Nick Cave at the 2026 Biennale. Seven works between loss, memory and protest

Nick Cave è alla Biennale 2026. Sette opere tra perdita, memoria e protesta

Nick Cave presents "Two Points in Time at Once" at the 2026 Venice Biennale, a project spanning seven locations across Venice. The installation features a series of bronze works, including the "Amalgam" series (Seated, Origin, Plot, Resuscitation, Meditation) along with "Grapht" and "Siren." This marks a significant material shift from Cave's iconic fabric Soundsuits to bronze, exploring themes of loss, memory, trauma, and protest through a more static yet politically charged presence.

The Claire Fontaine collective and Ugo La Pietra open the new season of the Fondazione La Rocca in Pescara

Il collettivo Claire Fontaine e Ugo la Pietra aprono la nuova stagione della Fondazione La Rocca di Pescara

The Fondazione La Rocca in Pescara has announced its upcoming exhibition program for 2026-2027, including a solo show by Ugo La Pietra (June–October 2026) and a solo exhibition by the feminist conceptual collective Claire Fontaine (December 2026–March 2027). The foundation has also appointed Simone Ciglia as its new Chief Curator, who will work alongside the presidency to shape future artistic research. The season opens with La Pietra's 'Alla finestra,' curated by Giacinto Di Pietrantonio, featuring around seventy works exploring the window as a threshold. Claire Fontaine's 'Manuale d’uso,' curated by Ciglia, is conceived as an exhibition-essay based on Anita Chari's monograph. Additionally, the foundation launches 'FLR Incontra,' a public program of interdisciplinary talks and performances.

A Londra compare una statua firmata da Banksy. Trovata di marketing o davvero una nuova opera dell’artista?

A satirical statue has appeared in Waterloo Place, London, depicting a man in a suit with his face covered by a large waving flag. Initially met with skepticism due to its unusual chalk signature and three-dimensional form—departing from Banksy's typical stencil and mural work—the artist later claimed the piece via an ironic video on his Instagram page. The statue stands near the Crimean War Memorial and statues of Edward VII and Florence Nightingale, and is interpreted as a critique of authoritarian trends in democracies.

Saving the Street Art of the Bombs: A True Story from Ukraine

Salvare la street art delle bombe: una storia vera dall’Ucraina

A documentary titled "Arte vs Guerra – Banksy e C215 a Borodyanka, Ucraina" will air on Sky Arte on April 26, recounting how street artists Banksy and C215 created murals in Borodyanka, Ukraine, shortly after the Russian invasion began in February 2022. The works include Banksy's "La Ginnasta" and "Davide e Golia," as well as C215's portraits of war victims like Dmytro Kotsiubaylo. The film also follows three Italian restorers—Paola Ciaccia, Alessandro Cini, and Maria Colonna—who risked their safety to preserve these murals from war damage and landmines.

What does a technology fair have to do with the art world? A report from MIR in Rimini

Cosa c’entra una fiera della tecnologia con il mondo dell’arte? Un report dal MIR di Rimini

The article reports from the MIR (Live Entertainment Expo) technology trade fair in Rimini, an event focused on professional audio/video equipment and systems integration. While dominated by corporate stands and live sound demonstrations, the fair also hosted discussions on the precarious working conditions and pension system for cultural and entertainment workers, revealing underlying anxieties in the creative industries.

Habib Hajallie’s Meticulous Ballpoint Pen Drawings Examine the Depths of Emotion

Habib Hajallie, a Kent-based artist of Sierra Leonean and Lebanese heritage, presents a new solo exhibition titled "Black & Blue" at Larkin Durey in London. The show features meticulous ballpoint pen drawings on found fragments of philosophical and historical texts, exploring themes of memory, connection, and loss. For this series, Hajallie switched from black to blue ink as he grapples with the stillbirth of his daughter and the loss of his sister four years ago. Works include self-portraits and depictions of Black cultural figures, conveying emotions such as despair, confusion, numbness, and care.

Artist appointed, axed then reinstated from Venice Biennale triumphs

Khaled Sabsabi, a Lebanese Australian artist, presents his installation 'conference of one's self' at the Australia Pavilion of the Venice Biennale, alongside a second work 'khalil' in the main exhibition 'In Minor Keys' curated by Koyo Kouoh. His participation follows a tumultuous period in February 2025 when he was initially appointed to represent Australia, then controversially sacked by Creative Australia's board after a political dispute triggered by Senator Claire Chandler's comments, and later reinstated. Sabsabi is now one of only three artists in the Biennale's 131-year history to show in both a national pavilion and the main exhibition.

At the Venice Biennale, protests, self-mutilation and rage against Israel and Russia. Is anyone left to talk about the art?

