Grant Wood's 1926 mural "Corn Room" has been restored and will serve as the centerpiece of a centennial exhibition at the Sioux City Art Center in Iowa. The mural, created by the painter best known for "American Gothic," depicts a vibrant interior scene dominated by corn motifs, reflecting Wood's regionalist style and his deep connection to the American Midwest.
Art historians and curators are re-evaluating the legacy of Frederic Church, arguing that his contributions extend far beyond his traditional classification as a Hudson River School landscape painter. New research highlights his sophisticated engagement with 19th-century science, his architectural achievements at his estate, Olana, and his role as a global traveler who captured the spirit of the Andes and the Arctic.
Contemporary artists continue to grapple with the legacy of Marcel Duchamp, specifically his 1917 readymade "Fountain." This analysis highlights four modern creators who have directly referenced or reinterpreted the iconic porcelain urinal to explore themes of gender, domesticity, and institutional critique.
Marcel Duchamp’s seminal Dadaist work, "Fountain," famously disappeared shortly after its 1917 debut at the Society of Independent Artists exhibition. To satisfy growing institutional demand and ensure the work's legacy, Duchamp authorized and oversaw the creation of several editions and replicas in the 1950s and 60s, which now reside in major museum collections worldwide.
A permanent gallery dedicated to the work of artist Ruth Asawa will open in San Francisco this spring. Located within the Minnesota Street Project in the Dogpatch neighborhood, the gallery's inaugural exhibition, "Ruth Asawa: Untitled," is scheduled to open on May 9th, managed by her family foundation, Ruth Asawa Lanier Inc.
Mary Lovelace O’Neal, the American painter, professor, and civil rights activist, has died at age 84. Born in Jackson, Mississippi, she was a co-founder of the Non-Violent Action Group while a student at Howard University, later earning an MFA from Columbia University. Known for monumental abstract works on soot-black surfaces, she developed her signature technique through the Lampblack series (1960s–70s) and continued evolving her practice through series such as Whales Fucking (1970s–80s) and Panthers In My Father’s Palace (1980s–90s). In 1985, she became the first African American woman to receive tenure in the Department of Art Practice at the University of California, Berkeley, where she taught for nearly three decades and served as chair from 1999 until her retirement in 2006.
A new exhibition at MoMu in Antwerp, guest-curated by Geert Bruloot, explores the enduring legacy of the 'Antwerp Six'—a group of visionary designers who graduated from the Royal Academy of Fine Arts in the 1980s. The show features dedicated rooms for members including Walter Van Beirendonck and Dirk Van Saene, showcasing their distinct aesthetics ranging from maximalist rave-wear to surrealist runway recreations. It traces their journey from a self-funded trip to a London trade fair in 1986 to becoming global icons who challenged the dominance of Parisian couture.
A new exhibition titled 'Louise Bourgeois: Echoes of the Morning' has opened at the PoMo museum in Trondheim. The show centers on a series of vibrant, visceral gouaches created by Bourgeois in the last four years of her life, presented in dialogue with major sculptural installations like 'Peaux de lapins, chiffons ferrailles à vendre' (2006) and 'Spider Couple' (2003). The exhibition offers an intimate, focused exploration of the artist's late work.
The New York City Department of Cultural Affairs has announced a shortlist of six finalists for a public monument honoring jazz singer Billie Holiday, to be installed outside the Jamaica Performing Arts Center in Queens. Among the top contenders are British sculptor Thomas J. Price and Bahamian conceptual artist Tavares Strachan, whose proposals include abstract bronze forms and a mirrored column, respectively. Other finalists are La Vaughn Belle, Nikesha Breeze, Nekisha Durrett, and Tanda Francis, all of whom consulted with Holiday scholars and family members to develop their designs.
The Sainsbury Centre in Norwich, England, has received a £91.2 million donation from politician and philanthropist Lord David Sainsbury, one of the largest gifts ever made to a UK museum. The funds will support a major refurbishment of the Grade II* listed building, originally designed by Norman Foster, including the conversion of the south cafe terrace into a sustainable space and the installation of photovoltaic panels. The museum was founded in 1973 through a donation from Lord Sainsbury’s parents, Sir Robert and Lady Lisa Sainsbury, who also commissioned Foster to design the gallery.
A Londra si può scoprire un Luigi Ghirri inedito in una mostra fatta di fotografie e parole. Recensione
A new exhibition titled "Felicità" at Thomas Dane Gallery in London presents previously unseen works by Italian photographer Luigi Ghirri (1943–1992). Curated by Alessio Bolzoni and filmmaker Luca Guadagnino, the show features unpublished photographs, fragments of atlases, postcards, posters, and mirrors, exploring Ghirri’s unique vision of everyday life as visual discovery. The exhibition spans two gallery spaces on Duke Street, juxtaposing interior and exterior scenes, and includes works by conceptual artists Félix González-Torres and Giorgio Morandi. A bilingual book, "Luigi Ghirri. Felicità" (MACK), accompanies the show, collecting the exhibited works and three essays by the artist.
