The exhibition "état bruit" at Konschthal Esch explores the concept of noise as a form of interference, cultural signal, and political tool. Featuring works by seven contemporary artists, including Nik Nowak’s Indonesian-inspired sound truck and Open Group’s haunting video installation of refugees mimicking artillery, the show investigates how sound reflects both community identity and the trauma of conflict.
The Yale School of Art is hosting "Tender Hell," an exhibition showcasing the thesis work of five Master of Fine Arts students in graphic design. The show features the work of Michael Stevens, Amy Fang, David Wonsik Jung, Camille J. Gwise, and Izza Alyssa, who utilize diverse media including collage, metal sculpture, and large-scale grids to explore the intersection of design and personal narrative.
Wittenberg University’s Art Department recently debuted "Prologue to Somewhere," a senior thesis exhibition held in the Ann Miller and Thompson Galleries. The showcase features diverse works from nine graduating seniors, ranging from traditional oil painting and stoneware ceramics to digital media, photography, and interactive video game design. Notable projects include Francesca Heidinger’s Pink Floyd-inspired abstract paintings, Kris Such’s queer horror comic concept art, and Molly Kirkpatrick’s mental health-focused digital experience.
The Vantaa Art Museum Artsi has launched "Empathy," a multifaceted exhibition exploring the psychological, social, and technological dimensions of emotional connection. The show features diverse works that examine how facial expressions and gestures communicate feelings, while also addressing the power dynamics of who is allowed to tell their story. A central highlight is Ali Akbar Mehta’s immersive installation, which utilizes an archive of 30,000 video clips and XR technology to analyze how digital algorithms and visual overexposure to violence affect human compassion.
The newly formed Estonian women’s contemporary art collective, Phoenix, has launched its latest group exhibition titled "Quintessence" at the Vabaduse Gallery in Tallinn. Curated and designed by Eveli Varik, the show features works from 17 members of the collective, including Marina Aleksejeva, Lylian Meister, and Tiiu Rebane. The exhibition explores the Aristotelian concept of the "fifth essence," or ether, serving as a metaphor for the distilled core of creative power and the spiritual immersion required for artistic rebirth.
Artist Vic Liu and abolitionist organizer Mariame Kaba have launched "The Warehouse," a large-scale exhibition at the Brooklyn Public Library’s Bedford branch. Featuring over two dozen paintings and a dedicated children’s wing, the installation explores the concept of prison abolition by visualizing a society supported by robust healthcare, housing, and community care. The project moves away from traumatic imagery, instead focusing on the humanity of incarcerated individuals and the tangible possibilities of a world without prisons.
Christopher Moller Gallery in Cape Town is set to host "Echoes of Home," a group exhibition featuring the works of Mpho Feni, Lionel Mbayiwa, and Olamide Ogunade. The show explores the evolving concept of identity and heritage across the African continent, contrasting traditional ancestral knowledge with contemporary lived experiences. Each artist provides a unique lens: Mbayiwa focuses on Shona cosmology, Ogunade utilizes introspective symbolism to capture the fragility of memory, and Feni documents the communal rituals of everyday family life.
The Shenzhen Museum of Contemporary Art and Urban Planning is currently hosting "Walking in the Sun — Ai Jing Art Exhibition 2026," a major solo retrospective of the multidisciplinary artist Ai Jing. Curated by He Guiyan, the exhibition features a diverse range of works including painting, sculpture, and a significant installation involving 150 bags of black soil transported from the artist's hometown of Shenyang. The show is structured into three thematic sections that explore the artist's personal history and her philosophical engagement with the concept of "walking" as a metaphor for life's journey.
The Gadsden Arts Center & Museum is hosting "residual heat," a comprehensive exhibition featuring works by MFA, BFA, and BA students from Florida State University’s Department of Art. Curated by Professor Carrie Ann Baade alongside students Audrey Lendvay and Stephanie Rowe, the show includes a diverse array of media such as painting, sculpture, and photography. The collection specifically explores thematic concerns regarding memory, temporal change, and the concept of what persists over time.
Gallery Veronique in Cincinnati has announced the opening of "The Art of Dr. Seuss," a permanent and exclusive exhibition featuring the artistic legacy of Theodor Seuss Geisel. The collection includes concept art from classics like The Cat in the Hat and How the Grinch Stole Christmas!, as well as his private "Midnight Paintings" and "Unorthodox Taxidermy" sculptures. This marks the first time this body of work has found a permanent home in Ohio, offering fans and collectors a rare look at the author's surrealist and personal creative output.
The National Pavilion UAE has unveiled details for its exhibition at the 2026 Venice Biennale, titled "Washwasha." Curated by Bana Kattan with assistant curator Tala Nassar, the show features six artists—Mays Albaik, Jawad Al Malhi, Farah Al Qasimi, Alaa Edris, Lamya Gargash, and Taus Makhacheva—whose works explore contemporary soundscapes, memory, and transformation in the UAE. The exhibition will be housed in a pavilion designed by Buro Koray Duman Architects, featuring a series of chambers that transition from intimate listening spaces to areas of sonic overlap.
