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Seoul Mediacity Biennale searches for the mystical in contemporary art

The 13th Seoul Mediacity Biennale, titled "Seance: Technology of the Spirit," opens at the Seoul Museum of Art and other venues across Seoul until November 23. Curated by Anton Vidokle, Hallie Ayres, and Lukas Brasiskis, the biennale brings together 49 artists and collectives exploring spirituality, mysticism, and shamanism as counterpoints to the anxiety and alienation of technological advancement. The theme emerged from the curators' work on the 2023 Shanghai Biennale and includes works by Hilma af Klint, Jane Jin Kaisen, Angela Su, Hsu Chia-Wei, and the late Nam June Paik, alongside sound and experimental theatre sections hosted at Nakwon Arcade.

Teiger Foundation gives grants totalling $7m to 85 curators

The Teiger Foundation, a US-based nonprofit supporting art curators, has announced its 2025 grantees, awarding a total of $7 million to 85 curators at institutions across the country. This nearly doubles last year’s grants as the foundation transitions to a biennial model, with individual grants ranging from $50,000 to $150,000 for exhibitions, research, touring shows, and three years of programming. Notable projects include a major survey of the late artist L.V. Hull organized by curators Ryan N. Dennis, Annalise Flynn, and Yaphet Smith, and a Theresa Hak Kyung Cha retrospective curated by Victoria Sung and Tausif Noor.

The Biggest-Ever Raphael Exhibition in the U.S. Is Opening at the Met

The Metropolitan Museum of Art in New York will host the largest-ever U.S. exhibition dedicated to Raphael, opening March 29, 2026. Titled "Raphael: Sublime Poetry," the show will bring together over 200 works from more than 30 international lenders, including the Louvre, Uffizi, Vatican Museums, and the Prado. Curated by Carmen Bambach, the exhibition spans Raphael's career from Urbino to Rome, featuring paintings, preparatory sketches, tapestries, and decorative objects, with highlights such as the Alba Madonna and works rarely loaned before.

Mickalene Thomas’s ex-fiancée accuses the artist of sexual harassment and stealing millions of dollars from her

Mickalene Thomas’s former fiancée, curator and model Racquel Chevremont, has filed a summons against the artist, accusing her of sexual harassment and claiming she owes at least $10 million in damages. The summons, signed in Manhattan on 8 August, cites breach of contract, unjust enrichment, conversion, and retaliation, alleging that Thomas created a hostile working environment and improperly diverted funds from their jointly-owned entity. Chevremont, who collaborated with Thomas for a decade and appeared in several of her works, claims she was underpaid despite a written agreement and that Thomas terminated her employment after she refused to resume their romantic relationship.

From PBS to Priceless: Bob Ross Paintings Smash Auction Records

Bob Ross paintings shattered auction records at Bonhams New York's American Art Online auction (July 28–August 7, 2025). Two mountain landscapes by the beloved "The Joy of Painting" host sold for $95,750 and $114,800, with the latter more than doubling its high presale estimate. The previous record of $69,300 had been set just weeks earlier at Eldred's auction house for a painting originally purchased for $250 at a PBS auction in the 1980s.

Walker Art Center hosts the work of Jessi Reaves in her first major museum show

The Walker Art Center in Minneapolis has opened "Jessi Reaves: process invented the mirror," the New York-based artist's first major solo museum exhibition. Curated by Walker director Mary Ceruti, the show features a single body of new work that blends readymade furniture, found objects, and recycled materials, exploring the tension between functionality and absurdity. Ceruti, who previously worked with Reaves at the SculptureCenter in 2016, describes the work as playful yet rigorous, pushing viewers to reconsider how objects function in daily life.

Israeli art spaces and workers join nationwide strike and protests, calling for hostage deal and end to war in Gaza

On 17 August, a nationwide strike and protests swept across Israel, with organizers estimating 2.5 million participants demanding a hostage deal and an end to the war in Gaza. Israeli art spaces and workers joined the action: the Tel Aviv Museum of Art closed operationally but opened its lobby to protesters and projected Michal Rovner's video work *Signaling (2024)* on its façade; the Israel Museum illuminated its Shrine of the Book in yellow; the Bezalel Academy of Arts and Design and Shenkar College also struck, while the Mishkan Museum of Art ceased activities in solidarity.

The Six Female Artists With Major Solo Shows This Fall

Six female artists—Karen Barbour, María Berrío, Ana Cláudia Almeida, Adebunmi Gbadebo, Sasha Gordon, and Olivia van Kuiken—are each opening major solo exhibitions in September. The article profiles their distinct practices, from Barbour's abstract dot-filled dreamscapes and Berrío's collaged visions to Gbadebo's sculptures using human hair and indigo dye. It includes first-person accounts from the artists about their creative processes, with exhibitions at venues such as Harkawik and Matthew Brown.

