Hanover Creative, new gallery in Trenton, shows striking works by five textile artists

A new gallery called Hanover Creative has opened in Trenton, New Jersey, with its debut exhibition "Fiber Politic." The show, curated by Áine Mickey, features the work of five textile artists, including Patricia Dahlman and the artist known as Woolpunk, and runs from March 21 to April 25. The gallery represents a significant step for Trenton's art scene, which has historically lacked independent exhibition spaces for its many talented artists.

Dutch Panel Designs Plan to Deal With ‘Orphaned’ Nazi-Looted Art

A Dutch advisory panel has recommended the creation of a new independent Jewish foundation to manage a vast collection of artworks looted by the Nazis that remain unclaimed. The collection, known as the NK collection, consists of over 3,000 objects currently held by the Dutch state, but whose original owners or heirs have not been identified.

Ripple Effect Art Festival to Spread Across County

The inaugural Ripple Effect Arts Festival will take place April 16–26 across Santa Cruz County, featuring 11 days of performances, exhibitions, workshops, and interactive events spanning visual art, music, dance, theater, film, fashion, and spoken word. The festival includes two concurrent exhibitions at M.K. Contemporary Art in downtown Santa Cruz: 'The Anatomy of Wonder: Photo Sculptures' by Michael Garlington and 'Rochambeau' featuring eight local and Bay Area artists. Major hubs include Santa Cruz and Watsonville, with a grand finale near the Santa Cruz Beach Boardwalk featuring musician Helado Negro.

Literature Today: The Crisis of the Novel as a Symptom of Social Change

La letteratura oggi: la crisi del romanzo come sintomo di un cambiamento sociale

The article examines the perceived crisis of the novel as a literary form, tracing its historical rise alongside the bourgeoisie in the 17th and 18th centuries. It argues the novel functioned as a mirror for a coherent social class with shared values, serving as a device for collective representation. The form's foundational premise of a recognizable community began to fracture in the 20th century, particularly after World War II, as societies atomized and grand ideological narratives collapsed.

Curator shares Figge exhibition highlights and visit planning tips

Vanessa Sage, a curator at the Figge Art Museum in Davenport, Iowa, appeared on the local TV show Quad Cities Live to promote the museum's current exhibitions and offer practical advice for visitors. She discussed highlights of the shows on view, what makes them meaningful, and how to navigate multiple exhibitions without feeling overwhelmed, including recommendations on where to start and how much time to allocate.

Prairie photography and Fantastical Art featured at EAGM

Two exhibitions are currently on view at the Estevan Art Gallery and Museum (EAGM) in Saskatchewan, Canada. One features prairie landscape and wildlife photography by Nicola Dare, while the other presents colorful, fantastical sculptures and drawings by Kristin Teetaert in a show titled "A Selection of Specimens." Both exhibitions run through the end of May, offering visitors contrasting artistic experiences from realistic nature imagery to imaginative, biomorphic forms.

LCCC hosts 2026 student art show at Cheyenne campus gallery

Laramie County Community College (LCCC) is hosting its 2026 Student Art Show at the Esther and John Clay Fine Art Gallery on the Cheyenne campus, running through May 10. A public reception will be held on April 28 from 10:30 a.m. to noon. Art instructor and gallery coordinator Daniel Maw expects over 100 submissions from currently enrolled students, featuring drawings, paintings, ceramics, and other media.

Gallery: NYC, Stockholm artists probe how history is staged in Tallinn show

Zody Burke and Klara Zetterholm have opened a joint exhibition titled "Ersatz Strata" at Temnikova & Kasela Gallery in Tallinn, Estonia. The show examines how history is staged and reimagined, using reliefs, sculptures, printed works, kinetic elements, and industrial residue to create a fictional archaeological site. A live performance by Los Angeles-based artist 011668 accompanied the opening. The exhibition runs through August 15.

Venice Biennale jury to avoid artists from nations with ICC-charged leaders

The jury for the Venice Biennale International Art Exhibition announced on April 24, 2026, that they will not consider artists from countries whose leaders face charges at the International Criminal Court, an apparent reference to Israel and Russia. The five jury members, tasked with selecting Golden and Silver Lion winners among 110 participants, stated they felt compelled to commit to the defense of human rights. The ICC has issued arrest warrants for Russian President Vladimir Putin and Israeli Prime Minister Benjamin Netanyahu for alleged war crimes. The decision follows criticism of the Biennale for allowing Russia to reopen its pavilion after its 2022 invasion of Ukraine.

