Muscle memory: Natasha Tontey’s wild Venice installation explodes perceptions of Indonesian history

Natasha Tontey's new installation "The Phantom Combatants" at the Ateneo Veneto in Venice reimagines the story of Len Karamoy, a woman who was part of the CIA-funded Permesta resistance movement in North Sulawesi, Indonesia (1957-1961). The 22-minute film, commissioned by the LAS foundation and Amos Rex, features absurdly muscular mutant warriors and draws on Indigenous belief systems, video games, Indonesian soap operas, and B-movie aesthetics to explore themes of autonomy, resistance, and historical perspective.

There Has Never Been an Apolitical Venice Biennale

The Venice Biennale, with its national pavilion structure, has always been a platform for political expression and soft power, a reality evident from its early 20th-century origins. Contemporary critic Arturo Lancellotti's 1909 review of the German and British pavilions was steeped in geopolitical context, revealing how national artistic displays were interpreted through the lens of imperial power and military alliances.

Mind the baby! Visitors to the Japanese Venice Biennale pavilion will be asked to look after dolls

Ei Arakawa-Nash, a Japanese-born artist who no longer holds Japanese citizenship, will represent Japan at the Venice Biennale with an exhibition titled "Grass Babies, Moon Babies." The pavilion will feature over 100 baby dolls that visitors are invited to adopt and carry, engaging in caregiving tasks such as changing a nappy. Each doll corresponds to a historically significant date tied to minority communities, linking intimate acts of care to broader historical narratives. The project also includes a collaboration with the Korean Pavilion, marking the first such partnership between the two national pavilions in Biennale history.

literature hans ulrich obrist curator book

Hans Ulrich Obrist, the prolific Swiss curator and artistic director of Serpentine Galleries, discusses his lifelong passion for books in a new interview timed to the U.S. release of his memoir "Life in Progress." Obrist reveals his daily ritual of buying a book, which has amassed an archive of over 40,000 volumes housed at LUMA Arles, and shares current reading recommendations including Kenneth O. Stanley's "Why Greatness Cannot Be Planned." He also reflects on the serendipitous origins of his Instagram Post-it note project, inspired by philosopher Umberto Eco and artist-poet Etel Adnan.

The Sprawling New David Geffen Galleries At LACMA Open To The Public On Sunday, May 3

The David Geffen Galleries at the Los Angeles County Museum of Art (LACMA) will open to the public on Sunday, May 3, after 20 years of development. Designed by architect Peter Zumthor, the 900-foot-long horizontal glass and concrete structure overlooks the La Brea Tar Pits and stretches over Wilshire Boulevard. The main floor, elevated 30 feet above street level, offers 110,000 square feet of gallery space for LACMA’s permanent collection. The inaugural exhibition is inspired by four major bodies of water—the Pacific, Indian, and Atlantic oceans, and the Mediterranean Sea—and features works by artists including Todd Gray, Do Ho Suh, Lauren Halsey, Tavares Strachan, Jeff Koons, and Diego Rivera. The building also includes open plazas, an outdoor public space, and an Erewhon Cafe, with a larger restaurant and wine bar planned for fall 2026.

Ed Ruscha | Ed Ruscha Records 1971 (1st edition) (1971) | Art & Prints

This article presents Ed Ruscha's artist book "Records" (1971), a photographic survey of thirty vinyl records from his personal collection, offered by Lot 180 Gallery New York. It describes the work as a first edition offset printed book in good vintage condition, measuring 7 x 5.5 inches, from an edition of approximately 2,000 unsigned copies published by Heavy Industries Publications in Los Angeles.

[ANN] Kuala Lumpur looks set to enter its 'museum moment' this year

Kuala Lumpur is experiencing a wave of new museum and gallery openings in 2025, marking a significant cultural expansion for the Malaysian capital. Key developments include the Merdeka Textile Museum, set to open in August within the Merdeka 118 tower and billed as Asia's first state-of-the-art textile museum; Muara Arts, a public gallery project by Creador Foundation opening in September in the historic Medan Pasar district; and recent openings such as the heritage building Seri Negara and restored gallery spaces at Bangunan Sultan Abdul Samad. These join earlier private collector-led spaces like Ur-Mu (2022), Toffee (2023), and +N (2025), as well as the established Ilham Gallery (2015).

Inside the New Madison Avenue Flagship of the Powerhouse Gagosian Gallery

Larry Gagosian has opened a new flagship gallery at 974 Madison Avenue (preferring the address 980 Madison at 76th Street) after Bloomberg Philanthropies took over the building's upper floors, which had housed Gagosian's New York flagship since the late 1980s. The megadealer relocated to the street level, creating a 12,000-square-foot complex with exhibition spaces, offices, meeting rooms, and private viewing areas designed by Jonathan Caplan of Caplan Colaku Architects. The gallery launched with a double-header presentation of works by Marcel Duchamp and Robert Rauschenberg, and features ceilings just over 12 feet high, adaptable walls, and a vestibule display of art books.

