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Star drawing from world’s largest private Rembrandt collection could bring $15m at auction

Billionaire entrepreneur Thomas S. Kaplan and his wife Daphne Recanati Kaplan are selling Rembrandt's drawing *Young Lion Resting* (circa 1638-42) from their Leiden Collection, one of the world's largest private holdings of 17th-century Dutch art. Sotheby's announced on November 3 that the work will be auctioned during its Old Masters sales in New York on February 4, 2026, with a pre-sale estimate of $15 million to $20 million. Proceeds from the sale will benefit Panthera, a wild-cat conservation organization co-founded by Kaplan and philanthropist Jonathan Ayers, marking the 20th anniversary of the organization's founding.

Catch of the day: Winslow Homer’s delicate watercolours get very rare outing in Boston

The Museum of Fine Arts (MFA) in Boston is presenting "Of Light and Air: Winslow Homer in Watercolour," a rare exhibition of the American painter's delicate watercolors, running from November 2, 2025, to January 19, 2026. The show brings together a rich selection of Homer's work, including childhood drawings, his final unfinished painting, and dozens of watercolors that are seldom exhibited due to their fragility and light sensitivity. Highlights include "Leaping Trout" (1889), the first Homer watercolor acquired by any museum, and works that depict the rugged New England coast and English seaside. The MFA, an early supporter of Homer's career, holds one of the largest collections of his work, and this is the first time many of these watercolors have been shown together in nearly 50 years.

Dubai’s first art museum to include ‘space for fairs’

Plans have been announced for Dubai’s first art museum, the Dubai Museum of Art (DUMA), a private initiative by the Al Futtaim Group. Designed by architect Tadao Ando, the five-story building will be built on an artificial jetty in Dubai Creek and shaped like a curved shell. The model was unveiled at a ceremony attended by Dubai’s ruler, Sheikh Mohammed bin Rashid Al Maktoum. The museum will include galleries, a restaurant, VIP lounge, and space for art fairs, though no timeline or collection details have been released.

THE SMOKING SECTION: GOTHAM CHELSEA UNVEILS FIRST ASHTRAY ART EXHIBITION FEATURING COMMISSIONED WORKS BY PREMIER ARTISTS

Gotham, the world's first cannabis concept store, has unveiled 'The Smoking Section,' its first commissioned art exhibition at Gotham Gallery in Chelsea, New York. Running from November 6, 2025, to January 5, 2026, the show features over 45 artists and designers—including Ridykeulous (Nicole Eisenman and A.L. Steiner), Daniel Gordon, Mika Tajima, Deborah Czeresko, and Peter Shire—who each created original ashtrays that range from functional to conceptual. Curated by Rachel Berks, Gotham's VP of Product Development & Partnerships, the exhibition explores the ashtray as both a ritual object and cultural symbol, linking cannabis culture to contemporary art.

Curator Conversation: Behind The Honest Eye

On October 25, 2025, co-curators Clarisse Fava-Piz, Claire Durand-Ruel Snollaerts, and Nerina Santorius will host a conversation at the Joslyn Art Museum in Omaha, Nebraska, offering a behind-the-scenes look at the exhibition "Pissarro’s Impressionism." The talk will explore Camille Pissarro’s life and legacy, from his Caribbean roots to his role in Impressionism, and detail how over 80 works were assembled for the first major U.S. retrospective of the artist in over 40 years. The event is sold out in person but will be livestreamed.

KAWS to take centre stage at second edition of Manar Abu Dhabi

The second edition of Manar Abu Dhabi, a public art initiative focused on light-based works, will launch on 1 November 2025, featuring 23 installations across four locations including Jubail Island and Al Ain. High-profile street artist KAWS will present a large-scale work showing his signature COMPANION figure reclining while lifting a lit moon. Other participating artists include Emirati sculptor Shaikha Al Mazrou, Dutch duo DRIFT, Maitha Hamdan, Ammar Al Attar, and Hamburg-based Christian Brinkmann, who will debut an interactive audio-visual piece called Floral Resonance.

