LEONORA CARRINGTON THE VITRUVIAN WOMAN IN LUXEMBOURG

The Musée du Luxembourg in Paris has opened the first major exhibition in France dedicated solely to the work of surrealist artist Leonora Carrington. Titled 'The Vitruvian Woman,' the show presents 126 works and frames Carrington as a model of innovation and harmony, a deliberate counterpoint to Leonardo da Vinci's 'Vitruvian Man.' It explores her artistic journey from her Celtic origins and discovery of Italian Renaissance art to her pivotal involvement with Surrealism in France and her final years in Mexico.

At the BnF, wonderful maps to imagine new worlds

À la BnF, des merveilles de cartes pour imaginer des mondes nouveaux

The Bibliothèque nationale de France (BnF) is presenting an exhibition of extraordinary maps that blend imagination with cartography, tracing the evolution of maps from ancient tools of navigation to fantastical creations that fueled exploration and myth. The show features rare works including Renaissance sea monsters, cosmological paintings, and literary maps from Tolkien's Middle-earth and George R.R. Martin's Westeros, alongside contemporary artists like Alighiero Boetti, Sergio Aquindo, and Michael Druks who use maps to express personal and political visions.

Dozens of Venice Biennale Artists Withdraw From Awards En Masse

Almost half of the artists in the 61st Venice Biennale's international exhibition, along with 16 national pavilion teams, have withdrawn from awards consideration in solidarity with the jury's resignation. The jury resigned on April 30 after stating it would not consider countries whose leaders are charged with crimes against humanity by the ICC, effectively disqualifying Israel and Russia. The Biennale Foundation then replaced the traditional Golden Lions with new "Visitor Lions" decided by public vote, reinstating all pavilions including Israel and Russia. The withdrawal follows protests at the Russian and Israeli pavilions and a historic labor strike that shuttered multiple pavilions.

Iran Withdraws From 2026 Venice Biennale

Iran has withdrawn from the 2026 Venice Biennale, the world's most important art event, organizers announced on May 4. No official reason was given, but the withdrawal comes amid an uncertain ceasefire in Iran's war with the United States and Israel. The Biennale confirmed the decision in a statement, noting that 100 countries will still participate, including newcomers Tanzania and Seychelles. This follows South Africa's withdrawal over a legal dispute concerning a Gaza-focused artwork, and the closure of the Russian Pavilion to the public after the EU withdrew €2 million in funding over Russia's involvement.

Corals as Living Geology. In Conversation with Julian Charrière by Timothée Chaillou

Julian Charrière has created two new bodies of work, *Chorals* (2025) and *Veils* (2025), in collaboration with Maison Ruinart. The projects are inspired by the Lutetian Sea, which submerged the Champagne region 45 million years ago, and explore themes of deep time, climate change, and the interconnectedness of organic and mineral life. *Chorals* is a permanent sound installation in Ruinart's cellars in Reims, featuring amplified recordings of ocean reefs, while *Veils* comprises wall works and sculptures centered on corals and fading coral imagery. The works travel to art fairs as preludes to the permanent installation.

Biggest ever exhibition of work by major British artist coming to Williamson Art Gallery

The Williamson Art Gallery & Museum in Birkenhead has announced the largest-ever retrospective of the influential 20th-century British artist Leonard McComb. Titled "Leonard McComb: Nature and Humanity," the exhibition will feature over 60 works, including the monumental 10-meter drawing "Rock and Sea Anglesey" on loan from Oriel Môn, alongside pieces from Manchester Art Gallery and the Royal Academy.

Artist in Focus: Louis Pohl Koseda. Constructing the City as Memory.

British artist Louis Pohl Koseda is gaining attention for his intricate works that blend drawing, painting, and architectural theory to explore the city as a psychological structure. His practice, which he terms 'metafictionism,' utilizes fine-line drawing to create layered compositions where figures navigate unstable, theatrical urban environments. Influenced by his upbringing in an East London Hare Krishna community, Koseda’s work focuses on how belief systems and social fabrics are mapped onto the physical and imagined spaces of the city.

Aiza Ahmed: ‘I’m finding ways to explore humanity’

Interdisciplinary artist Aiza Ahmed is presenting a solo exhibition of new paintings and woodcut sculptures with New York gallery Sargent's Daughters at the inaugural Art Basel Qatar. The 28-year-old, who splits her time between residencies in Doha and New York, uses the theatrical Wagah-Attari border ceremony between India and Pakistan as a central subject to explore identity, nationalism, and power dynamics.

Artist Kasper Eistrup Maps the Human Condition on Canvas

Danish artist Kasper Eistrup (b. 1973) presents his first solo exhibition in Germany, titled "Bridges Over Magma," at Galerie Schimming in Hamburg. The show features a new body of work created during a recent artist-in-residence program in Hamburg, where Eistrup drew inspiration from the city's famous bridges and his ongoing exploration of painting and drawing. The compositions blend meticulously rendered figures with architecture, flora, fauna, handwritten text, and abstract textures, exploring themes of human connection and resilience.

