TOXIC’s ‘ALWAYS EVER SINCE 83’ brings four decades of uncompromising practice to Woodbury House

Torrick Ablack, known as TOXIC, will present a major solo exhibition titled 'ALWAYS EVER SINCE 83' at Woodbury House in London from 14th May to 26th June 2026. The show features new paintings alongside rarely seen early works dating back to 1983, marking what the gallery calls a long-overdue recognition of TOXIC's career. TOXIC emerged from the downtown New York scene of the early 1980s alongside figures like Jean-Michel Basquiat, Keith Haring, and Rammellzee, and participated in the landmark Post-Graffiti exhibition at Sidney Janis Gallery in 1983. The exhibition positions 1983 as a psychological and artistic turning point, tracing over four decades of his uncompromising practice.

Carole Harris’ Origin Story in “This Side of the River” at MOCAD

The article reviews Carole Harris's solo exhibition "This Side of the River" at the Museum of Contemporary Art Detroit (MOCAD), curated by Abel Gonzalez Fernandez. The show features twenty fiber pieces and archival materials spanning from 1966 to the present, tracing Harris's creative evolution and her responses to Detroit's social and urban changes. It highlights early works like "Potpourri" (1976) and "Black Jack" (1976) from her 1977 debut at Gallery 7, a Black Power-era space founded by Charles McGee, and later pieces such as "Down the Road a Piece" (2003) that mark her shift toward improvisational, abstract compositions.

From Yangjiang to the world: Zheng Guogu's living art space

Zheng Guogu, a prominent Chinese artist, has founded a living art space in Yangjiang, a quiet city in southern China. The museum functions as more than an exhibition venue; it is a dynamic, evolving creative ecosystem where artists from around the world come to live, work, and exchange ideas. Immersed in the local rhythms, participants turn everyday life into an ongoing artistic dialogue.

Art Leven First Nations And Australian Fine Art Auction Opens This Week - Scoop

Art Leven, a Sydney-based gallery focused on First Nations art, is opening its First Nations and Australian Fine Art Auction and Exhibition, headlined by the private collection of the late Dame Marie Bashir AD CVO and Sir Nicholas Shehadie AC OBE. The exhibition runs from 15–19 May 2026 at Art Leven's new Woolloomooloo gallery, with the live auction on 19 May at Artspace. The sale includes approximately 115 artworks, with 79 from the Bashir-Shehadie collection, featuring works by Balang John Mawurndjul AM, Arthur Boyd, Emily Kame Kngwarreye, Albert Namatjira, and others. The collection reflects decades of travel to remote art centres and close relationships with artists, supported by archival material like handwritten notes and early catalogues.

Pro Arts Jersey City presents A Margin of Influence: Artists and the books that inform them

Pro Arts Jersey City presents "A Margin of Influence: Artists and the books that inform them" at ART150 Gallery from May 8-31, 2026. Curated by Raymond E. Mingst and Arthur Bruso, the group exhibition features ten artists—including Agnieszka Wszolkowska, Alvin Quiñones, Brad Terhune, Dorie Dahlberg, Elliot Appel, Hank Yaghooti, Josephine Barreiro, Laura Lou Levy, Nanette Reynolds Beachner, and Peter Delman—who explore how books shape their creative practice. The show runs weekends with an opening reception on May 8.

Indrapramit Roy and Mark Cazalet art exhibition in New Delhi

An exhibition titled "Stray Birds: a journey together" in New Delhi brings together artists Indrapramit Roy and Mark Cazalet, curated by Jyotirmoy Bhattacharya. The show presents a dialogue between two distinct artistic voices, exploring narratives, techniques, and sensibilities shaped by their shared experiences studying under Professor Gulam Mohammed Sheikh at M.S. University in Baroda, including formative trips to the Ajanta and Ellora caves.

From gunshots to gilded plates: Who are the real hooligans of the art world?

Alex Burchmore reviews 'The Hooligans,' an exhibition that explores the Maoist concept of hooliganism in the context of contemporary Chinese art. The show features works by artists like Xiao Lu, who famously fired a gun at her installation during the 1989 'China/Avant-Garde' exhibition, as well as Zhu Yu and He Yunchang, known for incorporating human body parts and surgical procedures into their art. The exhibition contrasts these transgressive acts with more market-friendly works, such as Zhu Yu's gilded plate paintings and Hu Yinping's commercial-style figurines, highlighting the tension between artistic rebellion and commercial success.