'It's about world-making': Tavares Strachan on his expansive new Lacma exhibition

Tavares Strachan's new solo exhibition, *The Day Tomorrow Began*, has opened at the Los Angeles County Museum of Art (Lacma), running until 29 March 2026. Co-organized with the Columbus Museum of Art, the show features 20 new works across neon, ceramics, bronze, painting, text, and performance, exploring invisible histories and challenging white-centric narratives. The exhibition includes a spotlight on his *Encyclopedia of Invisibility* (2018), bronze sculptures referencing the Haitian Revolution, and a neon piece contrasting James Baldwin and Mark Twain. Strachan, who trained as a cosmonaut and collaborates with MIT scientists, also unveils a permanent participatory speakeasy called *Bar Room* in Columbus.

Weisman Art Museum shows rugs as the messengers of our stories

The Weisman Art Museum in Minneapolis is hosting "RugLife," a touring exhibition that transforms rugs into platforms for storytelling, history, and social commentary. Curated by Ginger Gregg Duggan and Judith Hoos Fox, the show features works by artists including Sonya Clark, Andrea Zittel, Nevin Aladağ, Ai Weiwei, and Ali Cha'aban, who use rug-making to address themes such as Black barber culture, climate change, political tensions, and the war in Ukraine. The exhibition originated at San Francisco's Museum of Craft and Design in 2023.

The Art Newspaper and L'OFFICIEL to launch Frieze week pop-up at historic London newsagent

The Art Newspaper, in collaboration with L'Officiel, is launching a pop-up takeover at Shreeji, a historic newsagent on Chiltern Street in Marylebone, London, during Frieze week. The pop-up will run from 8:30am to 6pm on Saturday 18 and 8:30am to 4pm on Sunday 19, offering free copies of The Art Newspaper's daily Frieze papers, the October issue with a special supplement on the British Museum, the autumn/winter issue of Art of Luxury magazine, and the latest L'Officiel. Visitors can also enjoy L'Officiel coffee and complimentary drinks on Saturday evening.

Comment | Museums can't get enough of anniversary exhibitions—but surely there's better ways to serve the public

The article critiques the growing trend of museums mounting anniversary exhibitions to celebrate the birth or death of famous artists, using the centennial of Robert Rauschenberg as a prime example. Nearly 100 organizations worldwide are participating in Rauschenberg-related shows, from the Menil Collection in Houston to the Grey Art Museum in New York. The author notes similar patterns in 2024 for James Ensor and in 2023 for Ellsworth Kelly and Pablo Picasso, with museums often resorting to highly specific or gimmicky themes to differentiate their offerings.

The OG of Art Revolutions Comes to Santa Barbara Museum of Art

The Santa Barbara Museum of Art (SBMA) will host "The Impressionist Revolution: Monet to Matisse from the Dallas Museum of Art" from October 5, 2025, to January 25, 2026. The exhibition, which marks the 150th anniversary of the first Impressionist exhibition in 1874, features masterworks by Claude Monet, Vincent van Gogh, Henri Matisse, Paul Gauguin, Piet Mondrian, Berthe Morisot, and Edvard Munch, drawn from the Dallas Museum of Art's renowned French Impressionist collection. It traveled to Mexico City before arriving in Santa Barbara, the only West Coast U.S. venue for the show, and will later travel to Nashville, Québec, and Richmond.

In a new biography, Vanessa Bell is cast as the Bloomsbury Group's leading light—and as central to 20th-century visual culture

Wendy Hitchmough’s new biography, *Vanessa Bell: The Life and Art of a Bloomsbury Radical*, argues that Vanessa Bell (1879–1961) was a central figure in 20th-century visual culture, both as an artist and designer. The book details how Bell navigated sexism through collaboration and anonymity, with works like *Dancing Couple* only attributed to her in 1999. Hitchmough, a former curator of Charleston, presents Bell’s life with a matter-of-fact tone, weaving in the complex personal and professional entanglements of the Bloomsbury Group, including her relationships with Clive Bell, Roger Fry, and Molly MacCarthy.

