filter_list Showing 535 results for "Behind" close Clear
search
dashboard All 535 museum exhibitions 200article news 70article culture 70article local 65trending_up market 57person people 33candle obituary 18article policy 11gavel restitution 6rate_review review 5
date_range Range Today This Week This Month All
Subscribe

Teresinha Soares, Brazilian Artist Behind Erotic-Inflected Works That Slyly Defied Taboos, Dies at 99

Teresinha Soares, a pioneering Brazilian artist known for her bold, erotic-inflected paintings and installations that challenged societal taboos and gender conventions, died on March 31 in Belo Horizonte at age 99. Her career, though concentrated between 1965 and 1976, was defined by works featuring pared-down, full-figured female silhouettes in vibrant colors that directly addressed women's sexuality and oppression.

Monumental Bellini Altarpiece Undergoes Major Restoration in Public View

Giovanni Bellini's monumental 15th-century altarpiece, the San Giobbe altarpiece, is undergoing its most extensive restoration in over 500 years at the Gallerie dell'Accademia in Venice. Deemed too fragile to move, the two-year, €500,000 project will stabilize the cracked wood panel and analyze pigments using advanced imaging, all performed behind glass in full public view.

the critics table best art books of the year

Johanna Fateman and Blakey Bessire share their picks for the best art books of the year. Fateman highlights a new edition of Claude Cahun's anti-memoir "Cancelled Confessions or Disavowals" from Siglio Press, featuring photomontages by Cahun and Marcel Moore, and the first monograph on Greer Lankton, "Could It Be Love," edited by Francis Schichtel, Jordan Weitzman, and Nan Goldin with an essay by Hilton Als. Bessire selects "Voice of Space: UFOs and Paranormal Phenomena," a catalog from the Drawing Center exhibition exploring UFOs and altered states, and "Alice Coltrane, Monument Eternal," a Hammer Museum catalog edited by Erin Christovale that examines Coltrane's sonic and spiritual work.

design amalia ulman home

Artist Amalia Ulman shares a personal inventory of 44 objects from her home, ranging from a pigeon-shaped oven mitt and a 1920s Austrian bronze cat figurine to a telephone-shaped lamp bought from a subway vendor and a graphite portrait of her late dog Holga. The list includes quirky functional items like a cane that turns into a stool, a wooden chair that transforms into a ladder, and sentimental keepsakes such as a red pompom from Holga's casket and a bag of gravel from the dog park. The objects reflect her daily life, travels, and memories, blending humor with melancholy.

design inspiration summer interiors collecting

Cultured magazine's article "design inspiration summer interiors collecting" presents five distinct stories exploring the intersection of art, design, and collecting within private homes and studios. It profiles designer John Gachot's Shelter Island studio where his paintings coexist with his father Richard Gachot's sculptures; the Montauk home-workshop of Roman & Williams founders Stephen Alesch and Robin Standefer; artist David Salle's Hamptons residence and his approach to selecting artworks; real estate investor Carl Gambino's art collection featuring emerging and established artists; and author James Frey's personal collection, which he began by purchasing a Picasso with cash.

collector questionnaire interiors most shocking works of art

Cultured magazine asked 12 collectors to name the single work in their home that most stops guests in their tracks. Responses include Wolfgang Tillmans’s camera-less photograph *Freischwimmer 153* (2010), a medieval illuminated *Book of Hours* (ca. 1480/90), Jordan Wolfson’s robotic installation *(Female figure)* (2014), Julie Curtiss’s hair-covered sculpture *Spider* (2018), and Haegue Yang’s kinetic bell sculpture *Sonic Rotating Geometry Type E – Brass Plated #23* (2014). Each collector explains why the piece provokes awe, laughter, discomfort, or deep conversation.

Nara's vampire-girl portrait sells for US$10m at Sotheby's, leading US$43m Hong Kong Evening Sale

Sotheby's Modern and Contemporary Evening Auction in Hong Kong on 28 September achieved HK$335 million (US$43.1 million), with a 95% sell-through rate across 40 lots. The top lot was Yoshitomo Nara's 2012 painting *Can't Wait 'til the Night Comes*, which sold for HK$79.9 million (US$10.3 million) to a private Asian collector. A group of five works by Roy Lichtenstein from the artist's personal collection also debuted at auction, collectively bringing HK$46.4 million (US$5.9 million).

