Ephemeral Geographies: Where Land, Light and Time Shift at Gallery Pradarshak

A group exhibition titled 'Ephemeral Geographies: Where Land, Light and Time Shift' opens at Gallery Pradarshak in Mumbai on April 24, 2026. The show features ten emerging and mid-career Indian artists—Alistan Dias, Amol Pawar, Bhoomika Karbhari, Manthan Tambe, Meetul Agarwal, Pradip Suryawanshi, Rohan Bhavsar, Sharu Anjirbag, Siddhant Bansod, and Suresh Jangid—who present landscapes across mediums like painting and mixed media as evolving conditions shaped by perception, memory, and atmospheric change.

‘A nuclear explosion of happiness’: Graphic artist Jim Phillips opens first solo gallery in Santa Cruz

Graphic artist Jim Phillips, the 81-year-old creator of the iconic "Screaming Hand" logo for Santa Cruz Skateboards, has opened his first solo gallery in his hometown of Santa Cruz, California. The exhibition, titled "Jim Phillips: New Fine Art Prints and Classic ’70s and ’80s Pen and Ink Drawings," runs at the R. Blitzer Gallery and features 15 new large-scale art prints and 30 hand-drawn pen-and-ink works from 1971 to 2026. The show includes his famous "Screaming Hand" and "Hand Wave" pieces, alongside surf, skate, and rock poster art from his career, which includes work for The Doors, James Brown, and Neil Young.

The painter who pulls light from the darkness

Toronto-based artist Laura Findlay presents *Night Vision*, a solo exhibition at Glenhyrst Art Gallery in Brantford, Ontario, featuring ethereal oil paintings of nocturnal garden scenes. Using an Old Masters subtractive technique, Findlay applies dark glazes and wipes away pigment to create luminous images of birds, blooms, and bats that appear to emerge from darkness. The show runs through the spring of 2026.

'Optical debris': Be transported to a world of light and shadows at unique art exhibit

Two Vancouver-based artists, Emilie Fantuz and Gillian Richards, are showcasing their work in a joint exhibition titled "Liminal City" at the Pendulum Gallery in downtown Vancouver. The show explores the effects of light and shadow in painting, with Fantuz focusing on what she calls "optical debris"—bursts of light and shadows that fracture contemporary vision—while Richards highlights transitional urban spaces and functional architecture, elevating overlooked everyday scenes. Fantuz, who is completing her MFA at Emily Carr University, has shifted from detailed neighborhood paintings to abstract studies of light and perception, often filtered through windows and screens. Richards, a former scenic artist in the film industry, uses photography as a starting point to capture intimate views of utilitarian structures.

"Shared Spaces" Opens Season at Haley Art Gallery

Haley Art Gallery in Kittery, Maine, has opened its 21st season with the group exhibition "Shared Spaces," featuring works by Paul Burke, Sheridan Cudworth, Barbara D’Antonio, Jozimar Matimano, Bill Oakes, and Carlos Vega. The show runs through August, with gallery artist talks scheduled for June 13 and June 27. The gallery also offers special purchasing incentives for local business owners and designers, as well as a Victorian Tea-Time Art experience for groups.

New art exhibition on memory, landscape and emotion opens in Andover

A new art exhibition titled 'Undercurrent' has opened at Unity Art Studio in the Chantry Centre, Andover, running until May 16, 2026. The show features abstract works by artist Caroline Perkins, a Royal College of Art graduate and QEST Scholar, that explore themes of memory, landscape, deep time, and emotional experience.

Local creatives weave together art and action with month-long Orozco Gallery exhibit

Curator Yen Ospina has organized "We Are La Voz II," a month-long pop-up exhibition at Orozco Gallery on The Commons in Ithaca, running from April 3 to May 2. The nomadic gallery highlights Latine fiber artists, featuring works that evolve over time and include textiles, embroidery, and fiber paintings. The exhibition serves as a tribute to Debra Castillo, a Cornell professor who co-founded the first Orozco Gallery exhibit in 2024 and passed away in October 2025. Artists like Sarah Lopez and Carolina Osorio Gil contribute pieces that explore themes of identity, memory, and resilience, with Ospina using the project to process her grief and counter rising anti-immigrant rhetoric.