What Makes a Photograph a Photograph? The Photography Show 2026 Offers New Perspectives

The Association of International Photography Art Dealers (AIPAD) has announced the 45th edition of The Photography Show, scheduled to take place at New York’s Park Avenue Armory from April 22–26, 2026. The fair will feature 77 galleries, ranging from long-standing participants like Edwynn Houk Gallery to first-time exhibitors such as Galerie Sophie Scheidecker and Central Server Works. A significant addition to this year's programming is the debut of "Focal Point," a new sector dedicated exclusively to solo presentations that explore the experimental and evolving nature of lens-based media.

And We Shall Go Through Their Hills Without Much Delay

This article documents three journeys into and out of Yunnan, China, spanning from 1874 to 2023. It begins with British interpreter Augustus Raymond Margary's failed colonial expedition to establish a trade route, which ended in his violent death and contributed to unequal treaties opening Southwest China. It then follows a Naxi student named Xueshan in 1937, whose railway journey introduced modern timekeeping to the region, and finally describes the construction of the Burma Road, a critical WWII supply route. The narrative concludes with the artist Cheng Xinhao retracing these routes on foot from Kunming toward Burma over a year and a half, reflecting on history, bodily experience, and the layers of infrastructure that have reshaped the landscape.

designboom's ultimate guide to the venice art biennale 2026

Designboom has published a comprehensive guide to the 2026 Venice Art Biennale, featuring a curated list of must-see exhibitions, installations, and events across the city. Highlights include Miet Warlop's "IT NEVER SSST," Michael Armitage's "The Promise of Change" at Palazzo Grassi, and DRIFT's "Shy Society" at Palazzo Strozzi, alongside works by Lotus L. Kang, Lida Abdul, and Kan Yasuda. The guide also points to collateral shows in Pietrasanta and Berlin, offering visitors a broad itinerary beyond the main Biennale venues.

Perspectives on a collection: why you should explore New Asian Art at the National Gallery of Australia

The National Gallery of Australia in Canberra is currently presenting 'New Asian Art,' a permanent collection display featuring recent acquisitions and highlights from across Asia. The exhibition includes a significant suite of works by Thai-born artist Korakrit Arunanondchai, featuring video and sculptural elements, as well as pieces by Japanese fashion designer Issey Miyake, the artist collective teamLab, and painter Yoshitomo Nara, exploring themes of globalization and cultural exchange.

Glenstone Is Celebrating 20 Years Of Art, Architecture, & Nature

Glenstone Museum in Potomac, Maryland, is celebrating its 20th anniversary as one of the largest private contemporary art museums in the United States. Founded in 2006, the institution offers a unique, immersive experience across 230 acres, combining world-class art, minimalist architecture, and expansive nature trails. The museum currently features major works by iconic artists such as Jackson Pollock, Ruth Asawa, and Kerry James Marshall within its two primary structures, The Gallery and The Pavilions.

With an exhibition in Venice, the great artist Joseph Kosuth demonstrates his trust in language

Con una mostra di Venezia il grande artista Joseph Kosuth dimostra la sua fiducia nel linguaggio

Joseph Kosuth, a pioneer of conceptual art, presents a new exhibition titled "The Exchange Value of Language Has Fallen to Zero" at Casa dei Tre Oci in Venice. The show features both historical works from the 1960s, such as "One and Three Mirrors" (1965), and a new neon piece "A Chain of Resemblance" created for the occasion, which pays homage to Michel Foucault. The exhibition explores themes of language, authorship, and community, including works like "The Fifth Investigation" (1969) and a poster from the 1976 Venice Biennale. Kosuth, who lived in Venice from 2021 to 2025, has a deep connection to the city, having participated in eight editions of the Venice Biennale and maintaining two permanent installations there.

According to Brian Eno, everything is political. And in Parma, his first exhibition in Italy opens, also speaking about Palestine

Secondo Brian Eno tutto è politica. E a Parma apre la sua prima mostra in Italia che parla anche della Palestina

Brian Eno, the internationally renowned British artist and musician, opens his first retrospective exhibition in Italy at the Complesso Monumentale di San Paolo in Parma, running from May 1 to August 2, 2026. The show features two complementary projects: SEED, a site-specific sound installation created with Turkish writer Ece Temelkuran in the garden, and My Light Years, a light-based work in the newly restored Ospedale Vecchio. Curated by Alessandro Albertini, the exhibition marks Eno's return to Italy after his Golden Lion for lifetime achievement at the 2023 Venice Biennale, and follows earlier interventions at Castello del Buonconsiglio, Palazzo Te, and Ara Pacis.

