Artist David Hockney will create a monumental, ten-meter-long window installation for the Sunley Gallery at Turner Contemporary in Margate, UK. The work, based on a 2020 iPad painting of a Normandy sunrise, will be illuminated at night and installed from April to November as part of the gallery's 15th anniversary celebrations.
British artist David Hockney has publicly criticized plans to loan the Bayeux Tapestry from France to the British Museum in London, calling the move “madness.” Writing in The Independent, Hockney argues that the 11th-century embroidery, which depicts the Norman invasion of England, could be damaged during transport across the English Channel, citing risks to its aged linen backing and wool threads. The tapestry is set to be displayed at the British Museum’s Sainsbury Exhibitions Gallery from September 2026 to July 2027 while its home in Normandy undergoes renovations. In response, British Museum director Nicholas Cullinan defended the loan, citing the museum’s expertise in handling ancient artifacts. The UK Treasury will insure the tapestry for an estimated £800 million, and in exchange, British treasures including the Lewis chessmen and Sutton Hoo helmet will travel to Normandy.
At Art Basel Miami Beach, one year into Donald Trump’s second presidential administration, most galleries are avoiding overt political themes, though a few notable exceptions stand out. The most talked-about piece is Maurizio Cattelan’s marble sculpture *Bones (2025)*, a crashing eagle metaphor for the nation’s state, shown on Gagosian’s stand. Other politically charged works include Nicholas Galanin’s burned totem pole and drone-inspired rug, David Hammons’ *African American Flag (1990)*, and Tim Youd’s typewriter performance of Hunter S. Thompson’s book. Most exhibitors, however, focus on apolitical American iconography or market-driven choices.
The Opening Gallery has opened a new space at 41 Division Street in New York with the exhibition "Generative Alterities," curated by director Sozita Goudouna. The show features artists from the Global South and Global North, including Lloyd Foster, Nan Goldin, Max Blagg, Annu Yadav, Victoria Bartlett, Jamie Martinez, and others, with works ranging from suspended sculptural portraits to mixed-media installations and photography. The gallery aims to create a contemporary salon atmosphere that encourages active dialogue rather than passive viewing.
The Fondation Louis Vuitton in Paris is opening a massive retrospective of Gerhard Richter's work, featuring 275 pieces spanning his entire career from the 1960s to recent ink-cloud drawings. Curated by Dieter Schwarz and Nicholas Serota at Richter's own suggestion, the exhibition is strictly chronological and occupies over 3,000 square meters of Frank Gehry-designed gallery space. It includes iconic works like *Uncle Rudi* (1965) and *Table* (1962), alongside very recent small-scale drawings, and draws from both public and private collections.
Art Basel Paris is underway, and this article highlights 17 must-see museum shows across the city. Key exhibitions include a joint tribute to Niki de Saint Phalle, Jean Tinguely, and Pontus Hultén at the Grand Palais; a Rick Owens fashion retrospective at Palais Galliera; the first French monographic show of John Singer Sargent at the Musée d'Orsay, featuring his scandalous 'Portrait of Madame X'; a Bridget Riley exhibition exploring her debt to Georges Seurat; a Minimalism survey at the Bourse de Commerce; and a major Jacques-Louis David retrospective at the Louvre marking the bicentenary of his death.
Crystal Bridges Museum of American Art in Bentonville, Arkansas, announced its expansion will open on June 6, 2026, adding 114,000 square feet—a 50% increase in size. Designed by Safdie Architects, the project began in 2022 and includes hundreds of newly donated works, the largest gift in the museum's history: over 200 pieces from Dallas-based collectors Candace and Michael Humphreys. Additional donations from board chair Olivia Walton and her husband Tom include 18 works by women artists, honoring her late mother, gallerist Monique Knowlton.
Crystal Bridges Museum of American Art in Bentonville, Arkansas, has announced a historic expansion, increasing its size by 50 percent to 114,000 square feet, with a grand opening scheduled for June 6 and 7, 2026. The expansion, designed by Safdie Architects, includes fully reimagined galleries and is celebrated by two landmark gifts: 18 major works by women artists donated by chairperson Olivia Walton and her husband Tom Walton, and 200 artworks by over 100 artists donated by collectors Candace and Michael Humphreys. The Walton gift features artists such as Yayoi Kusama, Alice Neel, and Njideka Akunyili Crosby, while the Humphreys gift introduces many new artists to the museum's holdings.