Gallery Times

Carlton Gallery in Blowing Rock, North Carolina, is hosting its 43rd Winter Group and Small Works Exhibition, featuring artwork in all media by standing gallery artists. The exhibition includes paintings, sculptures, wood, glass, clay, and wearable fiber by local and regional artisans, with notable works by George Cadell, Joe Mareka, Nancy Brittelle, Valerie Schnaufer, Mary Means, Bob Meier, Eric Reichard, and others. The gallery invites visitors for holiday cheer, and the show highlights winter landscapes, abstract compositions, and handcrafted jewelry. Separately, Blowing Rock Frameworks & Gallery promotes its collection of local art and framing services, emphasizing works by Elliott Daingerfield, North Carolina's most prolific artist.

Why Italy's cultural wealth never really enters public accounts and budgets?

Perché la ricchezza culturale italiana non entra mai davvero nei conti e nei bilanci pubblici?

Italy has exceeded the European Commission's structural adjustment path by 0.1 percentage points of GDP, reopening fiscal scrutiny. Amid this debate, the article highlights a deeper issue: Italy's immense cultural heritage is drastically undervalued in public accounts. For example, the Pompeii Archaeological Park is recorded at just €48.9 million, the Colosseum at under €15 million, and the Uffizi at about €2 billion—figures based on outdated 2002 ministerial criteria that bear no relation to actual economic or cultural worth. The State General Accounting Office, with the University of Roma Tre and EU technical assistance, has proposed a new methodology to value cultural assets by discounting their future net financial flows, including direct revenues and indirect tourism-related returns.

Mythical Creatures at the Met Cloisters

The Metropolitan Museum of Art will present "Creatures of Myth and Imagination: Europe and the Americas" at the Met Cloisters from May 18 to October 18, 2026. The exhibition explores hybrid mythical beings in visual arts from 500 to 1500 CE, featuring over 50 objects including paintings, sculpture, ceramics, ivories, textiles, and metalwork drawn mainly from the Met collection. It marks the first time ancient American art will be shown at the Met Cloisters, with key loans from the Museo del Templo Mayor in Mexico City, including a never-before-seen-in-New-York sculpture of the Zapotec "bat lord."

EastEnders' Jake Wood forced to close art exhibit amid 'abusive behaviour'

EastEnders actor Jake Wood has closed his art exhibition at Indelible Fine Arts in Brighton after a furious backlash over the inclusion of AI-generated imagery in his works. The gallery announced the decision, citing “abusive” messages directed at them and stating that the exhibition’s original message had been “lost.” Wood, known for playing Max Branning on the BBC soap, had curated the show to raise funds for Dementia UK, but controversy erupted when viewers discovered that some pieces—including portraits of Attenborough and Trump—incorporated pre-existing AI source imagery.

Exhibition | Lin Zhipeng, 'LIN ZHIPENG (NO. 223): Relationship Duplicates' at DE SARTHE, Hong Kong

DE SARTHE gallery in Hong Kong presents 'Relationship Duplicates', the second solo exhibition by Beijing-based photographer Lin Zhipeng (No.223). The show, on view from May 16 to June 27, explores the tactile, intimate dimensions of human relationships through large-scale photoprints, a smartphone installation, and curated collages. Lin redefines 'duplicates' as supplements that extend relationships rather than mere copies, using nudity and physicality to counter the alienation of digital connectivity.

KU students, teachers to show off form-defying ceramics at Off-Site Art Gallery exhibition

University of Kansas students and teachers are showcasing ceramics that defy gravity and traditional form at Off-Site Art Space in Lawrence. The exhibition, titled “Almost a Body: Not Quite a Thing,” features works by artists-in-residence Seuil Chung and SunYoung Park alongside their students, including pieces like Natalie Slutsky’s “Vital Exchange,” an anatomical heart with arteries forming a Möbius strip. The show highlights innovative techniques such as using sand-filled brick boxes for firing, French cleat mounting systems, and beeswax finishes inspired by natural forms from the McGregor Herbarium.

Public Tour | Graduation Weekend Tour: Looking Back Toward the Future

The Mildred Lane Kemper Art Museum at Washington University in St. Louis is hosting a public tour on May 14, 2026, as part of its Graduation Weekend programming. The tour will explore the exhibition "Looking Back Toward the Future: Contemporary Photography from China," which features over forty large-scale photographs by fourteen Chinese artists created between 1993 and 2006. The exhibition is organized into three thematic sections—The Presence of the Past, East and West, and Performance and the Body—examining how artists used photography and performance to critique China's post-1989 sociopolitical and cultural shifts. This is the first time these works are on view at the museum, and they represent a significant recent addition to its contemporary Chinese art collection.

