turner prize reactions 2025 mohammed sami

The Turner Prize 2025 exhibition has opened at Cartwright Hall Art Gallery in Bradford, England, featuring four nominated artists: Mohammed Sami, Nnena Kalu, Rene Matić, and Zadie Xa. Critics have largely rallied behind Sami, a Baghdad-born, London-based painter whose large-scale works obliquely address war and memory, with several reviewers calling him a shoo-in for the award. The only major dissenter is Adrian Searle of the Guardian, who favors Kalu's sculptural works made from tape, fabric, and cable ties. The show has received mixed to positive reviews, with some critics noting the shortlist's focus on identity and diversity.

the right influential art historian victoria coates project esther

The article profiles Victoria Coates, an art historian and former Trump administration official, who is leading 'Project Esther,' a conservative initiative aimed at taking over US higher education and targeting progressive organizations. Named after the biblical queen, the project accuses critics of Israel of anti-Semitism and seeks to dismantle what it describes as a 'terrorist support network.' Coates, who previously served as Deputy National Security Advisor and worked on Rumsfeld's memoirs, has a long history of attacking academia from within, including as an anonymous blogger behind 'Elephants in Academia.'

bill dilworth new york earth room caretaker dead

Bill Dilworth, the longtime caretaker of Walter De Maria's "The New York Earth Room," died on December 10, 2024, at age 70 from a stroke. His death was reported by The New York Times on Saturday. Dilworth tended the 1977 installation—280,000 pounds of dirt piled two feet high—for 35 years, from 1989 until his retirement in 2024. Managed by the Dia Art Foundation, the piece has been open to the public since 1980 and became a cult favorite, even inspiring a lookalike in a music video by pop star Lorde. Dilworth, an abstract painter, also maintained another De Maria work, "The Broken Kilometer," through his wife Patti, who served as its caretaker.

john singer sargent and dollar princesses

A new exhibition titled “Heiress: Sargent’s American Portraits” at London’s Kenwood House explores the phenomenon of the “dollar princesses”—American heiresses who married into the British aristocracy between 1870 and 1914. The show features eight paintings and ten charcoal studies by John Singer Sargent, including portraits of notable figures like Nancy Astor and Consuelo Vanderbilt, and runs through October 5. Curated by Wendy Monkhouse of English Heritage, the exhibition examines the complex social dynamics behind these transatlantic unions, which were often criticized as mercenary transactions.

artificial intelligence museums

Randall Suffolk, director of the High Museum of Art, argues that art museums should let artists lead the integration of artificial intelligence into programming, rather than institutions racing to adopt the technology themselves. He advocates for using AI primarily behind the scenes for organizational efficiency and decision-making, while cautioning against letting AI distract from the direct experience of artworks in galleries.

conceptual art ulay is dead at 76

Frank Uwe Laysiepen, known as Ulay, has died at age 76 in Ljubljana, Slovenia. The German-born artist was a pioneer of performance art, photography, and body art, best known for his collaborative works with former partner Marina Abramović, including the iconic "Relation Works" series and their 1988 walk along the Great Wall of China. Ulay had been recovering from lymphatic cancer; the cause of death has not been confirmed. He leaves behind the ULAY Foundation in Amsterdam and a project space in Slovenia.

theaster gates smart museum chicago

The Smart Museum at the University of Chicago has announced plans for a major mid-career survey of artist Theaster Gates, titled “Unto Thee,” opening September 23 and running through February of next year. This marks Gates’s first solo museum exhibition in his hometown of Chicago, despite his international acclaim and numerous institutional shows elsewhere. The exhibition will feature objects Gates has collected and repurposed from the university, including glass lantern slides, vitrines, concrete, and wooden pews, alongside a large-scale installation of African masks accompanied by music from the late DJ Frankie Knuckles.

pope leo first general address van gogh sower at sunset

Pope Leo XIV, in his first general address, referenced Vincent van Gogh's 1888 painting *The Sower at Sunset* as a metaphor for faith and divine guidance. He noted that behind the sower, van Gogh painted the grain already ripe, interpreting the sun as the central figure of the biblical parable. The address highlighted the Pope's engagement with art as a means of spiritual reflection.

