The Rijksmuseum in Amsterdam has secured a major loan of the ancient marble sculpture *Sleeping Hermaphroditus* from the Louvre in Paris. The work will be a centerpiece of the museum's upcoming exhibition "Metamorphoses," which opens on February 6, 2026, and explores themes of transformation drawn from Ovid's epic poem.
The Musée Marmottan Monet in Paris has opened a new exhibition titled "The Empire of Sleep," curated by neurologist Laura Bossi and museum director Sylvie Carlier. The show gathers 130 artworks from the 19th and 20th centuries, exploring how artists have depicted sleep, dreams, nightmares, and the bed as a site of birth, love, illness, and death. Featured artists include John Everett Millais, Eugène Delacroix, Jean Cocteau, Giovanni Bellini, Gabriel von Max, Evelyn De Morgan, Odilon Redon, Gustave Courbet, Francisco de Goya, and Claude Monet, whose painting *Camille on Her Deathbed* is a centerpiece.
On Public Domain Day 2026, works from 1930 entered the U.S. public domain, including art by Piet Mondrian, Paul Klee, José Clemente Orozco, and Sophie Taeuber-Arp. Notable artworks now free to use include Mondrian's *Composition With Red, Blue, and Yellow*, Klee's *Tierfreundschaft*, Orozco's *Prometheus*, and Taeuber-Arp's *Composition of Circles and Overlapping Angles*, as well as pieces by Philip Guston, Marc Chagall, and Edward Hopper from the Metropolitan Museum of Art. Literary works like Sigmund Freud's *Civilization and Its Discontents* and William Faulkner's *As I Lay Dying*, films such as *All Quiet on the Western Front*, and musical compositions including "Dream a Little Dream of Me" and "Georgia on My Mind" also entered the public domain, along with the original Betty Boop character and early *Blondie* comics.
The article reflects on the closure of several notable contemporary art galleries in 2025, including Clearing, Blum, High Art, Venus Over Manhattan, Sperone Westwater, Galerie Francesca Pia, Tilton Gallery, Altman Siegel, Kasmin, Rena Bransten Gallery, L.A. Louver, and Canal Projects. It opens with a eulogy for Florine Stettheimer by Georgia O'Keeffe, drawing a parallel between the artist's unique way of life and the distinctive, charismatic spirit of galleries that have shuttered. The author recounts personal experiences at now-closed spaces like Metro Pictures, JTT, and Clearing, and quotes dealer Olivier Babin and the legendary Leo Castelli on the fleeting importance of galleries.
Journalist Bianca Bosker went undercover as a studio assistant for painter Julie Curtiss and other artists, revealing the gritty, athletic reality behind art-making—a world of blood, sweat, and sleepless nights. The article explores how mounting financial pressures, especially for sculptors and installation artists like Ivana Bašić, Erwin Wurm, and Lindsey Mendick, force tough decisions about studio space and production. Bašić, despite critical acclaim, lost a subsidized Dumbo studio and now outsources production to keep costs down, while a growing number of established artists pass on wisdom through residencies and assistant teams.
Hauser & Wirth and Société are collaborating on a large-scale group exhibition titled "States of Being" during Berlin Art Week 2025. The show, running from September 11 to November 1, will feature over 30 artists across two floors of Hauser & Wirth's Berlin space, including Alina Szapocznikow, Rashid Johnson, Lee Lozano, Louise Bourgeois, Lu Yang, Mika Rottenberg, Tina Braegger, Darren Bader, Phyllida Barlow, and Petra Cortright. The initiative stems from a friendship between Hauser & Wirth president Marc Payot and Société CEO Daniel Wichelhaus, and marks Hauser & Wirth's first project in Berlin, though the gallery has no plans to open a permanent outpost there.
The article reports on a record-breaking auction sale of a 4-foot-4-inch Labubu doll, which sold for RMB 1.08 million ($150,300) at Yongle International Auction in Beijing, with premium reaching RMB 1.24 million ($174,000). The character was created by Hong Kong artist Kasing Lung, who also collaborated with Art Basel on a limited edition. Other key developments include the closure of the Art Basel Hong Kong satellite fair Supper Club after two editions, Frieze announcing a new year-round space called Frieze House Seoul in Yaksu, and Blum gallery taking on global representation of Japanese ceramic artist Kimiyo Mishima's estate. The article also covers upcoming exhibitions by Christine Ay Tjoe at White Cube New York, Seulgi Lee at Ikon Gallery Birmingham, Kenny Scharf at the Modern Art Museum Shanghai, and Trevor Yeung's adaptation of his Venice Biennale show at M+ Hong Kong.
