The National Portrait Gallery in London is hosting "Catherine Opie: To Be Seen," the first major UK museum exhibition dedicated to the American photographer. The show brings together over 80 photographs spanning 30 years of Opie's career, exploring themes of social, political, and individual identity through studio portraiture, environmental studies, and documentary images.
"Es hat niemals eine unpolitische Venedig-Biennale gegeben"
The Venice Biennale is embroiled in political controversy, with the US Pavilion's selection process criticized for bypassing traditional curatorial expertise in favor of a politically connected outsider. Simultaneously, a collective of artists and academics is protesting Russia's return to the Biennale, arguing it uses art as a political instrument to normalize its actions amid the war in Ukraine. An analysis in ArtReview contends the Biennale has never been apolitical, serving as a stage for geopolitical power plays since its inception.
Taiwanese American artist Lee Mingwei presents his largest non-museum exhibition to date, "Lorsque La Beauté Paraît (When Beauty Appears)," at Perrotin in Paris. The show brings together seven invitational projects, including works like *The Mending Project* (2009–) and *The Moving Garden* (2009–). In an interview with Australian curator Rhana Devenport, Lee discusses the political dimensions of beauty, the restorative power of gift-giving, and the courage required for small acts of kindness among strangers. The exhibition is curated by Thierry Raspail, co-founder of the Lyon Biennale and director of the Lyon Museum of Contemporary Art.
Alserkal Art Month (April 18–May 18, 2026) in Dubai features a district-wide initiative of exhibitions and events, anchored by the group show "Déjà Vu" at Concrete, Alserkal Avenue (April 25–May 8). Curated by Kevin Jones, Nada Raza, and Zaina Zaarour, the exhibition brings together over 50 artists from 20 UAE-based galleries, centering on themes of memory, displacement, and cultural inheritance. The article profiles 12 standout artists, including Shahpour Pouyan and Juma Al Haj, whose works translate these tensions into materially inventive and conceptually rigorous practices.
Ed Ruscha's 1968 exhibition catalogue 'Billy', designed for a show of works by his friend Billy Al Bengston, is being offered for sale. The catalogue features a flocked sandpaper cover, satin ribbon bookmark, and machine screw and hex nut binding, and was published by the Los Angeles County Museum of Art for an exhibition that traveled to the Corcoran Gallery of Art and the Vancouver Art Gallery. The work is listed on an art marketplace platform with a price of €62,600, and the listing includes details about its condition, provenance, and the artist's broader career.
Tate Britain will stage "The 90s: Art and Fashion" in autumn 2026, guest curated by Edward Enninful, featuring nearly 70 artists, designers, and photographers including Steve McQueen, Damien Hirst, Alexander McQueen, and Vivienne Westwood. The exhibition explores how the decade reshaped British cultural identity through art, fashion, and social commentary, highlighting DIY anti-fashion aesthetics and themes of identity, race, class, and representation. Separately, Gagosian opened a new ground-floor flagship at 980 Madison Avenue in New York, replacing its longtime sixth-floor space after 37 years. A rare 17th-century Mughal astrolabe is heading to Sotheby's London with a £1.5–2.5 million estimate. Fondazione Sozzani launched an award for emerging creative talent. A Manhattan federal jury ordered art publisher Michael McKenzie to pay $102.2 million in damages to the Morgan Art Foundation for producing unauthorized works by Robert Indiana.
Harriet Cooper's guide highlights 16 free art exhibitions in London for spring 2026, including David Hockney's inaugural show at Serpentine North Gallery, a solo display by designer Simone Brewster at the Design Museum, and Somerset House's 'Holy Pop!' exploring modern idolatry. Other featured shows range from Paula Rego drawings to Gilbert & George works, all accessible without admission charges.
Eileen Harris Norton, a foundational figure in the Los Angeles art scene, is being celebrated with a major exhibition of her collection at Hauser & Wirth. The show, "Destiny Is a Rose: The Eileen Harris Norton Collection," features over 80 works, many from her home, highlighting her five-decade commitment to collecting artists who were often her friends and neighbors, particularly women, artists of color, and Southern California-based artists.
