Artist Yasmine Robinson has opened her first solo exhibition, titled 'Glimmers,' at the Centre for Contemporary Art (CCA) in Derry. The exhibition features abstract works inspired by the North West landscape, capturing moments of optimistic feeling she describes as 'glimmers,' a term from psychotherapy.
Northern Irish artist Robyn Ward has announced a major global exhibition titled 'Shards of Dawn,' set to premiere in 2026. The exhibition will debut at Mana Contemporary in New Jersey before traveling to Mana Contemporary Miami during Art Basel and concluding at the Modern Art Museum Shanghai in 2027. Curated by Shai Baitel, the body of work incorporates industrial fragments and discarded materials, marking the second installment of a trilogy that explores themes of memory, fracture, and resilience.
The Wadsworth Atheneum Museum of Art in Hartford is launching a series of major exhibitions to commemorate the 250th anniversary of the United States. Key highlights include the "Radical Roots" exhibition, which explores Connecticut’s pivotal role in the development of American democracy, and a collaborative project with the Amistad Center for Art and Culture titled "Framing American Democracy." These showcases utilize the museum's vast collection of 50,000 works to trace the nation's history from the 1600s to the present day.
The Taft Museum of Art has named Cincinnati-based painter Ayana Ross as the 2026 Robert S. Duncanson Artist-in-Residence, marking the 40th anniversary of the prestigious program. Ross, known for her figurative realism and traditional oil painting techniques, will be featured in a solo exhibition titled "Beyond the Picturesque: The American Landscape as a Site of Memory, Identity and Continuity." The showcase includes seven paintings integrated into the Taft’s historic house and Sinton Gallery, with a specific installation placed alongside the museum's famous 19th-century murals by Robert S. Duncanson.
Glasstire has released its weekly 'Top Five' list of essential art exhibitions across Texas for April 2026. The selection highlights a diverse range of regional talent, including a group show at the Rubin Center in El Paso focused on Chihuahuan Desert ecology, a 50-year retrospective of digital pioneers MANUAL at Moody Gallery in Houston, and a lifetime survey of Vietnam veteran and educator Hector Homero Rubio in Corpus Christi. Other featured shows include Freddy Ortega’s MFA thesis at TCU and Juan Pablo Hernandez’s multimedia glasswork.
Cultural institutions across Kenosha and Racine counties in Wisconsin have announced their exhibition schedules and public hours for the week of April 9, 2026. Featured venues include the Anderson Arts Center, the Carthage College Art Gallery, and the Kenosha Public Museum, which continues to showcase its permanent collection including "The Wisconsin Story" and "Mammoths at the Museum." Local galleries such as Lemon Street Gallery and OS Projects are also hosting open hours for the public to engage with regional contemporary art.
The City Arts Gallery in Vallejo will open a special exhibition featuring the work of local artist Roberta Weir and limited edition prints by Grateful Dead musician Jerry Garcia. The show, opening during the Vallejo Art Walk on February 13, highlights Weir's four-decade career in oil painting and Garcia's lesser-known visual art, stemming from their mentorship and friendship that began when Garcia visited Weir's Berkeley gallery in the late 1980s.
A rare oil painting by the late Scottish artist Alexander Goudie, titled 'The First Drink' and depicting a scene from Robert Burns's poem 'Tam o' Shanter', is set to be auctioned by McTear's in Glasgow. The painting, created in the late 1990s, is estimated to fetch between £10,000 and £20,000 at the Scottish Contemporary Art Auction on February 26th.
Alexander Goudie's painting *The First Drink*, a key illustration from his celebrated series based on Robert Burns' poem *Tam o' Shanter*, will be auctioned at McTear’s Scottish Contemporary Art Auction in Glasgow on February 26. The oil painting, estimated at £10,000–£20,000, depicts the poem's protagonist resting beside his horse Meg and is being sold by an anonymous vendor who has owned it since it was commissioned in the late 1990s.
