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Grackle Art Gallery presents "Blank" opening reception

Grackle Art Gallery is set to host "Blank," a group exhibition curated by the artist duo Kickpigeon Kids. Featuring works from students and affiliates of The Alternative Art School, the show explores the conceptual theme of blankness as a site of limitless potential and unsaid narratives. The curators, Cosmo Jones and Max Marshall, employ an experimental approach by integrating the artists' works with found objects and ephemera to create a singular, immersive installation.

New exhibit honors groundbreaking Pueblo potter Jody Folwell

The New Mexico Museum of Art has launched "O’Powa O’Meng: The Art and Legacy of Jody Folwell," the first solo exhibition dedicated to an Indigenous woman in the institution's history. This career retrospective, organized in collaboration with the Minneapolis Institute of Art and the Fralin Museum of Art, features over 30 works by the Santa Clara Pueblo potter. The display includes a newly debuted piece, "Buffalo Hunt," and highlights Folwell’s innovative use of relief techniques and narrative surfaces that address contemporary political and social issues.

The Butler Seeks Entries for National Midyear Art Exhibition

The Butler Institute of American Art has opened its call for entries for the 89th National Midyear Juried Exhibition, a prestigious competition for contemporary American artists. Open to U.S. residents aged 18 and older, the exhibition accepts 2D and relief artworks, with a submission deadline of April 17. This year’s selections will be juried by Louis A. Zona, the museum’s director emeritus, and will be on display from July 12 through August 20.

Ashland University senior art exhibition opens April 9

Ashland University is set to host its annual Senior Art and Design Exhibition at the Coburn Gallery, running from April 9 through May 9, 2026. The showcase features the capstone projects of graduating seniors and kicks off with an opening reception where student awards will be officially announced.

Studio Ahead’s installation for The Future Perfect recalls the pre-internet days of IRL antique hunting

Studio Ahead, led by curators Homan Rajai and Elena Dendiberia, has created an installation for The Future Perfect titled 'The Houses Are Haunted by White Night-Gowns,' running as a satellite to the 12th edition of FOG Design+Art in San Francisco through January 25, 2026. The show features 13 designers who each produced unique bowls, displayed on a stacked arrangement of vintage furniture sourced from Berkeley-based Mid Century Møbler and San Francisco's C. Mariani Antiques, blending Scandinavian design from the 1940s–1970s with 17th–19th century antiques.

UK government insures Bayeux Tapestry for £800m during loan to British Museum

The UK Treasury will insure the Bayeux Tapestry for an estimated £800 million under the Government Indemnity Scheme during its loan to the British Museum next year. The tapestry, created in the 1070s, will travel from Normandy to London via the Channel Tunnel and be displayed in the Sainsbury Exhibitions Gallery from September 2025 to July 2027 while its home museum in Bayeux undergoes renovations. The loan agreement, announced by French President Emmanuel Macron and UK Prime Minister Keir Starmer, includes a dry run with a facsimile and vibration monitoring, and in exchange, British Museum treasures such as the Lewis chessmen and Sutton Hoo helmet will travel to Normandy.

Iconic WA art goes on new display

The Art Gallery of Western Australia (AGWA) has launched a new exhibition featuring the return of iconic WA paintings, as reported by Malcolm Quekett in The West Australian on December 12, 2025. The show brings back significant works from the state's collection, highlighting AGWA's ongoing commitment to showcasing Western Australian art.

Paris exhibition presents exceptional jewels—but Louvre heist treasures missing from line up

An exhibition titled 'Dynastic Jewels' opens at the Hôtel de La Marine in Paris, showcasing over 130 exceptional jewels dating primarily from 1800 to 1920. The show includes pieces linked to Catherine the Great, Queen Victoria, and Prince Albert, many displayed in the city for the first time. However, three major treasures—an 1853 pearl and diamond tiara and two sets of pearl earrings belonging to French Empresses Eugénie and Joséphine—are missing after being stolen from the Louvre Museum in October 2025. The exhibition draws loans from the Victoria and Albert Museum and the Al Thani Collection, which occupies the venue under a long-term contract with the Centre des Monuments Nationaux.