Mennello Museum’s 'Our Orlando' group show returns, featuring three innovative local artists

The Mennello Museum in Loch Haven, Orlando, has launched the fourth edition of its 'Our Orlando' group exhibition, featuring three local artists: Tasanee Durrett, Mado Smith, and Martha Jo Mahoney. The show, curated by museum director Shannon Fitzgerald and co-curator Flynn Dobbs, includes four works each by Durrett and Mahoney and two by Smith, drawn from studio visits. The exhibition runs through late August with an opening reception on Friday.

Atlanta gallery turns political tension into art with ‘Politically inCorrect’ exhibition

EuGene V Byrd III has curated the 'Politically inCorrect' group fine art exhibition, now open at Railroad ATL inside the Future Gallery in Atlanta. Featuring over 50 artists and 110 to 120 works across painting, photography, sculpture, and collage, the show addresses what Byrd calls an overdue conversation about art and social responsibility. Inspired by W.E.B. Du Bois, the open-call exhibition asks artists to speak their truth on political and social issues, with pieces like Faif Quin's photograph referencing the killing of Charlie Kirk and Naylon D. Mitchell's portrait 'Mama Rosa' among the highlights. The exhibition runs through May 30.

Shahin Norouzi : Paintings

Shahin Norouzi's solo exhibition of paintings is on view at Negar Art Gallery in Tehran from October 20 to November 6, 2023, presented by Arena Fine Art Gallery. The show features 13 recent works, all titled "Untitled" and dated 2022, with prices ranging from $800 to $3,500, exploring gesture, rhythm, and repetition as performative and time-based practices.

Reconnecting with the Handmade: The Hart Gallery’s Ampersand student art exhibit

William & Mary students showcased their handmade artworks in the Hart Gallery's "Handmade" exhibit, held in conjunction with the Ampersand International Arts Festival. Curated by alumna Zara Fina Stasi '12, a Richmond-based artist and founder of Good for the Bees, the multimedia exhibition featured approximately a dozen student submissions including assemblage, collage, sculpture, sewn hangings, and traditional painting. Student curators Gibran Adnan '27 and Rebecca Graber '27 collaborated with Stasi to select and install the works, which explored themes of experimentation, self-expression, and the human process of creating by hand.

Studio Sessions: Raili Jänese

Artist Raili Jänese, an Estonian-born painter now based in Kirkland, Washington, creates colorful acrylic works that capture everyday human and animal behaviors with humor and tenderness. Her practice, which began after a corporate career, focuses on observation of mundane moments—people eating, drinking coffee, riding transit, and animals in urban settings. Her upcoming solo exhibition, "E.L.U," will be on view at Ryan James Fine Arts from May 1–31, 2025, with a Gallery Night on May 22. Jänese has shown work regionally at venues including Happy Time Studio Gallery, Oxbow Montlake, and the Seattle Art Fair, and has completed public art projects in Bellevue, Kent, Kirkland, and Seattle.

UK artist defends pro-Palestine drawings after show cancellation

UK artist Matthew Collings has condemned the cancellation of his art exhibition "Drawings Against Genocide" in Margate, England, after UK Lawyers for Israel (UKLFI) accused the show of being antisemitic. The exhibit featured 130 drawings depicting Israeli military, political officials, and business leaders, which Collings describes as artistic metaphors for Zionism, brutality, and violence. Collings insists the work is against genocide, not against Jews, and criticizes the conflation of antisemitism with pro-Palestine activism.

World Cup timing perfect for 'Kinetic Energy' exhibition, where 14 artists transform sports into art

The Cultural Council for Palm Beach County, in partnership with the Palm Beach Sports Commission, has opened "Kinetic Energy," an exhibition at the Cultural Council headquarters in Lake Worth Beach, Florida. The show features 14 Palm Beach County-based artists and over 25 works in various mediums, exploring the power and grace of sports. It runs through June 12 and is free to the public, timed to coincide with the upcoming FIFA World Cup 2026.

New Providence Artist Zenia Olesnyckyj Opens "Impressions of Alaska" Exhibition at Summit Free Public Library

Artist Zenia Olesnyckyj is presenting her exhibition "Impressions of Alaska" at the Gallery at the Summit Free Public Library from May 1 to June 30, 2026. The show features twenty mixed-media works inspired by the Alaskan landscape and the art of the Tlingit people, aiming to capture the grandeur and intimacy of the region through texture and color.

SOPAC Announces Farida Sherif as 2026 Paul Bartick Emerging Artist Award Recipient

The South Orange Performing Arts Center (SOPAC) has named Farida Sherif, a senior at Verona High School, as the recipient of its 2026 Paul Bartick Emerging Artist Award. Sherif was selected by an award committee for the strength, individuality, and compelling voice of her work, which she developed through SOPAC's Inspired Minds Young Artist Exhibition program. She will receive the award at a gallery opening reception on May 14, 2026.

