The University of Wisconsin's Art Lofts Main Gallery opened the MFA qualifier exhibition "Ghost Writer: Someone Who Writes Something for Someone Else" by artist Daniella Thach on February 4, 2026. The exhibition explores Thach's Cambodian American identity and the merging of timelines across familial memory, aiming to shed light on the 50th anniversary of the Cambodian genocide.
Artist Fary Charles, also known as Junkyrd, channeled personal struggles into his first major solo exhibition, "It's Yours," at The Tampa Edition in November 2025. The show featured some of his largest works and was motivated by a recent job loss and financial hardship. Several pieces sold, marking a significant step in his career.
The High School Art Exhibition has opened at Irvine City Hall, showcasing works by student artists from the greater Irvine area. The annual survey includes pieces in digital media, drawing, mixed media, painting, photography, and sculpture, with awards for categories such as best original design and innovative use of materials. This year’s guest juror is Patrick Ballesteros, a San Diego-based artist and illustrator whose clients include Netflix and DisneyTV.
Tend Space Art Center in Chauncey, Ohio, has opened a new group exhibition titled 'Caretaker,' featuring works by five artists—Chloe Sampson, Zelda Thayer-Hansen, Ellie Dale, Julia Weber, and Isabella DeRose—all of whom attended Ohio University for their undergraduate degrees. Curated by Selena 'Len' Loomis, who also runs the campus galleries at OU’s School of Art and Design, the show explores themes of personal growth, self-care, and responsibility to others. The exhibition includes ceramics, sculpture, and performance-based photography, and is on display until Saturday at 48 Converse Street.
An exhibition at Salt Beyoğlu titled 'We’ve Been at the Tapestry Studio Since the 90s' explores the art education practices of the Tapestry Studio, part of the Painting Department at Mimar Sinan Fine Arts University (MSGSÜ). The show presents a collage of collective productions, individual works, archival materials, and personal testimonies from artists who have passed through the studio, tracing its physical and conceptual evolution since its founding in the early 1990s. It highlights the studio's unique pedagogical approach, which combines tapestry weaving with contemporary art, collaborative learning, and open programs that challenge academic hierarchies and gendered norms.
Olfactory artist and perfumer Gabriel De Carvalho presents 'The Smell of Sanctity: From Devotion to Decomposition,' a multi-sensory exhibition at The Olfactory Art Studio in London from 26 to 30 November 2025. The installation explores the historical concept of the 'odour of sanctity'—the sweet fragrance said to emanate from saints—through the lens of biochemistry, using bespoke scent compositions, sculptural diffusers, and light to blur the boundaries between sacred spaces and scientific laboratories.
An exhibition titled 'Armor,' curated by Brianna Osborne, has opened at Creative Haverhill’s downtown gallery in Haverhill, Massachusetts. The show features fifteen artists and students from across New England, including participants from Waltham High School’s ceramics program, who explore the concept of armor in its physical, emotional, inherited, and self-made forms. The gallery will host special hours during Haverhill’s inaugural Hill-o-Ween event on October 31 and an artist reception on November 1.
Monomi Park, the indie game studio behind the Slime Rancher franchise, has partnered with Gallery Nucleus to host "The Art of Slime Rancher" exhibition, opening November 8, 2025. The event will feature concept art, exclusive pieces, and tribute works from over 30 artists, alongside a developer panel moderated by Andrea Rene with Q&A, autograph sessions, and a special appearance by FINAL FANTASY art director Yusuke Naora. Fans can submit questions via social media, and the exhibition will run through November 23, with online viewing available from November 9.
A faculty exhibition titled 'All That Remains' opens Oct. 21 at Tyler Art Gallery on the SUNY Oswego campus, featuring works by art faculty members Peter Cardone and Christopher McEvoy. Cardone presents a photographic series of the Oswego West Pierhead Lighthouse, capturing empty interior spaces and lake views that evoke presence and absence. McEvoy contributes large abstract paintings with layered organic and geometric forms that explore perception, memory, and the construction of meaning. The exhibition includes related events on Oct. 28, such as a presentation by H. Lee White Maritime Museum curator Michael Pittavino, artist talks, and a poetry reading with faculty poets.
