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Most expensive, suicide not murder and more: celebrating 300 Adventures with Van Gogh

Adventures with Van Gogh, a weekly blog launched in 2018, has published its 300th post. To mark the milestone, the blog compiled a list of its most-read posts since the 200th edition in February 2023, updated with new information. Topics range from the ten most expensive Van Gogh paintings at auction (led by *Orchard with Cypresses* at $117m) to a geological feature near Saint-Rémy-de-Provence that appears in *The Olive Trees*, a defense of the suicide theory over murder, the real-life view behind *Starry Night over the Rhône*, Picasso’s granddaughter Marina Picasso quietly buying and selling a Van Gogh watercolour, and the artist’s preference for simple wooden frames over ornate gold ones.

Baltimore Museum of Art to Host Amy Sherald Show After Artist’s Smithsonian Withdrawal

Amy Sherald has moved her touring exhibition "American Sublime" to the Baltimore Museum of Art (BMA) after withdrawing it from the National Portrait Gallery (NPG) over censorship concerns. The show, previously at the Whitney Museum of American Art, will open at the BMA on November 3 and run until April 5, 2026. Sherald pulled the exhibition from the Smithsonian-affiliated NPG after she said the institution wanted to replace her painting "Trans Forming Liberty" (2024), which depicts the Statue of Liberty as a trans woman, with a video providing context on transgender issues. The BMA, which had already planned to honor Sherald with its "Artist Who Inspires" award, will feature works including her portrait of Michelle Obama, "Breonna Taylor" (2020), and the contested painting.

2025 Fall Preview: Six Texas Art Exhibitions to See this Year

Brandon Zech and Jessica Fuentes preview six highly anticipated Texas art exhibitions for fall 2025. Highlights include "Jenny Saville: The Anatomy of Painting" at the Modern Art Museum of Fort Worth, the first major U.S. museum survey of the British figurative painter; "Robert Rauschenberg: Fabric Works of the 1970s" at the Menil Collection in Houston, exploring the artist's innovative use of textiles; "Constellations: Contemporary Jewelry at the Dallas Museum of Art," featuring over 350 wearable works; and "HOST: Raul De Lara" at The Contemporary Austin, showcasing the sculptor's surreal wooden forms.

Amy Sherald Exhibition Lands at Baltimore Museum of Art After Artist Canceled Presentation at Smithsonian's National Portrait Gallery Over Censorship Concerns

Amy Sherald's mid-career retrospective, "American Sublime," will open at the Baltimore Museum of Art (BMA) in November after the artist canceled its presentation at the Smithsonian's National Portrait Gallery in Washington, D.C. Sherald withdrew the exhibition in July, citing censorship concerns over the museum's internal discussions about removing her painting "Trans Forming Liberty" (2024), which depicts a Black trans woman posed like the Statue of Liberty. The show, featuring about 40 works from 2007 to 2024, previously traveled to the San Francisco Museum of Modern Art and the Whitney Museum of American Art, where the contested portrait was included. The BMA version will also feature the painting.

Must-see exhibitions in New York this autumn

The Museum of Modern Art is celebrating the 40th anniversary of its New Photography series with 'New Photography 2025: Lines of Belonging,' featuring 12 international artists from Mexico City, Johannesburg, Kathmandu, and New Orleans. Other must-see exhibitions include 'Ministry: Reverend Joyce McDonald' at the Bronx Museum, showcasing the artist's ceramic works born from her HIV diagnosis and art therapy; 'The Magical City: George Morrison’s New York' at the Metropolitan Museum of Art, highlighting the overlooked Abstract Expressionist painter; and 'Christian Marclay: Doors' at the Brooklyn Museum, a cinematic supercut in the new Moving Image Gallery.

From imps and goblins to the glitchy digital world: Flora Yukhnovich on her ‘cacophony’ of inspirations

Flora Yukhnovich, the British artist known for her large-scale gestural paintings that blend Rococo and Abstract Expressionism with digital aesthetics, discusses her inspirations and recent move from London to New York. Her works have achieved record auction prices, including £2.7m at Sotheby's in 2022, but she prefers to focus on the art itself. She has upcoming exhibitions at The Frick Collection in New York and Hauser & Wirth in Los Angeles, and her new series 'Four Seasons' references François Boucher's 18th-century paintings while incorporating glitchy, pixelated effects from digital collages created on her iPad and phone.