Rachel Hardouin Gallery: three exhibitions exploring absence, nostalgia, and melancholy in Paris

The Rachel Hardouin Gallery in Paris is hosting three concurrent exhibitions from April 27 to May 2, 2026, featuring artists Éléonore Guiraud, Chloé Bertschy, and Alessandro Ferraro Manzotti. The shows explore themes of absence, nostalgia, and melancholy through mixed-media drawing, photography, and installation. Guiraud and Bertschy collaborate on "US 13-26," which uses art as a possible therapy for trauma tied to absence, while Manzotti presents "casa mia ha un sapore di mandorle," incorporating photography, installation, and a book signing. A lecture on solastalgia—climate-related trauma—will be held on April 29 with psychiatrist Joana Matos and filmmaker Camille Guichard.

Biennale Jury Will Not Consider Countries with ICC Allegations

Biennale-Jury will Länder mit IStGH-Vorwürfen nicht berücksichtigen

The jury of the Venice Art Biennale has announced that it will not consider countries whose heads of state or government face allegations of crimes against humanity from the International Criminal Court (ICC) when awarding prizes this year. The jury, led by Brazilian art historian Solange Farkas, cited its commitment to defending human rights. While no specific countries were named, the ICC currently has arrest warrants against Russian President Vladimir Putin for alleged war crimes in Ukraine and Israeli Prime Minister Benjamin Netanyahu for alleged war crimes in Gaza. The Biennale leadership stated the jury acted in full autonomy and independence.

Culture Senator under pressure due to Court of Audit report

Kultursenatorin wegen Rechnungshofberichts unter Druck

Berlin's Court of Audit has issued a scathing report accusing Culture Senator Sarah Wedl-Wilson (independent) of serious legal violations in the allocation of €2.6 million in anti-Semitism prevention grants for 2025. The audit found that the selection process was arbitrary, lacked transparent criteria, and violated state budget regulations. Six of the 13 funded projects—receiving €2 million—were deemed ineligible for the specific budget line, and some recipients were newly founded entities that were not properly vetted. The report warns that the grants may need to be repaid.

The Postal Museum recovers its name

Le Musée postal retrouve son nom

The Musée de La Poste in Paris has reverted to its original name, Musée postal, as part of a major rebranding effort. The institution, approaching its 80th anniversary, has introduced a new visual identity and aims to reposition itself within the Parisian cultural landscape, seeking to distance itself from the image of a corporate museum.

In Piazza Navona the École française de Rome opens a space for exhibitions (all will be free admission)

A Piazza Navona l’École française de Rome apre uno spazio per le mostre (saranno tutte ad accesso gratuito)

The École française de Rome, founded in 1875 and housed at Palazzo Farnese, has opened a permanent exhibition space at Piazza Navona 62 in Rome. A current exhibition running until April 30, 2026, traces the institute's 150-year history of historical, archaeological, and social science research, highlighting its Italian and Mediterranean focus and the collaborative spirit between France and Italy. The new gallery will host a regular program of free-admission exhibitions and events dedicated to cultural heritage, archaeology, and history, starting with the show "Isole e santi – Monasteri e santuari dell’Adriatico orientale, da san Girolamo a Gregorio VII" from May 27, 2026.

Salt, memory and ocean currents: Parvathi Nayar’s solo exhibition

Senior contemporary artist Parvathi Nayar's solo exhibition explores the interconnectedness of human histories and natural forces, focusing on themes of salt, memory, and ocean currents. The show features works that examine how human narratives are shaped by and inseparable from environmental elements, as described in a review by Deepa Natarajan Lobo.

Art by adults with learning disabilities exhibited

Artwork created by adults with learning disabilities is now on display at Hull's Streetlife Museum in an exhibition titled 'Regeneration,' running until 5 July. The show is organized by CASE Training Services, a charity that helps people with disabilities gain new skills and engage in social activities. The exhibition features sculpture, video, photography, paintings, and portraits, along with interactive 'talking tiles' that visitors can press to learn more about the pieces. Creative arts teacher Pete Vernon and museum curator Frankie Hodson both emphasized the importance of giving these artists a public platform to share their work.