Willem de Kooning’s Rarely Seen Drawings Come Into Focus in Chicago Show

A forthcoming exhibition at the Art Institute of Chicago (AIC), titled "Willem de Kooning Drawing," will showcase over 200 rarely seen drawings by the Abstract Expressionist master, opening in June. The show, organized in partnership with the Rijksmuseum, includes works from across de Kooning's career—from early charcoal studies like *Dish with Jugs* (1919–1921) to experimental pieces from the 1960s where he drew with his eyes closed or with both hands. Curated by Kevin Salatino, the exhibition positions drawing as central to de Kooning's practice, challenging the perception that his paintings were purely spontaneous.

Dubai Plans a Massive New Museum for Digital Art

Dubai has announced plans for a new Museum of Digital Art (MODA), a major institution dedicated to digital and tech-driven art. The museum is part of a $27 billion transformation of Dubai's financial district into a technology hub, and will feature immersive and interactive experiences. No budget or completion date has been set, but Sheikha Latifa bint Mohammed bin Rashid Al Maktoum, chairperson of Dubai Culture, stated the museum advances the city's commitment to converging creativity and technology. The museum will be designed by Adrian Smith + Gordon Gill Architecture, the firm behind the Burj Khalifa.

Here’s Why the Venice Biennale Main Show Lost One Artist During the Planning Stages

The Venice Biennale's main exhibition, curated by the late Koyo Kouoh, originally included 111 artists when announced in February, but now lists only 110. ARTnews reveals that the removed artist is Bodys Isek Kingelez, a Congolese sculptor known for his colorful cardboard "extreme maquettes" of fantastical cities. A Biennale spokesperson stated that works initially considered for Kingelez were ultimately unavailable. Kingelez, who died in 2015, was to be one of the few deceased artists in the show, alongside figures like Marcel Duchamp and Issa Samb.

British billionaire's £200m art collection most expensive ever offered in UK

British billionaire Joe Lewis will sell a tranche of his art collection in a standalone sale at Sotheby’s in London this June, estimated at £150m–£200m. This makes it the most valuable single-owner collection ever offered in the UK, surpassing the Pauline Karpidas collection which totalled £101m. Highlights include Gustav Klimt’s *Bildnis Gertrud Loew* (est £20m–£30m), Amedeo Modigliani’s *Homme à la pipe* (est £12m–£18m), and Francis Bacon’s *Two Studies for Self-Portrait* (est £8m–£12m). The sale follows a smaller March auction of four works from the Lewis collection that focused on School of London artists.

The Multibillion-Dollar Maneuvers Behind the Met’s Raphael Show

The Metropolitan Museum of Art has opened “Raphael: Sublime Poetry,” the largest survey dedicated to the Renaissance master in the U.S., featuring 33 paintings and 142 works on paper. The exhibition includes loans from 60 public institutions across 11 countries, as well as private loans from billionaire Leon Black, and the estimated aggregate value of the art on view is in the billions of dollars. Curated by Carmen Bambach, the show took eight years to organize and follows her previous triumphs on Leonardo and Michelangelo.

A teaspoon at a time: how LACMA built its collection

The Los Angeles County Museum of Art (LACMA) has grown from a fledgling institution into a world-class museum through a deliberate, long-term strategy of cultivating collectors, building strong local relationships, and leveraging its exhibition program to acquire major works. This approach, described as "a teaspoon at a time," involved patient donor cultivation and using international loan shows as opportunities to secure significant pieces for the permanent collection.

Stealing the show: Mona Lisa heist inspires Andrew Lloyd Webber musical

Renowned composer Andrew Lloyd Webber has announced he is developing a new musical based on the 1911 theft of Leonardo da Vinci’s Mona Lisa. The production will dramatize the true story of Vincenzo Peruggia, a Louvre employee who stole the masterpiece and kept it hidden for over two years before attempting to sell it to an antiques dealer in Florence. Lloyd Webber, the creative force behind global hits like Cats and Phantom of the Opera, is currently in the writing phase of the project.

carol bove just revealed a miro mural typically hidden in the guggenheims walls

Artist Carol Bove has unveiled a hidden Joan Miró mural as part of her new retrospective at the Guggenheim Museum in New York. The 19-foot-long ceramic work, titled 'Alicia' (1965–67), was commissioned by Harry F. Guggenheim but has been concealed behind a false wall for over two decades because curators felt it clashed with other exhibitions. Bove integrated the masterpiece into her show by cutting a diamond-shaped aperture into the partition, allowing visitors a rare glimpse of the site-specific piece.