Serakai Studio has launched its inaugural exhibition, "Certainly," at its new Wong Chuk Hang space, Gold, in Hong Kong. Curated by Tobias Berger, the show features 50 works by 11 international artists and takes its conceptual cue from La Monte Young’s 1960 Fluxus score, "Draw a straight line and follow it." The exhibition explores the impossibility of perfection and the necessity of embracing unpredictability and experimentation in a volatile global climate.
Gold by Serakai Studio has launched its inaugural exhibition, "Certainly," in Hong Kong’s Wong Chuk Hang district. Curated by Tobias Berger, the former head of art at Tai Kwun, the show features 50 works by 11 diverse artists that explore themes of unpredictability and experimentation. The exhibition takes its conceptual cue from La Monte Young’s 1960 Fluxus score, "Draw a straight line and follow it," using the impossibility of that task as a metaphor for navigating global instability.
Curators Maureen Ragalie and John Brogan have launched "The Art Thingy Part 1," a one-day experimental exhibition at Task Creative in Cudahy, Wisconsin. Featuring works by five artists—Heidi Parkes, Julie Brogan, Meg Lionel Murphy, Anita Ragusa, and Phoenix S. Brown—the show is framed as a "notes-app inspired experiment" that envisions an art market governed by creators rather than traditional institutional gatekeepers.
The Department of Art & Design has announced the Integrative Studio II student-led exhibitions, scheduled to run from March 3rd through March 6th, 2026, at the Finley Gallery and Annex Galleries. The showcase is the result of a six-week intensive study where visual arts majors used the piñata as a conceptual starting point to explore themes of history, materiality, and transformation. The exhibition is split into two distinct sections: "From the Outside In," which focuses on personal memory and cultural background, and "Divergence of Reactions," which addresses complex emotional themes such as anxiety and the fragility of life.
Artist Henrike Naumann, who was selected alongside Sung Tieu to represent Germany at the 2024 Venice Biennale, has died at age 39. She passed away on February 14 in Berlin after a short, serious illness, which her website specified was a late cancer diagnosis. The Institut für Auslandsbeziehungen (Ifa), which oversees the German Pavilion, confirmed her death and stated that her planned work for the Biennale will be realized posthumously according to her completed vision.
Elizabeth Talbot from TW Gaze explores the concept of collecting ahead of a sale of international contemporary art at Diss Auction Rooms on February 17. The auction features over 20 Australian Aboriginal works by artists like Mary Anne Nampijimpa Michaels and George Ward Tjungurrayi, six works by Chinese artist Huang Simao, and a painting by American artist Douglas Stewart, all from the estate of a Norfolk collector who sourced pieces worldwide.
Two best friends, Amir Amini and Saina Heshmati, founded ANTiPODE gallery in Seattle in September 2025. The gallery prioritizes immigrant and established artists, with 70% of exhibitions dedicated to immigrant artists and 30% to local artists, aiming to act as a cultural bridge between Seattle and cities like Tehran. The founders previously curated a group exhibition called "Postcard from Tehran" at the RailSpur building, which inspired the gallery's mission. ANTiPODE also hosts events such as movie nights and experimental music and dance performances to connect with the local community.
Blunk Space, a gallery known for its focus on craft and design, has mounted an exhibition titled "100 Candleholders" that elevates the everyday object of the candleholder into a subject of artistic exploration. The show features works from numerous artists, each contributing a unique interpretation of the humble candleholder, transforming it from a functional item into a sculptural and conceptual piece.
Barton Art Galleries in Wilson, North Carolina, will open "Parallel Origins: From Distant Roots to Shared Worlds" on February 5, 2026, featuring works by Robert Smith and José Bayro C. The exhibition runs through March 13 and pairs two artists who share a studio in Puebla, Mexico, but present distinct bodies of work exploring memory, material, and personal history. It marks Barton College's first dual-artist residency, during which Smith and Bayro will collaborate with students in the "Studio Concepts" course, lead community workshops, and engage in open studio sessions and interdisciplinary conversations.
An art exhibition titled “Temporal: Deception” is being held at BRICK Studio in Yangon, Myanmar, from December 25 to 29, 2025. The show features works by two artists, Win Myint Oo and Sithu, who explore the concept of time through different perspectives, beliefs, and experiences. Win Myint Oo presents three collage pieces—'Time Consumes Time', 'Time Consumes Man', and a third untitled work—that examine themes of impermanence, the cycle of Samsara, and the relationship between body, machinery, and soul, accompanied by poetry from Nwe Oo Hlaing.