The Dia Art Foundation and the Sam Gilliam Foundation have announced Edgar Calel as the winner of the 2026 Sam Gilliam Award. The Guatemala-based artist and poet, born in 1987 in Chi Xot (San Juan Comalapa), will receive $75,000 and participate in a public program at a Dia location this fall. Calel, of Maya Kaqchikel heritage, works across painting, drawing, sculpture, and performance, and is known for monumental installations reflecting Mayan cosmovision and themes of ownership and stewardship. He was selected by a panel including Dia curators Jordan Carter and Matilde Guidelli-Guidi, Elvira Dyangani Ose, Annie Gawlak, Shanay Jhaveri, and Clara Kim.
Art Basel has appointed Iraqi curator Wassan Al-Khudhairi as artistic director for the 2027 edition of Art Basel Qatar, succeeding Egyptian artist Wael Shawky who shaped the inaugural edition. The fair will take place January 28–30, 2027, with preview days on January 26–27, at Doha Design District and M7 in Msheireb Downtown Doha. Al-Khudhairi, former founding director of Mathaf: Arab Museum of Modern Art, brings deep ties to Qatar and international curatorial experience from biennials including Gwangju and the Asian Art Biennial.
Nine jewels stolen from the Louvre are valued at $102 million, according to Paris prosecutor Laure Beccuau, contradicting earlier French claims that they were of “incalculable” value. The stolen items include a diadem worn by Queen Marie-Amélie and Queen Hortense, an emerald necklace of Empress Marie-Louise, and a diadem once held by Empress Eugénie, the latter containing nearly 2,000 diamonds. One crown belonging to Empress Eugénie was recovered after being dropped by the thieves, but the rest remain missing. The robbers entered through windows using small chainsaws and exited in under eight minutes. The Louvre has been closed since the heist, and cultural minister Rachida Dati defended the museum’s security systems before the National Assembly, calling the theft “a wound for all of us.”
VALIE EXPORT, the Austrian pioneer of feminist performance art, died on 14 May, three days before her 86th birthday. Her death was confirmed by her representative, Thaddaeus Ropac. Born Waltraud Lehner in Linz in 1940, she developed a radical artistic language centered on the female body, known for works such as *Tap and Touch Cinema* (1968–1971) and *Body Configurations* (1972–1976). Tributes have poured in from artists, writers, and institutions, including the Neue Nationalgalerie in Berlin and the Belvedere Museum in Vienna, where director Stella Rollig noted their ongoing collaboration on the exhibition *Feminist Futures Forever*.
Frieze New York 2025 features a surge of 14 Latin American galleries from Mexico, Argentina, and Brazil, reversing a trend of withdrawal seen during the first 100 days of Donald Trump’s second presidency. Non-profit support from organizations like Latitude, which helped all eight Brazilian exhibitors, and a concerted effort by Frieze’s Americas team have enabled this increased presence, despite ongoing challenges such as high shipping costs, tariffs, and visa denials—exemplified by Mexican artist Dr Lakra being unable to attend his own show at Kurimanzutto.
The Esther art fair, a satellite of Frieze New York, opened its third and final iteration at Estonian House on East 34th Street. Founded by Estonian gallerists Olga Temnikova and Margot Samel, the fair eschews conventional stands, instead arranging 22 participating galleries and three bespoke projects throughout the historic Beaux-Arts building’s basement, salons, and upper floors. Highlights include sold-out presentations at Adams and Ollman and Management, works by Katja Novitskova, Jill Goldstein, and Elīna Vītola, and a special project by Darja Popolitova and Madlen Hirtentreu turning beauty-industry equipment into installations. Gallerists praised the cooperative atmosphere, contrasting it with larger, more institutionalized fairs.
