What Does Damien Hirst Have to Do With This Giant McDonald’s Ball Pit in Milan?

An installation called "POOL. Ti sblocco un ricordo" was on view during Milan Design Week, organized by Nicolas Ballario and presented as part of the Tortona Rocks offsite exhibitions. The centerpiece is a giant swimming pool-shaped pit filled with hundreds of thousands of colorful balls, celebrating McDonald's 40th anniversary in Italy. The installation claims to be "informed by" Damien Hirst's "Spot Paintings" and also features a work from Vedovamazzei's "Early Works" series, which imagines how famous artists might have drawn as children. Other elements include vitrines of Happy Meal toys, a Ronald McDonald replica, and nostalgic McDonald's memorabilia.

Minnie Pwerle, Emily Pwerle, Molly Pwerle, Galya Pwerle at Château Shatto

Château Shatto gallery in Los Angeles is presenting a group exhibition featuring works by Minnie Pwerle, Emily Pwerle, Molly Pwerle, and Galya Pwerle, four Indigenous Australian artists from the Anmatyerre community. The show highlights their distinctive painting styles, which often draw on ancestral stories and bold abstract patterns, continuing the legacy of Aboriginal art in a contemporary gallery context.

Back to the 90s: Tate exhibition to explore decade’s art and fashion

Tate Britain will stage a major exhibition titled "The 90s: Art and Fashion" this autumn, curated by former British Vogue editor Edward Enninful. The show will feature nearly 70 artists, photographers, and designers, including Steve McQueen, Chris Ofili, Damien Hirst, Alexander McQueen, and Tracey Emin, alongside works by Juergen Teller, Mark Leckey, and others. It will explore the decade's art, fashion, and club culture, with pieces such as McQueen's film "Bear" (1993), Ofili's Turner Prize-winning "No Woman, No Cry" (1998), and images from Manchester's Haçienda and London's Bagley's nightclubs.

There will be mud! Could my child (and buggy) survive a day at a sculpture park?

A parent takes their toddler to Yorkshire Sculpture Park (YSP) in West Yorkshire, UK, during a rainy February day. Despite the mud and drizzle, the child engages with outdoor artworks by Barbara Hepworth, Henry Moore, Bharti Kher, Sol LeWitt, Vanessa da Silva, and Damien Hirst, treating the sculptures as playgrounds and objects of discovery. The park offers free activity packs, a Hidden Forest designed for under-fives, and a family-friendly environment that encourages children to explore art and nature without the constraints of indoor galleries.

Berlin Modern Museum Delayed Again as Moisture Damage Pushes Opening to 2030

Berlin's long-awaited Berlin Modern museum has been delayed again, with its opening now pushed to 2030 due to moisture damage in the building's shell and microbial contamination in other parts of the structure. The Prussian Cultural Heritage Foundation announced the delay after the Berlin-Brandenburg Broadcasting Corporation broke the story. The Herzog & de Meuron-designed building, originally scheduled to open this year as the Museum of the 20th Century, has faced multiple setbacks since groundbreaking in December 2019, with completion dates slipping from 2026 to 2028, then 2029, and now 2030. The project's cost has ballooned from €200 million to €507 million.

The Interview: Ei Arakawa-Nash

Ei Arakawa-Nash, a Japanese American performance artist, was selected to represent Japan at the 61st Venice Biennale, becoming the first non-Japanese national to do so in a solo presentation. This follows his first solo museum exhibition, "Paintings Are Popstars," at Tokyo's National Art Center in 2024, which was also the center's first solo show devoted to a performance artist. In an interview with ArtReview, Arakawa-Nash discusses his naturalization as a U.S. citizen, his complex relationship with national identity, and his upcoming Venice exhibition titled "Grass Babies, Moon Babies," cocurated by Lisa Horikawa and Takahashi Mizuki, which will explore themes of care and reparation using babies as a central motif.