At the 61st Venice Biennale, protests and controversies have overshadowed the art itself. The Art Not Genocide Alliance (ANGA) demonstrated against the inclusion of Israel and Russia, while the Israeli Pavilion became a flashpoint. Artist Belu-Simion Fainaru, presenting his installation "Rose of Nothingness" in a temporary space, complained that he was forced to defend his art's right to exist amid questions about politics rather than his work. The Biennale also saw barricades, strikes, the resignation of the Golden Lion jury, Iran's last-minute withdrawal, and anger directed at the American pavilion over Trump administration policies. The central exhibition, "In Minor Keys," curated by the late Koyo Kouoh, was eclipsed by these events.

Since 1968, Protests Have Revealed the Real Impact of the Venice Biennale

The article recounts the 1968 protests at the Venice Biennale, where artists, students, and activists clashed with police over the event's perceived ties to bourgeois power and capitalist commodification. It draws parallels to the 2024 Biennale, where groups like Art Not Genocide Alliance, Pussy Riot, and Femen demonstrated against the participation of Russia and Israel, while artists staged strikes and performances like the Solidarity Drone Chorus to highlight the Gaza conflict.

TOXIC’s ‘ALWAYS EVER SINCE 83’ brings four decades of uncompromising practice to Woodbury House

Torrick Ablack, known as TOXIC, will present a major solo exhibition titled 'ALWAYS EVER SINCE 83' at Woodbury House in London from 14th May to 26th June 2026. The show features new paintings alongside rarely seen early works dating back to 1983, marking what the gallery calls a long-overdue recognition of TOXIC's career. TOXIC emerged from the downtown New York scene of the early 1980s alongside figures like Jean-Michel Basquiat, Keith Haring, and Rammellzee, and participated in the landmark Post-Graffiti exhibition at Sidney Janis Gallery in 1983. The exhibition positions 1983 as a psychological and artistic turning point, tracing over four decades of his uncompromising practice.

Pro Arts Jersey City presents A Margin of Influence: Artists and the books that inform them

Pro Arts Jersey City presents "A Margin of Influence: Artists and the books that inform them" at ART150 Gallery from May 8-31, 2026. Curated by Raymond E. Mingst and Arthur Bruso, the group exhibition features ten artists—including Agnieszka Wszolkowska, Alvin Quiñones, Brad Terhune, Dorie Dahlberg, Elliot Appel, Hank Yaghooti, Josephine Barreiro, Laura Lou Levy, Nanette Reynolds Beachner, and Peter Delman—who explore how books shape their creative practice. The show runs weekends with an opening reception on May 8.

Felix Art Fair brings good vibes—and healthy sales

The Felix Art Fair returned to the Hollywood Roosevelt hotel in Los Angeles, maintaining its reputation for a relaxed, community-focused atmosphere. Gallerists utilized the hotel's cabana suites and upper floors to showcase a diverse range of works, with a notable emphasis on artists blending craft, design, and fine art. The fair's unique hotel-based model continues to attract both returning participants and twenty first-time exhibitors who appreciate the lower overhead costs compared to larger fairs like Frieze.

Skylands Museum of Art presents Spotlight on the Artist: Massimo Rao

The Skylands Museum of Art in Lafayette, New Jersey, has opened a new exhibition titled "Spotlight on the Artist: Massimo Rao," featuring eight works by the late Italian artist from the museum's permanent collection. The display includes oil and tempera paintings, lithographs, and drawings, such as "Portrait" and "Shelter Made of Ashes & Recollections," and will run through October 2025 in the museum's Sanctuary Gallery. Rao, known for his classic yet mysterious style blending Renaissance influences with Nordic Mannerism and pre-Raphaelite approaches, often depicted surreal, moonlit figures and was called "the Painter of the Moon." Born in 1950 near Naples, he studied art history and architecture, exhibited internationally, and died in 1996 at age 46; his hometown opened a museum dedicated to him in 2012.

Louvre: Emmanuel Macron's Obstinacy

Louvre : l'obstination d'Emmanuel Macron

Emmanuel Macron, less than a year before leaving office, continues to push controversial projects that harm French historical monuments and museums, including the Louvre's Colonnade project. The article criticizes these initiatives as detrimental to cultural heritage, while noting that his only promising project, the Musée de l'Œuvre Notre-Dame, has been shelved. The piece also highlights the appointment of Christophe Leribault as director of the Louvre as a positive step, but argues that Macron's overall record on cultural heritage is damaging.