Gallery Applications Open for Frieze Abu Dhabi
Milan's art scene is currently anchored by several high-profile exhibitions coinciding with the Miart fair. Key highlights include Cao Fei’s exploration of global farming and technology at Pirelli HangarBicocca, alongside Anselm Kiefer’s monumental tributes to female alchemists. Other notable shows feature historical and contemporary dialogues, ranging from Italian post-war masters to experimental multimedia installations.
The Brooklyn Museum will present the North American debut of "Iris van Herpen: Sculpting the Senses" from May 16 to December 6, 2026. The exhibition features over 140 haute couture creations by Dutch fashion designer Iris van Herpen, displayed alongside contemporary art, design objects, and scientific artifacts. It explores her fusion of traditional craftsmanship with cutting-edge technology, sustainability, and themes from nature and science. The show first opened at the Musée des Arts Décoratifs in Paris in 2023 and has traveled to QAGOMA, ArtScience Museum Singapore, and Kunsthal Rotterdam. The Brooklyn presentation coincides with the museum's annual Brooklyn Artists Ball, where Van Herpen will be honored.
An extremely rare original 1993 exhibition poster for a posthumous Jean-Michel Basquiat solo show at FAE Musée d'Art Contemporain in Pully-Lausanne, Switzerland is being offered for sale by Graves International Art. The offset-lithograph poster, featuring Basquiat's untitled 1982 painting, was designed by Pierre Neumann and comes from a private collection in Hamburg, Germany. The listing notes that no other example of this poster has appeared on the secondary market or at auction before, and it is issued unsigned and posthumous.
The Farnsworth Art Museum in Rockland, Maine, has opened a year-long exhibition titled "Maine: A Force Within American Art (1890-2026)" in honor of America's 250th anniversary. The show presents 150 works across media, highlighting the state's artistic legacy from the late 19th century to the present. It features leading modernists such as Marsden Hartley, John Marin, Charles Demuth, and Georgia O'Keeffe, who found inspiration in Maine's landscapes, as well as contemporary artists like Theresa Secord. The exhibition is curated by Jaime DeSimone and Francesca Soriano, in collaboration with multiple institutions including the Ellis-Beauregard Foundation and Skowhegan School of Painting and Sculpture.
ONE Art Space in Tribeca is hosting "Tribeca’s Midnight Parade — When Art Runs Wild," a solo exhibition of paintings by Chuck Connelly. Co-curated by Adrienne Connelly and MaryAnn Giella McCulloh, the show features the 1994 painting "Animals in the Street," which depicts Tribeca figures as animal archetypes, including a lion judge and the artist as a horse. The private opening drew a celebrity guest list including Princess Tina Radziwill, orchestrated by PR powerhouse Norah Lawlor.
The Surrey Art Gallery has launched "In the Shadow of the Pavilions," an exhibition exploring the complex artistic legacy of Vancouver’s Expo 86. Curated by Jordan Strom, the show features works and archival materials from over 50 artists, including those officially commissioned for the world’s fair and those who were excluded or responded critically to the event. Highlights include documentation of Michael Snow’s pioneering holography and Bill Reid’s Haida canoe, Loo Taas, alongside works by Stan Douglas and Rodney Graham.
The Women’s Art Registry of Minnesota (WARM), one of the oldest feminist art collectives in the United States, is celebrating its 50th anniversary. Founded in 1973 in Minneapolis, the collective emerged as a grassroots response to the systemic exclusion of women from mainstream galleries and museums, eventually establishing its own gallery space and a robust mentorship program that continues to support female-identifying artists today.
The National Gallery of Victoria in Melbourne is hosting a major exhibition of Cartier’s historic jewelry and objects, organized in partnership with the Victoria and Albert Museum. The showcase features over 300 items, ranging from the iconic 1917 Tank watch and the surrealist 1967 Cartier Crash to opulent commissions for figures like the Maharaja of Patiala, the Duchess of Windsor, and Grace Kelly.
Major Japanese institutions have announced their flagship exhibition schedules for April 2026, featuring a mix of international retrospectives and deep dives into domestic art history. Highlights include the National Museum of Western Art’s presentation of Lithuanian visionary M. K. Čiurlionis alongside Hokusai, and a significant ten-year memorial retrospective for Nakanishi Natsuyuki at the National Museum of Art, Osaka. Other notable shows include a sensory-focused photography exhibition at TOP Museum and a folklore-centric study of Lafcadio Hearn in Osaka.
Artists Space in New York is hosting the first comprehensive U.S. survey of photographer David Armstrong, featuring over 90 works spanning three decades. While often associated with Nan Goldin and the Boston School, the exhibition highlights Armstrong’s distinct evolution from raw black-and-white 1970s downtown portraits to his later blurred landscapes and Renaissance-inspired color photography.