'The Last Supper:' Boise Art Museum exhibits artist’s lifework on death row final meals

The Boise Art Museum is exhibiting Julie Green's "The Last Supper," a collection of nearly 1,000 hand-painted blue-and-white ceramic plates depicting the final meal requests of death row inmates. The project, which Green began in 2000 after reading a newspaper clipping about an execution, spans more than two decades and is on display for the first time in its entirety in the U.S. The plates show comfort foods like fried chicken, tater tots, and honey buns, painted in cobalt blue reminiscent of 18th-century Danish porcelain.

Penn Museum opens Native North America Gallery after two-year overhaul

The Penn Museum at the University of Pennsylvania in Philadelphia will open its new 2,000-square-foot Native North America Gallery on Saturday, November 22, after two years of planning. The long-term exhibition replaces the 2014 show "Native American Voices: The People—Here and Now," which was curated by Lucy Fowler Williams with around 80 Native consultants but felt fragmented. This time, Williams and co-curator Megan C. Kassabaum worked closely with eight Native American curators—not just advisors—to determine the stories told. The gallery highlights moments of rupture, loss, and betrayal alongside resilience, and includes an empty vitrine to acknowledge repatriation efforts and culturally sensitive objects that tribes prefer not to display.

Portland Art Museum's new addition set to open November 20

The Portland Art Museum has previewed its new four-story addition, which will open to the public on November 20, 2025. The 100,000-square-foot expansion connects the museum's two existing buildings and adds new gallery and public spaces, featuring a complete reinstallation of the collection with nearly 300 new acquisitions that have rarely or never been displayed before.

Four Seasons Hotel Westlake Village Unveils Debut Exhibition Featuring Legendary Graffiti Artist Risk

Four Seasons Hotel Westlake Village is launching its first art gallery exhibition in November 2025, featuring the legendary graffiti artist RISK. The show will display works spanning his 38-year career, highlighting his signature blend of letterform, deconstruction, and layered color theory. RISK is known for pioneering graffiti on unconventional surfaces like freight trains and freeway overpasses, and his work has been exhibited at the Museum of Contemporary Art Los Angeles and Beyond the Streets China.

“Come in and learn” - Sunrise Moon Art Gallery now open in High River

Virginia Aldoff-Pinay, a Cree Kokum from the Foothills School Division, has opened the Sunrise Moon Art Gallery in High River, Alberta. The gallery features Indigenous art, artifacts, and educational displays representing the Blackfoot Confederation, Métis, and Inuit cultures, along with a tea room and library. Aldoff-Pinay, who comes from a family of artists, named the gallery after a morning prayer when she saw both the sunrise and moon. The business is managed by her grandson Ethan Carpenter, and the sign was made by her daughter Vanessa.

New Overland Park art gallery marks new chapter for local painter

Mark Freeman, a former sales professional who turned to painting in 2020, is opening his own gallery and studio called Studio 80 in downtown Overland Park, Kansas, on November 7. The space at 7139 W. 80th St. will display his abstract and figurative works with local themes, feature a monthly local artist, and operate as both a gallery and working studio. Freeman, who previously showed at the 80 Santa Fe Gallery, aims to control his artistic destiny and give back to the community through partnerships with nonprofits.

Straight-line storytelling: how will the British Museum display the Bayeux Tapestry?

The British Museum (BM) is planning to display the Bayeux Tapestry from September 2026 to July 2027, following a loan agreement with the French government. The tapestry, owned by the French state, will return to England for the first time in nearly a thousand years after its dedicated museum in Bayeux closed for renovations. The BM's Sainsbury Exhibitions Gallery is long enough to accommodate the 70-meter embroidered strip in a single straight line, a key factor in securing the loan over other contenders like the Victoria and Albert Museum. Conservators will display the tapestry at a 60-degree angle with low lighting to minimize fading, and visitors will likely follow an audio-guided tour with 25 minutes to view the 58 scenes.

From controversy to clarity: how a Philadelphia medical museum is rethinking the display of human remains

The Mütter Museum in Philadelphia, known for its collection of medical artifacts including human remains, has been embroiled in controversy since a 2023 ProPublica investigation revealed it held Native American remains without repatriating them as required by NAGPRA. The museum's executive director Kate Quinn and then-president Mira Irons responded by removing digital content mentioning human remains, sparking a petition signed by over 30,000 people accusing them of reactive decisions. High-level staff departed, donors requested their body parts back, and both Quinn and Irons eventually resigned. The museum is now led by science historians Erin McLeary and Sara Ray.