72 Hours in Venice: Palazzos, Protests, and a Biennale on the Brink

The article recounts a journalist's 72-hour visit to the Venice Biennale, beginning with a protest by Pussy Riot and Femen at the Russian Pavilion. The action features pink smoke, chants of "Blood is Russia's art," and a guerrilla performance of the song "Disobey," set against a backdrop of internal Biennale strife—including juror resignations over countries whose leaders face ICC arrest warrants (Netanyahu and Putin). The narrative also notes the presence of alt-right figures like Ryan Coyne and sculptor Alma Allen's troubled U.S. pavilion representation.

art erin calla watson young artist

Cultured magazine profiles Los Angeles-based artist Erin Calla Watson as part of its 2025 Young Artists list. Watson, age 32, gained attention for her 2023 solo exhibition at Foxy Production in New York—the gallery's final show—where she manipulated 15 images from the iconic 1975–76 exhibition "New Topographics" by inserting the likeness of Australian supermodel Jordan Barrett. The project was critically acclaimed and sparked renewed discussion about the gallery's closure. Watson, who now shows with Ehrlich Steinberg in Los Angeles, continues to create ghostly, darkly humorous images that draw from internet subcultures like the "manosphere" to explore suburban gothic aesthetics.

art glassblowing summer new york jamie harris

Glassblower Jamie Harris describes the grueling experience of working at UrbanGlass in Brooklyn during a New York summer, where temperatures reach the high 90s and he must wear four layers of Kevlar and a helmet while working with 2,000-degree glass furnaces. Harris, who sits on the board of UrbanGlass—the world's oldest artist-access glassblowing studio—shares his strategies for staying cool, including using Gatorade, fans, buckets of ice, and avoiding his largest pieces when possible. He is exclusively represented by Todd Merrill Studio and is known for his award-winning sculptures and Totem lights.

Human Connection Cuts Through Technology at Focus Art Fair

Focus Art Fair, New York's only art fair dedicated to contemporary Asian art, returned for its fourth edition at Chelsea Industrial, running through May 24, 2026. The fair's theme, 'human-technology coexistence,' was explored through works such as Hwia Kim's interactive installation 'What if two eyes don't work together?' presented by LG Electronics, and pieces by the Ukrainian-born F-Twins (Anna and Valeriia Lyshchenko), who founded the Primarealism art movement in response to AI's encroachment on critical thinking. Other highlights included Annu Yadav's political installation 'This Land is Wounded' (2025) and Taezoo Park's 'Hacked Snoopy' (2025), which memorializes neglected technologies. The fair featured more than 40 galleries and presenters, with a notable appearance by Japanese pop icon Kento Senga, who shared his FiNGA character as a means of connecting with his grandmother suffering from Alzheimer's.

Karla Knight’s Cosmic Conspiracies

Karla Knight's exhibition "Orbit" at Andrew Edlin Gallery presents her game-like paintings and tapestries filled with cryptic symbols, cosmic diagrams, and celestial imagery. Works such as "Orbiter 2" (2024–25) and "Feelers" (2025–26) feature irregular black devices, floating spheres, and rows of arcane script, inviting viewers to decode what appear to be blueprints for extraterrestrial systems or maps of hidden dimensions. Knight employs meticulous grids, bold primary colors, and textile techniques to render the paranormal as strangely normal.

As Democracy Falters, a New York Museum Champions Activism

The Museum of the City of New York (MCNY) in East Harlem will open the Puffin Foundation Center for Social Activism this fall, replacing its existing Puffin Foundation Gallery. The expanded center, funded by an $8 million donation from the Puffin Foundation, will feature a new version of the permanent exhibition "Activist New York," along with temporary shows, public programs, and an annual fellowship. The inaugural temporary exhibition, "Halumii Ktapihna: Lenape Legacies and Future," marks the 400th anniversary of Manhattan's purchase from Indigenous peoples.

Gulag Museum rebrand marks latest phase in Kremlin’s assault on free speech

The Kremlin is systematically erasing the memory of Soviet repression under Joseph Stalin from Russian museums. The Gulag Museum in Moscow, which documented Stalin-era crimes, has been rebranded as a "Museum of Memory" focused on Nazi war crimes, with its entire website replaced and exhibitions packed up. Simultaneously, Russia's supreme court banned Memorial, a human rights organization founded to document Stalin-era atrocities, labeling it an "anti-Russian" extremist group. The Yeltsin Presidential Center in Yekaterinburg has also removed references to Memorial from its walls, and the Sakharov Center in Moscow was disbanded and evicted from its facilities.