The Rooftop Gallery Next Door

Adam Zhu, an artist, skateboarder, and photographer, has transformed a 9-by-15-foot former storage shed on his Chinatown rooftop into Market Gallery, a tiny exhibition space. The opening of Tucker van der Wyden's "Savage Love" drew about 200 visitors who walked through Zhu's one-bedroom apartment to reach the show. Zhu, who moved into the apartment in 2015, renovated the shed with contractor Andrew Kass, adding concrete walls and folding glass doors. The gallery has hosted seven shows, featuring emerging and established artists, and has become a platform for art in an unconventional setting.

'Paul McCartney Photographs 1963–64: Eyes of the Storm' to Open at Frist Art Museum, Nashville

The Frist Art Museum in Nashville will host 'Paul McCartney Photographs 1963–64: Eyes of the Storm,' an exhibition featuring nearly 300 recently discovered photographs taken by Paul McCartney during the height of Beatlemania. Organized by the National Portrait Gallery, London, the show runs from November 7, 2025, to January 26, 2026, and includes personal images of The Beatles—John Lennon, George Harrison, and Ringo Starr—captured between December 1963 and February 1964, along with ephemera and an audio tour narrated by McCartney.

Australian Aboriginal artist Emily Kame Kngwarreye exhibition at Tate Modern

The Tate Modern in London is hosting a landmark retrospective of Australian Aboriginal artist Emily Kame Kngwarreye (c. 1914–1996), running from July 10 to January 11, 2026. The exhibition features 70 works spanning her career, from early batik designs to her final acrylic paintings, and is organized in collaboration with the National Gallery of Australia, the Utopia Art Centre, and Kngwarreye's descendants. It is the first major solo exhibition of her work in Europe, highlighting her deep connection to her ancestral country and culture.

Preston Park Museum's new exhibition space to open with host of exciting exhibitions celebrating the railway

Preston Park Museum is opening a new multi-million pound exhibition space in 2025 with a series of railway-themed exhibitions called 'Tracks of Change', part of the S&DR200 festival celebrating the bicentenary of the Stockton and Darlington Railway. Highlights include 'Corridors', a suspended floral installation by internationally acclaimed artist Rebecca Louise Law; 'All Aboard', an interactive playscape for children; 'Gateway to the World', a collection of nationally significant paintings; and 'Perfume', a light-and-sound installation by visual artist Yann Nguema. All exhibitions will be free with museum admission.

Visualizing a “god of queer liberation:” An interview with queer artist Daniel de Jesús about their new Philadelphia exhibition

Philadelphia-based queer artist Daniel de Jesús, also a cellist and composer, is featured in a group exhibition at the William Way LGBT Community Center that opened July 10, 2025. In an interview with Emma Cieslik, de Jesús discusses their paintings blending Catholic iconography, mysticism, and queer identity, drawing on symbols like Saint Sebastian and the unicorn. They describe how a Philadelphia Museum of Art exhibition on colonial Latin American art inspired their exploration of religious syncretism and the reclamation of Catholic imagery by queer and trans people.

New book offers a suitably poetic vision of Blake and his legacy

A new book titled "William Blake and the Sea Monsters of Love" by biographer and critic Philip Hoare explores the life and work of William Blake, focusing on the three years the artist spent in Felpham, a coastal village in England, starting in 1800. Hoare argues that the ocean profoundly influenced Blake's art and poetry, using the sea as a metaphor to examine Blake's visionary prints, poems like "Milton," and his androgynous, fluid figures. The book also weaves in a cast of other historical figures—including Herman Melville, Paul Nash, and Nancy Cunard—whom Hoare dubs "sea monsters" for their rebellious, queer, and amphibious spirits.

Meet the Curator: Informal Conversation on Monet’s Floating Worlds

The Portland Art Museum is hosting a series of informal, interactive conversations with curators and a conservator about the exhibition "Monet’s Floating Worlds at Giverny." Participants include Jeannie Kenmotsu, The Arlene and Harold Schnitzer Curator of Asian Art, and Hugo Torii, Garden Curator at Portland Japanese Garden. The free events explore connections between Monet’s waterlilies, Japanese printmaking, and conservation, encouraging open discussion and audience engagement.

Catch These Glamourous Summer Exhibitions at SCAD Lacoste

SCAD Lacoste, the Savannah College of Art and Design's campus in Provence, France, is hosting three summer exhibitions: 'Christian Dior: Jardins Rêvés', the first Dior exhibition in southern France, featuring over 30 haute couture silhouettes and 60 accessories by Dior and his successors; 'DRIFT: Unfold', a permanent interactive installation by the Dutch artist duo DRIFT that transforms visitors' heartbeats into audiovisual displays; and 'Studio Bee: 100% Made by SCAD', showcasing work by recent SCAD fashion graduates. The Dior show runs until September 28, while the Studio Bee exhibition continues until November 2.

