At 87, Larry Poons Is at the Height of His Painting Power: ‘There Are No Rules’

At 87, New York-based artist Larry Poons remains highly productive, with two works featured in Artnet Auctions' GEMS: Collecting Post-War Abstraction, live through September 24, 2025. The paintings—To Have Missed the Walk (2014, est. $160,000–$180,000) and Jarrett (2019, est. $60,000–$70,000)—exemplify his color-driven, gestural abstraction. Poons, who studied at the New England Conservatory of Music before turning to painting at the School of the Museum of Fine Arts, is also showing in Yares Art's group exhibition "Fields of Color V" and recently had a solo show there, "Provocation, Iliad: Powers + Spells." In a studio visit, he discussed his process, his early career, and his belief that painting has no rules.

A Guide to Minneapolis Art Galleries for Beginners

This article serves as a beginner's guide to art galleries in Minneapolis, highlighting several venues that welcome newcomers. It features All My Relations Arts, a gallery in the American Indian Cultural Corridor showcasing Native artists; Northern Clay Center, which challenges perceptions of pottery with subversive and political clay works; and Dreamsong, a gallery founded in 2021 focusing on female-identified emerging and mid-career artists. The guide emphasizes that galleries are accessible, free, and low-commitment spaces for exploration.

Dahiye, il quartiere di Beirut che non esiste quasi più. Nelle foto di un artista italiano

Italian photographer Armando Perna (born 1981 in Reggio Calabria) has documented Dahiye, a southern suburb of Beirut known as Hezbollah's stronghold, using a digital camera hidden inside a car and controlled remotely via Bluetooth. His project, initiated in 2013 and exhibited in 2017 at the Fondazione Pino Pascali in Polignano a Mare (Bari), creates a street-view-style mapping of a neighborhood that has been heavily bombed by Israeli forces, most recently in the past weeks. The work was promoted by Planar gallery, founded by Antonio Ottomanelli, with Perna and Anna Vasta as part of the #showcase project.

Parliamentary report calls for major changes at French museums in the wake of Louvre heist

A French parliamentary report published on 13 May, following the October 19 heist of the crown jewels at the Louvre, issues a damning assessment of the country's museum security and management. The commission heard around 100 testimonies and examined some 2,000 museums, dedicating a special chapter to the Louvre. It blames former director Laurence des Cars's leadership for a "dysfunctional drift" that prioritized contemporary art interventions and fashion shows over basic infrastructure and collection protection, allowing the heist to occur. The report lists rising threats including riots, burglaries, cyberattacks (which forced the National Museum of Natural History in Paris to cancel an exhibition after a ransomware attack in July 2025), and terrorist plots. It proposes 40 recommendations, including raising budgets by an estimated €20–25 billion over a decade, enhancing staff training, and overhauling museum leadership.

Man Arrested for Allegedly Planning Terrorist Attack at Louvre

French authorities arrested a 27-year-old Tunisian man, identified as Dhafer M., on May 7 for allegedly planning a terrorist attack at the Louvre in Paris. The arrest, confirmed by the National Anti-Terrorism Prosecutor’s Office (PNAT) and first reported by Le Monde, followed an investigation that began in late April after a traffic stop. Investigators found jihadist propaganda videos, photos of weapons, and searches for bomb-making instructions on his phone, as well as messages discussing access points to the Louvre and plans to make poison. The man has denied the allegations and was brought before an anti-terrorism judge to be formally charged.

The Louvre’s new director is inheriting a troubled, traumatised museum—can he repair the damage?

Christophe Leribault has been appointed as the new director of the Musée du Louvre, taking over an institution reeling from a major security breach. The theft of the crown jewels in October exposed severe systemic failures, including neglected security upgrades and a management culture criticized as autocratic under his predecessor, Laurence des Cars. The museum has also been plagued by strikes, ticket fraud scandals, and damaging parliamentary reports.