A major retrospective of German artist Gerhard Richter, co-curated by former Tate director Nicholas Serota, will open at the Fondation Louis Vuitton in Paris from 17 October 2025 to 2 March 2026. The exhibition features 270 works spanning 1962 to 2024, including paintings, drawings, watercolours, overpainted photographs, glass works, and digitally generated Strip images. It is organized chronologically, with sections devoted to Richter's early photo-based works, his 1972 Venice Biennale pieces, abstract explorations, sombre reflections including the October 18, 1977 series, and his later experiments beyond painting. Key loans come from the Museum of Modern Art in New York, the Tate, the Hirshhorn Museum, and Museum Ludwig, Cologne, alongside works from the Fondation's own collection.
Queensland's Gallery of Modern Art (QAGOMA) in Meanjin/Brisbane has opened 'Wonderstruck', a major free exhibition featuring over 100 works from its collection. The show includes large-scale installations by artists such as Patricia Piccinini, Ron Mueck, Michael Parekōwhai, Yayoi Kusama, and Tobias Putrih, with interactive elements encouraging visitors to touch the art. Highlights include Kusama's 'The Obliteration Room', a participatory installation where visitors cover a white space with colorful stickers, and works created by local high school students in a workshop with artist Gemma Smith.
Christie's and Sotheby's held their spring marquee auctions in Hong Kong and Shanghai, timed to coincide with Art Basel Hong Kong for the first time. Christie's evening sale of 20th and 21st century art in Hong Kong achieved HKD 560 million (USD 72 million) with a 95% sell-through rate, led by Jean-Michel Basquiat's *Sabado por la Noche (Saturday Night)* (1984) at HKD 112.6 million. Other highlights included a new artist record for Zhang Enli's *Intimacy* (2002) at HKD 23.4 million, and strong sales for works by Yayoi Kusama, Zao Wou-Ki, and Adrian Ghenie, though most lots sold near their low estimates.
CULTURED magazine hosted its second annual CULT100 party at the Guggenheim Museum in New York, in exclusive partnership with Valentino and Valentino Beauty. The event celebrated the magazine's spring issue, a 400-page edition honoring 100 luminaries and rising talents across food, film, art, fashion, and more. Guests including Keke Palmer, Lena Dunham, Naomi Watts, Adam Scott, and Anne Imhof gathered in the Frank Lloyd Wright-designed rotunda for cocktails, a Valentino Beauty lounge, and a program that coincided with artist Carol Bove's ongoing museum survey exhibition at the Guggenheim.
Ittai Gradel, a Danish classical gems specialist, has died at age 61. His investigations revealed that hundreds of objects had been stolen from the British Museum, leading to the resignation of director Hartwig Fischer in 2023. Gradel first alerted the museum in 2021 after finding proof that precious objects were being sold on eBay, naming senior curator Peter Higgs as the suspected seller. After initial concerns were ignored, Gradel wrote again in 2022, eventually prompting a police investigation. Higgs was dismissed in July 2023, and Fischer resigned the following month. Of the 2,000 items affected, 626 have been recovered, many bought in good faith by Gradel and returned. Earlier this month, Gradel received a special British Museum award from current director Nicholas Cullinan.
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Thousands marched in Buenos Aires on March 9 for a 24-hour women's strike, with one group staging a symbolic artwork by wrapping a continuous blindfold across their faces to protest patriarchal control. This followed a UN report urging Argentina's government to address gender-based violence. Separately, a *Guardian* investigation revealed UK museums hold over 260,000 human remains, many taken from former colonies, which MPs have condemned as a barbaric legacy of imperialism.
The Bayeux Tapestry, a 230-foot-long medieval textile depicting the Norman Conquest of 1066, will be loaned to the British Museum in London for the first time in 950 years. The historic deal between Britain and France is set to be finalized on July 9, with the tapestry expected to appear in a blockbuster exhibition about the Norman Conquest opening in September 2026. In exchange, treasures from across the U.K.—including artifacts from Sutton Hoo and the Lewis chessmen—will travel to France. The agreement will be announced by British Prime Minister Keir Starmer and French President Emmanuel Macron, and signed by British Museum director Nicholas Cullinan.