smithsonian teams up with saudi arabias alula project

The Smithsonian’s National Museum of Asian Art (NMAA) has signed a formal partnership agreement with Saudi Arabia’s Royal Commission for AlUla (RCU), formalizing two years of behind-the-scenes collaboration. Signed by NMAA director Chase Robinson and RCU chief executive Abeer Al Akel, the deal covers joint archaeological research, exhibition loans, curatorial exchange, and professional development, with a focus on the ancient site of Dadan, a key stop on the Incense Road. The partnership is part of Saudi Arabia’s Vision 2030 plan to rebrand the kingdom as a global cultural destination.

theophile alexandre steinlen tournee du chat noir

The article explores the life and work of Théophile Alexandre Steinlen (1859–1923), the Swiss-born artist who created the iconic 1896 poster *Tournée du Chat Noir* for Rodolphe Salis’s legendary Parisian cabaret Le Chat Noir. It details how Steinlen, a resident of Montmartre, was introduced to the cabaret’s circle by fellow artist Adolphe Willette and went on to produce numerous commercial works featuring cats, including advertisements, exhibition announcements, and the artists' book *Des chats, dessins sans paroles*. The piece also highlights Steinlen’s involvement in leftist politics and his broader artistic output, which included landscapes, still lifes, and nudes shown at the Salon des Indépendants.

moma curator jodi hoptman hilma af klint botanical drawings

MoMA has acquired a rare portfolio of 46 botanical drawings by Hilma af Klint, created between 1919 and 1920, and will present them in an exhibition titled “What Stands Behind the Flowers” from May 11 to September 27. Curator Jodi Hauptman discusses how the drawings reveal af Klint’s dual approach—traditional figuration alongside abstract diagrams—and her deep engagement with the natural world, including newly discovered evidence that she worked as a professional scientific illustrator for a mushroom specialist.

will the us participate in the 2026 venice biennale

As President Donald Trump cuts U.S. art programs and funding, questions surround the country's participation in the 2026 Venice Biennale. A Vanity Fair piece by Nate Freeman reports that the selection process is already behind schedule, with the U.S. State Department's typical 18-month lead time now reduced to just one year. The National Endowment for the Arts, which convenes the advisory committee for the pavilion, has been halted, and a key assistant secretary position is vacant. The application portal remains open but now includes new language requiring art that "reflects and promotes American values" and scrubbing references to diversity, equity, and inclusion (DEI).

megastar artist kent monkman is rewriting colonial narratives on canvas

Kent Monkman, a member of the Fisher River Cree Nation and a leading contemporary painter based between Toronto and New York, is the subject of a feature article discussing his career and his first major U.S. museum exhibition, "History is Painted by the Victors," opening at the Denver Art Museum. Monkman is known for epic, genre-bending canvases that subvert classical European painting traditions, particularly 19th- and 20th-century history painting, to expose colonial distortions and omissions. Central to his work is Miss Chief Eagle Testickle, his time-traveling alter ego who queers history and repositions Indigenous presence and agency. The article includes an interview where Monkman reflects on his upbringing in Winnipeg, his relationship to museums, and how painting serves as both a political tool and a method for processing historical trauma.

Delegitimation, Denunciation and Insecurity

"Delegitimation, Denunziation und Verunsicherung"

German cultural critic Georg Seeßlen warns in his taz column of a right-wing 'war of conquest' targeting liberal cultural institutions through systematic delegitimation, denunciation, and intimidation. Meanwhile, a new Berlin artist study reveals that the average annual income from artistic work is just €6,000, highlighting a structural dysfunction in the art system. Additionally, Jonathan Meese's play 'Alaska Kid' has been canceled at the Volksbühne Berlin following the death of his mother Brigitte Meese, who was his organizer, muse, and confidante.

Hunker Down With John Skoog

Artist John Skoog has premiered a new black-and-white feature film, 'Redoubt' (2025), starring Denis Lavant, and opened a concurrent exhibition at Moderna Museet in Malmö. The film follows a farmhand building an apocalyptic shelter, while the museum installation features the full-scale, fabricated bunker from the film's production.

Where to go this weekend?

Wohin am Wochenende?