Art Center Waco is presenting "In Her Element," an exhibition spotlighting five Austin-based female artists: Valerie Fowler, Tara Eales, Georgie Miller, Amy Twomey, and Philana Oliphant. The show, curated by Andrea La Valleur-Purvis in partnership with the nonprofit Women & Their Work, opens with a reception on Thursday at 6 p.m. and runs through October 31. The artists explore personal narratives through experimental materials, bold concepts, and vivid visuals, with works ranging from Fowler's oil paintings on environmental and feminine themes to Miller's collages based on her muses' last meals.
Columnist Sebastian Smee highlights nine art exhibitions opening this fall, noting that museum curators plan major shows two to five years in advance, and the cultural mood can shift dramatically between conception and execution. The article reflects on how exhibitions that once felt timely may now feel dissonant or precarious upon opening.
The DeVos Art Museum at Northern Michigan University has opened a new exhibition titled 'Murmurations,' featuring artists who completed a residency in the Umbria region of Italy. The show explores the concept of 'place' and includes works by artists from across the United States and around the world. It runs until November 1 and is accompanied by related performances and events.
The 5th anniversary edition of the Off White contemporary art charity auction, organized by the Cosmoscow International Contemporary Art Fair, will take place on June 8, 2018, in partnership with Phillips auction house. For the first time, the auction will be curated by international curator Leopold Thun, co-runner of Emalin gallery in London, who will introduce a new concept, date, venue, and international perspective. Proceeds will benefit the Cosmoscow Foundation for Contemporary Art.
Two new exhibitions open at the Sumter County Gallery of Art on August 28: Lee Sipe's "Precious Vessels, Asian Spirit" and Chase Lanier's "Within the Margin of Err/Or." Sipe, a Korean-born artist based in Columbia, South Carolina, creates intricate vessels from copper wire, pine needles, and natural materials, drawing on her Asian heritage. Her work has been acquired by the Smithsonian's Renwick Gallery. Lanier, a University of Georgia graduate, produces works that explore form, color, and the passage of time using fire and precise delineation. Both artists will attend the opening reception.
The City of Lawrence has rebranded its annual public art showcase from the 'Outdoor Downtown Sculpture Exhibition' to the 'Unmistakable Public Art Exhibition,' reflecting an expanded definition of public art beyond traditional sculptures and murals. Nine local artists were selected for this year's exhibition, including Alicia Kelly, whose piece 'Hanging In, Hanging Out' features digitally printed Tyvek banners on the Vermont Street parking garage, designed to evoke an 'alternate dimension' of playful, meditative patterns. The exhibition, opening September 26, also includes a performance piece and an artist using paper pulp to 'paint trees' in local parks.
The Haggerty Museum of Art at Marquette University will present the exhibition "No One Knows All It Takes" from August 22 to December 20, 2025. Curated by Christopher Jobson and Grace Ebert of Colossal, the show features four artists—Bryana Bibbs, Raoul Deal, Maria Gaspar, and Swoon (Caledonia Curry)—whose work addresses the effects of concealed trauma, including addiction, incarceration, immigration, and lack of systemic support for caregivers. The exhibition aims to move beyond individual self-care to highlight root causes of trauma and systemic issues undermining collective well-being.
Nicole Longnecker Gallery in Houston has announced an open call for the third edition of "Chaos Osmosis," an art and science exhibition centered on fluid dynamics. The project is a partnership between the gallery, the Gallery of Fluid Motion in Houston, and the Paradoxluxe curatorial collective, with locations in Greece and Puerto Rico. Selected participants will be featured in a dual exhibition at Nicole Longnecker Gallery and the Houston Museum of Natural Science, opening in October 2025. Houston-region artists and scientists from all disciplines are invited to submit works in any medium, including video, photography, painting, sculpture, installation, and mixed media. The submission deadline is July 30, 2025.
From 13 June to 24 August 2025, the Globe of Science and Innovation at CERN presents *Levitation*, a temporary exhibition featuring glass sculptures by Slovak artist Ján Zoričák. The works incorporate metal, bronze, natural materials, and even materials from CERN experiments, exploring themes of space and time. A short AI-generated film by Nina Tahy and curator Ivan Jančár accompanies the artworks, offering additional technological perspectives.
The article explores the rich artistic traditions of Oceania, emphasizing how the vast network of islands and ocean passageways fostered a dynamic exchange of cultures, materials, and ideas over millennia. It describes Oceanic art as vessels for metaphysical journeys, with objects like fishhooks, stick charts, and carved figures serving as tangible expressions of ancestral power and cultural knowledge. The text highlights the role of artists as chiefs and orators who manipulate local materials to manifest spirits, and traces the region's entanglements with European colonial powers from the sixteenth century onward.