China’s Tech Capital Wants to Be an Art Hub, Too

Shenzhen, China's major technology hub, is making a concerted push to become a significant player in the art world. The city began 2025 with major announcements from tech giants JD.com and Tencent, which are establishing new art museums in the city, appointing prominent directors Robin Peckham and Pi Li to lead them. This follows years of building cultural infrastructure, including the OCAT museum, the Sea World Culture and Arts Center, and the growth of local art fairs like Art Shenzhen.

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The Royal Ontario Museum (ROM) in Toronto has appointed Nicholas R. Bell as its new director and CEO, effective July 6. Bell, who currently leads the Glenbow museum in Calgary, succeeds Josh Basseches following a decade-long tenure. During his time at Glenbow, Bell was noted for securing a $250 million capital campaign and implementing a landmark free-admission policy, the first of its kind for a major Canadian museum.

Director of Poland Jewish Museum Reinstated

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Dariusz Stola has been reinstated as the director of the Polin Museum of the History of Polish Jews in Warsaw, seven years after being forced out by Poland’s former nationalist government. Stola, a respected historian who led the museum from its 2014 opening, was blocked from reappointment in 2019 by the Law and Justice party despite winning a competitive selection process. His return follows the 2023 election of a centrist coalition led by Donald Tusk and a subsequent move by Culture Minister Marta Cienkowska to reverse the previous administration's ideological purges.

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Elvira Dyangani Ose is stepping down as the director of the Museu d'Art Contemporani de Barcelona (MACBA) in April, months before her contract was set to expire. Her resignation follows a conflict with the MACBA Consortium, which ruled that her new appointment as director of the Abu Dhabi Public Art Biennial was incompatible with her leadership role in Barcelona. Dyangani Ose, who became the first woman and first person of color to lead the institution in 2021, had requested to balance both positions, but the governing body denied the proposal.

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The Institute of Museum and Library Services (IMLS) has issued new grant application guidelines that explicitly reference President Donald Trump's executive orders and his vision for U.S. culture. The guidelines encourage applicants to align with orders like "Making Federal Architecture Beautiful Again," which mandates classical style for government buildings, and "Restoring Truth and Sanity to American History," which seeks to control exhibition content. The cover letter also points applicants to orders on combating antisemitism and anti-Christian bias, which appears to warn against pro-Palestinian applications.

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The Walters Art Museum in Baltimore has appointed Katherine Larson as its chief collections and curatorial affairs officer, a newly created senior role. Larson will also serve as senior curator of Ancient Art, overseeing curatorial operations, collections, conservation, research, the exhibition calendar, and fundraising, beginning March 30.

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A judge has ruled that the legal dispute between the Philadelphia Art Museum and its former director and CEO, Sasha Suda, must be resolved through private arbitration, not a public jury trial. Suda was dismissed in November, with the museum citing "for cause" but not providing specifics, and she subsequently sued, alleging the museum conducted a sham investigation and falsely accused her of misusing funds and theft.

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The Museum of Fine Arts, Boston announced layoffs affecting approximately 30 staff members, a 6.3% reduction of its workforce, effective this Friday. The decision was communicated via an internal email obtained by WBUR, citing an unsustainable deficit and the need for financial restructuring. The MFA, Boston Union, which represents 16 of the affected employees, expressed concern and called for negotiations to avert layoffs and preserve workforce diversity. This follows a previous round of layoffs and early retirements in 2020.

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British artist Henry Walsh, known for his intricate paintings of miniature worlds filled with tiny figures and narratives, has announced a series of exhibitions for 2025 and 2026. His work will be shown at Fresh Art Fair in London (January 31–February 2, 2026), the Affordable Art Fair New York and Austin editions in March and May, and a solo show titled "Changing Seasons" at Fine Art Consultancy from June 10 to July 12. The exhibitions follow a private commission inspired by the Austin City Limits Festival, which Walsh used as a starting point for his painting "Pageant" (2025), featuring music icons like Bonnie Raitt and Leon Bridges.