This week's art tips from Monopol magazine highlight exhibitions and events across Germany and Europe. In Berlin, the Helmut Newton Museum reopens with a new immersive film space and a fresh presentation of its collection, while the Neue Nationalgalerie showcases Ernst Ludwig Kirchner's iconic painting "Potsdamer Platz" in the exhibition "Ruin und Rausch. Berlin 1910-1930." In Bozen, Chinese artist Evelyn Taocheng Wang presents new works at Museion, blending painting, textiles, and installation. The Art Brussels fair returns with a reduced lineup of 138 galleries, focusing on Belgian and neighboring markets. In Duisburg, Anish Kapoor receives the Wilhelm-Lehmbruck Prize, accompanied by a solo exhibition at the Lehmbruck Museum.

art wolfgang tillmans exhibition los angeles

Wolfgang Tillmans presents "Keep Movin'," an exhibition of new photographs, sculptures, and video works at Regen Projects in Los Angeles. The show, installed in January 2026, features large prints, unframed photocopier works, ready-made sculptures, and his ongoing "Truth Study Center" displays of ephemera. Tillmans explores themes of social and political cycles, image construction, and the ambiguity of beauty, using materials ranging from nautical ropes to close-ups of offal.

art sophie calle interview juergen teller

Cultured magazine publishes an interview with French conceptual artist Sophie Calle, conducted by a journalist who navigates Calle's characteristic conditions for the conversation. The article recounts the process of securing the interview—including a preliminary phone call from Calle to set rules—and describes Calle's home in the South of France, her tan arms, black sleeveless top, and signature glasses. The journalist references Calle's early photobooks published by Siglio, her "Unfinished" series displayed at the Musée Picasso in Paris (2023–24), and her project "The Address Book," which involved interviewing acquaintances of a stranger whose address book she found on the streets of Paris. The interview also touches on a companion catalog of moldy works after a flood in Calle's storage space, and a large photograph of dried flowers from architect Frank Gehry.

'I get strong gut reactions': Jonathan Travis on what he collects and why

Jonathan Travis, a realtor and art collector who has helped drive the migration of New York galleries to Tribeca, discusses his collecting habits in an interview with The Art Newspaper. Travis, a partner at Redwood Property Group, has found Tribeca homes for around 40 galleries and co-founded the Wolf Hill artist residency in Chappaqua, New York, with Ethan Rafii. He shares details about his first purchase (a Nicole Eisenman painting), his most recent acquisition (a Masanori Tomita painting), and his strong gut reactions when buying art in person. He also mentions works in his collection by artists such as Sasha Gordon, Jenna Gribbon, and Arcmanoro Niles, and expresses excitement for the Salvador Dalí show at Di Donna and the May auctions.

mernet larsen cover painting art in america

Mernet Larsen, whose painting *Getting Measured* (1999) appears on the cover of the Winter 2025 issue of *Art in America*, discusses the work's origin and evolution in an interview from her home in Tampa, Florida. She explains how the painting marked a turning point from abstraction to a representational style inspired by 12th-century Japanese narrative painting and the parallel perspective technique used by architects, while also incorporating elements from her own abstract works and a self-portrait titled *Indecisive Woman*.

artists dealers

A growing number of prominent art dealers across New York, London, Los Angeles, Brussels, and Reykjavik began their careers as artists, not salespeople. Figures like Jack Hanley, Sebastian Gladstone, Börkur Arnarson of i8 Gallery, and the team behind Galerie Sardine (Joe Bradley and Valentina Akerman) all transitioned from studio practice to gallery ownership. The article explores how their firsthand experience as artists shapes their approach to representing others, from patience with the creative process to building artist-centered business models.

amy sillman cameron martin sikkeman jenkins malloy dia bridgehampton

Artist Cameron Martin discusses his new exhibition “Baseline” at Sikkema Malloy Jenkins in New York with fellow painter Amy Sillman. The conversation explores Martin’s shift from earlier landscape-derived graphic paintings to a more abstract approach involving “almost signs”—forms where signifier and signified don’t fully align. Martin describes his work as engaging with paradox and contradiction, using surrogates for gesture and juxtaposing elements that don’t quite fit together, which can produce a sense of humor or drollness.

