Princeton University Art Museum has opened its inaugural exhibition in its new building, focusing on the work of ceramic artist and longtime faculty member Toshiko Takaezu. The show, 'Toshiko Takaezu: Dialogues in Clay,' features her 'closed form' ceramics alongside works by her contemporaries, highlighting her artistic experimentation and her nearly three-decade tenure teaching at the university.
The Berkeley Art Museum and Pacific Film Archive (BAMPFA) is presenting *Theresa Hak Kyung Cha: Multiple Offerings*, the first survey of the late conceptual artist’s work in over two decades. Running from January 24 to April 19, the exhibition draws on BAMPFA’s substantial holdings of Cha’s art and archives, showcasing her multidisciplinary practice—including concrete poetry, mail art, textiles, ceramics, performance, and film. Curator Victoria Sung, alongside curatorial associate Tausif Noor, aims to de-emphasize Cha’s best-known work, *Dictée*, and instead highlight the fluidity of her process, revisiting themes across different media from the early 1970s to the early 1980s. The show features a recreation of her 1980 film *Exilée*, documentation of performances such as *Réveillé dans la Brume* (1977), and early ceramics and textiles never before shown publicly.
The Irma Stern Museum (ISM) in Cape Town, South Africa, was abruptly closed in October 2024 after the University of Cape Town (UCT) and the Irma Stern Trust ended their 56-year partnership. The museum, housed in Stern's former home The Firs, displayed her collection of artifacts and her own works. The closure sparked public outrage over lack of transparency, with staff removed without clarity and the announcement made only after pressure. The trust, owned by Nedgroup Private Wealth, plans to relocate artworks to a new storage facility and repurpose The Firs, but no reopening date has been set.
The Lee Kun-hee Collection international tour exhibition, titled "Treasures from Korea: Collecting, Cherishing, Sharing," opened at the National Museum of Asian Art under the Smithsonian Institution in Washington, D.C., on March 15, 2025. Within one month, it attracted over 15,600 visitors—25% more than comparable past exhibitions—and all museum merchandise sold out within a week, generating approximately 100 million KRW in orders. The show features 330 works selected from over 23,000 pieces donated to South Korea in 2021 by the late Lee Kun-hee, former Samsung Group chairman, including seven National Treasures and fifteen Treasures. Highlights include the Beopgo-dae, which gained viral attention for resembling a character from the Netflix film 'KPop Demon Hunters.'
Pace Gallery, Emmanuel Di Donna, and David Schrader have announced a joint venture to launch Pace Di Donna Schrader Galleries (PDS), a new entity focused on secondary market sales. The partnership, revealed on the eve of Art Basel Miami Beach, will operate from a new headquarters on Manhattan's Upper East Side, with equal partnership among the three. PDS will leverage Pace's global network of galleries in cities including Los Angeles, London, Geneva, Berlin, Seoul, and Tokyo. Di Donna, founder of Di Donna Galleries and former Sotheby's vice chairman, brings expertise in Surrealist, Modern, and post-war art; Schrader, a former Sotheby's head of private sales, adds auction-house experience. The venture is set to begin operations in early 2025, with Di Donna's team moving to the new space in summer 2026.
Denver has been announced as the exclusive US venue for 'DIVA,' a major fashion and iconography exhibition organized by the Victoria and Albert Museum, London. The show will run from October 4, 2026, to January 31, 2027, at the Denver Art Museum’s Hamilton Building, featuring over 200 objects and more than 50 costumes worn by legendary performers including Maria Callas, Cher, Lady Gaga, Rihanna, RuPaul, Prince, Tina Turner, and Marilyn Monroe.
The Kimbell Art Museum in Fort Worth has announced two major exhibitions for 2026. From March 15 to June 28, the museum will host "The Holy Sepulcher: Treasures from the Terra Sancta Museum, Jerusalem," featuring over 60 silver, gold, and bejeweled objects gifted by Holy Roman Emperors and European monarchs to the Church of the Holy Sepulcher. In the fall, from October 4, 2026, to January 17, 2027, the Kimbell will present "Photography's First Century: Masterworks from the Bibliothèque nationale de France," its first-ever photography exhibition, showcasing more than 150 early images from pioneers like Henri Le Secq, Gustave Le Gray, and Félix Tournachon.