韓国国立現代美術館 果川館で「Road movie: Art between Korea and Japan since 1945」が開幕

The National Museum of Modern and Contemporary Art (MMCA) in Gwacheon, South Korea, opened "Road movie: Art between Korea and Japan since 1945" on May 14, 2026. This exhibition is a touring version of the collaborative show "Always by Your Side: 80 Years of Art between Japan and Korea," which was held at the Yokohama Museum of Art from December 6, 2025, to March 22, 2026. Marking the 60th anniversary of the normalization of diplomatic relations between Japan and South Korea in 1965, the exhibition traces eight decades of artistic exchange from 1945 to the present. It features around 200 works by 43 artists, including Cho Yang-gyu, Kwak In-sik, Nam Hwa-yeon, Nam June Paik, Lee Ufan, Lee Bul, Takashi Murakami, and others, organized into five sections. The show also incorporates six outdoor sculptures installed at the museum's opening in 1986 and 1987, highlighting how the institution itself fostered cross-border artistic dialogue.

Karmic Modernism. In Conversation with Elizabeth Englander by Nick Irvin

Elizabeth Englander, an artist working primarily in assemblage with materials like children's furniture, nutcrackers, and old clothing, discusses her recent exhibitions and spiritual approach to art in an interview with Nick Irvin for Flash Art. The conversation covers her show "The Elizabethan Lumber Room" (2026) at a. SQUIRE in London, the modular barrister's bookcase inherited from her mother, and her "Parinirvana" series (2025) that explores themes of death and sacred art through papier-mâché, paint, and mylar. Englander also references influences such as Constantin Brâncuși, her graduate advisor Tom Weaver, and Erwin Panofsky's writings on tomb sculpture.

HARRY CHÁVEZ: DONDE MUERDE EL MITO

Harry Chávez: Donde muerde el mito was the first presentation of Peruvian artist Harry Chávez's work at the Museo de Arte de Lima (MALI), held as part of the MALI Colecciones. Intervenciones contemporáneas program. The exhibition recently won the Premio Luces 2026 from El Comercio in the best exhibition category, a public-vote award reflecting its impact. The show explores symbolic conflicts between serpent and feline in Andean and Amazonian mythology, featuring works like 'Salto mortal' and 'Nacimiento del dragón' that depict cosmic struggles and hybrid transformations.

Artist Murari Jha sculpts memory and home in his New Delhi exhibition

Artist Murari Jha presents *The Future of Nostalgia*, a solo exhibition at Nature Morte in New Delhi, running through May 17, 2026. The show features abstract sculptures in stone, bronze, wood, brass, aluminum, and synthetic putty that explore themes of home, migration, memory, and belonging. A live durational performance is scheduled for May 16, with Jha describing the gallery as a stage and his sculptures as performative objects. The works are deliberately untitled to invite viewers to become co-creators of meaning.

Exhibition | 'New Voices in Paris Now: Between Memory and Matter' at Alisan Fine Arts, Alisan Atelier, Hong Kong

Alisan Fine Arts is presenting 'New Voices in Paris Now: Between Memory and Matter' at Alisan Atelier in Hong Kong as part of its 45th anniversary programme. The exhibition features four contemporary Chinese artists—Li Donglu, Qi Zhuo, Shi Qi, and Yao Qingmei—who currently live and work in Paris. Each artist explores themes of memory, cultural identity, and material transformation through diverse media including oil painting, eroded film, paper reliefs, and blown-glass sculptures. The show runs parallel to 'The Chinese Avant-Garde in Paris' at the gallery's Central location, both part of the French May Arts Festival.

An Ancient Ballad at Emami Art Brings Generations of Artists Together in Kolkata

A new group exhibition titled 'An Ancient Ballad' opens at Emami Art in Kolkata on 22 May 2026, bringing together 12 artists across generations. The show examines recurring motifs of nature, the human body, and animal forms in modern and contemporary art through photography, painting, printmaking, textile, ceramics, and sculpture. Historical works by L. M. Sen and K. C. Pyne are displayed alongside contemporary artists including Arunima Choudhury, Ajit Kumar Das, Alakananda Sengupta, Raja Boro, and Rahul Sarkar, creating an intergenerational dialogue on memory, mythology, and lived experience.

Fight in the Museum: Q&A with Sean Carney

Sean Carney, a painter and longtime art teacher at Lawrence High School, discusses his artistic journey and evolving practice in a Q&A with Thomas Kelly. Carney, who works with water-based wood stains on wood panels, recently shifted his subject matter from cityscapes to iconic automobiles in his "Driven by Design" series, inspired by a visit to the Saratoga Automobile Museum. His work has been exhibited at Barsky Gallery in Hoboken and other venues, and he credits influences including professors Ray Statlander and Ben Jones, as well as artist Mel Leipzig.