DENMARK S PAVILION AT VENICE BIENNALE EXAMINES PORNOGRAPHY SCIENCE AND HUMAN REPRODUCTION

The Danish Arts Foundation has opened 'Things To Come', an exhibition by Danish artist Maja Malou Lyse at the Danish Pavilion in the Giardini, Venice, as part of the 61st International Art Exhibition – La Biennale di Venezia. Curated by Chus Martínez, the show runs until November 22, 2026, and features a film developed with the collective DIS, shot in a real sperm bank and special effects studio, alongside an installation titled 'Stars in My Pocket' that incorporates cryogenic fertility bank boxes and online 'sperm races' clips. The exhibition title references H.G. Wells' 'The Shape of Things to Come' and draws on scientific studies linking virtual sexual stimuli to increased sperm motility.

A Milano c’è la prima mostra omaggio all’artista Giovanni Campus dopo la morte

BUILDING Gallery in Milan has opened "Tempo e passione," the first posthumous exhibition dedicated to Giovanni Campus (1929–2025), who died less than five months ago at nearly 100 years old. Curated by Marco Meneguzzo, the two-floor show spans Campus’s career from his Sardinian roots to his Milanese performances, featuring works that measure space using materials like springs and cords, alongside vintage video documentation of his actions in Piazza Palazzo Reale and Sardinia.

South Coast Artists exhibition brings 112 works to Gallery X

The 2026 Members’ Invitational Exhibition organized by South Coast Artists Inc. is now on view at Gallery X in New Bedford, Massachusetts, through May 16. The show features 112 works by 61 artists selected from nearly 200 active members, spanning media such as photography, fiber, encaustic, porcelain, cyanotype, pastel, acrylic, oil, watercolor, mixed media, printmaking, digital art on metal, and found-object assemblages. Awards were presented at the opening reception on April 25, with first place going to Dot Bergen, second to Serena Parente Charlebois, and third to Robert Abele; juror’s choice awards were given to Diana Azevedo-Carns, Lindsey Epstein, and Heather Stivison, selected by independent juror Catherine Carter.

Iran has not withdrawn from 2026 Venice Biennale, pavilion commissioner says

Iran has denied withdrawing from the 2026 Venice Biennale, despite the Biennale's announcement that the country would not participate. Aydin Mahdizadeh Tehrani, director-general of visual arts at Iran's ministry of culture and Islamic guidance and the country's pavilion commissioner, stated that Iran requested more time rather than submitting a withdrawal. He cited the US-Israel war with Iran, political and economic challenges, and a sharp currency devaluation that tripled projected costs as reasons for the delay. Iran proposed a shorter two-to-three-month participation, which was rejected, but has since sent a letter insisting on opening its pavilion even after the opening. The foreign ministry has intervened to support Iran's participation, and a final response from the Biennale is expected soon.

Underground Railroad stop in New York threatened by real-estate development

A hidden chute within the Merchant's House Museum in Manhattan, identified as a rare surviving stop on the Underground Railroad, is threatened by a planned real-estate development next door. The two-foot-square vertical passage, concealed behind a built-in dresser, was built in 1832 by abolitionists Joseph and Susanna Brewster to shelter Black fugitives escaping slavery. The museum's western wall, which contains the hideaway, adjoins a one-story garage slated for demolition to make way for a commercial building, prompting the museum team to oppose the development due to risk of structural damage.

Amid Epstein Blowback, Bard President Leon Botstein Talks About Succession Plan But With No Timeline: Report

Leon Botstein, president of Bard College since 1975, has discussed retiring and transitioning to a faculty role as a historian and musician once a successor is found, following backlash over his ties to Jeffrey Epstein. According to a Times Union report, no timeline has been set, and the 79-year-old appears to have no immediate plans to leave. Botstein has held multiple meetings with students and staff since February, when details of his relationship with Epstein—including over 2,800 mentions in Epstein-related files—were revealed. He has characterized his eventual departure as a consequence of age, not the controversy, and stated that a search for a successor will begin after a law firm review of his Epstein interactions concludes by the end of May.

Dutch Commission Recommends New Guardianship for ‘Orphaned’ Nazi-Looted Art

A Dutch government-appointed committee has proposed transferring guardianship of thousands of unclaimed Nazi-looted artworks from a state agency to a Jewish foundation, preferably housed at the Jewish Museum in Amsterdam. The plan includes funding for exhibitions and explanatory labels to publicly display the so-called "orphaned" art from the Netherlands Art Property Collection.