DOGE Cuts to National Endowment for the Humanities Were Unconstitutional, Court Rules

A federal judge ruled that the cancellation of over 1,400 grants by the National Endowment for the Humanities, carried out by Elon Musk's Department of Governmental Efficiency (DOGE), was unconstitutional. Judge Colleen McMahon of the Federal District Court in Manhattan ordered DOGE to rescind the cancellations, finding that the cuts violated the First Amendment and the equal protection component of the Fifth Amendment. The lawsuits were filed after the NEH chairman was dismissed and the agency was redirected under President Donald Trump's "America First" cultural campaign, with acting chair Michael McDonald cutting most grants awarded by the previous administration. The cuts, totaling more than $100 million, disrupted research, publications, and humanities programming, and were reportedly flagged using ChatGPT to target grants related to diversity, equity, and inclusion.

The Ireland Pavilion at the 2026 Venice Art Biennale Speaks of Dreams and Pays Homage to Aldo Manuzio

Il Padiglione Irlanda alla Biennale Arte 2026 di Venezia parla di sogni e omaggia Aldo Manuzio

The Ireland Pavilion at the 2026 Venice Biennale will present "Dreamshook," a project by Irish artist Isabel Nolan. The exhibition explores dream states and pays homage to the Venetian printer Aldo Manuzio, drawing on the humanist revolution between the late Middle Ages and the Renaissance. Nolan, who works across sculpture, embroidery, photography, and text, will create new tapestries, drawings, and sculptures that engage with classicism, Christianity, humanism, Irish heritage (including the Book of Kells), and the invention of printing. The project is curated by Georgina Jackson and produced by Cian O'Brien, with support from Culture Ireland and the Arts Council.

At the Venice Biennale there is also Taiwan. With a collateral event on melancholy

Alla Biennale di Venezia c’è anche Taiwan. Con un evento collaterale sulla malinconia

Taiwan will present a collateral event at the 2026 Venice Biennale titled "Screen Melancholy," curated by Raphael Fonseca and featuring artist Li Yi-Fan. The exhibition, organized by the Taipei Fine Arts Museum, will be held at Palazzo delle Prigioni and run until November 22, 2026. It explores anxieties of the digital age through a site-specific installation combining a single-channel video and monumental human sculptures, reflecting on information overload, fragmented perception, and the limits of human knowledge.

Nel Padiglione Germania alla Biennale di Venezia un gruppo di donne riflette sulle rovine del passato per capire il mondo

The German Pavilion at the 2026 Venice Biennale will present the work of two women artists, Henrike Naumann and Sung Tieu, following the death of Naumann at age 41 in February 2026. Curated by Kathleen Reinhardt, director of the Georg Kolbe Museum in Berlin, the pavilion's project, titled "Ruin," explores the dual meanings of the word in English and German—architectural decay versus economic, social, or moral collapse. The exhibition draws on research into East Germany (DDR) and the post-reunification period, using the pavilion's fascist architecture as a lens to examine historical ruptures and their impact on the present. For the first time in its history, the German Pavilion is represented solely by women, mirroring the Italian Pavilion.

The soap opera continues. Minister Giuli will boycott the inauguration of the Venice Biennale

La telenovela continua. Il Ministro Giuli diserterà l’inaugurazione della Biennale di Venezia

Alessandro Giuli, Italy's Minister of Culture, has announced he will boycott the pre-opening and inauguration ceremony of the 61st Venice Biennale on May 9, 2026, escalating a political and cultural crisis. The dispute began when Biennale president Pietrangelo Buttafuoco allowed the Russian pavilion to reopen, absent since 2022 due to the Ukraine invasion, citing artistic freedom. Giuli demanded the removal of ministry representative Tamara Gregoretti from the Biennale board for failing to oppose the decision. Tensions flared during the Italy Pavilion press conference, where journalists were confined to a separate streaming room and questions were restricted. The European Commission condemned the Russian pavilion's reopening, cutting €2 million in funding and issuing a 30-day ultimatum, while 22 European countries signed a letter pressuring the institution. The Biennale's international jury, led by Solange Oliveira Farkas, then excluded Russia and Israel from award consideration, citing ethical guidelines against countries whose leaders face International Criminal Court charges for crimes against humanity.

Maria Britton: Second Sleep

Artist Maria Britton presents "Second Sleep," a solo exhibition at the Halsey Institute of Contemporary Art featuring her "Draperies" series. Britton transforms discarded, patterned bedsheets into three-dimensional abstract works that blur the line between painting and sculpture through expert layering and pleating.

“Boycott the Bezos Met Gala” Posters Emerge Across NYC

Activists have launched a wheatpasting campaign across New York City calling for a boycott of the 2026 Met Gala. The protest targets the event's lead sponsors and honorary co-chairs, Jeff Bezos and Lauren Sánchez, highlighting Amazon's alleged exploitation of warehouse labor and its technological support for U.S. Immigration and Customs Enforcement (ICE). The posters, designed by the activist group Everyone Hates Elon, feature provocative imagery such as urine-filled water bottles and tear gas canisters to symbolize the human cost of Amazon's business practices.

