Station, Illinois State Museum, McLean County Arts Center, Main Gallery 404, Abraham Lincoln Presidential Library and Museum, Dickson Mounds Museum, and David Davis Mansion State Historic Site. Specific shows mentioned include "Material Memory" fiber arts show at Brandt Gallery, "Goya's Ghosts" at Armstrong Gallery, "Arts Alive!" auction at Dolan Gallery, "Lincoln: Sight, Sound & Touch" at the Abraham Lincoln Presidential Library and Museum, "Ken Kashian Botanical Photography Exhibit" at IAA Credit Union, and "Kelly Pile Pyrography Pop-up Sale" at Main Gallery 404.

Art Lovers Movie Club: Elisabeth Brun, ‘Big Tech Blues’, 2025

ArtReview's Art Lovers Movie Club presents Elisabeth Brun's film 'Big Tech Blues' (2025), an auto-documentary that follows a small village in northern Norway as it resists the installation of a SpaceX Starlink 'Gateway' transmission site. The film blends personal essay, documentary footage, and interviews with residents who protest the hub over concerns about noise pollution, radiation, and environmental impact on the rural coastline. Brun contrasts slick Starlink promotional material with slow, intimate scenes of the landscape and community organizing on Facebook, highlighting the irony of using digital tools to fight digital infrastructure.

Tang Museum announces summer tours

The Tang Museum at Skidmore College in Saratoga Springs, New York, has announced its summer 2026 public tour program, beginning May 24 with weekly Tang Guide Tours led by trained student ambassadors. The museum will also host three curator-led tours: Rachel Seligman will lead tours of 'All These Growing Things' (June 11) and 'Sheila Pepe: When & Where We Rest' (August 27), while Dayton Director Ian Berry will guide a tour of 'Kathy Butterly: Assume Yes' (July 16). Additional summer programming includes the Upbeat on the Roof concert series, Frances Day community open house, and Family Saturday art-making events.

Wallace Chan in Venice and Shanghai

Wallace Chan will present "Vessels of Other Worlds," a monumental dual-site exhibition across Venice and Shanghai in 2026, coinciding with his 70th birthday and the 61st Venice Biennale. The exhibition premieres on May 8, 2026, at the Chapel of Santa Maria della Pietà in Venice, featuring a new series of titanium sculptures inspired by the three sacred oils of the Catholic Church, with a parallel exhibition opening on July 18, 2026, at the Long Museum (West Bund) in Shanghai, where the sculptures will be displayed at a dramatically larger scale. Curated by James Putnam, the project also includes a complementary site-specific exhibition, "Mythos," at Scala Contarini del Bovolo in Venice from April to October 2026.

Taipei Fine Arts Museum unveils 'Surrealism: The World in Dialogue'

Taipei Fine Arts Museum (TFAM), in collaboration with the Institute for Cultural Exchange in Tübingen, Germany, has launched its major spring exhibition "Surrealism: The World in Dialogue." Featuring over 120 works by nearly 60 international artists, the exhibition marks a century since André Breton's 1924 "Surrealist Manifesto." It juxtaposes historical avant-garde works with contemporary practices, organized into sections such as "Collective Dreams," "Body of Desire," and "Absurd Play." Highlights include Yves Tanguy's dreamscapes, Lauren Moffatt's augmented reality installation, Max Ernst's scraping-method works, Patricia Piccinini's hybrid sculptures, and works by Man Ray, Meret Oppenheim, Sarah Lucas, Luis Buñuel, and Salvador Dalí.

Exhibition commemorates Frederic Church 200th

The Olana Partnership opens "Frederic Church: Global Artist" on May 17 at Olana State Historic Site in Hudson, New York, commemorating the 200th anniversary of Frederic Church's birth (1826–1900). The exhibition brings together monumental oil paintings, drawings, oil sketches, and photographs from Church's global travels, with loans from major institutions including the Cooper Hewitt, Smithsonian Design Museum, The New York Historical, and the Terra Foundation for American Art. It is organized by Elizabeth Kornhauser, Tim Barringer, and Jennifer Raab, and is part of the broader Frederic Church 200 initiative.

All the Looks That Made It From the Runway Into the Met’s “Costume Art” Exhibition

Zurbarán at the National Gallery - an unmissable show of baroque genius

The National Gallery in London presents a landmark exhibition of Francisco de Zurbarán (1598-1664), the first major retrospective of the Spanish Baroque master in Britain. In collaboration with the Louvre and the Art Institute of Chicago, the gallery has assembled over 40 works from institutions worldwide, including Seville and San Diego. The show features Zurbarán's electrifying religious paintings and radiant still lifes, displayed in darkened galleries that echo the chiaroscuro of his compositions. Highlights include the shattering *The Crucifixion* (1627) and *Saint Peter Nolasco's Vision of Saint Peter the Apostle* (1629), which demonstrate his hyper-real, sculptural approach to sacred subjects.

Dozens of Venice Biennale Artists Withdraw From Awards En Masse

Almost half of the artists in the 61st Venice Biennale's international exhibition, along with 16 national pavilion teams, have withdrawn from awards consideration in solidarity with the jury's resignation. The jury resigned on April 30 after stating it would not consider countries whose leaders are charged with crimes against humanity by the ICC, effectively disqualifying Israel and Russia. The Biennale Foundation then replaced the traditional Golden Lions with new "Visitor Lions" decided by public vote, reinstating all pavilions including Israel and Russia. The withdrawal follows protests at the Russian and Israeli pavilions and a historic labor strike that shuttered multiple pavilions.