What We Saw at Buffalo Prescott’s 'Vernal 2026'

Buffalo Prescott’s Detroit headquarters is hosting 'Vernal 2026,' a spring-inspired contemporary arts exhibition running through June 27, with a public opening on May 22. The exhibition features works by resident artists including Jessica Wildman Katz, Halima Afi Cassells, Cyrah Dardas, Sara Nickleson, and Tony Printz, alongside metro Detroit and international artists. Highlights include Katz's botanical rabbit sculpture 'Kindling,' Cristina Umaña's whimsical 'Mesa De Centro' (a stack of white tables with human-like limbs), and Amelia Burns's photographic diptych 'Evil Eye' and 'Evil Eye Transmuted onto Organza, 2026,' which explores contemporary American culture through collage.

Creativity, contrast, conversation: Mumbai’s Tao Art Gallery promotes dialogue through exibitions

Mumbai’s Tao Art Gallery is fostering artistic dialogue through a series of exhibitions that emphasize creativity, contrast, and conversation. The gallery’s programming highlights diverse visual narratives and encourages engagement between artists and audiences.

Exhibition | Travis MacDonald, 'Had a Farm' at Contemporary Fine Arts | CFA, Berlin, Germany

Contemporary Fine Arts in Berlin is presenting 'Had a Farm', a solo exhibition by New Zealand-born artist Travis MacDonald, opening during Gallery Weekend Berlin 2026. The show features new paintings that explore countercultural aesthetics through long-haired, androgynous figures set in a rural-subcultural landscape, drawing on photographic archives of 1970s experimental communes and referencing Pier Paolo Pasolini's essay on hair as a political sign.

He Who Permeates Exhibition at Tao Art Gallery Explores Myth, Identity and Visual Culture

The exhibition 'He Who Permeates' is currently on view at Tao Art Gallery in Mumbai, curated by Mihir Thakkar. It features contemporary artists Jayesh Sachdev and NFN Kalyan, exploring how imagery and symbols are reinterpreted across cultural contexts in a hyper-visual age. The show runs daily from 11 am to 6:30 pm until May 28, 2026, and marks NFN Kalyan's first presentation in India.

Suman Dey’s new solo in Kolkata gives form to the abstract notions around us

Artist Suman Dey presents his second solo exhibition, titled *Chance, Remains of Another Time*, at Emami Art in Kolkata. The show features large-scale works on wood and other materials that explore abstract notions of memory, time, and nature through fragmented forms, textures, and narrative. Key pieces include a series of frames capturing everyday surface textures and a work titled *Journey* that uses boat shapes to depict transformation. The exhibition runs until May 9.

Exhibition | Jens FÄNGE, 'Antechamber' at Perrotin, New York, United States

Perrotin New York presents 'Antechamber,' an exhibition of over twenty new paintings by Swedish artist Jens Fänge. The works feature distorted, labyrinthine interiors populated by people, animals, and mannequins, using layered materials like oil, vinyl, linen, and burlap to create compositions that blur the line between figuration and abstraction. Recurring motifs such as doors, windows, halos, and locusts shift meaning across the show, which draws inspiration from Hans Christian Andersen's fairytales and Nathanael West's surrealist novels.

Henry Moore at Kew Gardens — a startling, stunning summer meeting

The Financial Times reports on the largest-ever outdoor exhibition of Henry Moore's sculptures, held at Kew Gardens in London. The show presents a startling and stunning summer meeting between Moore's monumental modernist works and the botanical landscape, offering visitors surprising new perspectives on the artist's oeuvre.

The Politics of In-action: Review of In-action: Viennese Actionism and the Passivities of Performance Art

Caroline Lillian Schopp's new book *In-action: Viennese Actionism and the Passivities of Performance Art* (2025) offers a revisionist history of Viennese Actionism, a movement retroactively named in 1970 by Peter Weibel and Valie Export. Schopp introduces the term "in-action" to describe a politics of artistic action that emphasizes intimacy, hesitation, and vulnerability rather than the violent or liberatory extremes typically associated with the movement. She expands the canon to include women artists such as Anna Brus, Hanel Koeck, and Ingrid Wiener, and reexamines the work of Rudolf Schwarzkogler, whose death was mythologized as a suicide by self-castration but was actually a fall from a window. Through close readings of photographs, Schopp argues that Schwarzkogler's performances were characterized by passivity and "in-sincerity," challenging the dominant narrative of actionism as aggressive or heroic.