In 2013, visitors to New York's Museum of Modern Art encountered actress Tilda Swinton sleeping in a raised glass box in the lobby, a performance piece titled *The Maybe*. Swinton first performed the work at London's Serpentine Gallery in 1995, developed with Joanna Scanlan, and has reprised it only twice: at Rome's Museo Baracco in 1996 and at MoMA in 2013. The MoMA iteration, curated by Klaus Biesenbach, featured Swinton alone in the glass case for eight hours a day over seven days, without the historical curiosities that accompanied the original Serpentine installation. Swinton has stated in a 2024 interview that she intends to perform *The Maybe* again "when least expected."
The New York Times examines the enduring power of Felix Gonzalez-Torres's 1991 performance piece "Untitled" (Go-Go Dancing Platform), in which a go-go dancer performs on a pedestal for a brief, scheduled period each day. The work, currently on view at the Art Institute of Chicago, uses the dancer's absence as a central component, creating a poignant metaphor for queer presence and loss.
Erste Details zum deutschen Pavillon
The German Pavilion at the upcoming Venice Biennale will present an exhibition titled "Ruin," featuring works by the late Henrike Naumann and artist Sung Tieu. Curated by Kathleen Reinhardt, the exhibition explores historical ruptures and the lingering effects of political and social voids following German reunification. Tragically, Naumann passed away shortly after completing her contributions, and her studio team is now working to realize her final artistic vision for the prestigious international stage.
The Kimbell Art Museum in Fort Worth has appointed Emerson Bowyer as its new chief curator, effective March 5. Bowyer joins from the Art Institute of Chicago, where he served as the Searle Curator and oversaw significant acquisitions, including works by William Holman Hunt and Camille Claudel.
The article provides a critic's guide to seven notable exhibitions to see in Brussels during the Art Brussels fair. It highlights Richard Tuttle's assemblages at Galerie Greta Meert, an expansive Lutz Bacher show at WIELS, and other presentations by artists like Tarek Lakhrissi, Mire Lee, and Tiona Nekkia McClodden across various galleries and institutions.
The Jewish Museum in New York's exhibition 'Paul Klee: Other Possible Worlds' is missing its central artwork, Paul Klee's 'Angelus Novus' (1920). The original, owned by Walter Benjamin and normally housed at the Israel Museum in Jerusalem, is absent due to "current conditions affecting international transport," a likely reference to the Israel-Hamas war. A reproduction stands in its place, alongside Benjamin's famous 'Angel of History' text, which interprets the angel as a figure witnessing the catastrophic pile-up of history.
Gladstone Gallery is relocating its Seoul location to the Hannam-dong neighborhood later this year, doubling its exhibition space. Designed by architect Minsuk Cho of Mass Studies, the new outpost will occupy two floors of the 739-28 Hannam Building, across from Pace Gallery and near the Leeum Museum of Art. The space is set to open in late summer ahead of Frieze Seoul in September, with a solo exhibition by Ed Atkins—his first in the city—inaugurating the gallery. Gladstone first opened in Seoul's Gangnam district in 2022, joining a wave of Western galleries entering the Korean market.
Parker Gallery in Los Angeles mounted its final exhibition, “Bowls, Boxes, Plates & Vessels,” at its longtime home in the Los Feliz neighborhood from February 1 to October 19, 2025. The show featured an intergenerational group of artists—including Magdalena Suarez Frimkess, Nancy Shaver, Ruby Neri, Shio Kusaka, Zachary Leener, and Daisy Sheff—who had previously exhibited at the gallery, invited back to explore the theme of the container as form. Works in ceramic ranged from small hand-held bowls to large-scale sculptures, displayed within the domestic space of founder Sam Parker’s home, adding intimacy and resonance.