The best and worst of Milan Design Week 2026: the hits and flops of this edition

Il meglio e il peggio della Milano Design Week 2026: i top e i flop di questa edizione

Artribune's design team presents its annual roundup of the best and worst of Milan Design Week 2026, highlighting standout experiences and recurring flaws. The top picks include open apartments like Interno Italiano by Interni Venosta in a home designed by Osvaldo Borsani, L’Appartamento by Artemest at Palazzo Donizetti, and Casaornella by Maria Vittoria Paggini. Also praised are Casa NM3 by Delfino Sisto Legnani, Nicolò Ornaghi, and Francesco Zorzi, two projects by Studiopepe, and the five-floor Convey. Museum programming at Triennale Milano and ADI Design Museum is celebrated, with exhibitions such as The Eames Houses, Continuous Present on Andrea Branzi, Alphabet on Barber Osgerby, and Haruka Misawa's bit by bit.

In Spain, art becomes popular thanks to this expert influencer. We interviewed him

In Spagna l’arte diventa popolare grazie a questo esperto influencer. Lo abbiamo intervistato

Miguel Ángel Cajigal, known as 'El Barroquista,' is a Spanish art historian and popularizer who has brought art history to prime-time television, radio, and social media. In an interview with Artribune, he discusses his books, including 'Otra historia del arte' (2021), his approach to making art accessible without dumbing it down, and his critique of the cult of the individual genius in art historiography. He emphasizes the collective nature of art production and reception, challenging the traditional focus on masterpieces and authorship.

The Art Gallery Doing Urban Regeneration South of Milan (After Doing It in New York)

La galleria d’arte che fa rigenerazione urbana a sud di Milano (dopo averla fatta a New York)

Scaramouche Gallery has opened a new space in Milan's Scalo Romana district, marking its third location after establishing itself in New York's Chelsea and Lower East Side neighborhoods. The gallery, founded by gallerist Daniele Ugolini, is part of a wave of cultural institutions, including Fondazione Prada and Fondazione ICA, driving the urban regeneration of this former agro-industrial zone near the 2026 Winter Olympic Village.

Milan Design Week 2026: A Guide to What to See in the Brera District

Milano Design Week 2026: guida alle cose da vedere nel distretto di Brera

The Brera Design District has unveiled its extensive programming for Milan Design Week 2026, featuring over 300 events and 217 showrooms under the theme "Essere Progetto." Key highlights include Yinka Ilori’s immersive installation for Veuve Clicquot, a major showcase of Uzbek craftsmanship at Palazzo Citterio curated by Kulapat Yantrasast, and Sara Ricciardi’s large-scale inflatable installation at the Pinacoteca di Brera. To manage the high volume of visitors, organizers have introduced the "Fuorisalone Passport," a digital platform designed to streamline entry and registration across various locations.

Godfried Donkor: It’s a Numbers Game

Ghanaian-British artist Godfried Donkor is set to debut his first UK institutional solo exhibition, "It’s a Numbers Game," at Firstsite in Colchester. The exhibition features a diverse array of media including collage, painting, embroidery, and installation, highlighted by a gallery transformed into a boxing ring to symbolize migration and endurance. Donkor utilizes materials like Financial Times pages and Adinkra symbols to explore the "triangle of commerce" between Britain, West Africa, and the Caribbean, while specifically linking the local history of Boudicca to the resistance of Ashanti leader Yaa Asantewaa.

Diego Rivera’s grandson donates more than 150,000 objects to Mexico City’s Museo Anahuacalli

Juan Rafael Coronel Rivera, grandson of Diego Rivera, has donated his private collection of 157,300 objects to Mexico City's Museo Anahuacalli. The vast donation spans ceramics, textiles, prints, photographs, archives, and a research library, with works dating from the 16th century to the present. It will be transferred in stages and is expected to be fully integrated by the end of the year.

War-time exhibition: Yaacov Dorchin’s iron angels and sculptural language

Renowned Israeli sculptor Yaacov Dorchin, recipient of the 2004 Emet Prize and the 2011 Israel Prize for Visual Arts, opened his latest exhibition "Decapitated Fish and Additional Sculptures" at the Gordon Gallery in Tel Aviv on March 12, 2026—his 80th birthday and two weeks into the war with Iran. The exhibition, held without a large opening night due to the conflict, features about 15 sculptures spanning from 1993 to the present, including works in iron, steel, basalt, and other industrial materials. In an interview interrupted by an air raid siren, Dorchin discussed his approach to sculpting, the lyrical names of his heavy works, and how he reorganized the exhibition to create dialogues between older and newer pieces.