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Marie Chapman, CEO of the Canadian Museum of Immigration at Pier 21, stepped down on Thursday after a special commissioner's investigation found she had mistreated staff throughout her decade-long tenure. The report, released by the Office of the Public Sector Integrity Commissioner, accused Chapman of serious code of conduct breaches, including using slurs and misogynistic language—such as referring to the senior leadership team as "sluts"—ranking female employees by age, and fostering a culture of fear that left some staff contemplating self-harm. Chapman was appointed under former Prime Minister Stephen Harper and reappointed by the Trudeau government in 2016 and 2021; her contract expired in October but she had been granted a 90-day transitional term.

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Japan’s Yokohama Triennale has appointed Cosmin Costinaș and Inti Guerrero as co-artistic directors for its 9th edition, opening at the Yokohama Museum of Art on April 23, 2027. Costinaș, a Romanian writer and critic currently senior curator at Haus der Kulturen der Welt in Berlin, will become a curatorial adviser there at year’s end. Guerrero, from Bogotá, is a professor at City University in Hong Kong. The duo previously co-directed the 2024 Biennale of Sydney and the 2018 Dak’Art Biennale, and have collaborated on several other projects. They were selected from 22 candidates by a six-person international committee.

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The newly formed UC Irvine Langson Orange County Museum of Art has appointed Kathryn Kanjo as its first director. Kanjo, who currently leads the Museum of Contemporary Art San Diego (MCASD), will assume the role in February 2026, also overseeing the UC Irvine Jack & Shanaz Langson Institute of California Art. The appointment follows the amicable merger of the University of California, Irvine, and the Orange County Museum of Art, finalized this fall, which created a new entity uniting three major California art collections—the Irvine, Buck, and OCMA collections—totaling some 9,000 works housed in a 53,000-square-foot facility at the Segerstrom Center for the Arts.

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Officials from the Department of Homeland Security (DHS) arrived at the National Museum of Puerto Rican Arts and Culture (NMPRAC) in Chicago’s Humboldt Park neighborhood on Tuesday, with between 15 and 20 DHS vehicles appearing without notice or a warrant. Museum staff reported that officers claimed to be assessing entry and exit points for undocumented immigrants at upcoming events. DHS Assistant Secretary Tricia McLaughlin denied the account, stating the visit was a briefing for a narcotics investigation, but security camera footage shows officers inside the museum, contradicting her statement. Local aldermen and museum leadership condemned the action as intimidation, with the museum vowing to resist and continue its community programming.

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Beginning January 1, 2026, major French museums including the Louvre and the Château de Versailles will charge non-European Union visitors €30 (about $35), up from €22 ($25). The new "differential tariff" is driven by cultural budget cuts, waning corporate sponsorships, and rising restoration costs. Versailles, where 42 percent of 8 million annual visitors come from outside Europe, sees the funds as a lifeline for repairs, while the Louvre faces €400 million in renovation needs over 15 years. The policy is expected to spread to other sites like the Arc de Triomphe and Château de Chambord, and more institutions may adopt it in 2027.

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Kim Sajet, the director of the National Portrait Gallery in Washington, D.C., continued coming to work despite Donald Trump claiming on Truth Social that he had fired her for being a 'strong supporter of DEI.' The White House provided the Washington Post with a 17-point list of grievances against Sajet, including her exhibition of a Trump portrait caption referencing his impeachments and January 6 insurrection, her donations to Democratic causes, and her comments about diversifying the museum. The Smithsonian Institution has not yet responded, and legal experts note Trump lacks authority to fire Sajet, as he does not sit on the Smithsonian board, though Vice President J.D. Vance and the Chief Justice hold ex officio positions.

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YouTube megastar MrBeast (James Donaldson) released a video titled "I Survived 100 Hours in an Ancient Temple" on May 10, amassing over 55 million views in four days. Mexico's National Institute of Anthropology and History (INAH) confirmed that the production had full permission from federal and state authorities to film at Mayan archaeological sites including Chichén Itzá, Calakmul, and Balamcanché, and that all shoots occurred in public areas without disrupting other visitors. However, INAH also pointed out several inaccuracies in the final cut: no drones were flown inside El Castillo, no helicopter descents occurred, no one spent the night at a site, and a funerary mask shown in the video was a contemporary reproduction, not an authentic artifact.