The Museum of Contemporary Art Detroit (Mocad) reopened on 25 April after over a year of renovations, unveiling upgrades to its 22,000-square-foot Midtown space—including a new learning space, air conditioning, and a large street-facing window—just in time for its 20th anniversary. The main building has been renamed after co-founder Julia Reyes Taubman. Co-directors Marie Madison-Patton and Jova Lynne have repositioned the institution as a civic space, emphasizing community engagement and local artists, with exhibitions such as Olayami Dabls: Detroit Cosmologies, Martha Mysko's Retail Therapy, and Carole Harris's This Side of the River.
Polish artist Aneta Grzeszykowska is presenting two photo series in New York: "Mama" (2018), featuring a life-like doll of herself played with by her young daughter, and "Daughter" (2025), for which she wears a mask of her 14-year-old self and poses with family members. "Mama" is included in the "New Humans" exhibition at the New Museum and previously appeared in the 2022 Venice Biennale's "Milk of Dreams." "Daughter" is on view at Lyles & King gallery on the Lower East Side through May 9, and also in the group show "Adolescence" at the Zachęta National Gallery of Art in Warsaw. The series extend Grzeszykowska's long-standing practice of manipulating family photographs, which began with her 2005 series "Album," where she removed herself from old family pictures.
Guadalupe Rosales, a Los Angeles–based artist known for her Instagram archive @veteranas_and_rucas documenting 1990s Chicana life, has been selected to participate in the main exhibition of the 2026 Venice Biennale, curated by the late Koyo Kouoh. In an interview with ARTnews, Rosales discusses how her invitation came about after Kouoh's passing, her evolving practice that includes photography, murals, and installations, and the emotional depth of her archival work—balancing joy and grief, as exemplified by her cousin's death certificate. She will also publish a memoir titled *East of the River* in September.
Gladstone Gallery has announced its representation of the estate of the late performance and conceptual artist Pope.L. The gallery will present its first solo exhibition of his work in New York in 2027, joining existing representatives Modern Art in London and Vielmetter Los Angeles in stewarding his legacy.
Artist Lucy Raven has completed her film trilogy, "The Drumfire," with the release of Murderers Bar (2025). The 42-minute film documents the historic removal of four dams along the Klamath River, capturing the dramatic release of water and the restoration of a river system flowing from Oregon through Northern California. The work is currently on view at the Power Plant in Toronto and is scheduled to travel to the Institute of Contemporary Art Boston in May.
Brooklyn-based artist Duke Riley has launched a public search for the remains of a goat named Skellig Mór, a former mascot of the USS Vermont battleship in the early 1900s. His campaign involves missing posters, a newspaper ad in the Boston Globe, and a dedicated hotline, forming the centerpiece of his new solo exhibition, "The Repatriation of King Skellig Mór," at Praise Shadows Art Gallery in Brookline, Massachusetts.
The Hammer Museum in Los Angeles has announced the prize winners for its 2025 Made in L.A. biennial. Ali Eyal received the $100,000 Mohn Award, Carl Cheng won the $25,000 Career Achievement Award, and Greg Breda was selected by public vote for the $25,000 Public Recognition Award. The winners were chosen by a jury of curators from prominent institutions.
Yuko Mohri, a Japanese sculptor known for her assemblages of fruit and found objects, has won the Calder Prize, awarded by the Calder Foundation with a $50,000 prize. Mohri, who represented Japan at the 2024 Venice Biennale, has seen her career accelerate with international museum shows, including a recent exhibition at Pirelli HangarBicocca in Milan, which will travel to Centro Botín. She also has upcoming shows at the Bass museum in Miami, the Barbican Centre in London, and her first US gallery exhibition at Tanya Bonakdar Gallery in New York. The prize includes a residency at Atelier Calder in Saché, France.
Artnet News's Talentspotter feature profiles six emerging Asian artists shaping contemporary art. The artists, including Chen Ronghui, Steph Huang, and Cole Lu, explore themes of urbanization, migration, identity, and consumer culture through photography, sculpture, and installation.