Final Weeks to Experience Kent Monkman: History is Painted by the Victors

The Denver Art Museum is hosting 'Kent Monkman: History is Painted by the Victors,' a major exhibition of the Cree artist's provocative, large-scale paintings that challenge Western art history through an Indigenous lens. The show, co-organized with the Montreal Museum of Fine Arts, runs until August 17 before traveling to Montreal in September. It has drawn widespread critical acclaim and emotional visitor responses, with reviewers praising its blend of humor, beauty, and political urgency.

London’s Tate Modern will stay open later on Fridays and Saturdays

Tate Modern in London will extend its opening hours on Fridays and Saturdays to 9pm starting September 26, following record attendance by young visitors at its Tate Lates events in 2025. The museum reported that 76,000 people visited over its 25th birthday weekend in May, with 70 percent under 35, prompting the decision to offer later access to free collections and paid exhibitions.

Pablo Picasso: Private Creative Realms Revealed in Dublin Exhibition

The National Gallery of Ireland presents 'Picasso: From the Studio', an exhibition opening 11 October 2025 that explores Pablo Picasso's private creative spaces across his career. Featuring sixty works, including paintings, sculptures, and ceramics, the show reconstructs the artist's studios from Montmartre's Le Bateau-Lavoir to the Mougins farmhouse, using archival photographs as ghostly backdrops. Key pieces like 'Violin and Bottle on a Table' (1915) and 'Tête de femme' (1931-32) reveal how specific environments—a cramped Parisian garret, a sun-drenched villa in Avignon, a Normandy stable—shaped his stylistic reinventions from Analytic Cubism to postwar ceramics.

A new art foundation in Uruguay highlights Latin American artists and curators

Fundación Cervieri Monsuárez (FCM), a contemporary-art space designed by the late Uruguayan architect Rafael Viñoly, has opened in the exclusive coastal village of José Ignacio, Uruguay. The foundation aims to become a year-round hub for Latin American art, launching with a reinstallation of the Uruguay Pavilion from the 2024 Venice Biennale, featuring artist Eduardo Cardozo's work "Latente." FCM presents three exhibitions per year, giving curators carte blanche, and has already hosted shows by Vivian Suter, Claudia Casarino, and Gabriel Chaile, with upcoming exhibitions by Chonon Bensho and Ana Segovia.

Sea State: restored Norfolk mansion puts on water-themed exhibition by Maggi Hambling and Ro Robertson

Wolterton Hall, an 18th-century Palladian country house in Norfolk, England, has reopened to the public after a restoration completed by its new owner Richard Ellis. The estate is launching a water-themed exhibition titled "Sea State," featuring site-specific works by artists Maggi Hambling and Ro Robertson. Robertson's outdoor steel sculpture "The Swell" will be the first permanent outdoor artwork on the grounds, while Hambling presents new pieces from her "Wall of Water" series and an installation called "Time" dedicated to her late partner. The exhibition is co-curated by Simon Oldfield and Gemma Rolls-Bentley.

“Feeling Color” at The Modern Art Museum of Fort Worth

The article reviews "Feeling Color: Aubrey Williams and Frank Bowling" at the Modern Art Museum of Fort Worth, an exhibition that pairs works by two artists from Guyana who worked in London in the late 20th century. Both explore abstraction, materials, and sociopolitical themes, with Bowling's color field paintings and Williams' geometric, Pre-Columbian-inspired works displayed in alternating galleries. The reviewer describes the show as dense and vibrant, noting the sensory experience of the paintings and the subtle dialogue between the artists.

‘Why don’t you talk about the hostages?’: Nan Goldin interrupted by protester during Gaza-focused speech at Rencontres d’Arles

American photographer Nan Goldin was confronted by a protester during her acceptance of the 2025 Women In Motion Award at the Rencontres d'Arles photography festival. Goldin used the occasion to speak about the humanitarian crisis in Gaza, describing the conflict as "the first live-streamed genocide" and projecting images of Gaza before and after the Israeli military campaign. A woman in the audience repeatedly shouted, "Why don't you talk about the hostages?" while other audience members chanted "Free Palestine." Goldin responded by acknowledging the 7 October attacks but emphasizing the scale of Palestinian casualties. She also accused the Israeli government of conflating anti-Zionism with antisemitism and of putting drugs in flour delivered to Gaza, a claim not independently verified.

