Art News. Vasari Codex

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rate_review review schedule Apr 9, 2026 visibility 25 link 5 artists, 2 galleries

Notes from New York: Rotting Meat

Artist Jen Liu’s solo exhibition 'Pound of Flesh' at Silverlens New York explores the dehumanizing nature of digital labor through visceral imagery of raw meat. The show features paintings where human consciousness is replaced by butcher-shop cuts and an animated video based on Liu’s research into microworkers—individuals who perform repetitive, low-paid tasks to train AI models. By juxtaposing the biological reality of the body with the clinical extraction of data, Liu highlights the physical and psychological toll of the 'Agentic Age.'

newspaper ArtReview open_in_new Read original

rate_review review schedule Oct 17, 2025 visibility 21 link 12 artists

chaim soutine biography celeste marcus

A new biography titled *Chaïm Soutine: Genius, Obsession, and a Dramatic Life in Art*, written by Celeste Marcus, explores the life and work of the early 20th-century painter Chaïm Soutine. Marcus argues that Soutine’s intensely visceral paintings—featuring dizzying landscapes, bloody carcasses, and penetrating portraits—are the key to understanding the artist, who left behind few personal records. The book challenges the tendency to read historical tragedy, particularly Soutine’s identity as an Eastern European Jew before WWII, into his turbulent brushwork, instead emphasizing the life force and internal logic of his compositions.

newspaper ARTnews open_in_new Read original

rate_review review schedule May 4, 2026 visibility 19 link 2 artists, 1 gallery

The Anti-Pop Art of Domenico Gnoli

The article reviews "The Adventure of Domenico Gnoli," a retrospective at Lévy Gorvy Dayan in New York, focusing on the Italian artist's 1967 painting *L'inverno (Couple au lit)* and other works featuring intimate, fabric-rich domestic scenes. Gnoli (1933–1970), born into an art-world family, is often associated with Pop Art, but the author argues his work depicts a private, almost childlike world of memory and longing, contrasting with Pop's mass-produced commodities.

newspaper Ocula open_in_new Read original

rate_review review schedule May 21, 2026 visibility 4 link 3 artists

A New Richard Avedon Documentary Lets Him Down

A new documentary titled "Avedon" (2026), directed by Ron Howard, premiered at the Cannes Film Festival. The film offers a conventional tour of the life of famed photographer Richard Avedon, relying on talking-head interviews and behind-the-scenes anecdotes rather than delving into the artistic process or the deeper implications of his work. The review criticizes Howard's approach as hackwork, noting that the documentary misses opportunities to explore Avedon's insights on image culture, his influence on cinema, and the technical evolution of his photography.

newspaper Hyperallergic open_in_new Read original

rate_review review schedule Jan 12, 2026 visibility 17 link 5 artists

internet personality mackenzie thomas performance review

Internet personality MacKenzie Thomas staged a four-hour durational performance titled "I Said What I Said" in New York, where she read aloud every post she made on X over the past year, interspersed with personal essays. The performance, which sold out both New York showings, will travel to Los Angeles at Heavy Manners. Thomas recounted intimate details of her life, including a breakup, her dog's death, health struggles, and family dynamics, while notably omitting her success as an influencer with half a million followers.

newspaper ARTnews open_in_new Read original

rate_review review schedule May 7, 2026 visibility 15 link 3 artists, 1 gallery

"Dispossessions in the Americas" Confronts the Colonialism That Invades All Territory

The article reviews "Dispossessions in the Americas," a group exhibition at Wrightwood 659 in Chicago curated by Jonathan D. Katz and Eduardo Carrera. Featuring works from 1960 to 2025, the show examines colonial legacies in the Americas, focusing on the forced dispossession of land, culture, and language from indigenous, Afro-descendant, queer, and trans communities. The review critically questions how a polished, architecturally prestigious venue can coherently display art about socially voiceless communities without falling into voyeurism or fetishization of pain.

newspaper Newcity Art open_in_new Read original