A Rosso for the Metropolitan

Un Rosso pour le Metropolitan

The Metropolitan Museum of Art in New York has acquired a painting by Rosso Fiorentino, a master of Italian and French Mannerism, after restoration revealed an earlier overpaint that had obscured the composition. The work, a Virgin and Child, now shows Saint John the Evangelist in the foreground at right, confirming it as an original by the artist.

Latino community organisation opens $33m arts centre in Boston

On 15 May, Inquilinos Boricuas en Acción (IBA), a Latino-founded nonprofit community development corporation, will open La Casa, a $33 million, 26,000-square-foot cultural center in Boston's South End. The largest Latino cultural center in New England, La Casa is designed by local firms Studio Enée and Annum Architects and features a terracotta-colored facade, energy-efficient design, and flexible spaces for civic engagement, education, and artistic expression. Initial programming includes artist residencies, workshops, and a mural by local artist Alvin “Acóma” Colon honoring Boston’s Puerto Rican residents. The building incorporates salvaged elements from the original turn-of-the-century Lutheran church that IBA repurposed in the 1960s.

How did a 16th-century European basin end up as a sacred object in West Africa?

The Aya Kese, a massive 16th-century northern European brass basin, is currently on display at the British Museum while its complex history remains under scrutiny. Looted by British officer Robert Baden-Powell in 1896 from the Asante kingdom’s royal mausoleum in present-day Ghana, the object was long sensationalized by colonial accounts as a vessel for human sacrifice. Recent scholarship and historical records from Asante King Prempeh I contest these claims, asserting the basin’s sacred role as a spiritual repository for the souls of the Asante people.

Stick a euro in the slot for the lights! The mesmerising, strictly Venetian works of Lydia Ourahmane

British-Algerian artist Lydia Ourahmane has created a new exhibition in Venice, opening alongside the Venice Biennale, that is deeply rooted in the city itself. Rather than shipping in materials, she built a pier for the island of Poveglia in collaboration with a local cooperative that saved the island from development, and she acquired a coin-operated light machine from the church of San Giovanni Crisostomo, which visitors must feed with a euro to illuminate the show. The exhibition is presented at the Nicoletta Fiorucci Foundation.

LA LECHUZA DE MINERVA

The Círculo de Bellas Artes in Madrid, founded in 1926 by a small group of artists, has launched a centenary exhibition titled "La lechuza de Minerva" (The Owl of Minerva). Curated by Isabella Lenzi, the project revisits the institution's most disruptive exhibition, "El sueño imperativo" (1991), curated by Mar Villaespesa, which invited twelve artists to intervene in both exhibition spaces and transit areas, challenging traditional display logic. The new exhibition features works by artists including Dagoberto Rodríguez, Elo Vega, Rogelio López Cuenca, Isidoro Valcárcel Medina, Itziar Okariz, Los Carpinteros, María Salgado, Pedro G. Romero, Regina Silveira, Silbatriz Pons, and Tino Sehgal, who activate hidden and unexpected corners of the building through visual and sound actions. The project also restores Nancy Spero's 1991 intervention "Minerva, Sky Goddess," which had largely disappeared, through archaeological research led by restorer Rocío Casasus.

Arts of the Earth

ARTES DE LA TIERRA

The Guggenheim Museum Bilbao has inaugurated "Artes de la Tierra" (Arts of the Earth), a multidisciplinary exhibition curated by Manuel Cirauqui that examines the relationship between contemporary art and the soil. Spanning from the mid-20th century to the present, the show integrates visual arts, architecture, and ancestral Basque knowledge to explore themes of composting, terraforming, and ecological repair. Featured artists include pioneers of Land Art and Arte Povera such as Ana Mendieta, Fina Miralles, and Meg Webster, whose works are presented alongside archival materials and architectural models.

Morad Montazami appointed artistic director of 2026 Dakar Biennale

Morad Montazami has been named the artistic director for the 16th edition of the Dakar Biennale, scheduled to run from November 19 to December 19, 2026. Titled "(Anti)Fragility: Arts of Repair and Counter-Shock Strategies," the exhibition will explore themes of community-led restoration and the transformation of vulnerability into collective strength. Montazami, a former Tate Modern curator and founder of the platform Zamân Books & Curating, brings an extensive background in postcolonial art histories and global modernisms to the prestigious African forum.

Morad Montazami Named Artistic Director of 16th Dak’Art Biennial

Morad Montazami has been appointed as the artistic director for the sixteenth edition of the Dak’Art Biennial, scheduled to run from November 19 to December 19. Titled "(Anti)Fragility: Arts of Repair and Counter-Shock Strategies," the upcoming biennial will focus on themes of community, co-creation, and the transformation of vulnerability into artistic strength. Montazami, an esteemed art historian and curator known for his work on global modernism and postcolonial narratives, brings extensive experience from previous roles at Tate Modern and various international exhibitions.