Karmic Modernism. In Conversation with Elizabeth Englander by Nick Irvin

Elizabeth Englander, an artist working primarily in assemblage with materials like children's furniture, nutcrackers, and old clothing, discusses her recent exhibitions and spiritual approach to art in an interview with Nick Irvin for Flash Art. The conversation covers her show "The Elizabethan Lumber Room" (2026) at a. SQUIRE in London, the modular barrister's bookcase inherited from her mother, and her "Parinirvana" series (2025) that explores themes of death and sacred art through papier-mâché, paint, and mylar. Englander also references influences such as Constantin Brâncuși, her graduate advisor Tom Weaver, and Erwin Panofsky's writings on tomb sculpture.

art knight foundation kristina newman scott miami

Cultured magazine profiles Kristina Newman-Scott, the newly appointed Vice President for Arts at the Knight Foundation, ahead of Miami Art Week. Newman-Scott, a former practicing artist who led Connecticut's Office of the Arts and State Historic Preservation Office, discusses her career journey and her vision for integrating culture into community development. The article also highlights Maribel Pérez Wadsworth, Knight's President and CEO since 2023, and the foundation's $485 million investment in arts and culture over the past two decades.

art fashion womens history museum devan diaz

Women's History Museum, the collaborative duo of Mattie Barringer and Amanda McGowan, presents their first institutional solo exhibition in the U.S., "Grisette à l'enfer," at Amant in Greenpoint, Brooklyn. The show reimagines the 17th-century French grisette—a working-class woman who was both a laborer and a style icon—through a blend of past video, fashion, and sculpture, staged as a re-creation of a shopping experience. Works like "For a Moment I Have No Pain" (2025) and "Lit Reliquaire de Mary Magdalene" (2025) explore femininity, desire, and the price of beauty, with references to the 1911 Triangle Shirtwaist Factory Fire and the artists' own history meeting at that site.

Cinematic Painting Series

Cary Kwok's exhibition at Sessions Arts Club in London presents four new paintings created with support from Herald St, Cabin Studio, Jonny Gent, and David Southard. The works, rendered in acrylic and ink on paper, explore still lifes, silhouettes, and staged interiors inspired by 1980s visual culture, including interior design, cinematography, fashion editorials, and advertising. Featured pieces include *Eclipse* (2026) and *Anticipation* (2026), with the artist's signature subtly embedded in objects like jewelry and glassware. The show opens May 18 and is viewable by appointment or during dining hours, alongside a related wine label collaboration for the Sessions Arts Club Lost Wines Project.

Lee Mingwei at Perrotin Gallery in Paris: an exhibition exploring connection, gesture, and ritual

Perrotin Gallery in Paris is presenting "When Beauty Appears," a solo exhibition by Taiwanese artist Lee Mingwei, running from April 25 to May 30, 2026. The show features seven interactive works created between 1995 and 2025, including pieces like "The Moving Garden," where visitors take a flower to give to a stranger, and "The Mending Project," which invites participants to repair garments with colored threads. The exhibition emphasizes ritual, exchange, and lived experience over passive observation.

Special Edition : The Photography Show presented by AIPAD

The Photography Show presented by AIPAD, the world's longest-running photography fair, takes place April 22-26, 2025 at the Park Avenue Armory in New York. The 2026 iteration features exhibitors from around the world, including new participants like Galerie Sophie Scheidecker, Ruiz-Healy Art, and Leica Gallery New York, alongside returning galleries such as Augusta Edwards Fine Art and IBASHO. The fair introduces a new solo presentation sector called Focal Point, designed by architecture firm Oficina.la, and will host the Aperture Portfolio Prize for the first time. Over a third of exhibitors are women-led or founded, and Latin American photography is prominently featured. Events include AIPAD Talks, the AIPAD Award, and the AIPAD Lifetime Achievement Award, with MUUS returning as Lead Cultural Partner.

This beloved pop culture art gallery in L.A. is closing after 20 years — is AI to blame?

Gallery 1988, a pioneering Los Angeles institution that branded itself as the world's first pop culture-focused art gallery, will cease operations at the end of April after 20 years. Founded in 2004, the gallery became a cult favorite for its tribute exhibitions dedicated to films, video games, and television, often drawing massive crowds for shows like "Crazy 4 Cult." Owner Katie Sutton cited a historically weak art market and the loss of a physical storefront as primary factors in the decision to close.

Here's what's at Southwest Florida art centers in August

Southwest Florida's art centers are hosting 29 exhibitions in August, spanning venues from Sarasota to Marco Island. Highlights include Art Center Sarasota's juried show 'Vice and Virtue' exploring morality, Jacob Z. Wan's LGBTQ+ intimacy-themed mixed media installation 'Me, Myself and I, Vol. 3', a youth exhibition 'INK: Quilt of Identity' by ALSO Youth, and Dorothea (D') Calvert's ceramic series 'Praxis'.