Artist Hew Locke's most comprehensive museum exhibition to date, "Hew Locke: Passages," has opened at the Yale Center for British Art in New Haven. The show features 49 works spanning nearly three decades, including photography, sculpture, and drawing, and explores themes of empire, identity, and migration. Curated by museum director Martina Droth, the exhibition runs through January and includes key works such as "Veni, Vidi, Vici (The Queen's Coat of Arms)" (2004) and "Koh-i-noor" (2005), which critique British imperial symbols using found objects and textiles.
The Heckscher Museum of Art in Huntington, New York, has opened "Carving Out History," the first-ever exhibition dedicated solely to 19th-century sculptor Emma Stebbins, creator of Central Park's iconic Bethesda Fountain. Curator Karli Wurzelbacher spent over five years assembling 14 marble sculptures from around the world, including pieces from Oregon, Rome, and Belfast, after a descendant of the artist contacted the museum in 2021. The exhibition is accompanied by a 256-page book and aims to establish Stebbins among the canon of great Neo-Classical sculptors.
Several museums and art centers across East Texas, South Texas, and the Rio Grande Valley have announced their fall 2025 exhibition schedules. Highlights include the Tyler Museum of Art’s "Alas…" by Alicia Eggert, a floral sculpture that wilts over three weeks, and "Assembled: A Look at Contemporary Collage" featuring Texas artists. The Art Museum of South Texas in Corpus Christi will present three shows: Jason DeMarte’s surrealist photography in "Arcadian Enclosures," the Texas A&M University-Corpus Christi faculty biennial "Quarter Turn," and "Breadth of Latino/a Voices" from its permanent collection. The Rockport Center for the Arts opens Jessica Ninci’s "A Field Guide" and Moira Garcia’s "Nepantla: In-Between." The Beeville Art Museum hosts Caprice Pierucci’s "Threads Through Time," and the Five Points Museum of Contemporary Art in Victoria will survey work by Fort Bend County artists.
A three-day citywide symposium titled "Brave New Work: AI and Tech in the Hands of Artists" will take place in Santa Barbara from October 7-9, 2025. Organized by Michael Delgado in partnership with the Santa Barbara Museum of Art, the Museum of Contemporary Art Santa Barbara, and UCSB, the event brings together leading artists and scientists for panel discussions, exhibitions, networking, and public art installations. Participants include internationally renowned artists Nancy Baker Cahill, JoAnn Kuchera-Morin, Victoria Vesna, and Beatie Wolfe, alongside technology leaders Kevin Davis, Ken Kosic, and Alan Macy. Highlights include a companion exhibition curated by the Brill Family Foundation, an AR installation at MCASB, performances from the Quantum Concerto, and free projected public artworks at the Michael Towbes Library Plaza.
The 53rd annual Prix de West Invitational Art Exhibition & Sale is on view through August 3, 2025, at the National Cowboy & Western Heritage Museum in Oklahoma City. The show features more than 270 original paintings and sculptures by over 90 leading Western artists, including works by Thomas Blackshear II, John Coleman, Dan Friday, Teresa Elliott, Dan Ostermiller, Joshua Tobey, and Paul Moore. Highlights include John Coleman's monumental bronze sculpture "Victory! Plenty Coups" and Sandy Scott's bronze "Yonder is Jackson Hole."
The Arlington Museum of Art will host "Game of Thrones: The Exhibition," an immersive showcase of over 60 original costumes and props from the HBO series, running from October 4, 2025, to April 5, 2026. The exhibition, produced in partnership with Warner Bros. Discovery Globe Experiences, includes behind-the-scenes sketches and design insights highlighting the historical influences behind the show's iconic looks, from Daenerys Targaryen's gowns to Jon Snow's Night's Watch gear.
Eight artworks created live during the Great Exhibition Road Festival, as part of the annual science-art project Paint Lab, will go on display at Imperial College London's White City campus from July 16 to September 18. The large-scale paintings were produced by local London artists collaborating with Imperial scientists, drawing inspiration from research topics such as space weather prediction, plant self-preservation, early Parkinson's detection, and human connection during cancer treatment. The festival, organized by Imperial in partnership with the Science Museum, Natural History Museum, and V&A, attracted 55,000 visitors.