untangling the myths behind henri rousseau eccentric masterpiece

The article examines the history and critical reception of Henri Rousseau's 1897 painting *The Sleeping Gypsy*. It details the painting's creation, its initial exhibition at the Société des Artistes Indépendants, and its subsequent journey through the art market—from being lost and rediscovered at a coal dealer's to being sold by dealer Daniel-Henry Kahnweiler and collected by John Quinn, before ultimately entering the collection of The Museum of Modern Art in New York.

suprising history behind whistlers mother

The article explores the enduring appeal of James McNeill Whistler's 1871 painting commonly known as "Whistler’s Mother," officially titled "Arrangement in Grey and Black, No.1." It recounts how the painting was acquired by the French state in 1891 and became the first American painting in the Louvre, now housed at the Musée d'Orsay. The piece also reveals little-known facts: the sitter's full name was Anna Matilda McNeill Whistler, who wore mourning clothes for 31 years after being widowed and moved in with her son in London, displacing his mistress. The article includes her recipe for a dessert called Floating Island and notes that Whistler incorporated his earlier etching "Black Lion Wharf" into the portrait.

frank lloyd wright guggenheim leeches teeth pulled

Frank Lloyd Wright, the renowned architect of New York's Solomon R. Guggenheim Museum, underwent bizarre medical treatments at the urging of Hilla Rebay, the artist and curator who commissioned him to design the museum. Rebay, a Prussian-born baroness and advisor to Solomon R. Guggenheim, convinced Wright to have all his teeth pulled and replaced with dentures within six weeks of their meeting, and also subjected him and his wife to leech bloodletting to drain 'old' blood. The Wrights stopped following her advice when she eyed their daughter's teeth.

british taxpayers to underwrite 1 billion loan to cover bayeux tapestry while its shown in the uk

France’s Bayeux Tapestry will be loaned to the British Museum in 2026, with the UK Treasury providing an indemnity guarantee of approximately £800 million ($1 billion) to cover potential damage or loss during transport and display. The guarantee, part of the UK government’s indemnity scheme, is a contingent liability—no upfront payment is required unless something goes wrong. The tapestry will travel by truck via the Channel Tunnel in a specially designed crate, displayed behind protective screening, and remain in London until July 2027. The loan is part of a broader cultural agreement between Britain and France, announced by President Emmanuel Macron during his July state visit to London.

collector leslie wexner denies being jeffrey epsteins co conspirator

A recently released set of files related to convicted sex criminal Jeffrey Epstein has implied that his ties to collector Leslie Wexner, the former Victoria's Secret CEO, ran deeper than previously thought. An FBI email released by the Department of Justice referred to potential “co-conspirators” who worked with Epstein, and while heavily redacted, the message clearly references Wexner, the namesake collector behind the Wexner Center for the Arts in Columbus, Ohio. Wexner's spokesperson denied the implication, stating that he was “neither a co-conspirator nor target in any respect” in the inquiry.

10 art historical deep dives

Artnet News published a roundup of 10 art historical deep dives from 2025, curated by an editor who expresses a deep passion for art history. The article highlights several featured stories, including the eccentric tale behind Carl Kahler's monumental cat painting "My Wife's Lovers" (1891), commissioned by Gilded Age patron Kate Birdsall Johnson; the record-breaking sale of Gustav Klimt's "Portrait of Elisabeth Lederer" for $236.4 million at Sotheby's New York, with its rich symbolism and Imperial Chinese motifs; the online resurgence of August Friedrich Schenck's obscure 19th-century painting "Anguish" (ca. 1878), popularized by TikTok; and the centenary of F. Scott Fitzgerald's "The Great Gatsby" with a deep dive into Francis Cugat's iconic cover art "Celestial Eyes" (1924).

10 art restorations in 2025

In 2025, a series of major art restorations unveiled transformative discoveries in masterpieces by Caravaggio, Raphael, and Artemisia Gentileschi, among others. Caravaggio's final work, *The Martyrdom of St. Ursula* (1610), owned by Intesa Sanpaolo, was cleaned ahead of Rome's "Caravaggio 2025" exhibition, revealing hidden faces and a soldier's helmet previously only visible by x-ray. At the Vatican Museums, a decade-long restoration of the Raphael Rooms concluded with the revelation that two allegorical figures in the Hall of Constantine were painted by Raphael himself, not just his assistants, rewriting art history. Meanwhile, Artemisia Gentileschi's *Hercules and Omphale* (ca. 1635–37), damaged in the Beirut explosion, underwent emergency conservation by the Getty.