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Jacques Schuhmacher has been appointed as the head of the provenance research team at the Art Institute of Chicago, a dedicated in-house team established in 2020. Previously the senior provenance research curator at the Victoria & Albert Museum in London, Schuhmacher now leads one of the largest provenance research teams in the United States, which includes four full-time researchers and is supported by a senior leadership task force and a dedicated research budget.

Southern Guild’s New York moment signals a shift for African art

Southern Guild, a Cape Town-based gallery, opened a permanent location in New York's Tribeca district on Friday, marking a major expansion for the gallery and a milestone for contemporary African art's international visibility. The inaugural exhibitions feature South African painter Mmangaliso Nzuza's "Ballad of the Peacock" and conceptual artist Usha Seejarim's "Used," both on view until May 17. Co-founder Trevyn McGowan described the 371m² space in a historic cast-iron building as both instinctive and strategic, following the closure of the gallery's Los Angeles outpost, which served as a testing ground for American audiences.

Syrian Artist Sara Shamma To Present An Ode To Palmyra At The 61st Edition Of La Biennale Di Venezia

Syrian artist Sara Shamma will present a large-scale immersive installation titled 'The Tower Tomb of Palmyra' at the 61st edition of La Biennale di Venezia in 2026. This marks Syria's first participation in the Biennale since the fall of the Assad regime and the appointment of President Ahmed Hussein al-Sharaa. Shamma's project, inspired by the ancient funerary towers of Palmyra destroyed during the Syrian Civil War, aims to restore the heritage site to life through a multisensory journey combining architecture, painting, and other elements. It will be the first solo presentation by a single Syrian artist at the Biennale, departing from previous group exhibitions with European collaborators.

At Kohei Nawa’s studio, the world is seen through glass bubbles

Japanese sculptor Kohei Nawa has launched his first solo exhibition in Los Angeles at Pace Gallery, titled "Photon Camp." The show features 20 new works from his renowned "PixCell" and "Prism" series, which utilize glass beads and light refraction to transform everyday objects—ranging from taxidermied animals to consumer electronics—into pixelated, magnified sculptures. The artist operates out of Sandwich, a sprawling Kyoto-based creative hub housed in a former sandwich factory that employs a team of 50 across art, design, and architecture.

Exhibit at National Museum of Mexican Art in Chicago is a call to climate action

Artist Ana Teresa Fernández has launched her solo exhibition "Under Pressure" at the National Museum of Mexican Art in Chicago, presenting a multi-disciplinary call to climate action. The exhibit features oil paintings, sculptures such as a silver-feathered Quetzalcoatl made from a hose, and performance-based works that use metaphors like expanding balloons to illustrate the planet's breaking point. A central component of the project involved a community-led "social monument" at Ohio Street Beach, where hundreds of participants used mirrors to flash an S.O.S. signal in Morse code toward the horizon.

Denver Art Museum Announces Royce K. Young Wolf, Ph.D., as Associate Curator of Native Arts

The Denver Art Museum (DAM) has appointed Royce K. Young Wolf, Ph.D., as its new Associate Curator of Native Arts. A member of the Eastern Shoshone, Hidatsa, and Mandan nations, Young Wolf brings a multidisciplinary background as a language activist, photographer, and scholar. She previously held prestigious fellowships at Yale University and worked on major exhibitions for the MHA Nation Interpretive Center. In her new role, she will oversee strategic initiatives, acquisitions, and community-based curatorial projects for one of the nation's most significant Indigenous art collections.

LETTER | Wires crossed on art museum crisis

A local resident has criticized the Nelson Mandela Bay municipality and local media for their delayed response to the deteriorating state of the historic NMB Metropolitan Art Museum. The critique highlights significant factual errors in recent reporting regarding the museum's history, specifically correcting the timeline of its construction phases which date back to 1927, rather than the 70-year history recently cited by officials.

Hyde Collection celebrates young artists at annual H.S. Juried Show

The Hyde Collection in Glens Falls, New York, has opened its annual High School Juried Show, a long-standing tradition that showcases the creative talents of regional students. This year's exhibition features a diverse range of media, selected by professional jurors from a competitive pool of submissions from local school districts.