Iran Withdraws From 2026 Venice Biennale

Iran has withdrawn from the 2026 Venice Biennale, the world's most important art event, organizers announced on May 4. No official reason was given, but the withdrawal comes amid an uncertain ceasefire in Iran's war with the United States and Israel. The Biennale confirmed the decision in a statement, noting that 100 countries will still participate, including newcomers Tanzania and Seychelles. This follows South Africa's withdrawal over a legal dispute concerning a Gaza-focused artwork, and the closure of the Russian Pavilion to the public after the EU withdrew €2 million in funding over Russia's involvement.

The Joy of Discovery at 1-54 Art Fair

The 1-54 Contemporary African Art Fair, now open at the Starrett-Lehigh Building in Manhattan, presents a smaller edition than previous years but continues to offer unexpected, tactile works. Highlights include Rommulo Vieira Conceição's Pop-art-inspired wall installation at Aura gallery, Kendra Frorup's mixed-media piece at the Current: Baha Mar Gallery, and Eymric Moderne's gold-leaf and glass bird painting at TM Arthouse. The fair also features posthumous works by Marcel Gotène at Loeve and Co and Sophia Bounou's enigmatic paintings at Blond Contemporary.

The Jury of the 2026 Venice Art Biennale Will Be Completely Composed of Women

La giuria della Biennale d’Arte di Venezia 2026 sarà tutta composta da donne

The organizing body of the Venice Biennale has announced the international jury for its 61st International Art Exhibition, titled 'In Minor Keys.' For the first time, the five-member jury is composed entirely of women: Solange Oliveira Farkas (president), Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi. They will award the prestigious Golden Lions and special mentions during the awards ceremony on May 9.

72 Hours in Venice: Palazzos, Protests, and a Biennale on the Brink

The article recounts a journalist's 72-hour visit to the Venice Biennale, beginning with a protest by Pussy Riot and Femen at the Russian Pavilion. The action features pink smoke, chants of "Blood is Russia's art," and a guerrilla performance of the song "Disobey," set against a backdrop of internal Biennale strife—including juror resignations over countries whose leaders face ICC arrest warrants (Netanyahu and Putin). The narrative also notes the presence of alt-right figures like Ryan Coyne and sculptor Alma Allen's troubled U.S. pavilion representation.

At 1-54 New York 2026, Afro-Brazilian art takes centre stage for the first time

The 1-54 Contemporary African Art Fair in New York (May 13–17, 2026) will debut a curated section titled '1-54 Presents: Brazil Beyond Brazil,' focusing exclusively on Afro-Brazilian art and artists. Organized by Brazilian curator Igor Simões, the section features works by ten Black Brazilian artists—including Ana Claudia Almeida, Rebeca Carapiá, and Rommulo Vieira Conceição—presented by leading Brazilian galleries such as Almeida & Dale, Fortes D’Aloia & Gabriel, Nara Roesler, and Aura. The initiative draws on archival research, reinterprets modernist legacies, and challenges narrow narratives around Afro-Brazilian art, highlighting the cultural links between Africa and Latin America.

Shoot the Shit With Jack Kerouac

An exhibition at the Grolier Club in New York City, titled "Running Through Heaven: Visions of Jack Kerouac," presents over 60 pieces of ephemera and unpublished correspondence from the Beat Generation icon's life. Curated by antiquarian collector Jacob Loewentheil, the show includes first editions, a Buddhist mala, a tobacco pouch, and a signed 1964 portrait of Kerouac, organized thematically around religion, jazz, and family. The exhibition runs through May 16 and offers an intimate look at the man behind the myth.

In ‘Piercing the Veil,’ Marina Kappos Gets to Know the Spectre of Grief

Artist Marina Kappos opens her solo exhibition 'Piercing the Veil' at SHRINE gallery in New York City, running from May 15 to June 27. The show features her signature acrylic-on-wood-panel paintings that use thin layers of pigment to create gauzy, prismatic effects. Inspired by the sculptural figures of grieving women she encountered at Père Lachaise Cemetery in Paris, Kappos explores themes of loss, memory, presence and absence, and the threshold between life and death. Works like 'Veil Study (Eclipse)' (2026) and 'Quantum Study (Green Entanglement)' (2025) depict hazy landscapes and keyhole-shaped portals that invite viewers to contemplate the unknown and the spiritual.

Where to go for the next scandal?

Wo bitte geht's zum nächsten Skandal?

The article reports on the 2024 Venice Biennale preview days, where the atmosphere is dominated by political protests, media stunts, and social-media pressure rather than the art itself. Incidents include a solidarity drone choir for Gaza, a Pussy Riot and FEMEN protest at the Russian Pavilion, and a planned demonstration near the Israeli Pavilion, all amplified by PR agencies and WhatsApp alerts. A journalist describes being pressured by editors to cover scandals and political controversies instead of art reviews, which they say no longer attract clicks.

‘What Color is Your Sky Today?’: The Becoming of the Image

Armineh Negahdari, a Bordeaux-based artist, presents her first institutional solo exhibition in France at the Fondation Louis Vuitton's Open Space series. Titled 'What Color is Your Sky Today?': The Becoming of the Image, the show features a new body of drawings that use charcoal, pastel, and oil paint to explore unstable morphologies between human, vegetal, and animal forms. The works resist narrative closure, emphasizing drawing as an event rather than representation, with lines that accumulate, falter, and begin again. The exhibition is on view at Gallery 8 until 30 August 2026.

Venice Biennale’s Visitor Lions Face Artist Boycott