Remembering Bruno Bischofberger, Manuela Hoelterhoff, and Steven Durland

This week's In Memoriam column from Hyperallergic honors seven figures from the art world who recently passed away, including Swiss collector and dealer Bruno Bischofberger (1940–2026), Pulitzer-winning arts critic Manuela Hoelterhoff (1949–2026), and artist-editor Steven Durland (1951–2026). Other notable losses include British painter Ray Burgoyne, iconographer Christina Dochwat, German gallerist Jenny Falckenberg, realist painter Ward Nichols, and MoMA preparator Pamela A. Popeson. Each entry provides a brief biography and highlights their contributions to visual art, criticism, and cultural organizing.

10 must-see exhibitions in Berlin this spring 2026

10 mostre da vedere a Berlino in questa primavera 2026

Artribune's article highlights ten must-see exhibitions in Berlin for spring 2026, curated by Nicola Violano. Key shows include Marina Abramović's "Balkan Erotic Epic" at Gropius Bau, exploring Balkan ritual, body, and sexuality; Giulia Andreani's "Sabotage" at the Nationalgalerie der Gegenwart, which uses near-monochrome painting to critique historical narratives; and Shilpa Gupta's "What Still Holds" at the same venue, reflecting on borders and fragility in dialogue with Joseph Beuys. The selection spans major museums and galleries, emphasizing conceptual depth over pure aesthetics.

Joan Semmel & Rama Duwaji

MoMA PS1 has opened its major quinquennial exhibition "Greater New York," a sprawling survey featuring early-career artists based in the city. The show, which fills three floors of the former public school, is noted for its gritty, immersive portrayal of contemporary New York life, capturing everyday textures from delivery drivers to urban wildlife.

Shared Crafting, Touching, and Lying Down

"Gemeinsames Basteln, Anfassen und Hinlegen"

Christie's in New York achieved record auction results, with Jackson Pollock's "Number 7A, 1948" selling for $181.2 million and Constantin Brâncuși's bronze sculpture "Danaïde" reaching $107.6 million, both from the S. I. Newhouse collection. Meanwhile, critic Gesine Borcherdt published a scathing review of the Marina Abramović exhibition "Balkan Erotic Epic" at Gropius Bau Berlin, arguing that museums increasingly demand audience participation—crafting, touching, lying down—under the guise of democracy, which she likens to group therapy and warns carries authoritarian tendencies. In London, makeup artist and designer Isamaya Ffrench opened a hybrid gallery and concept store called Studio Iron, featuring works by Abramović, Paul McCarthy, Kelly Wearstler, and Anne Imhof, aiming to blur boundaries between art, design, and function.

Georg Baselitz (1938-2026)

Georg Baselitz, born Hans-Georg Kern in 1938, has died at age 88. The German painter and sculptor, who changed his name in 1961, built a career on aesthetic dissent. Expelled from art school in East Berlin, he first gained notoriety with a 1963 exhibition at Galerie Werner and Katz in Berlin, where two works were seized for obscenity. His signature gesture—inverting his images, beginning with "Der Wald auf dem Kopf" in 1969—became his most recognizable trademark, shifting focus from subject to the act of painting itself. Baselitz also produced significant sculptures, often carved with a chainsaw and axe, and his work was the subject of major retrospectives at the Centre Pompidou (2021-2022) and the Musée d'Art Moderne de Paris (2011-2012).

At the Centre Pompidou-Metz, 100 Works to Understand the Double Face of François Morellet

Au Centre Pompidou-Metz, 100 œuvres pour comprendre le double visage de François Morellet

The Centre Pompidou-Metz presents a centenary retrospective of French artist François Morellet (1926–2016), featuring 100 works that explore the dual nature of his practice. Curator Michel Gauthier has divided the exhibition into two mirrored halves—one dedicated to reason and geometric rigor ("the Mondrian side"), the other to disorder and irrationality ("the Picabia side")—reflecting Morellet's own description of himself as the "monstrous son of Mondrian and Picabia." The show traces his evolution from early figurative works and self-taught experiments to his embrace of concrete art, Islamic decorative systems, and systematic absurdity.