The Smithsonian’s National Museum of Asian Art (NMAA) in Washington, DC, has voluntarily returned three sculptures to the Cambodian government after an internal provenance investigation determined the objects were likely removed from Cambodia during the country’s civil war (1967-75). The returned artifacts include a tenth-century sandstone head of Harihara, a tenth-century sandstone sculpture of the goddess Uma, and a bronze statue of Prajnaparamita from around 1200. The museum’s director, Chase F. Robinson, stated that strong evidence linked the pieces to problematic dealers and a context of war and violence, and that no documentation supported their lawful export. The objects were donated to the NMAA by Arthur M. Sackler and Gilbert and Ann Kinney without proper provenance papers.
A one-night, invitation-only exhibition titled "The Open House" took place within a private midcentury home in Oregon, designed by modernism pioneer Robert Rummer. Curated by Lena Vasilenko and Emma Strgar of the experiential agency Ethereal Reflections, and presented by Marisa Swenson of Modern Homes Collective, the group show featured works by contemporary artists including Stephanie Ketty, Christopher Belluschi, Ben Latham, Aremy Stewart, and Carvers Collective. The installation was designed to integrate the artworks with the architecture, encouraging reflection on how art enhances domestic space.
This episode of The Art Newspaper's 'The Week in Art' podcast covers three major stories. Ben Sutton and Kabir Jhala report from Art Basel Miami Beach, discussing top sales and the overall mood at the fair. Ben Luke speaks with Paris correspondent Vincent Noce about the deepening crisis at the Musée du Louvre following a staff strike and a recent robbery, as the museum plans to raise ticket prices for non-EU visitors by 45%. The episode also features a 'Work of the Week' segment on Helene Schjerfbeck's painting 'The Tapestry' (1914-16), with curator Dita Amory discussing the work ahead of a new exhibition at the Metropolitan Museum of Art.
Les Yeux du Monde presents 'GROUNDING,' the final show of 2025 featuring new oil paintings by Annie Harris Massie that explore light, memory, and place through landscapes and botanical studies of her Lynchburg, Virginia surroundings. Other December exhibitions include Randall Stoltzfus's 'To Hold The Light' at Angelo Jewelry, Judith Ely's paintings at Botanical Fare, and 'All That Glitters' by Natalie Darling at C’ville Arts Cooperative Gallery. The Fralin Museum of Art at UVA hosts three shows: 'Haiti’s Time' from the Sullivan collection, 'In Feeling: Empathy and Tension Through Disability,' and 'The World Between: Egypt and Nubia in Africa.' The Kluge-Ruhe Aboriginal Art Collection features works from the Spinifex Arts Project and Robert Fielding, while the Jefferson School African American Heritage Center presents 'Finally Remembered: The Black Patriots of Central Virginia.'
The Musée du Louvre in Paris has closed its Campana Gallery, which houses nine rooms of ancient Greek ceramics, after a technical report revealed structural weaknesses in beams supporting the second floor of the Sully Wing. The gallery will remain closed 'until further notice' as a precaution, and 65 staff members will be relocated, though the artworks will not be moved. The closure comes amid the Louvre's ambitious New Renaissance renovation project, announced by French President Emmanuel Macron, which includes a new visitor entrance under the Perrault Colonnade by 2031 and is now valued at €1.15bn.
The Palmer Museum of Art at Penn State has announced a call for entries for a juried exhibition titled "Dreaming American Futures: Invitational 250," running from summer through fall of 2026. The exhibition marks the United States' 250th anniversary and is open to Penn State students, faculty, staff, alumni residing in Pennsylvania, and local artists within 50 miles of State College. Submissions must address themes of activating change, bridging the divide, the pursuit of happiness, and a more perfect union, which were developed from community input gathered during a summer 2025 installation. Digital submissions of up to three works are due by February 15, 2026, with no entry fee, and a jury including artist Folayemi Wilson, curator Janine Yorimoto Boldt, and artist Roberto Lugo will adjudicate the entries.
The Philadelphia Museum of Art has officially changed its name to the Philadelphia Art Museum, as announced on October 8, 2025. The rebranding is accompanied by new merchandise featuring the updated name and logo, with press images released by photographer Rob Cusick showing the new branding.