American con artist Thomas Doyle, 68, has been charged with wire fraud for allegedly defrauding London gallery owner Patrick Matthiesen over a Gustave Courbet painting. Doyle claimed to manage a family trust with billions in assets and offered to broker the sale of Courbet's 1844 oil painting *Mother and Child on a Hammock* without commission. Instead, he delivered the work to his partner Shalva Sarukhanishvili, who sold it to Jill Newhouse Gallery for $115,000; the gallery then resold it to collector Jon Landau for $125,000. Matthiesen received no proceeds and filed a lawsuit against Doyle, Sarukhanishvili, Jill Newhouse Gallery, and Landau. Doyle has a prior fraud conviction involving a Corot painting and was described by a judge as a "career criminal."
The Matthiesen Gallery in London has filed a lawsuit in the Southern District of New York alleging fraud, breach of contract, and other counts over a Gustave Courbet painting, *Mother and Child on a Hammock*. The gallery claims that Thomas Austin Doyle, a convicted con man, orchestrated a scheme to defraud director Patrick Matthiesen, selling the painting—valued at $650,000—through artist and dealer Shalva Sarukhanishvili to Jill Newhouse Gallery for $115,000, which then sold it to top collector Jon Landau for $125,000. The lawsuit also names Landau, who allegedly viewed the work multiple times at TEFAF fairs knowing its retail price, yet refuses to return it. Doyle has a long criminal history, including prior convictions for art fraud and theft.
MoMA PS1 kicked off its 50th anniversary year with an intimate cocktail event at the Tribeca townhome of board member Michi Jigarjian, hosted by the museum's patron group the Greater New Yorkers. Over 100 guests—including artists, collectors, dealers, and curators—gathered for remarks from Director Connie Butler, Chief Curator Ruba Katrib, and co-chairs Leslie Fritz, Ed Tang, and Amitha Raman, followed by a performance by experimental cellist Dorothy Carlos. Attendees received a first look at the upcoming quinquennial exhibition "Greater New York 2026," which will feature over 50 New York-based artists, with a partial list including Farah Al Qasimi, Fields Harrington, Hardy Hill, Sofia Sinibaldi, and Julia Wachtel.
The Metropolitan Museum of Art in New York has opened the new Conde M. Nast Galleries, designed by the Brooklyn-based firm Peterson Rich Office (PRO). The inaugural exhibition, titled "Costume Art," features 200 pieces from various museum departments and will run until January 10, 2027. The 12,000-square-foot space, located off the Great Hall, incorporates historic structural elements and uses subtle lighting and materials to create a quiet backdrop for the display of fragile costumes and art objects.
Works by Edgar Degas and Ben Nicholson are among the artworks donated to UK public collections through the government's Acceptance in Lieu (AIL) and Cultural Gifts Schemes (CGS) between April 2024 and March 2025. The total value of objects gifted reached £59.7 million, settling £39.3 million in tax. Degas's pastel *Ballet Dancers* (1888) was allocated to the National Gallery in London, settling £7.9 million in tax, while three paintings by Ben Nicholson went to Kettle's Yard in Cambridge and a fourth to Pallant House Gallery. Other donations include 73 photographs by Bill Brandt to Tate, a Vanessa Bell still life to the Charleston Trust, and works from the Radev Collection.
The Frick Collection in New York has appointed Julia Day as its new chief conservator, a role she assumed upon the retirement of Joseph Godla, who had held the position since 2005. Day, a Frick veteran who left in 2022 to become a senior conservator at the Guggenheim Abu Dhabi, returned this spring to lead the museum's expanded conservation efforts. Her appointment coincides with the reopening of the Frick's renovated 1914 mansion, which now features a new 1,200-square-foot conservation studio—the Sherman Fairchild Center for Art Conservation—designed by Samuel Anderson Architects, along with a radiography room and exhibition preparation spaces.
Brooklyn-based architecture studio Peterson Rich Office has completed the redesign of five gallery spaces at the Metropolitan Museum of Art in New York, known as the Condé M Nast Galleries. The project transformed 12,000 square feet of a former courtyard into gallery and auxiliary rooms, revealing historic brickwork and facades from the 19th-century buildings by architects Richard Morris Hunt, Arthur Lyman Tuckerman, and Calvert Vaux. The spaces include the Orientation Gallery, High Gallery, Low Gallery, and Finale Gallery, each blending contemporary design with exposed historic materials. The first exhibition in the High Gallery is the Costume Art show, timed to coincide with the annual Met Gala.