11 must-see works in MAM's new Bradley Collection exhibition

The Milwaukee Art Museum (MAM) has opened a new exhibition titled "The Bradley Collection of Modern Art: A Bold Vision for Milwaukee" in the Baker/Rowland Galleries, celebrating the 50th anniversary of Peg Bradley's donation of nearly 400 works to the museum. The show features highlights from the collection, including pieces by Wassily Kandinsky, Raoul Dufy, and Ernst Ludwig Kirchner, alongside works by American artists like Georgia O'Keeffe and Andy Warhol. The exhibition offers visitors a chance to see these works in a new setting and learn more about Bradley as a collector and philanthropist.

The first US solo exhibition of late Japanese artist Yoshida Chizuko comes to Portland Art Museum - Oregon Public Broadcasting

The Portland Art Museum has opened the first solo U.S. exhibition of late Japanese artist Yoshida Chizuko (1924-2017), featuring over 100 woodblock prints and paintings, many never before displayed publicly. The exhibition, curated by Asian art curator Jeannie Kenmotsu, highlights Yoshida's avant-garde work that pushed the boundaries of painting and printmaking within Japan's male-dominated postwar art world.

Ackland’s new exhibit adds splash of ‘Color’

The Ackland Art Museum at UNC-Chapel Hill has opened a new exhibition titled "Color Triumphant," featuring 54 modern paintings, sculptures, and works on paper from the collection of Julian and Josie Robertson. The show spans from the 1870s to the present, highlighting the liberation of color in modern art with works by Claude Monet, Camille Pissarro, Pablo Picasso, Frank Stella, and André Derain, whose painting "The Jetty at L'Estaque" serves as the flagship piece. Curated by deputy director Peter Nisbet, the exhibition was developed in collaboration with the Robertson Foundation after Julian Robertson's death in 2022, and includes student research support. It runs through January 4, with related lectures and film screenings, and a second iteration, "Color Concentrated: A Salon-Style Hang from the Robertson Collection," opening January 30.

LACMA Expands Local Access Initiative with New Museum Partners and Exhibitions

LACMA has expanded its Local Access initiative by adding three new museum partners: the California State University, Dominguez Hills (CSUDH) University Art Gallery, the Millard Sheets Art Center at the L.A. County Fair, and the Ontario Museum of History & Art. Supported by the Art Bridges Cohort Program, these institutions join four existing partners in creating exhibitions sourced from LACMA’s permanent collection. The program’s latest exhibition, "Act on It! Artists, Community, and the Brockman Gallery in Los Angeles," will open at the Vincent Price Art Museum on September 27. Local Access, launched in 2021, was the first Art Bridges Cohort Program in the Western United States.

Dog in Rembrandt’s The Night Watch was copied from widely available book, suggests new research

New research suggests that the barking dog in the lower right corner of Rembrandt's *The Night Watch* (1642) was copied from a title-page illustration by the Dutch artist Adriaen van de Venne. Anne Lenders, curator of 17th-century Dutch paintings at the Rijksmuseum, recognized the resemblance while visiting an exhibition on Van de Venne at the Zeeuws Museum. Macro X-ray fluorescence scans of the painting's underdrawing confirmed the similarity, though Rembrandt modified the dog's posture and added a tongue to make it appear alert and barking at a drum.

Hidden picture beneath Vermeer’s ‘Girl with the Red Hat’ may be the artist’s only existing male portrait, research reveals

New research using advanced imaging techniques suggests that the hidden male portrait beneath Johannes Vermeer's 'Girl with the Red Hat' (c. 1664-69) at the National Gallery of Art in Washington, D.C., may have been painted by Vermeer himself, rather than an unidentified artist as previously thought. Earlier studies had dismissed the underpainting as the work of another hand due to its loose brushwork, but recent analysis indicates Vermeer's initial paintwork was typically looser and quicker. The male figure's costume dates the composition to 1650-55, which would make it Vermeer's only known male portrait and predate his earliest known work, 'Christ in the House of Mary and Martha' (1654-55).