The Vancouver Art Gallery has received a major gift of over 800 photographs by the acclaimed American photographer Stephen Shore. Donated by the Chan family, the collection primarily features Shore’s seminal series "Uncommon Places" (1973–81), which documented North American landscapes and interiors in vivid color. This acquisition establishes the gallery as one of the world's leading repositories of Shore’s work, with a dedicated exhibition of the series scheduled to open on March 27.
The Metropolitan Museum of Art has announced a major exhibition titled "Krasner and Pollock: Past Continuous," scheduled to run from October 2026 to January 2027. This landmark show will trace the parallel careers of Lee Krasner and Jackson Pollock, marking the first significant New York presentation for either artist in over two decades. The exhibition aims to examine their distinct yet interconnected practices as artistic peers and life partners, featuring galleries that both juxtapose their works and present them independently to highlight their individual evolutions in abstraction.
The Mandeville Art Gallery at UC San Diego is presenting the exhibition "Faith Ringgold: Full Circle – The Teachings and Her Legacy," curated by Mashonda Tifrere. The show, which opens on February 28, 2026, features 19 works spanning from 1976 to 2023, tracing the artist's evolution as a multidisciplinary storyteller and her influential tenure as a professor at the university.
Two concurrent exhibitions in Plymouth, England, are re-evaluating the work of the late British artist Beryl Cook, long dismissed by critics for her popular, humorous paintings of plump, joyful people. The Box gallery presents "Beryl Cook: Pride and Joy" (until 31 May), which places Cook within the Western art canon by tracing her influences from Peter Paul Rubens and Pieter Brueghel the Younger to Stanley Spencer and Edward Burra. The show features over 80 paintings, sculptures, textiles, and a personal archive, and is curated by Terah Walkup. A parallel exhibition at Karst gallery, "Discord and Harmony" (until 18 April), pairs Cook's legacy with contemporary artists like Olivia Sterling, Rhys Coren, and Flo Brooks, who similarly champion overlooked communities.
Tyler School of Art and Architecture at Temple University opened an archive exhibition at the Tyler Contemporary Art Gallery on September 5, reimagining the historic Pyramid Club, a cultural hub for Black professionals in North Philadelphia from 1937 to 1963. Curated by Matthew Jordan-Miller Kenyatta, the show features 34 paintings and 35 photographs by John Mosely, alongside works by contemporary artists like Shawn Theodore, and draws from archives by William Dodd, Leslie Willis-Lowry, and the Charles L. Blockson Afro-American Collection. The exhibition runs through its final month, with events drawing over 200 attendees.
This article presents a visual survey of works by Camille Pissarro, a key figure in Impressionism, featuring paintings such as "The Garden of Les Mathurins, property of the Deraismes Sisters, Pontoise" (1876), "The Pont-Neuf, Afternoon, Sunlight" (1901), and "Self-Portrait" (1873). The images are drawn from major museum collections including the Nelson-Atkins Museum of Art, the Philadelphia Museum of Art, the Musée d'Orsay, and the National Gallery of Art, among others. The article also promotes a members-only experience of a Pissarro exhibition.
The article compares J.M.W. Turner's and Claude Monet's depictions of Venice, arguing that Turner's watercolors capture the city's innate melancholy and atmosphere, while Monet's paintings feel unfulfilling and lack emotional depth. The author reflects on Turner's sublime Venice watercolours, particularly 'San Giorgio Maggiore, Venice, at Sunset' (1840), and contrasts them with Monet's works, which are the subject of a major upcoming show at the Brooklyn Museum. The piece also touches on Francesco Guardi's visceral views versus Canaletto's more pleasing but superficial ones, and Howard Hodgkin's later, elegiac response to the city.
Iranian artist Farhad Moshiri passed away on July 17, 2024, at age 61. A pioneering figure in Middle Eastern contemporary art, Moshiri made history as the first artist from the region to sell a work at auction for over one million USD, achieving this milestone twice—first with "Love" at Bonhams Dubai in 2008 and later with "Secret Garden" at Christie's Dubai in 2013. The article highlights his work "Toothpicker" (2008), now part of the Raha Gallery Collection, which was exhibited at the Saatchi Gallery in London in 2010 and sold at Christie's Middle East in 2014. Moshiri's practice combined pop art, kitsch, and precious materials like crystals and glitter, earning him a solo exhibition at the Andy Warhol Museum in 2017.
Baltimore-based artist Linling Lu, who trained as a classical pianist in southern China, discusses her work *Circle Dance* on view at the Frary Gallery in the Hopkins Bloomberg Center. The metal print features ten concentric orbs inspired by circle dances, geometry, and Renaissance tondos. Lu explains how her background in music informs her visual art, comparing color to a musical element and citing influences from Henri Matisse, Stravinsky, and tribal Miao circle dances. She also previews her upcoming solo exhibition *Fugue in 3 Voices* at Artis—Naples, The Baker Museum, which will respond to compositions by Dvořák, Stravinsky, and Beethoven.