Waddington’s Spring Sale Spotlights Canadian Masters

Toronto-based auction house Waddington's will hold its Major Spring Sale on May 28, 2026, marking its 176th anniversary. The sale comprises three sessions: Canadian & International Fine Art, First Nations Art, and Inuit Art. Highlights include works by Lawren Stewart Harris (Lake Superior Sketch, VI, est. $700,000–$800,000 CAD), David Brown Milne (Heavy Forms, 1913, est. $80,000–$120,000), Rudolf Ernst (Finishing Touches, est. $100,000–$150,000 CAD), Emily Carr (Somewhere, ca. 1942, est. $350,000–$450,000), and Norval Morrisseau (Young Shaman with Powers, 1978, est. $100,000–$150,000 CAD). The sale spans diverse periods and mediums, with a focus on Canadian masters and Indigenous art.

Queer art, bowler hats and an Annie Hall script: inside Diane Keaton’s archive as treasures go on sale

Diane Keaton is auctioning a vast archive of personal effects through Bonhams, including a massive collage she created over decades, clothing, scripts, and art. The sales, titled "Diane Keaton: The Architecture of an Icon," span multiple categories—from her menswear-inspired wardrobe to her photographic works and home design objects. Highlights include her original Annie Hall script, a sequined Gucci suit, and works by artists like David Wojnarowicz. The auction will be held live in New York City on 8 June, with previews in West Hollywood.

Thousands Decry Right-Wing “Smear Campaign” Against Misan Harriman

Over 97,000 people have filed complaints with the UK's Independent Press Standards Organisation against right-wing news outlets, including the Telegraph, for articles characterizing Misan Harriman's social media posts as antisemitic. Harriman, a photographer, human rights activist, and chair of London's Southbank Centre, has rejected the accusations, stating he has long championed marginalized communities and that the backlash stems from his criticism of Israel's actions in Gaza. An open letter supporting Harriman has been signed by 245 figures, including Tracey Emin, Greta Thunberg, and Mark Ruffalo, while the Telegraph published two articles scrutinizing his Instagram activity, prompting calls from Labour MP David Taylor for his removal from the board.

John Chamberlain’s Former Studio Hosts a Star-Studded New Interview Series

The John Chamberlain Estate is launching "ON THE COUCH," a biweekly filmed interview series hosted by estate director Alexandra Fairweather, timed to what would have been the sculptor's 100th birthday. Season one features eight cultural figures including artist Daniel Arsham, architect Annabelle Selldorf, fashion designer Alexander Wang, interior designer Sasha Bikoff, entrepreneur Jon Gray, and painter David Salle. Episodes will be filmed at Chamberlain's former studio on Shelter Island, now a private museum, with guests seated on his iconic foam couches. The series launches May 19 across major streaming platforms.

New York institutions offer nuanced and inclusive views of US’s 250th birthday

New York institutions are presenting nuanced exhibitions for the US's 250th birthday, offering both patriotic and critical perspectives on the American Revolution. The Grey Art Museum at NYU displays one of the 26 surviving Dunlap broadsides of the Declaration of Independence alongside over 100 contextual documents in "The Declaration of Independence: Long Trail to Liberty," while the Museum of the City of New York's "The Occupied City" immerses visitors in the British occupation of New York, featuring interactive elements like toppling a digital effigy of King George III.

J.M.W. Turner’s Most Famous Self-Portrait Might Not Actually Be by the Artist at All

Art historian James Hamilton has publicly claimed that J.M.W. Turner's most famous self-portrait, which appears on the £20 note, is actually by the painter John Opie. Hamilton, who used the portrait on the cover of his 1997 biography of Turner, argues that the work was misattributed when it entered the Turner Bequest—the vast collection of paintings and works on paper Turner left to the nation after his death in 1851. He points to stylistic evidence, noting Opie's signature technique of "light emerging dramatically from dark," and has published his research in Turner Society News, calling on the Tate to reattribute the painting.