Expo Chicago has announced the list of over 130 exhibitors for its 2026 edition, taking place April 9–12 at Navy Pier. The fair has been reduced by nearly 25 percent compared to 2025, with a smaller floor plan designed to foster deeper engagement. New features include a partnership with the Obama Presidential Center, whose museum director Louise Bernard will curate two sections, and the rebranding of the Exposure section as Focus, curated by Katie A. Pfohl. The Profile section will be curated by Essence Harden, and a continued partnership with the Galleries Association of Korea will bring 12 Korean galleries.
Spielzeug Gallery, a nomadic curatorial project founded by Evan Karas, opened a temporary brick-and-mortar space at 131 Chrystie Street in New York through a collaboration with 1 Day at a Time, an enterprise that helps nomadic creatives secure footholds in the city. The inaugural exhibition, “TOYS! TOYS! TOYS!”, featured works by Thomas Liu Le Lann, Josh Rabineau, and Michelle Im, exploring themes of control, psychosexuality, and the interplay of objects and space. The gallery’s model, described as an “itinerant fantasy,” has previously staged shows in venues including a Czech bunker, a party bus, and a Bushwick apartment.
The second edition of the Atlanta Art Fair took place at Pullman Yards, a historic 27-acre former rail works in the Kirkwood district. The fair, directed by Kelly Freeman, featured around 80 dealers and attracted a diverse crowd, including many high school and college students, with a casual atmosphere far removed from typical art fair elitism. Freeman emphasized teaching the city how to use an art fair, prioritizing accessibility and long-term engagement over immediate sales.
Diego Marcon, an Italian video artist known for his uncanny and meticulously crafted films, is gaining significant attention in the United States. He recently had his first American solo show at the Renaissance Society in Chicago and is preparing for another at the New Museum in New York. His work, such as the video "La Gola" (2024), features hyper-realistic, inanimate busts with animated eyes that speak about bodily experiences, blending narrative with structuralist film techniques. Marcon's films often explore family dynamics and the materiality of film, creating dreamlike experiences that haunt viewers.
The article reports on several moves in the art world: the Frankenthaler Climate Initiative opens its sixth grant cycle with over $17.5 million awarded to date for clean energy in visual arts. Gallery news includes P·P·O·W now representing Phoebe Helander, Séverin Guelpa joining Fabienne Levy Gallery, Catinca Tabacaru taking on Andrei Nițu, and Roland Augustine stepping down from Luhring Augustine. Bonhams saw a 9% revenue decline in 2024, part of broader auction house drops, and was sold to Pemberton Asset Management. The piece also highlights an interview with Met director Max Hollein on the museum's global identity.
The Barnes Foundation has promoted Will Cary to Executive Vice President and Chief Operating Officer, where he will oversee new revenue initiatives, the Calder Gardens partnership, and a newly formed Brand department. Bukia Vakhania Gallery (formerly Gallery Artbeat) is opening a Berlin location on January 15 with a solo show by Nina Kintsurashvili. Heritage Auctions reported $2.2 billion in sales for 2025, its highest-ever annual total, driven by coins, comics, sports memorabilia, and illustration art. Antenna Space will open a Hong Kong outpost in March 2026, directed by Jeff Li. A Deloitte Private and ArtTactic report reveals that 50% of non-bank art lenders experienced loan defaults in 2024, up from 17% in 2023.
Artnet News profiles eight Gulf artists who are shaping the region's cultural renaissance, including Mohammad Alfaraj and Dana Awartani. The article highlights their growing international recognition, with Alfaraj winning Art Basel Emerging Artist and Gold Awards in 2025 and Awartani exhibiting at the 2024 Venice Biennale. It notes the expansion of major art fairs like Art Basel and Frieze into the Gulf, alongside new homegrown initiatives such as the Diriyah Contemporary Art Biennale and Rubaiya Qatar.