New York dealer Bridget Donahue and Los Angeles dealer Hannah Hoffman are merging their eponymous galleries to form a new operation called Hoffman Donahue, with spaces in both cities. The combined gallery represents 43 artists, including Puppies Puppies and Lynn Hershman Leeson, and its roster is more than 70 percent women artists. The merger will be fully integrated by 2026, with its official debut at Art Basel Paris. The dealers previously worked together at Gavin Brown's Enterprise and have collaborated on art fair booths.
Anne Imhof, the German artist known for her sprawling performances and winner of the 2017 Venice Biennale Golden Lion, has created her first brand collaboration with Nike. She designed two rival jerseys for Nike's revived Total 90 line, inspired by the warring 'houses' from her Park Avenue Armory project *Doom: House of Hope*: a black-and-blue short-sleeve jersey for the Tigers and a red long-sleeve jersey with a wolf's head for the Wolves. The designs, realized with Zak Group, feature the Doom crest and 'Imhof 25' on the back, and were launched with a live performance by Berlin musicians Lia Lia and ATK44 during Berlin Art Week. The jerseys will be available from September 16 at Voo Berlin and Dover Street Market in London.
Dublin-born Egyptian artist Rafik Greiss discusses his practice and recent work in an interview conducted at a Paris café. Greiss, who recently presented a solo show titled “The Longest Sleep” at Galerie Balice Hertling in Paris, creates photographs and films that explore themes of loneliness, urban space, and religious experience. His 12-minute film *The Longest Sleep* (2024), shot in Cairo, depicts Sufi rituals and deserted fairgrounds, informed by neurotheology. Greiss prints his black-and-white photographs on thick Japanese paper, emphasizing the tactile signature of his lens-based work. He is currently considering exhibition invitations from institutions around the Mediterranean and plans to travel to Egypt to make new work.
French gallerist Kamel Mennour has announced a donation of 180 artworks to the Musée d’Art Moderne (MAM) in Paris. The gift, drawn from his namesake gallery and personal collection, includes works by over 45 artists such as Alicja Kwade, Anish Kapoor, Daniel Buren, and Lee Ufan. The donation will join MAM’s permanent collections after validation by Paris Musées and the French government, with an exhibition planned for 2027 in the museum’s ARC rooms.
The United States has not yet announced its pavilion for the 2026 Venice Biennale, but a controversial proposal has emerged from far-right blogger Curtis Yarvin, who pitched a "dissident-right art hos" pavilion to Under Secretary for Public Diplomacy Darren Beattie in April 2025. The proposal, reported by the New Yorker, comes amid a delayed application process and changes to the pavilion's guidelines, which now emphasize a "non-political character" and remove previous language about diversity. The application deadline is July 30, with a $375,000 grant awarded by September, leaving an unusually short timeline for production.
The April 30, 2025 Morning Links from ARTnews reports three major headlines: the Trump administration has fired board members of the US Holocaust Memorial Museum who were nominated by former president Joe Biden, including former second gentleman Doug Emhoff; San Francisco's long-vacant Pier 29 warehouse will be converted into a large artist studio and exhibition space by the Community Arts Stabilization Trust (CAST) in partnership with the SF Port Commission, featuring a six-month residency program called Art + Water; and criticism is mounting over the appointment of former journalist Wolfram Weimer as Germany's new culture minister, with concerns about his lack of art world experience and conservative agenda. Additional items include Ames Yavuz gallery opening a new London space, Ai Weiwei designing a camouflage netting installation for Art X Freedom on Roosevelt Island, and Kathleen Reinhardt being selected to curate the German pavilion at the Venice Biennale.
This episode of 'A brush with...' podcast features Scottish painter Andrew Cranston, born in 1969 in Hawick. Cranston discusses how his work draws on personal experiences—childhood memories, family recollections, and recent rituals—filtered through the painting process. His pictures are rich with references to art history, cinema, poetry, and television, and he often paints on the covers of old hardback books. The conversation covers his influences (Pieter Bruegel the Elder, Paul Klee, Pierre Bonnard, Winifred Nicholson, writers Hugh MacDiarmid and Elizabeth Bishop, filmmakers Nicholas Roeg and Dennis Potter), his studio life, and his answer to 'what is art for?' The episode is sponsored by Bloomberg Connects.