walton ford gagosian tutto cheetah marchesa luisa casati

Walton Ford's new series of paintings, on view at Gagosian in New York through April 19, centers on the Marchesa Luisa Casati and her two cheetahs. The works depict the Milanese heiress and Futurist muse in early 20th-century Venice, but the animals—not the glamorous woman—command the focal point. Ford, known for subverting natural history illustration, uses watercolor to balance trompe-l'oeil realism with painterly abandon, developing the characters across multiple canvases with Italian titles referencing literature by Casati's lover, poet Gabriele D'Annunzio.

artist studio

Journalist Bianca Bosker went undercover as a studio assistant for painter Julie Curtiss and other artists, revealing the gritty, athletic reality behind art-making—a world of blood, sweat, and sleepless nights. The article explores how mounting financial pressures, especially for sculptors and installation artists like Ivana Bašić, Erwin Wurm, and Lindsey Mendick, force tough decisions about studio space and production. Bašić, despite critical acclaim, lost a subsidized Dumbo studio and now outsources production to keep costs down, while a growing number of established artists pass on wisdom through residencies and assistant teams.

art in america winter collaborations issue

The winter collaborations issue of Art in America explores the often unglamorous, slow-paced nature of creative work, challenging the social-media-driven perception of art-making as fast and dramatic. The issue features pieces on Ira Sachs's film *Peter Hujar's Day*, which depicts the artist's mundane daily routine, and an interview with Chicago-based artists Nick Cave and Bob Faust, who discuss their collaborative practice and the perceived lack of drama in their process. Other highlights include features on Talia Chetrit's fashion-art boundary work, Mernet Larsen's multi-perspective paintings, and the role of licensing agreements with artists' estates.

magrittes empire of light history

René Magritte’s *L’empire des lumières* series, comprising 17 oil paintings and 10 gouaches created between the late 1940s and early 1960s, juxtaposes a nocturnal street scene with a bright daytime sky. The article explores the origins, meaning, and market performance of these works, noting that they were inspired by a line from André Breton’s poem *L’Aigrette* and reflect Magritte’s own Brussels neighborhood. Recent auction sales have shattered records, including a 1954 version that sold for $121.2 million at Christie’s New York in November 2024, making it the most expensive Surrealist artwork ever sold at auction.

judge approves purdue pharma settlement

A federal bankruptcy judge has approved a new settlement for Purdue Pharma, the pharmaceutical company behind OxyContin, resolving thousands of lawsuits related to its role in the opioid crisis. The deal, which replaces a 2021 settlement rejected by the Supreme Court, requires the Sackler family to contribute up to $7 billion and relinquish ownership of Purdue, while allowing individuals to sue family members directly.

friedrich kunath

Artist Friedrich Kunath, known for his sincere yet absurd paintings, discusses his unlikely friendship with tennis star Reilly Opelka, who is also an art collector. The two share a mutual obsession with each other's crafts—Kunath coaches Opelka in tennis, while Opelka seeks Kunath's insights on artists like Philip Guston. Kunath is preparing for his solo debut at Pace Gallery in New York this November, following his move from Blum Gallery, which closed shortly after. He reflects on the loneliness of both tennis and art, and his creative process, which draws heavily from music and film.

victoria albert east museum to open olympic park london

London's Victoria and Albert Museum has announced that its new branch, V&A East Museum, will open to the public on April 18, 2026. The five-story building, designed by Irish architecture firm O'Donnell + Tuomey, is located in Queen Elizabeth Olympic Park and will feature exhibitions, live events, site-specific commissions, and performances. The V&A East Storehouse, designed by Diller Scofidio + Renfro, opened earlier this year and offers free behind-the-scenes access to over half a million objects and books from the V&A's collections. Artists Tania Bruguera, Carrie Mae Weems, Rene Matić, and Thomas J. Price have been commissioned to create new works for the museum.

turner prize reactions 2025 mohammed sami

The Turner Prize 2025 exhibition has opened at Cartwright Hall Art Gallery in Bradford, England, featuring four nominated artists: Mohammed Sami, Nnena Kalu, Rene Matić, and Zadie Xa. Critics have largely rallied behind Sami, a Baghdad-born, London-based painter whose large-scale works obliquely address war and memory, with several reviewers calling him a shoo-in for the award. The only major dissenter is Adrian Searle of the Guardian, who favors Kalu's sculptural works made from tape, fabric, and cable ties. The show has received mixed to positive reviews, with some critics noting the shortlist's focus on identity and diversity.