Arlington Museum of Art’s Game of Thrones Exhibit Opens

The Arlington Museum of Art has opened "Game of Thrones™: The Exhibition," an immersive display featuring over 60 original costumes, props, and behind-the-scenes materials from HBO's epic fantasy series. Curated in partnership with Warner Bros. Discovery Global Experiences and the show's production archives, the exhibit showcases costumes worn by iconic characters such as Daenerys Targaryen and Jon Snow, alongside design sketches and insights into the craftsmanship of the series' award-winning costume designers and artisans.

Arboretum poppies, a tribute to late Wyndmoor artist

The Morris Arboretum & Gardens in Philadelphia recently displayed supersized red poppies at its entrance, reproductions of the colossal sculptures "Papaver Rubrum Giganteum" created by the late artist Gary G. Miller. Originally installed at the arboretum in May 2008, the installation featured 300 handmade aluminum poppies with 20-inch flower heads on 10-foot stems. Miller, a sculpture and photography teacher at Germantown Friends School and a facilitator at Woodmere Art Museum, was killed by a drunk driver in 2013. To commemorate his work, the Chestnut Hill Community Association organized an exhibition titled "Papaver Rubrum Giganteum Redux," featuring photographs of the poppies in a pop-up space from September 27 to October 4.

These exhibits spotlight 600 female artists in DC area

Curator and blogger Florencio “Lenny” Campello has organized a series of 18 exhibits featuring 600 female artists from the Washington, D.C. region under the project Women Artists of the DMV. The main exhibition is at American University’s Katzen Arts Center, displaying 63 pieces, with additional shows at venues like Strathmore Galleries in Bethesda and Montpelier Arts Center in Laurel. Campello hand-selected each work, receiving nearly 4,000 inquiries from local artists, and structures the shows in a three-tier pyramid from well-known to emerging artists.

Exhibition at Brown responds to University’s Haffenreffer Museum collection of Navajo objects

Diné (Navajo) artist Eric-Paul Riege has opened a new exhibition, “ojo|-|ólǫ́,” at Brown University’s David Winton Bell Gallery, on view through December 7. The show features large soft sculptures and weavings that engage with Diné mythology, Euro-American trading posts, and the concept of authenticity in Indigenous art. Riege also selected five objects from Brown’s Haffenreffer Museum of Anthropology, including a loom with an unfinished textile, which he recontextualized by separating the loom from the textile and adding handwritten notes. The exhibition is co-curated by Thea Quiray Tagle and Nina Bozicnik, and will travel to the Henry Art Gallery in 2026.

In a new exhibition, Turkey displays the success of its heavyweight heritage drive

Turkey has opened a new exhibition titled "The Golden Age of Archaeology" at a national library in Ankara, showcasing 570 ancient artifacts—most unearthed in the past two years and displayed for the first time. Highlights include 11,500-year-old Neolithic vessels, a Bronze Age tablet revealing a previously unknown language (Kalasma), and a repatriated bronze statue of Roman emperor Marcus Aurelius, which was smuggled out of Turkey in the 1960s and recently returned from the Cleveland Museum of Art after a legal battle. The exhibition is part of the government's Heritage for the Future project, which spends around $150 million annually on excavations, visitor centers, and museums, with active digs rising to about 800.

Seeing double: Vermeer painting and its mysterious ‘twin’ go on show in London

Kenwood House in London has opened a new display, "Double Vision: Vermeer" (1 September 2025 – 11 January 2026), pairing Vermeer's "The Guitar Player" (1672) from its own collection with its mysterious "twin," "Lady with a Guitar," on loan from the Philadelphia Museum of Art. The exhibition reignites a century-old debate over which painting is the original, as the Philadelphia version has long been questioned since the Kenwood version emerged in 1927. Recent scientific analysis reveals differences in ground layers and pigment use—the Kenwood painting features ultramarine while the Philadelphia version uses cheaper indigo—and experts like former Rijksmuseum specialist Gregor Weber suggest the Philadelphia work may be an early copy.

Right royal style: 90 years of Queen Elizabeth II’s fashion to go on show at Buckingham Palace

The Royal Collection Trust will mount an exhibition titled "Queen Elizabeth II: Her Life in Style" at the King's Gallery at Buckingham Palace in London in spring 2026, marking the centenary of the late monarch's birth. The show will feature around 200 pieces, including the dresses she wore at her 1947 wedding and 1953 coronation, both designed by Norman Hartnell, along with diplomatically significant gowns, everyday attire, and never-before-exhibited colorful prints from the 1970s by Ian Thomas. Sketches and correspondence with her couturiers will also be on display.