Think you have strong opinions about the 2026 Archibald prize? Check out the portraits that didn’t make the cut | Dee Jefferson

The article explores the annual ritual of the Archibald Prize, Australia's most famous portrait competition, through the lens of the 2026 edition. The author, Dee Jefferson, describes the predictable cycle of public enthusiasm, critical disdain, and media coverage that surrounds the prize, noting recurring trends like brown suits, oversized heads, and the dominance of male artists painting male subjects. The piece highlights specific works in this year's exhibition, including a portrait of musician Keli Holiday by Sindy Sinn that the author finds disorienting, and contrasts the main exhibition with the Salon des Refusés, the showcase of rejected entries, which includes a provocative portrait of Patricia Piccinini by Wendy Sharpe featuring exaggerated anatomy.

‘Common ground for me is everywhere I step’: Mohammad Omer Khalil on his five-institution show

Mohammad Omer Khalil, a 90-year-old Sudanese artist and master printmaker, is the subject of a five-institution exhibition titled "Common Ground" spanning New York, Philadelphia, and Michigan. The show brings together six decades of his prints and paintings, along with ephemera from his travels, oral histories, and cultural influences. Khalil, who has lived in the US since 1967, learned printmaking at the EFA Robert Blackburn Printmaking Workshop and has taught at Pratt Institute, the New School, Columbia University, and New York University. He also produces editions with notable artists and has maintained a long connection to the Asilah Cultural Moussem in Morocco.

Pittsburgh’s burgeoning gallery community readies for its moment in art world spotlight

Pittsburgh's commercial gallery scene is experiencing a resurgence as the Carnegie International, the country's longest-running recurring exhibition, prepares to open its largest edition yet with 61 artists. Since the pandemic, several young gallerists with experience in New York and Los Angeles have opened spaces in the city, including Romance gallery (2023) by former Whitney curator Margaret Kross, and april april gallery (2024) relocated from Brooklyn by Patrick Bova and Lucas Regazzi. Longer-established galleries like Concept, Zynka, and James Gallery have welcomed these newcomers, with local figures such as collector Evan Mirapaul noting that Pittsburgh's robust arts ecosystem—including museums, universities, and nonprofits—has long lacked a strong commercial gallery presence.

11 Contemporary Emirati Artists To Know

The article highlights 11 contemporary Emirati artists, providing an overview of their practices and significance within the Gulf's evolving art scene. It contextualizes this list against recent major events in the region, including the debut of Art Basel Qatar in early February and the subsequent U.S. attacks on Iran, which caused turmoil across the Gulf, disrupted airline operations, and forced Art Dubai to scale back its event to a smaller fair in mid-May. Artists and galleries in the Gulf also had to temporarily close.

5 Standout Artworks at Carnegie International 2026

The Carnegie Museum of Art in Pittsburgh, Pennsylvania, has unveiled the 59th edition of its Carnegie International exhibition, featuring a monumental series of murals titled *Orogenic* (2026) by Abraham González Pacheco. The newly commissioned work, made of concrete, metal, and pigment, depicts a maelstrom of archaeological objects inspired by the museum’s collection and sets the tone for the exhibition.

Memory, Migration, Materiality: 12 Artists to Watch During Alserkal Art Month

Alserkal Art Month (April 18–May 18, 2026) in Dubai features a district-wide initiative of exhibitions and events, anchored by the group show "Déjà Vu" at Concrete, Alserkal Avenue (April 25–May 8). Curated by Kevin Jones, Nada Raza, and Zaina Zaarour, the exhibition brings together over 50 artists from 20 UAE-based galleries, centering on themes of memory, displacement, and cultural inheritance. The article profiles 12 standout artists, including Shahpour Pouyan and Juma Al Haj, whose works translate these tensions into materially inventive and conceptually rigorous practices.