The Alfred Ceramic Art Museum celebrated Alfred University's 125th anniversary with the exhibition "History: a Legacy in Motion, Alfred Ceramic Art 1900–2025." The show highlights ceramic works by faculty members past and present, centering on 25 pieces by Charles Fergus Binns, the founding director of the New York State School of Clay-Working and Ceramics. Curated by museum director Wayne Higby and assistant director Benjamin Evans, the exhibition features over two dozen artists including Marion Fosdick, Charles Harder, and Linda Sikora, many of whose works have not been displayed in recent years.
The Metropolitan Museum of Art's Michael C. Rockefeller Wing will reopen to the public on May 31 after a $70 million renovation. The wing houses the museum's collections of art from Africa, the Ancient Americas, and Oceania, and features a new sloped glass wall, a dedicated gallery for light-sensitive Andean textiles, and over 1,800 works spanning five continents. The reopening day celebration includes live music, art-making activities, and a conversation between Met director Max Hollein and architect Kulapat Yantrasast.
The Pool Near Southside Arts Space in Fort Worth hosted the NAMNAL Exhibition, the city's first art and AI exhibition featuring twenty-two emerging youth artists. The show, which closed May 12, was the culmination of a STEAM-based initiative called NAMNAL (New Age Media – New Age Learning), founded by Sri Lankan American artist and AP art teacher Dhananjaya “DJ” Perera. The exhibition displayed 25 core works reimagined across mediums—from sketches to 3D prints, projection mapping, and embroidery—developed in collaboration with TCU’s College of Fine Arts and UT Dallas’ Harry W. Bass Jr. School of Arts, Humanities, and Technology.
The Cedar City Art Exhibit, running from 1940 to 2008, was an annual community art exhibition initiated by junior high school art teacher Eugene Jorgensen. Organized by the Cedar City Art Committee, it featured works by local, regional, and national artists, including Maynard Dixon, Eve Drewelowe, and Jimmie Jones. Each year, at least one artwork was purchased for the city, and students also saved money to buy art for their schools. The exhibition highlighted pieces now held by Southern Utah Museum of Art (SUMA) and the Iron County School District.
KidSTREAM, a new $7 million children's museum, has launched in Camarillo, California, transforming a former library site into an interactive educational hub. Founded by Kristie Akl, a former teacher, the museum focuses on hands-on learning across science, technology, engineering, arts, and mathematics (STEAM) to engage young learners through play.
Acclaimed actor Meryl Streep has donated a seven-figure sum to the National Women’s History Museum. The funds will support digital storytelling projects and programming, and the museum has created the Meryl Streep Educator Award in her honor, to be presented annually starting this November.
Art House Productions in Jersey City, NJ, presents "Playing Favorites," a solo exhibition by artist Bryant Small, curated by Andrea McKenna. The show runs from May 2 to May 31, 2026, at the Art House Gallery, featuring a selection of Small's most cherished works, many never publicly exhibited before. The exhibition includes an opening reception on May 2 and an artist talk on April 17, with all artwork available for purchase in person and online.
A researcher has identified a long-lost page from the Archimedes Palimpsest, a 10th-century manuscript containing copies of the Greek mathematician's treatises. The page, held at the Musée des Beaux-Arts in Blois, France, was matched to a leaf documented in 1906 photographs and contains diagrams from "On the Sphere and the Cylinder" on one side and a later-added religious illustration on the other.
Two Illinois high school seniors, Dashiell Speir and Hazel Anderson, received substantial art-school scholarship offers after participating in the Illinois High School Art Exhibition's northern regional show. Speir, a student at Downers Grove North High School, was offered $524,000 in scholarships, while Anderson, from Central High School in Burlington, received $372,000 in offers. Speir plans to attend the College of DuPage before transferring to a four-year school, and Anderson intends to enroll at the School of the Art Institute of Chicago.
The article analyzes the best-selling artworks at auction in the first half of 2025, covering Old Masters, Impressionist and Modern, and Postwar categories. Notable sales include a pair of Francesco Guardi views of Venice that sold for $10.5 million at Sotheby’s New York, a Piet Mondrian abstraction from the estate of Barnes & Noble founder Leonard Riggio that fetched just under $50 million, and a monumental rhinoceros-shaped desk by François-Xavier Lalanne that more than tripled its high estimate after a 13-minute bidding war. The report highlights that Old Masters sales were up 24% year-over-year, while top Impressionist and Modern lots saw lower prices compared to 2024.