‘You look at it and you just feel better’: this year’s Photoville festival highlights

The 15th annual Photoville festival in New York features over 90 photographic exhibits, ranging from whimsical subjects like cosmic-looking apples in "Old Apples" to hard-hitting reportage on wildfires, water access inequalities, and ICE's impact on communities. Notable exhibits include "Special Girls," showcasing 1990s photos of trans women from the Remsen Wolff archive, and "Point of View," pairing self-portraits by Dutch college students with Rijksmuseum artworks. Other highlights include Lexi Parra's "The Avillas," documenting a family after a matriarch's self-deportation, and "Puppies Behind Bars," a photo series on incarcerated men raising service dogs at Green Haven prison.

How to Feel the Benefits of Art, According to Psychologists

Recent psychological research confirms that engaging with visual art provides significant physical and mental health benefits, including the alleviation of depression, anxiety, and stress. Studies indicate that viewing art can also enhance cognitive functioning and social skills, prompting new initiatives to explore the specific mechanisms behind these wellness improvements.

Notes from New York: Rotting Meat

Artist Jen Liu’s solo exhibition 'Pound of Flesh' at Silverlens New York explores the dehumanizing nature of digital labor through visceral imagery of raw meat. The show features paintings where human consciousness is replaced by butcher-shop cuts and an animated video based on Liu’s research into microworkers—individuals who perform repetitive, low-paid tasks to train AI models. By juxtaposing the biological reality of the body with the clinical extraction of data, Liu highlights the physical and psychological toll of the 'Agentic Age.'

Tracey Emin, the studio and me: inside the wild, passionate process of the artist at work

Harry Weller, Tracey Emin’s long-time creative director, provides an intimate look into the artist’s studio practice ahead of her major exhibition at Tate Modern. Weller describes a high-intensity environment where Emin works without preparatory sketches, often entering a trance-like state of "primal instinct" to produce her visceral paintings and text-based works. His role involves acting as a creative antagonist, challenging Emin during the painting process to push the boundaries of her work while documenting the spontaneous poetic fragments she produces.

Wes Anderson Brings Joseph Cornell’s Studio to Life

Filmmaker Wes Anderson and Gagosian curator Jasper Sharp have recreated Joseph Cornell's basement studio from his home on Utopia Parkway in Queens, New York, at Gagosian Gallery's Paris location. The exhibition, titled "The House on Utopia Parkway: Joseph Cornell's Studio Re-Created by Wes Anderson," features over 300 original objects collected by Cornell, alongside his iconic shadow boxes and collages. It runs through March 14 and is free to the public, displayed behind the gallery's storefront windows.

Unlock Art Basel Miami Beach with curated experiences and inspiring stays

Airbnb has announced its return to Art Basel Miami Beach as part of a multi-year partnership with the fair, offering exclusive art experiences and design-forward stays. Highlights include a pre-opening tour led by fair director Bridget Finn, an interactive design workshop with interior designer Kelly Wearstler, and a private artist-guided tour of Jack Pierson's solo show at the Bass Museum of Art. The collaboration extends beyond Miami to cities like Los Angeles, Mexico City, and Tokyo, with experiences at galleries such as PACE Gallery, Vielmetter, and the Ueshima Museum.

‘Like a carefully choreographed performance’: meet the logistics professionals who bring art fairs to life

Art fairs appear serene on the surface, but behind the scenes, logistics professionals work frantically to ship, install, and present hundreds of artworks. The article shares dramatic installation tales from galleries and shippers, including Gianpietro Carlesso's heavy sculpture at Frieze Sculpture 2020, a Calder Stegosaurus transported for Art Basel Miami Beach 2013, and Mandy El-Sayegh's immersive booth installation at Frieze London 2023. These stories highlight the challenges of tight schedules, extreme weather, and complex installations that require structural engineers, cranes, and overnight work.

Artist Alicja Kwade Opens the Door of Her Berlin Studio Ahead of a Major Solo Show

Berlin-based Polish artist Alicja Kwade opens her studio ahead of a major solo show, revealing the creative process behind her sculptural works that explore time, uncertainty, and reality. Her studio, a historic industrial complex in Oberschöneweide acquired from musician Bryan Adams, houses a team of a dozen full-time employees and up to 30 freelancers, including stone masons, welders, and architects. Kwade's recent high-profile exhibition at Pace Gallery in New York featured suspended stainless-steel cylinders with clocks and distorted reflections, while her best-known works include 2019 sculptures commissioned for the rooftop of The Metropolitan Museum of Art and a contribution to the 2017 Venice Biennale.