Baltimore Museum of Art Will Host Amy Sherald’s Canceled Smithsonian Show

The Baltimore Museum of Art (BMA) will host Amy Sherald's exhibition "American Sublime," which was originally scheduled to open at the Smithsonian's National Portrait Gallery on September 19. Sherald canceled the Smithsonian showing in July after learning the institution planned to remove her 2024 painting "Trans Forming Liberty," which depicts a transgender Statue of Liberty, to avoid provoking President Donald Trump, replacing it with a video instead. The exhibition, featuring about fifty works, had previously traveled from the San Francisco Museum of Modern Art to the Whitney Museum of American Art.

London’s National Gallery receives record-breaking donations for new wing—and will start collecting contemporary art

London's National Gallery has announced plans for a major new extension, costing around £400 million, with £375 million already raised in record-breaking donations. Two anonymous pledges of £150 million each, from Michael Moritz's Crankstart foundation and the Julia Rausing Trust, are described by director Gabriele Finaldi as the largest-ever known cash donations to any cultural institution globally. The new wing, to be built on the site of St Vincent House, will open in the early 2030s following an international architectural competition launching on 12 September. The gallery also revealed it will begin collecting 20th-century and contemporary art, expanding its traditional cutoff of around 1900, in collaboration with Tate.

Giorgio Armani, designer who changed how museums engage with fashion, has died aged 91

Giorgio Armani, the Italian fashion designer who bridged fashion and contemporary art, has died aged 91. Born in Piacenza in 1934, he founded his eponymous label in 1975 and became a global brand. In 2000, he became the first fashion designer to have a solo exhibition at the Solomon R. Guggenheim Museum in New York, curated by Germano Celant, which marked a turning point in how museums engage with fashion. In 2015, he opened Armani/Silos in Milan, a converted warehouse serving as an archive and cultural venue, hosting retrospectives of photographers Aldo Fallai and Peter Lindbergh. He also collected photography, sponsored exhibitions like Magnum on Set at the Museo della Permanente, and lent his archive to institutions including the Victoria and Albert Museum.

Amy Sherald, Having Canceled Her Smithsonian Show, Will Take Paintings to Baltimore

Amy Sherald has canceled her planned exhibition at the Smithsonian’s National Museum of African American History and Culture in Washington, D.C., and will instead bring her paintings to the Baltimore Museum of Art. The decision follows a period of reflection and logistical challenges, with the Baltimore venue offering a more intimate and locally resonant setting for her work.

Comment | I used to think it wasn’t cool to like Andy Goldsworthy—now I see how he helps us appreciate the natural world

Mia maxima culpa. For many years I felt it wasn’t cool to like Andy Goldsworthy. The British artist’s interventions in and workings with nature, while highly skilful and often very beautiful, seemed out of kilter with an increasingly hardcore, conceptually underpinned and urban-orientated art world. It also didn’t help that most of his work could only be experienced at one remove. Books and photographs were the only record of the ephemeral pieces he’d created from ice, leaves, sticks and stones; as well as of the more lasting installations—walls, sheepfolds, cairn paths and giant arches—he’d make in situ, usually in remote locations across the world.

New York's digital art gallery reboot

Two new galleries specializing in digital art have opened in New York's Lower East Side: Offline, a physical marketplace launched by the NFT platform SuperRare, and Heft Gallery, founded by curator and artist Adam Heft Berninger. Offline debuted in April with the exhibition "Mythologies for a Spiritually Void Time," featuring works by artists like Neal Cashman, while Heft Gallery focuses on artists using AI, code, and algorithms, with works such as Margaret Murphy's AI-generated photograph. Both spaces aim to bridge Web3 and traditional art venues, offering physical experiences for digital art.