A massive fire destroyed Claudia Kaatziza Cortínez's Brooklyn studio in the Beard and Robinson Stores building in Red Hook on September 18, just days before her solo exhibition "Salt and Bone" opened at the Furnace: Art on Paper gallery in Falls Village, Connecticut. The blaze, which required 250 firefighters and a barge to contain, consumed 15 years of archives, tools, and equipment, leaving only the 10 works in the exhibition as the entirety of her art practice. The cause remains under investigation, and the building is off-limits.
The Ruth Chandler Williamson Gallery at Scripps College has opened a new exhibition, “Pintor de Poemas: Unseen Works by Alfredo Ramos Martínez,” featuring over 25 drawings and paintings by the Mexican modernist. Guest curator Robin Dubin, director of Louise Stern Fine Arts, organized the show to highlight recently discovered works that reveal Ramos Martínez’s political engagements, challenging the long-held view of his art as merely decorative or folkloric. The exhibition is divided into four thematic sections—Indigenismo, Revolution, Labor, and War—and includes studies for his 1946 mural “The Flower Vendors,” which is housed nearby in the Margaret Fowler Garden.
Ukrainian artist Oleksiy Sai's installation *Black Cloud* (2025) was destroyed by a hurricane-force dust storm at the Burning Man festival in Nevada on 24 August, coinciding with Ukrainian Independence Day. The 100-foot-tall, eight-ton inflatable sculpture, funded by private donors from Ukraine and the US, featured strobe lights and a soundscape of missiles and sirens by war veteran DJ Tapolsky. The team behind the work is rebuilding it, and the installation had previously premiered in Kyiv with an edited soundscape to avoid traumatizing residents.
Thirty local artists, primarily from Northwest Philadelphia and members of the Northwest Village Network (NVN), will hold an exhibition at the Center on the Hill in September. The show features collage, painting, drawing, mixed media, and photography, with participants ranging from seasoned professionals to newcomers. Artists include Ron Lieberman, a former New York Times illustrator; Sara Allen, who photographs her aging body; and Dr. Claire EB. Robinson, a retired OB/GYN turned photographer. The exhibition is hosted at the Presbyterian Church of Chestnut Hill, which houses the Center on the Hill, a program for active adults.
Hauser & Wirth announced on July 30 that it will open a new location in Palo Alto, California, in spring 2025. The 2,600-square-foot space, located in a former post office on Hamilton Avenue near Stanford University and tech giants like Meta and Google, will be the Swiss mega-gallery's 17th location worldwide and its third in California, joining two existing spaces in Los Angeles. The gallery's president, Marc Payot, cited the Bay Area's dedicated collector community and museums as key reasons for the expansion.
Artist Paul Rucker's exhibition "Rewind Resurrection" returns to New York a decade after its debut, featuring his iconic Klan robes reimagined in bold fabrics like pink, Kente cloth, and camouflage. The show, which was censored at York College of Pennsylvania in 2017 following the Charlottesville white supremacist rally, includes KKK memorabilia, data visualizations of prison proliferation, and wooden relief sculptures honoring victims of racial violence. It is Rucker's first New York show, self-funded in a rented Chelsea gallery, and he hopes an institution will acquire the entire installation.
The Yale University Art Gallery has withdrawn two federal grant requests totaling $200,000 for a forthcoming exhibition on Southeast African art, citing concerns that the show does not meet the National Endowment for the Arts (NEA) and National Endowment for the Humanities (NEH) criteria under President Trump's executive order banning Diversity, Equity, and Inclusion (DEI) programs. The museum will instead use its endowment to fund the exhibition, which focuses on the migration of the Nguni peoples in southern Africa and is set to open next fall. Additionally, the NEA cancelled a $30,000 grant for another exhibition, Nusantara: Six Centuries of Indonesian Textiles, prompting the museum to draw on its Robert Lehman Endowment Fund.
President Donald Trump's proposed 2026 federal budget seeks to eliminate all federal funding for the Institute of American Indian Arts (IAIA), the only four-year school dedicated to contemporary Indigenous arts. IAIA relies on federal funding for 75% of its operational costs and received $13 million in the prior two fiscal years; the budget also cuts over $500 million from the Bureau of Indian Education, which supports 37 tribal colleges including IAIA.