Protection and Constraint are Two Sides of the Same Coin: An Exhibition in Rome Proves It

Protezione e costrizione sono due facce della stessa medaglia. Una mostra a Roma lo dimostra

The gallery Monti8 in Rome is hosting a group exhibition titled "The Bell Jar," co-curated by Massimiliano Maglione. Inspired by Sylvia Plath’s 1963 novel, the show features seven international artists—Camilla Alberti, Ruby Chen, Mounir Eddib, Stephen Buscemi, Naomi Hawksley, Steffen Kern, and Amber Wynne-Jones. The exhibition explores the dual nature of the glass bell jar as both a protective shield for precious objects and a suffocating barrier that isolates the subject from the world.

In Pol Taburet’s New Show, Being Paranoid Is the Point

French artist Pol Taburet has opened a solo exhibition titled *Paranoia as Method* at Villa Medici in Rome, on view through July 15. The show features sculptures, large-format paintings, and charcoal drawings created during his spring residency at the institution, transforming the villa’s gardens, loggias, and salons into tense psychic landscapes. Taburet’s figures drift between human and animal, evoking transformation, mortality, and spiritual tension, drawing on his Caribbean roots, voodoo traditions, contemporary culture, and classical painting.

Between everyday and exceptional

Emami Art in Kolkata presents "Nothing Twice," an exhibition featuring nine young women artists that explores the fragility of ordinary life through domestic, tactile, and overlooked subjects. Curated by Ushmita Sahu, the show includes works in painting, textiles, photography, ceramics, drawing, and video, with artists like Moumita Basak, Shilpi Sharma, and Riti Sengupta focusing on material memory and feminist art histories. Concurrently, "Khadi: A Canvas" at TRI Art & Culture showcases 19 khadi sarees woven in the jamdani technique by tribal women from Srikakulam, connecting Raja Ravi Varma's visual culture with Gandhi's politics of self-reliance, curated by Lavina Baldota with textile artist Gaurang Shah. Additionally, "Digital Atma (Spirits) X The Wandering Souls" at A.M (Art Multi-disciplines) examines digital life and technology's impact on identity and intimacy through poetry, sound, image, and performance.

Hamed Abdalla | Untitled (1972) | For Sale

Hamed Abdalla's 1972 painting "Untitled" is being offered for sale through Mark Hachem Gallery, listed on Artsy. The work is an acrylic on canvas measuring 92 × 65 cm, hand-signed by the artist, and includes a certificate of authenticity. Abdalla (1917–1985) was a pioneering Egyptian modernist who developed the concept of the "Creative Word," blending abstraction with human forms. His career included exhibitions at Cairo's Museum of Modern Art, the Louvre in Paris, and the Metropolitan Museum of Art in New York, and his works are held in major institutions such as the Tate Modern, the Barjeel Art Collection, and Mathaf: Arab Museum of Modern Art.

Hamed Abdalla | Al Beous, Misery (1961) | For Sale

Hamed Abdalla's 1961 work "Al Beous, Misery" is being offered for sale through Mark Hachem Gallery, listed on Artsy. The piece is an ink on paper from glue relief, measuring 33 × 46 cm, hand-signed, and includes a certificate of authenticity. Abdalla (1917–1985) was a pioneering Egyptian and Arab modernist, known for his "Creative Word" concept blending abstraction and human forms. His career included exhibitions at Cairo's Museum of Modern Art, the Louvre, the Metropolitan Museum of Art, and the Tate Modern, among others.

Koray Duman is Architecting Engagement from the Venice Biennale to Carnegie International

Architect Koray Duman and his studio Büro Koray Duman (B-KD) have unveiled five major international projects, including designs for the UAE National Pavilion and Denniston Hill's special project at the 61st Venice Biennale, the 59th Carnegie International in Pittsburgh, the National Academy's "Future Schools" exhibition in New York, and a multi-generational upstate residential project. Duman's work emphasizes inclusivity, cultural exchange, and architecture as a social tool, with installations like "Chimera" for Denniston Hill and a sound-and-memory-focused pavilion for the UAE.

Annette Messager's 'A Swallow Does Not Make Spring' exhibition brings her menagerie to life at the Musée de la Chasse et de la Nature

An exhibition titled 'A Swallow Does Not Make Spring' by French artist Annette Messager has opened at the Musée de la Chasse et de la Nature in Paris. The show transforms the museum's spaces with a menagerie of taxidermy, drawings, and installations, blending the artist's signature surreal and feminist sensibilities with the museum's focus on hunting and nature.