Ed Ruscha | Billy (1968) | Art & Prints

Ed Ruscha's 1968 exhibition catalogue 'Billy', designed for a show of works by his friend Billy Al Bengston, is being offered for sale. The catalogue features a flocked sandpaper cover, satin ribbon bookmark, and machine screw and hex nut binding, and was published by the Los Angeles County Museum of Art for an exhibition that traveled to the Corcoran Gallery of Art and the Vancouver Art Gallery. The work is listed on an art marketplace platform with a price of €62,600, and the listing includes details about its condition, provenance, and the artist's broader career.

Tate Britain will Exhibit ‘90s Art and Fashion, and Other News.

Tate Britain will stage "The 90s: Art and Fashion" in autumn 2026, guest curated by Edward Enninful, featuring nearly 70 artists, designers, and photographers including Steve McQueen, Damien Hirst, Alexander McQueen, and Vivienne Westwood. The exhibition explores how the decade reshaped British cultural identity through art, fashion, and social commentary, highlighting DIY anti-fashion aesthetics and themes of identity, race, class, and representation. Separately, Gagosian opened a new ground-floor flagship at 980 Madison Avenue in New York, replacing its longtime sixth-floor space after 37 years. A rare 17th-century Mughal astrolabe is heading to Sotheby's London with a £1.5–2.5 million estimate. Fondazione Sozzani launched an award for emerging creative talent. A Manhattan federal jury ordered art publisher Michael McKenzie to pay $102.2 million in damages to the Morgan Art Foundation for producing unauthorized works by Robert Indiana.

16 Of The Best Free Art Exhibitions In London - Spring 2026

Harriet Cooper's guide highlights 16 free art exhibitions in London for spring 2026, including David Hockney's inaugural show at Serpentine North Gallery, a solo display by designer Simone Brewster at the Design Museum, and Somerset House's 'Holy Pop!' exploring modern idolatry. Other featured shows range from Paula Rego drawings to Gilbert & George works, all accessible without admission charges.

This influential L.A. collector bought the artists no one else would. The art world is finally catching up

Eileen Harris Norton, a foundational figure in the Los Angeles art scene, is being celebrated with a major exhibition of her collection at Hauser & Wirth. The show, "Destiny Is a Rose: The Eileen Harris Norton Collection," features over 80 works, many from her home, highlighting her five-decade commitment to collecting artists who were often her friends and neighbors, particularly women, artists of color, and Southern California-based artists.

Latin American galleries dominate at Frieze New York

Frieze New York 2025 features a surge of 14 Latin American galleries from Mexico, Argentina, and Brazil, reversing a trend of withdrawal seen during the first 100 days of Donald Trump’s second presidency. Non-profit support from organizations like Latitude, which helped all eight Brazilian exhibitors, and a concerted effort by Frieze’s Americas team have enabled this increased presence, despite ongoing challenges such as high shipping costs, tariffs, and visa denials—exemplified by Mexican artist Dr Lakra being unable to attend his own show at Kurimanzutto.

Esther fair goes out on top

The Esther art fair, a satellite of Frieze New York, opened its third and final iteration at Estonian House on East 34th Street. Founded by Estonian gallerists Olga Temnikova and Margot Samel, the fair eschews conventional stands, instead arranging 22 participating galleries and three bespoke projects throughout the historic Beaux-Arts building’s basement, salons, and upper floors. Highlights include sold-out presentations at Adams and Ollman and Management, works by Katja Novitskova, Jill Goldstein, and Elīna Vītola, and a special project by Darja Popolitova and Madlen Hirtentreu turning beauty-industry equipment into installations. Gallerists praised the cooperative atmosphere, contrasting it with larger, more institutionalized fairs.