“Lighting” exhibition by Mohamed Abdalla Otaybi at Swailam gallery is not to be missed

This article is a roundup of art exhibitions and cultural events in Cairo, Egypt, spanning multiple venues and dates. It highlights a photographic project titled "New Cairo, Do You Love Me?" by Judi Yassin and Tia Khalil at the American University in Cairo, which documents the disconnect between the promised luxury of New Cairo and its dehumanizing reality using 35mm black-and-white film. Other featured events include painting exhibitions by Osama Nashed and Alaa Hegazi at Dai, Mahmoud Hamdi's "Journey to the Core" at Difaf, the immersive "Beyond Van Gogh" experience at District 5, the permanent collection at Al-Fustat Centre for Ceramic, and the Empower Her Art Forum at the Grand Egyptian Museum.

Venice Biennale 2026: all the national pavilions, artists and curators so far

The 61st edition of the Venice Biennale, the world's oldest and most prestigious art biennial, will open on 9 May 2026 and run through 22 November. The main exhibition follows the curatorial plan of the late Koyo Kouoh, while national pavilions have been announcing their participating artists and organizers. The article provides a comprehensive list of confirmed pavilions so far, including artists such as Genti Korini (Albania), Matías Duville (Argentina), Khaled Sabsabi (Australia), Florentina Holzinger (Austria), Faig Ahmed (Azerbaijan), and many others, with details on venues and organizers.

A Roma fotoromanzi e cliché sono i protagonisti di una mostra femminista a Villa Medici

A retrospective exhibition titled "Fotoromanzo" by French artist Nicole Gravier (born 1949) is on view at Villa Medici, the French Academy in Rome. The show explores Gravier's semiotic dissection of Italian photo-romance magazines from the 1970s, using irony and staged self-portraiture to deconstruct the fabrication of femininity and patriarchal narratives. The exhibition runs concurrently with a separate show dedicated to filmmaker Agnès Varda at the same venue, highlighting parallel feminist inquiries into women's representation.

Rare Roy Lichtenstein Work Could Net $60 Million at Auction

A long-lost Roy Lichtenstein painting from his iconic 'Girl' series, *Anxious Girl* (1964), has resurfaced after more than 30 years in a private collection and will be offered at Christie’s 20th Century Evening Sale in New York on May 18. The work, one of only 10 comic-inspired female portraits Lichtenstein produced during his breakthrough period between 1963 and 1965, carries an estimate of $40–60 million. The consignor acquired it from legendary Pop art patrons Horace and Holly Solomon over three decades ago.

What We Throw Away Does Not Disappear

Was wir wegwerfen, verschwindet nicht

The Museum Ostwall at the Dortmunder U in Dortmund has opened a new exhibition titled "Müll – die globalen Wege des Abfalls" ("Waste – The Global Paths of Garbage"), curated by Christina Danick and Michael Griff. Featuring around 50 international artworks from the 20th and 21st centuries, including two newly commissioned pieces, the show uses art to explore waste as material, motif, and aesthetic strategy. Key works include Kader Attia's "Los de Arriba y Los de Abajo," which addresses power imbalances through the lens of garbage in Hebron, and historical pieces by César Baldaccini, Arman, and HA Schult. The exhibition also highlights contemporary issues such as e-waste, global waste trafficking, and the environmental impact of industrial nations on the Global South.

The Relentless Avant-Garde of The Renaissance Society

The Renaissance Society at the University of Chicago, founded in 1915, has consistently championed avant-garde contemporary art from its modest gallery space on the fourth floor of Cobb Hall. Under the leadership of current director Myriam Ben Salah (since 2020), the institution continues its legacy of presenting visionary works by artists who later become household names, including Henri Matisse, Pablo Picasso, Man Ray, and Félix González-Torres. The article traces the society's history through its pioneering female directors—Eva Watson Schütze, Frances Strain Biesel, and Suzanne Ghez—who shaped its forward-thinking exhibition program, from early modernist shows to local Chicago talent and cross-disciplinary collaborations.

Filipa Ramos takes on 2027 Lofoten Festival

Filipa Ramos has been appointed curator of the 19th edition of the Lofoten International Art Festival, set to take place across the Norwegian arctic archipelago in June 2027. Ramos, a curator and writer who teaches at the Institute Art Gender Nature of the Academy of Art and Design FHNW in Basel, is known for ecologically-focused research that reimagines human-animal-environment relationships. She authored *The Artist as Ecologist* (2025) and is currently organizing the LOOP Festival in Barcelona and the symposia series *The Shape of a Circle in the Mind of a Fish*, created with Lucia Pietroiusti.