Kew Gardens to host largest-ever open-air Henry Moore show

Kew Gardens in London will host the largest-ever open-air exhibition of Henry Moore's sculptures from May to September 2026, titled "Henry Moore: Monumental Nature." Thirty works, including major bronzes like "Large Two Forms" and "Oval with Points (1968-70)," will be displayed across the 320-acre Unesco World Heritage site, with additional pieces in the Temperate House. The Henry Moore Foundation is lending most works, while 90 more pieces—including prints and drawings—will be shown indoors at the Shirley Sherwood Gallery, with loans from Tate and the Sainsbury Centre for Visual Arts. Four sculptures will also be exhibited at Kew's Wakehurst botanic garden in Sussex alongside contemporary commissions.

Skeletons, Tears and Lobsters: Schiaparelli Exhibition to Open in 2026

The Victoria & Albert Museum in London will host "Schiaparelli: Fashion Becomes Art" at the Sainsbury Gallery from March 21 to November 1, 2026. The exhibition traces the legacy of founder Elsa Schiaparelli from the 1920s to the present, under current owner Diego Della Valle and creative director Daniel Roseberry. It will feature over 200 objects spanning Paris, London, and New York, including garments, accessories, jewelry, paintings, photographs, and archive material. Highlights include the Skeleton dress (1938) and the Tears dress (1938), created in collaboration with Salvador Dalí. The show also explores Schiaparelli's relationships with clients like Wallis Simpson and artists such as Pablo Picasso, Jean Cocteau, and Man Ray.

Joan Danziger Retrospective in Washington

The American University Museum at the Katzen Arts Center in Washington, D.C., will host the first career retrospective of artist Joan Danziger, titled "The Magical World of Joan Danziger," opening February 7, 2026. The exhibition spans six decades of her work, from abstract paintings to mixed-media sculptures, featuring over 100 pieces including 40 sculptures and 25 works on paper and canvas. A concurrent exhibition, "Ravens: Spirits of the Sky," showcases 24 large glass and metal raven sculptures, many never before exhibited. Danziger, who continues to work daily at age 91, traces her evolution from an abstract painter to a multimedia sculptor, with influences ranging from surrealists to Hieronymus Bosch.

Somerset House to mark 25 years as a public space with weekend of free events

Somerset House, a central London center for contemporary art and innovation, will host a free weekend of interactive events on September 13-14 to celebrate 25 years as a public space. The Step Inside 25 Weekend will feature installations by Turner Prize-winning artist Tai Shani, musician Gaika, and sound artist Nick Ryan, alongside works from the inaugural Talent 25 awardees—a new mentorship program led by artist Yinka Ilori. The event will open rarely accessible areas like the Deadhouse subterranean spaces and the Portico Rooms.

Minneapolis Institute of Art will host a crop art exhibition after the State Fair wraps

The Minneapolis Institute of Art (Mia) will host a crop art exhibition titled "Cream of the Crop: A Minnesota Folk Art Showcase" opening September 6, 2025, after the Minnesota State Fair concludes on September 1. The show will feature 10 works of crop art, including winners of two new awards sponsored by Mia: best interpretation of an artwork at Mia and best interpretation of a Minnesota landmark, story or figure. A curatorial team from Mia, including director Katie Luber, will judge entries at the State Fair, and the winning pieces will be displayed in the museum's rotunda alongside eight additional notable works. The exhibition builds on Mia's history with crop art, including a 2004 show of portraits by crop art legend Lillian Colton and a 2015 centennial commission of a large-scale crop art field.

Taste test: artist-made desserts will be shown (and eaten) in New York gallery’s one-night exhibition

On Saturday, June 28, the Lower East Side gallery Olympia will host CAKE, a one-night exhibition and feast featuring desserts donated by dozens of New York-based artists, including Hannah Beerman, Mie Yim, Wells Chandler, Robin F. Williams, Hein Koh, and Melissa Joseph. The event functions as a fundraiser for the gallery and a participatory performance art piece, with tickets priced at $45. The gallery's founder and director, Ali Rossi, conceived the show as a community-centric alternative to typical summer group exhibitions, and all desserts will be photographed before consumption to preserve documentation.

Fort Worth’s 7 Must-See Museum Exhibits This Summer

Fort Worth's top museums are presenting seven must-see exhibitions this summer, ranging from a deep dive into the life of primatologist Jane Goodall at the Fort Worth Museum of Science and History to a joint survey of abstract painters Aubrey Williams and Frank Bowling at the Modern Art Museum of Fort Worth. Other highlights include a hands-on exploration of indigenous knowledge in 'Roots of Wisdom,' a survey of pop-culture-infused paintings by Alex Da Corte, and a behind-the-scenes look at photographer Richard Avedon's process at the Amon Carter Museum of American Art.