The Mayor Gallery in London is celebrating its centenary with a three-part exhibition series revisiting its history. The second part, 'Celebrating 100 years – Part 2: European Art,' is on view through February 20, 2026, showcasing post-war European artists from movements like ZERO, Arte Povera, and Concrete art, including works by Armando, Lucio Fontana, François Morellet, and Man Ray.
A surge of gallery exhibitions in New York this January focuses on deceased artists and estates, including shows for Marcia Marcus at Olney Gleason, Hung Liu at Ryan Lee, and Lynn Geesaman at Yancey Richardson. This trend reflects a broader shift toward historical reappraisals, with young dealers increasingly taking on artist estates and museums doubling their share of solo shows for dead artists from 18% in 2019 to nearly 50% in 2025.
Intersect Aspen Art and Design Fair returns for its 2025 edition from July 29 to August 3, featuring the largest roster of galleries and programming in its 15-year history. Highlights include works by Shepard Fairey, Pierce Brosnan, and Fernando Botero, with artists such as Cristina Mittermeier, David Drebin, and Kay Seohyung Lee in attendance. The fair will also host talks and signings with photographer Maryam Eisler and a panel on art and the Aspen community.
On January 14, 1506, Florentine architect Giuliano da Sangallo and Michelangelo Buonarroti witnessed the excavation of the Laocoön Group, a monumental ancient marble statue unearthed in a Roman vineyard. The sculpture, depicting the Trojan priest Laocoön and his sons battling serpents, was quickly acquired by Pope Julius II and installed in the Vatican, where it remains today at the Museo Pio-Clementino. However, art historian Lynn Catterson controversially proposed in 2005 that the statue is not an ancient artifact but a forgery created by Michelangelo himself, citing evidence such as a drawing of a torso resembling the statue's back, bank records of Michelangelo's marble purchases, and his history of producing forgeries like the lost Sleeping Cupid.
The article profiles Lucia Wilcox, a nearly forgotten Surrealist painter born in 1899 who lived an extraordinary life—raised in Beirut, partying with Surrealists in Paris, fleeing to New York in 1938, and becoming a doyenne among expatriate artists in the Hamptons. She painted joyful, mythical women and was shown by major dealers Sidney Janis and Leo Castelli, but after her death in 1974 she faded into obscurity. Now, a tightly curated exhibition titled "Lucia Wilcox: LUCIA" at Berry Campbell in New York (through June 28) reintroduces her work, focusing on over 20 paintings from the 1940s, including the vibrant "Untitled (Jungle)" (1944).
Jeffrey Deitch, former dealer and ex-director of MOCA LA, has partnered with property developer Thor Equities to create "Coney Art Walls," a summertime display of street art murals on concrete slabs in Coney Island, New York. Located on a vacant lot at 1320 Bowery Street owned by Thor Equities, the project features works by over a dozen artists including Lady Pink, Daze, Lee Quiñones, Swoon, and Mister Cartoon, and shares space with Smorgasburg, a food and drink pop-up village. The article criticizes the venture as a real estate marketing ploy rather than a genuine art exhibition.
Jeffrey Deitch, the New York dealer and former director of the Los Angeles Museum of Contemporary Art, is co-curating a new street art project called "Coney Art Walls" in Brooklyn with real-estate developer Joseph Sitt of Thor Equities. The project features murals by prominent graffiti and street artists including Crash, Daze, Lady Pink, How & Nosm, Lee Quinones, Futura, Kenny Scharf, Miss Van, Swoon, and Icy Signs, and will accompany a Smorgasburg Coney Island pop-up with 12 food vendors. Photos show the artists hard at work as the project rapidly takes shape.
Jeffrey Deitch is co-curating a street art exhibition in Coney Island this summer with Joseph Sitt, head of real estate developer Thor Equities. The show features artists including Crash, Lee Quinones, Futura, Kenny Scharf, Miss Van, Lady Pink, Swoon, and Icy Signs, and will debut alongside Smorgasburg Coney Island with 12 food vendors and live music. Deitch previously organized the controversial 2011 exhibition "Art in the Streets" at the Los Angeles Museum of Contemporary Art, which drew large crowds but faced criticism for prioritizing entertainment over scholarship, and included the censorship of a mural by Blu.