Lumi Tan, the curator of Frieze New York’s Focus program, discusses her approach to planning the section of the fair dedicated to emerging and underrepresented galleries. The article outlines her selection criteria, which prioritize conceptual rigor and diverse geographic representation, and highlights specific galleries and artists she has chosen for the upcoming edition.
The Chassidus in Color art contest has selected sixty finalist paintings from 180 submissions to be exhibited in a community gallery opening. The opening night event will take place on April 29, 2025, at the Maor Art Gallery in Brooklyn, featuring remarks from artist Yitzchok Moully. The exhibition will run for three weeks across two venues—Maor Art Gallery and Betzalel Art Gallery—before a finale at the Jewish Children’s Museum on May 18. Renowned Chabad artist Michoel Muchnik and a panel of fellow artists will review the finalists to determine the contest winners.
Une anthologie sur le temps
The publishing house Citadelles & Mazenod has released a new anthology titled "Écrire le temps. De l’Antiquité à nos jours" (Writing Time: From Antiquity to the Present Day). Edited by Pascal Dethurens, the 480-page volume compiles a vast array of literary sources on the concept of time, from ancient thinkers to contemporary writers, and pairs these texts with a wide variety of artistic representations.
Artist Bat-Ami Rivlin has opened a new site-specific installation titled 'Untitled (radiators, zip ties)' at Management gallery in New York. The work features an assembly of locally sourced radiators bound by zip ties, presented in a sparse arrangement that transforms the gallery space.
Artist Julien Bismouth presents his solo exhibition "Exonumia" at Layr gallery in Vienna. The show features new works that explore the transformation of meaning and the imposition of successive interpretations on the fabric of life, as suggested by the accompanying quote from philosopher Simone Weil.
Arts Council Korea has revealed the program for its national pavilion at the 2026 Venice Biennale. Curated by Binna Choi and titled "Liberation Space: Fortress/Nest," the exhibition will feature artists Goen Choi and Hyeree Ro, exploring the historical period between the end of Japanese colonial rule and the establishment of separate Korean governments. A key feature is artist Goen Choi's work *Meridian*, which will physically extend copper pipes from the Korean Pavilion into the adjacent Japanese Pavilion, marking the first formal collaboration between the two nations' presentations at the Biennale.
The Uruguay Pavilion at the 2026 Venice Biennale presents "ANTIFRAGIL," a new installation by artist Margaret Whyte, curated by Patricia Bentancur. The work combines textiles with obsolete technological objects such as old machines, motorcycle helmets, and waste fragments, embodying the concept of antifragility developed by Nassim Taleb—systems that grow stronger through disorder and instability. Whyte's practice transforms fragility and vulnerability into poetic resistance, challenging traditional hierarchies between craft and contemporary art.
The article examines the philosophical and literary significance of laughter in François Rabelais's work, particularly *Gargantua and Pantagruel*, contrasting his celebratory view with the predominantly negative assessments of laughter in Western philosophy from Plato to Hobbes. It highlights how Rabelais channels a durable tradition of folk humor as a form of affirmative relief from oppression and official solemnity.
A new exhibition titled "1kõik" by Estonian artist Marta Vaarik opened Tuesday evening at Tallinn's Artrovert Gallery. The name plays on the Estonian word "ükskõik," meaning "whatever" or "one or the other," and symbolizes letting go to achieve inner peace. The show features works across photography, painting, video, performance, and sculpture, incorporating social themes characteristic of Vaarik's practice. It runs through June 27.
Three student artists from Wichita State University were awarded cash prizes totaling $2,500 during the 8th annual Emerging Artists reception at ShiftSpace Gallery. Juror and New York-based artist Ann Resnick selected Aly Horn, JaiDe Brown, and Savanna Nichols for the honors, which were sponsored by local businesses and the Art and Design Advocates. The exhibition, featuring work from the winners and twelve other students, showcases a range of disciplines including ceramics, photolithography, and MFA-level conceptual projects.
A new exhibition titled “River Valley Radical Futures” has opened at the Taber Art Gallery at Holyoke Community College in Holyoke, Massachusetts. The show invites visitors to imagine the Pioneer Valley 100 years in the future after the fall of capitalism, using workshops, worker cooperatives, and community groups to create a conceptual map of that possible future. Eight local artists display multi-medium works in the gallery until March 12th.