In Minor Keys: The 61st Biennale di Arte Venezia Opens Under Koyo Kouoh (1967–2025).

The 61st Biennale di Arte Venezia opens under the posthumous curatorial vision of Koyo Kouoh (1967–2025), the late Cameroonian-born curator who reshaped contemporary African and diasporic art discourse. The central exhibition, spanning the Giardini and Arsenale, features 111 participants including artists, collectives, and artist-led organizations from across the Global South, with works in textiles, film, sculpture, and performance that interrogate colonialism, migration, and ecological repair. The Biennale is also marked by a pronounced presence of African and diasporic narratives across national pavilions, including several first-time pavilions from the African continent.

Yves Klein Research Grant 2026: A Funded Residency for Emerging Scholars

The Yves Klein Foundation has launched its first Research Grant for 2026, offering a CHF 6,000 stipend and a one-week funded residency in Paris to emerging scholars under 35 who hold a PhD or postdoctoral degree. The program invites original research projects that deepen understanding of Yves Klein’s work, ideas, and legacy, with access to archives and scholarly guidance provided. Applications are due by 15 June 2026, with selection based on originality, scientific quality, and feasibility.

Sharjah Biennial 17 Assembles 109 Artists Across a Restless Global Landscape.

The Cosmic Entanglements and Inner Transformations of ‘Metamorphosis’.

Isaac Julien has created a new site-responsive film installation titled 'All That Changes You. Metamorphosis' at The Cosmic House in London. The work, which features protagonists Lilith and Naomi, explores themes of transformation, cosmology, and interdependence through a non-linear narrative that moves from Californian redwoods to Renaissance interiors, using the postmodern architecture as an active participant in the dialogue.

CalArts President Booed During Commencement Speech

California Institute of the Arts (CalArts) President Ravi S. Rajan was loudly booed by students during the school's commencement ceremony on May 15, as they held signs reading “Hold the Admin Accountable” and “Save Our Faculty & Staff.” The protest stemmed from ongoing financial turmoil at the esteemed art school, including a multi-million-dollar budget deficit, significant staff and faculty layoffs, and a decline in enrollment from 1,500 to roughly 1,200. Despite Rajan's attempts to redirect focus to the graduates, the booing persisted, and board chair Charmaine Jefferson unsuccessfully appealed for calm. The incident follows a broader crisis at CalArts, where over 75% of staff sought to unionize in 2024, and faculty held a “Chop from the Top” rally in March against proposed $5 million in cuts.

A Persian Garden Blooms on Governors Island

Artist Bahar Behbahani organized a four-hour event called "Damask Rose: A Gathering" on Governors Island, transforming three shallow fountains with handwoven carpets and crocheted canopies. The gathering featured West African musical improvisation, Kurdish poetry, a cyanotype workshop, and communal activities like hair braiding and tea ceremonies, involving over two dozen community groups including the Asia Contemporary Art Forum and Eat Offbeat. The event was part of Governors Island Arts's annual Interventions series, curated with associate curator Juan Pablo Siles.

1,200-Year-Old Limestone Lintel was Inadvertently Repatriated to Mexico Instead of to Guatemala

A 1,200-year-old limestone lintel, carved by the ancient Maya artist Mayuy and depicting a ruler of Yaxchilán, was repatriated from the United States to Mexico in mid-April after an American businessman turned it over to the Mexican consulate in New York. However, Guatemala's cultural minister has begun proceedings to reclaim the artifact, arguing that it was originally removed from the Guatemalan side of the Usumacinta River, not Mexico. The lintel was first documented by American explorers Dana and Ginger Lamb in the 1950s in an area called Laxtunich, and its exact provenance has been disputed by scholars.

ArtPhilly Presents “What Now: 2026”

ArtPhilly has announced the inaugural edition of its city-wide festival, "What Now: 2026," scheduled to open on May 27, 2026, coinciding with the 250th anniversary of the United States. The five-week event will feature over 30 newly commissioned projects by Philadelphia-based artists, including performances, installations, and podcasts, staged across festival districts in public spaces and institutions. The festival is led by Creative and Executive Director Bill Adair and Curatorial and Deputy Director Tania Isaac, with a curatorial committee of 17 local curators selecting works that explore the nation's past, present, and future.