Antony Gormley: ‘Everything I make now is a surprise to me’

Antony Gormley, the British sculptor best known for public works like *Angel of the North* and *Another Place*, is opening his first solo exhibition in Seoul this September, titled *Inextricable*, simultaneously at White Cube and Thaddaeus Ropac. The shows coincide with Frieze Seoul and explore how urban infrastructure shapes human consciousness. Gormley also discusses his ongoing collaboration with Japanese architect Tadao Ando at Museum SAN, where their permanent installation *Ground* (2025) is on view, and reflects on past unrealized projects in Korea, including a utopian proposal with the Kim Dae-jung Foundation.

Stories brought to life: the National Portrait Gallery's latest virtual reality venture is a triumph of immersive storytelling

The National Portrait Gallery has partnered with Frameless Creative, a London-based immersive experience studio, to launch 'Stories—Brought to Life,' a virtual reality exhibition that brings portraits of historical and contemporary figures to life through dynamic 150-second animated sequences. The experience, projected onto a mosaic of screens, features figures including Queen Elizabeth I, Audrey Hepburn, Nelson Mandela, David Bowie, and Ncuti Gatwa, drawing on the museum's collection. It debuted at a temporary site in MediaCity, Manchester, and is designed to travel to other locations.

Fragments of Home: A Dual Review of New Exhibitions at the Amarillo Museum of Art

The Amarillo Museum of Art is hosting two concurrent exhibitions: "Home, Love, and Loss" (May 31 – September 14, 2025) and "Jeri Salter: Rugged Beauty of the Texas Panhandle" (June 20 – September 28, 2025). The first, organized in partnership with the Amon Carter Museum of Art, features over 60 works by artists including Thomas Hart Benton, Rania Matar, and Francisco Delgado, exploring family dynamics, identity, and belonging. The second showcases Jeri Salter's pastel landscapes of the Texas Panhandle alongside miniature studies by 19th-century artist Frank Reaugh.

Teiger Foundation gives grants totalling $7m to 85 curators

The Teiger Foundation, a US-based nonprofit supporting art curators, has announced its 2025 grantees, awarding a total of $7 million to 85 curators at institutions across the country. This nearly doubles last year’s grants as the foundation transitions to a biennial model, with individual grants ranging from $50,000 to $150,000 for exhibitions, research, touring shows, and three years of programming. Notable projects include a major survey of the late artist L.V. Hull organized by curators Ryan N. Dennis, Annalise Flynn, and Yaphet Smith, and a Theresa Hak Kyung Cha retrospective curated by Victoria Sung and Tausif Noor.

Record Prices, New Buyers and Global Reach: Design’s Moment Has Arrived

Global auction sales for design, decorative arts, and furniture surged 20.4 percent to $172 million in the first half of 2025, according to ArtTactic, while other art market segments declined. Sotheby’s design sales in New York and Paris reached $75 million combined, among the highest totals ever for the category, with Christie’s and Phillips also posting strong results. Record prices were set for works by Tiffany Studios, including the Danner Memorial Window ($12.4 million) and a Frank Lloyd Wright lamp ($7.5 million), fueled by new and younger buyers and institutional acquisitions.

Sarasota Art Museum celebrates 100th anniversary of Art Deco with exhibition of 100 rare advertisement posters

The Sarasota Art Museum will open an exhibition titled "Art Deco: The Golden Age of Illustration" on August 31, featuring 100 rare fine art advertisement posters from the 1920s and '30s. The posters, created by early master graphic designers such as A. M. Cassandre and Leonetto Cappiello, are drawn from the Crouse Collection, considered the most significant private collection of its kind. The exhibition also includes sculptural works, cocktail shakers, and Art Deco furniture on loan from the Wolfsonian Museum at Florida International University.