A new critical biography, "Helen Chadwick: Life Pleasures," has been published, marking the first comprehensive study of the British artist Helen Chadwick (1953-96). Edited by Laura Smith, director of collections and exhibitions at the Hepworth Wakefield, the book includes contributions from historian Marina Warner, curator Katrin Bucher Trantow, and artist Maria Christoforidou. A touring exhibition of Chadwick's work opens at the Hepworth Wakefield on 17 May and runs until 27 October. The article highlights Chadwick's provocative, punky, and perverse body-focused works, such as "Untitled (Eat Art)" (1973), where she cast her face in jelly for viewers to consume, and "Piss Flowers" (1991-92), made from snow she urinated on. It also recounts the infamous 1986 incident at the Institute of Contemporary Arts in London, where her sculpture "Carcass"—a glass tower of rotting vegetables—leaked and collapsed.
JOOPITER, the auction platform founded to rethink collecting for a digital generation, will launch its first dedicated contemporary art sale this spring. Titled "The Contemporary Take," the online auction runs from April 28 through May 6, 2025, and is curated in collaboration with Martha Stewart. The sale features nearly fifty works by established and emerging artists, including Alex Katz, Jeff Koons, Amy Sherald, George Condo, Esther Mahlangu, Lynette Yiadom-Boakye, Ai Weiwei, and Damien Hirst, selected to reflect the renewal and vibrancy of the season. The auction also marks the debut of late Iranian-American artist Davood Roostaei.
Arte, spazio pubblico e rigenerazione urbana: arriva il nuovo numero della newsletter Render (iscrivetevi!)
Artribune has announced the release of the 55th edition of its bi-weekly newsletter, Render, which focuses on public art, urban regeneration, and contemporary architecture. This latest issue features a deep dive by researcher Fabio Ciaravella into the role of public monuments in shaping societal views on peace versus war, alongside an interview with Mohamed Khalifa Al Mubarak regarding the Zayed National Museum in Abu Dhabi. Additionally, the newsletter highlights Italian urban renewal projects, the trend of repurposing abandoned cinemas, and upcoming events like Milan Design Week.
This episode of the Art Angle podcast, co-hosted by Ben Davis, features art critic and journalist Brian Boucher discussing the impact of Donald Trump's return to office on American culture. Since January, Trump has launched a cultural offensive through executive orders and policies, including canceling humanities grants to fund a 'heroes' sculpture garden, targeting the Institute of Museum and Library Services, taking personal control of the Kennedy Center, and shuttering DEI offices nationwide. Boucher, who has extensively covered these developments for Artnet, joins the podcast to analyze the administration's first 100 days and the risks posed to the arts.
Artist and teacher Jamie Jarka, creator of the popular Milo the Seagull mascot for Long Beach Island, has expanded her merchandise to Ron Jon Surf Shop in Ship Bottom, selling prints, stickers, magnets, and nightlights. Jarka will also teach weekly summer art classes at three Island venues: Bayview Park in Brant Beach, Firefly Gallery in Surf City, and Sea Shell Resort and Beach Club in Beach Haven, with schedules and pricing detailed for each location. Additionally, the article covers the 51st annual Art in Bloom movement, with events at Pine Shores Art Association's Stafford gallery and the Long Beach Island Foundation of the Arts and Sciences (LBIF), where garden club members create floral arrangements inspired by artworks. Other news includes the PSAA Tuckerton Art Center's "Blooming Spring" show, a "Glimpses of America" exhibition at Beach Haven Borough Gallery, and a call for South Jersey photographers to submit work for an LBIF photography exhibition and fundraiser celebrating LBI lifeguards.
Video intervista a Cecilia Canziani e Chiara Camoni curatrice e artista del Padiglione Italia alla Biennale di Venezia
The article is a video interview with curator Cecilia Canziani and artist Chiara Camoni about the Italy Pavilion at the 61st Venice Biennale. Camoni's installation, titled "Con te e con tutto," features large, monumental figures called "Sisters" that evoke ancient yet contemporary presences, created through a slow, collective, and materially responsive process. The pavilion is divided into two spaces: a vertical, sacred-like area and a horizontal, convivial one that includes a sub-exhibition called "Dialoghi." The project builds on years of friendship and collaboration between Canziani and Camoni, and involves a fluid community of international students, weavers, midwives, and artists working at Camoni's studio in Fabbiano, on the Apuan Alps.