The Palmer Museum of Art at Penn State has opened a new exhibition titled "Washi Transformed: New Expressions in Japanese Paper," running from June 7 to July 27. The show features nine contemporary Japanese artists—Hina Aoyama, Eriko Horiki, Kyoko Ibe, Yoshio Ikezaki, Kakuko Ishii, Yuko Kimura, Yuko Nishimura, Takaaki Tanaka, and Ayomi Yoshida—who transform traditional handmade washi paper into textured two-dimensional works, sculptures, and installations. The exhibition explores paper's versatility through techniques like layering, weaving, and folding, highlighting its connection to the natural world.
The Smithsonian’s National Museum of Asian Art (NMAA) in Washington, DC, has repatriated fragments of the ancient Zidanku Silk Manuscripts to China. The artifacts, dating from the fourth to third century BCE, were looted from a tomb near Changsha, Hunan Province, and smuggled into the US in 1946. The NMAA deaccessioned Volumes II and III of the manuscripts, which were given to the Arthur M. Sackler Gallery by an anonymous donor in 1992. The transfer was formalized in a ceremony at the Chinese embassy following an agreement signed earlier this month, with the fragments handed over to the National Cultural Heritage Administration (NCHA) of China.
Museumsbau Berlin Modern verzögert sich bis 2030
The completion of Berlin Modern, a major new museum in Berlin, has been delayed again until 2030 due to moisture damage and microbial infestation found in parts of the raw structure. The Stiftung Preußischer Kulturbesitz (SPK) announced an estimated eight-month postponement, though no construction stop was required. The museum, designed by Herzog & de Meuron, is being built near Potsdamer Platz to expand the Neue Nationalgalerie's exhibition space. Costs have risen from an initial €200 million to a projected €507 million.
Deborah Roberts presents her newest body of work in the exhibition "Consequences of being" at The FLAG Art Foundation, featuring eight canvases and nine mixed-media works on paper that blend collage, painting, and drawing. The works explore the postcolonial landscape of Europe and Africa, using fragmented imagery of Black children against stark-white backgrounds to address themes of colonialism, commerce, and identity. Key pieces include "Have a seat, this may take a while" (2025), which incorporates miniature sailing ships and a collaged tiara from Queen Elizabeth II, and "Hands in the air," which critiques racist packaging from a German ice cream company. The exhibition also includes a series of eight collages titled "Many thousands gone" and a sculptural edition, "Zuri," a ceramic bust with metallic glaze.
The Lucas Museum of Narrative Art, set to open on September 22, 2026, in Los Angeles's Exposition Park, has announced its inaugural exhibition schedule curated by George Lucas. The museum will showcase a wide range of narrative art, from Americana works by Thomas Hart Benton and Norman Rockwell to documentary photography by Gordon Parks, Dorothea Lange, and Robert Capa, as well as public murals by Diego Rivera and Judith F. Baca. The collection also includes production designs, props, and costumes from the Lucas Archives, alongside illustrations by Frank Frazetta, Maxfield Parrish, and N.C. Wyeth, children's literature art by Beatrix Potter and Jacob Lawrence, and comics and manga by Jack Kirby, Alison Bechdel, and Mœbius.
Sotheby's has unveiled its May marquee sales, headlined by Mark Rothko's monumental painting "Brown and Blacks in Reds" (1957), estimated at $70–100 million. The sales open with a dedicated auction of works from dealer and collector Robert Mnuchin, followed by The Now & Contemporary Art Evening Auction on May 14, led by a Jean-Michel Basquiat painting valued at over $45 million. Additional highlights include works from the collections of Jean and Terry de Gunzburg, Jennifer Gilbert, and David and Shoshanna Wingate, alongside a Modern Evening Auction on May 19 featuring Pablo Picasso's "Arlequin (Buste)" (est. over $40 million) and Vincent van Gogh's "La Moisson en Provence" (est. $25–35 million).