Hong Kong's first large-scale art dome, FutureScope, has opened at Kai Tak Sports Park, running from December 19, 2025 to January 4, 2026. The dome features 'Perpetual Records', an immersive exhibition co-created by local media art studio XCEPT and Japanese artist Daito Manabe. Visitors can interact with 360-degree projections using facial recognition technology that translates their expressions into geometric patterns and alters an adaptive soundscape. Ticketed performances from January 2 to 4 offer deeper engagement with the artwork through live audio-visual sessions guided by XCEPT's artistic director Chris Cheung (h0nh1m).
David Drake, also known as Dave the Potter, was an enslaved African American ceramicist and poet in 19th-century South Carolina who inscribed his stoneware jars with defiant poetry at a time when teaching enslaved people to read or write was a crime. The article argues that despite his recognized genius, Drake was not fully an artist during his lifetime because he was denied the fundamental right to own, control, and benefit from his creations—a right the Berne Convention calls 'inalienable.' Only recently, after the Museum of Fine Arts Boston returned two of his jars to his heirs, has Drake begun to receive the full recognition and economic justice that define true artistic status.
Soul Basel, a signature cultural showcase rooted in Miami's Historic Overtown, returns December 2–7, 2025, spotlighting the art and heritage of the African diaspora. The event features exhibitions, performances, and community activations across multiple locations including the 9th Street Pedestrian Mall, Black Archives Lyric Plaza, and Brightline MiamiCentral, with highlights such as the Miami MoCAAD 10th Anniversary Exhibition and the Everyday People Exhibit.
Richmond artists have come together for a group exhibition titled 'Fall of Freedom' at Antennae Gallery. The show features works by multiple local artists responding to themes of political and social change, reflecting on the concept of freedom in contemporary America. The exhibition is organized as a collective response to current events, with participating artists contributing paintings, sculptures, and mixed-media works that explore loss, resistance, and resilience.
An exhibition titled “Unspoken Resilience: Healing from the Lewiston Shooting Two Years In” is on view at the University of New England Art Gallery in Portland, Maine. Co-curated by Michelle Ames and Meryl Troop, the show features work by deaf artists and craftspeople alongside color photographs of Lewiston by Michael Kolster. It was created in response to the October 2023 mass shooting at Schemengees Bar & Grille in Lewiston, which killed 18 people, four of whom were deaf. Ames, co-director of deaf services at Disability Rights Maine, was frustrated by the lack of ASL interpreters in media coverage and helped organize community support. The exhibition includes pieces that explore Deaf culture, healing, and the concept of De’VIA (Deaf View/Image Art), a term defined in 1989 by deaf artists to express the Deaf experience through high contrast, intense colors, and symbolic imagery.
An art exhibition titled "Shopliftable" has opened at the 502 Gallery in Sarasota, Florida, featuring small-scale artworks that are intentionally easy to steal. The show, organized by co-owner and director Tim Jaeger, includes works by artists such as Nancy Hielscher, who presents a triptych from her "Yardwork" series depicting bromeliads, and Virginia Hoffman, who displays alternative-print photographs in antique negative holders. All pieces are for sale and span a variety of mediums, with many presented in sets.
The Ruth Chandler Williamson Gallery at Scripps College has opened a new exhibition, “Pintor de Poemas: Unseen Works by Alfredo Ramos Martínez,” featuring over 25 drawings and paintings by the Mexican modernist. Guest curator Robin Dubin, director of Louise Stern Fine Arts, organized the show to highlight recently discovered works that reveal Ramos Martínez’s political engagements, challenging the long-held view of his art as merely decorative or folkloric. The exhibition is divided into four thematic sections—Indigenismo, Revolution, Labor, and War—and includes studies for his 1946 mural “The Flower Vendors,” which is housed nearby in the Margaret Fowler Garden.
Multimedia artist Im Youngzoo has won the Frieze Seoul Artist Award 2025, creating a new commission titled "Calming Signal" for this year's edition of the fair. The three-channel video installation explores how humans use learned and repeated gestures during times of collective unease, drawing inspiration from Norwegian dog trainer Turid Rugaas's concept of calming signals—instinctual behaviors animals use to de-escalate conflict. Im, born in 1982, works across video, installation, performance, and virtual reality, and has also been shortlisted for the 2025 Korea Artist Prize, with her work currently on view at MMCA Seoul.
The Museum of Contemporary Art Arlington presents 'Portals,' an exhibition curated by Donna Honarpisheh featuring three rising female artists—Aryana Minai, Shyama Golden, and Aiza Ahmed—who explore the concept of liminality through dreamscapes and half-seen worlds. Minai’s works use handmade paper, bricks, and skeleton leaves to create tactile portals and altars; Golden’s oil and acrylic paintings depict a surreal journey into a subconscious dream world inspired by 'Alice in Wonderland' and Sri Lankan folklore.