Rocket Man Jacky Tsai’s interstellar adventure

London-based Chinese artist Jacky Tsai painted the exterior of a ZQ-2E Y2 rocket, which launched into space in May from China's Jiuquan Satellite Launch Center. The project, titled "Chang'e Flying to the Moon," was a collaboration with commercial space company LandSpace, reimagining the Chinese moon goddess in a cosmic context. Tsai worked with engineers to apply aerospace-grade paint, avoiding colors like green that could interfere with tracking systems. He had planned to recover separated rocket parts for a sculptural installation or charity auction, but all painted sections were incinerated upon re-entry.

Science inspired art on display at White City

Eight artworks created live during the Great Exhibition Road Festival, as part of the annual science-art project Paint Lab, will go on display at Imperial College London's White City campus from July 16 to September 18. The large-scale paintings were produced by local London artists collaborating with Imperial scientists, drawing inspiration from research topics such as space weather prediction, plant self-preservation, early Parkinson's detection, and human connection during cancer treatment. The festival, organized by Imperial in partnership with the Science Museum, Natural History Museum, and V&A, attracted 55,000 visitors.

‘Occupation is buried deep in our psyche’: the haunting exhibition showing Irish support for Palestinians

An exhibition titled 'Dlúthpháirtíocht' (the Irish word for solidarity) is on display at Metamorphika Studio in Hackney, London, featuring over 50 works that connect Palestinian and Irish histories. The show includes pieces by Palestinian artist Nabil Abughanima, who fled Gaza two months ago, and Irish photographer Seamus Murphy, alongside works by Amal Al Nakhala, Spicebag, and Council Baby. Co-curated by Seán Óg Ó Murchú, the itinerant exhibition will travel to Dublin, Cork, and Belfast after its London run ends on 19 July.

Newly designed gallery for Applied Arts of Europe opening at Art Institute of Chicago

The Art Institute of Chicago will open the newly designed Eloise W. Martin Galleries for the Applied Arts of Europe on July 11, 2025. The 4,500-square-foot space will display over 300 objects from the museum's collections of furniture, silver, ceramics, and glass dating from 1600 to 1900, with 40% more objects on view than previously. Highlights include a carved chair made by Indian artisans for a European merchant, rare Chinese porcelain vases mounted in gilded bronze, and a neo-Gothic sideboard by William Burges. The galleries, designed by Barcelona-based architects Barozzi Veiga, follow a chronological narrative exploring design, craftsmanship, and commerce amid geopolitical shifts and colonialism.

Bayeux Tapestry to return to UK for first time in almost 1,000 years

The Bayeux Tapestry will be loaned to the British Museum in London for display from September 2026 to July 2027, marking its first return to the UK in nearly 1,000 years. The agreement was announced by UK Prime Minister Keir Starmer and French President Emmanuel Macron during a state visit, as part of a broader cultural partnership that also includes the loan of Sutton Hoo treasures and the Lewis chessmen to French institutions.

Exhibition open in Sark – Watercolours and Costumes

The Sark Art Gallery and Museum on the island of Sark opened its second exhibition on 18 June, featuring watercolour paintings by local artist Louise Hill and theatre costumes from Sark Theatre Group's 2017 production of A Midsummer Night's Dream, created by seamstress Sue Daly. The exhibition also includes Betty Guille's famous post box toppers, which remain on display throughout the summer. Hill's watercolours capture Sark's landscapes, caves, bays, and lanes, while Daly's costumes are richly embellished with embroidery, headdresses, and accessories.

Austin Library Accepting 2026-2027 Exhibition Proposals from Texas Artists

The Austin Central Library has issued an open call for exhibition proposals from Texas-based artists, collectives, curators, and creatives for its fall 2026 and spring 2027 seasons. Selected works will be displayed in the library’s 2,700-square-foot gallery for 12-week periods, with opportunities for artists to lead workshops or demonstrations. Applications are due by August 31, 2025, and will be reviewed by juries of local artists, curators, educators, and community leaders, with selected applicants announced in fall 2025.