Merlin Carpenter “Warning Signs” at Karma International, Zurich

Merlin Carpenter presents "Warning Signs" at Karma International in Zurich, featuring his latest paintings that evolve from his earlier "anti-painting" style. The artist reflects on how his early 2000s work, characterized by a semi-finished, indifferent aesthetic, had become decorative by the time of his 2013 POLICE show, prompting him to update his approach.

Amanda Carneiro and Raphael Fonseca to curate 2027 Bienal de São Paulo

Amanda Carneiro and Raphael Fonseca have been named curators of the 2027 Bienal de São Paulo. Carneiro, a curator at MASP since 2018, has organized solo exhibitions for artists including Santiago Yahuarcani, Beatriz Milhazes, and Sonia Gomes, and was part of Adriano Pedrosa’s curatorial team for the 2024 Venice Biennale. Fonseca, visual arts programmer at Culturgest and curator-at-large at the Denver Art Museum, is currently curating the Taiwan Pavilion for the 2026 Venice Biennale and co-curating the 3rd Counterpublic Triennial. He also curated the 2025 Bienal do Mercosul.

Harnessing the winds of societal change: how art dealers have been able to shape taste for centuries

Valentina Castellani, a former Gagosian director, has authored a new book titled *Trading Beauty: Art Market Histories from the Altar to the Gallery* (out 1 May). The book traces how art dealers have historically leveraged societal changes—political, economic, and social—to reshape taste and market structures. Castellani begins in the Middle Ages, when art was made only on commission for patrons like the Catholic church and monarchies, and moves through key shifts such as the Dutch Republic's first open art market in the 17th century, which gave rise to the professional art dealer. She highlights dealers like Paul Durand-Ruel, Joseph Duveen, and Leo Castelli who capitalized on anti-establishment energy, new wealth, and post-war consumer culture to bring avant-garde art to the forefront.

Sacramento Fine Arts Center Celebrates 40th Anniversary

The Sacramento Fine Arts Center (Sac Arts) is celebrating its 40th anniversary in April 2026. Founded in April 1986 by five independent regional art clubs, including Northern California Arts and Watercolor Artists of Sacramento Horizons, the center began in a former high school building in Carmichael, California. Volunteers cleaned and renovated the space, which is owned by the Carmichael Recreation and Park District. Over the years, the center has expanded with studio spaces, galleries, and a rental gallery, supported by community donations and volunteer efforts. The anniversary year features special events, classes, and a new banner project with 130 submissions for 21 PVC mesh banners.

Beat the rush: Sign up for Greeley Park Art Show before early deadline

The 73rd annual Greeley Park Art Show, hosted by the Nashua Area Artists Association, will take place August 29-30, 2026, at Greeley Park in Nashua, New Hampshire. The two-day outdoor juried show is open to artists 18 and older working in 2D and 3D media, with an early registration deadline of May 30. New features this year include options for one- or two-day participation, tent sharing, tent rentals, senior discounts, and expanded entertainment. Awards will be given in categories including 3D, acrylic, drawing, mixed media, oil, pastel, photography, watercolor, digital art, Best in Show, and Viewer’s Choice. The show is free and open to the public, drawing thousands of visitors from New Hampshire and Massachusetts.

Notre-Dame : les travaux commencent, le combat se poursuit

Work has begun on replacing the stained-glass windows at Notre-Dame Cathedral in Paris, with scaffolding installed immediately after the work permit was posted. The project involves removing six ornamental windows created in 1864 by Alfred Gérente under Eugène Viollet-le-Duc and installing six new windows by artist Claire Tabouret and the master glassmakers Simon-Marq. The authorization, signed by the prefect, has sparked legal challenges from the heritage association Sites & Monuments, who argue the replacement is neither conservation nor restoration. The article details how the state's own authorization document inadvertently strengthens opponents' arguments by affirming that the entire cathedral, including Viollet-le-Duc's windows, is protected as a historic monument.

Comment | Museums are civic institutions. It’s time we acted like it

Lindsay C. Harris, director of the Oakland Museum of California (OMCA), publishes a commentary calling for museums to act as true civic institutions. She outlines concrete internal commitments OMCA has made, including voluntarily recognizing a staff union, adopting a pay equity philosophy with a minimum wage of $30.88 per hour, implementing transparent financial practices, and shifting investments toward socially responsible funds. Externally, she advocates for centering community voices, building social cohesion through inclusive programming, and measuring institutional impact through visitor surveys.