The Palestinian ambassador to the UK, Husam Zomlot, has called on the British government to intervene in a dispute with the British Museum over the removal of the word “Palestinian” from wall texts in its Middle East galleries. Zomlot raised the complaint with the Foreign & Commonwealth Office after reports that the museum had stripped the term from maps and didactics, following lobbying by UK Lawyers for Israel. The museum denies removing the word entirely, stating it still appears elsewhere, but photographic evidence suggests otherwise. Zomlot declined a tour with director Nicholas Cullinan, calling the issue “existential.”
The British Museum has successfully raised £3.5 million ($4.8 million) to acquire a rare 16th-century gold 'Tudor Heart' pendant, discovered by a metal detectorist in 2019. The pendant, linked to King Henry VIII and Catherine of Aragon, will enter the museum's permanent collection and is expected to tour the UK.
The British Museum has sent approximately 80 artifacts on long-term loan to the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS) in Mumbai, India. The loan includes an ancient Egyptian wooden riverboat model, Sumerian statues from 2200 BCE, a Roman mosaic from London, and a marble bust of Emperor Augustus. It is the largest loan of ancient material to India and the first such deal between the British Museum and a non-Western museum. The exhibition aims to counter "colonial misinterpretation" by emphasizing India's contributions to civilization.
The British Museum has launched a new long-term lending program, transferring some 80 Greek and Egyptian antiquities to the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS) in Mumbai, India, for a three-year exhibition. Director Nicholas Cullinan presented the initiative as a collaborative alternative to the contentious debate over repatriation, aiming to share artifacts with former British colonies without permanently deaccessioning them. The loans are part of a 15-year partnership between the two museums, and Cullinan has signaled plans to negotiate similar arrangements with China, Nigeria, and Ghana.
Workers at two major museums, the Tate in the U.K. and the Metropolitan Museum of Art in New York, are taking labor action to demand higher wages and job security. Over 150 Tate staff from the PCS Tate United union went on strike across four locations, with picketing at Tate Britain, Tate Modern, and Tate Liverpool, disrupting the opening of the exhibition "Turner and Constable: Rivals and Originals." Meanwhile, nearly 1,000 employees at the Met have petitioned the National Labor Relations Board for a union election, which would be one of the largest museum unions in the U.S.
The article uncovers the story of three secret sculptures carved by François Décure, a quarryman in the Catacombs of Paris during the late 18th century. Décure, a veteran of the Seven Years' War, used his lunch breaks and spare time to chisel detailed stone models of buildings he remembered from his imprisonment on the island of Menorca, including a fortress called Port Mahon. He died tragically when a staircase he was working on collapsed, but his sculptures survived, were restored in 1854, and remain a highlight of guided tours through the catacombs.
Nearly 50,000 people have signed a petition to block the loan of the Bayeux Tapestry from France to the British Museum in London. The petition, launched in July by French art historian Didier Rykner, cites warnings from textile restorers that transporting the 1,000-year-old embroidered linen could cause irreparable damage. The tapestry is scheduled to be displayed at the British Museum from September 2026 to July 2027 while its home, the Bayeux Tapestry Museum in Normandy, undergoes renovation. The loan was announced by UK Prime Minister Keir Starmer and French President Emmanuel Macron. Prominent French cultural figures, including former Bayeux Tapestry Museum director Isabelle Attard, and British conservation watchdog ArtWatch UK director Michael Daley have voiced concerns. Rykner hopes to unite French and British opposition to stop the exchange, which also includes Anglo-Saxon and Medieval objects from the British Museum moving to France.
Researchers from the University of York have proposed that King Tutankhamun's iconic death mask, discovered in 1925 by Egyptologist Howard Carter, was not originally made for the young pharaoh. The theory, based on the mask's pierced ears—a feature typically found on female rulers and children—suggests it was intended for a regal female burial, possibly Queen Nefertiti. Analysis of the gold used on the face versus the rest of the mask indicates the face was added later, effectively grafted onto a pre-existing mask. This idea, first raised by British Egyptologist Nicholas Reeves in 2015, is supported by evidence that Tutankhamun's death at around age 19 was sudden, leading to a hurried burial with repurposed funerary objects.