Independent art fair adjusts as market slows

The Independent art fair in New York, running until 11 May, features 85 exhibitors—its largest edition yet—with 26 solo debuts. Amid a slowing art market, galleries are adjusting pricing strategies, with a notable increase in works priced between $10,000 and $20,000, which now account for about one-third of offerings. Several galleries reported strong sales during the VIP preview, including Long Story Short selling six works by Keita Morimoto and Ricco Maresca Gallery selling out its vintage board game collection for a six-figure sum. Co-founder Elizabeth Dee noted that VIP registrations were up 30% year-over-year, and dealers like Charles Moffett deliberately chose established artists to match collector comfort levels.

Esther fair brings global galleries to Manhattan’s Estonian House

The Esther art fair, founded by Estonian dealers Olga Temnikova and Margot Samel, is holding its second edition at the Beaux-Arts Estonian House in Manhattan through May 10. The boutique fair features 25 galleries from the US, Europe, and Asia, including James Fuentes, Sargent’s Daughters, Pangée Gallery, Kogo Gallery, Ivan Gallery, Sophie Tappeiner, and Bank. New additions include on-site fashion designers Julia Heuer and Laivi creating custom t-shirts. Participation fees have risen from $1,500 to $2,500, allowing the founders to hire staff, but the fair remains vulnerable to global shifts such as US trade policies and immigration crackdowns that affect art shipping and artist travel.

The Photography Show fair in New York sets new attendance record

The Photography Show, presented by the Association of International Photography Art Dealers (AIPAD), returned to New York’s Park Avenue Armory for its second consecutive year from 23-27 April, featuring 64 exhibitors. The fair set a new attendance record with nearly 15,000 visitors, driven by strong foot traffic and a buzz around the iconic venue. Executive director Lydia Melamed Johnson noted the optimism surrounding the fair, which also highlighted Indigenous women photographers such as Jessica Eaton, Cara Romero, and Shelley Niro.

An exhibition centered on Bartholdi's Champollion, deposited in Nogent-sur-Seine

Une exposition autour du Champollion de Bartholdi, déposé à Nogent-sur-Seine

The Musée Camille Claudel in Nogent-sur-Seine is hosting a new exhibition centered around Auguste Bartholdi’s monument to Jean-François Champollion. The statue, recently transferred from the courtyard of the Collège de France by the Fonds national d’art contemporain, serves as the focal point for a display that explores the history and significance of the work. The exhibition provides a scholarly counter-narrative to recent ideological criticisms surrounding the monument's iconography.

US Border Wall Construction Damages 1,000-Year-Old Indigenous Land Art in Arizona

Construction crews building a barrier between the United States and Mexico have damaged a 200-foot-long etching of a fish embedded in the land in Arizona, known as the Las Playas Intaglio, which is thought to be 1,000 years old. According to a report in the Washington Post, workers destroyed a 60-to-70-foot portion of the ancient Indigenous land art as part of President Donald Trump’s $46.5 billion border-wall project. Satellite imagery confirmed the destruction, showing bulldozer marks running through about a third of the fish formation. U.S. Customs and Border Protection acknowledged the incident, stating that a contractor inadvertently disturbed the cultural site on April 23, 2026, and that the remaining portion has been secured.

A Theatre Group of Exiled Belarusian Artists Arrive in Venice, With an Exhibition That Shows What Repression Feels Like

The Belarus Free Theatre, an exiled underground theater group, will stage its first official collateral exhibition at the 61st Venice Biennale, titled “Official. Unofficial. Belarus.” The show, held in the historic La Chiesa di San Giovanni Evangelista di Venezia, features site-specific paintings, a sound installation, and large-scale sculptures that aim to immerse visitors in the experience of repression under authoritarian rule. This marks only the fifth time Belarus has been present at the Biennale, and the first time it appears not as a state but as a self-governing cultural body, challenging the official narratives of nations like Russia.

Shakespeare’s London Home Finally Located After Centuries of Mystery

Scholar Lucy Munro of King’s College London has identified the precise location of William Shakespeare’s only owned London home in the Blackfriars neighborhood. By analyzing a 1668 property map created after the Great Fire of London, Munro pinpointed the site—now occupied by Ireland Yard and St. Andrew’s Hill—which was previously known only through vague historical references to the Blackfriars Gatehouse.

Artnet and Artsy Come Together Under Shared Leadership

Artnet and Artsy, two of the most influential digital platforms in the art world, have merged under a single leadership structure following a series of acquisitions by Beowolff Capital. Jeffrey Yin has been appointed CEO of the unified company, while Beowolff founder Andrew Wolff will serve as chairman. Despite the shared management, both entities will maintain their distinct branding, with Artnet focusing on market data and journalism while Artsy continues its emphasis on art discovery and e-commerce.