We Know You’re Preparing for the Onslaught, so Here’s a List of 15 Solo Gallery Shows Worth Seeing in New York This Month

Cultured magazine has published a curated list of 15 solo gallery shows worth seeing in New York this September, highlighting exhibitions at venues such as Gagosian, Meredith Rosen Gallery, Michael Werner, 56 Henry, and Matthew Marks Gallery. Featured artists include Christopher Kulendran Thomas, whose AI-driven installation "Peace Core" re-edits pre-9/11 television footage alongside paintings of a Sri Lankan massacre; Catharine Czudej, who pairs consumerist paintings with merchandise and a new film; Florian Krewer, whose ominous animalistic paintings explore human emotion; Ohad Meromi, whose works focus on moments of rest and reflection; and Nayland Blake, whose three-part exhibition spans queer sexuality, the AIDS crisis, and new sculptural works.

Framing Van Gogh: why the artist did not want to surround his works with gold

London's National Gallery exhibition "Van Gogh: Poets & Lovers" displayed nearly all of its loaned paintings in ornate gilded frames, despite the artist's documented preference for simple, unadorned wooden frames. Van Gogh wrote to his sister Wil questioning the need for gilding, and Paul Gachet Jr., son of the doctor who cared for the artist, called gold frames around Van Gogh's works "an act of moral barbarism." A few exceptions stood out, including six paintings from the Kröller-Müller Museum in Otterlo, which were shown in replica frames based on early 20th-century designs by Jacob van den Bosch, and a Van Gogh from Tokyo's National Museum of Western Art that was reframed in a replica of a frame once owned by Dr. Paul Gachet.

Van Gogh’s Starry Night over the Rhône reveals more of its mysteries

Van Gogh's *Starry Night over the Rhône* (September 1888), housed at the Musée d'Orsay in Paris, is analyzed in detail to separate the actual view of Arles from the artist's imaginative additions. The article examines how Van Gogh repositioned the Plough (Big Dipper) constellation, exaggerated the brightness of gas lamps, and likely painted most of the scene in his studio rather than en plein air. It also reveals that he later reworked the lower-left corner of the canvas, as seen in contemporary sketches.

From L.A. to Jaipur Palace, Rajiv Menon Centers South Asian Artists

Rajiv Menon Contemporary, a Los Angeles-based gallery dedicated to South Asian and diasporic art, is making its Indian debut with the group exhibition “Non-Residency” at the Jaipur Center for Art (JCA), housed within The City Palace. Opening August 9, the show features sixteen artists working in painting, sculpture, and textiles, marking the first time a gallery has independently taken over the entire palace grounds for a self-curated exhibition. Founded in 2023 by Rajiv Menon, the gallery has quickly gained traction, securing at least six museum acquisitions in its first year, including placements at the Portland Museum of Art and the Asian Art Museum of San Francisco.

How did the only painting sold by Van Gogh in his lifetime end up in Russia?

The article explores the history and conservation of Vincent van Gogh's "The Red Vineyard," the only painting he is certain to have sold during his lifetime. Sold for 400 francs at a Brussels exhibition in March 1890, the work now resides at the Pushkin State Museum of Fine Arts in Moscow. A recent conservation project used modern scientific techniques to uncover new details about the painting's creation, including Van Gogh's use of paint straight from the tube, compositional changes, and the fading of chrome yellow pigments. The article also recounts the painting's origin during Van Gogh's time in Arles with Paul Gauguin and its journey to Russia.

Fort Worth Museum Only U.S. Venue to Host Major Jenny Saville Retrospective

The Modern Art Museum of Fort Worth has announced it will be the only U.S. venue to host the touring retrospective "Jenny Saville: The Anatomy of Painting," honoring the English artist known for revitalizing figurative art in the 1990s. Organized by the National Portrait Gallery in London, the exhibition opens October 12, 2025, and runs through January 18, 2026, featuring nearly 50 works spanning Saville's career from her student days at the Glasgow School of Art to recent abstracted portraits. The show includes monumental oil paintings, charcoal drawings, and a new series, accompanied by a publication with contributions from curators and critics.

Revealed: Picasso’s granddaughter owned a Van Gogh—which she sold at Sotheby’s

Marina Picasso, granddaughter of Pablo Picasso, owned a Vincent van Gogh watercolor titled *Woman in a Wood* (September-October 1882), which she sold at Sotheby’s in New York on May 13 for $952,500. The work, which also features a sketch of a fishing boat on its reverse, was purchased by Marina in 1987 through Swiss dealer Jan Krugier from a Tehran-based collector. The sale was not publicly known until just before the auction. The article also notes that a separate Van Gogh oil painting, *In the Dunes* (September 1883), sold at Christie’s the previous day for $4 million from the collection of US businessman Jeffrey P. Draime.

studio museum in harlem to reopen november 2025 with adjaye-designed building

The Studio Museum in Harlem will reopen in November 2025 after a major renovation and expansion designed by Adjaye Associates. The new building, located on West 125th Street, will feature increased gallery space, a sculpture garden, and improved public amenities. The reopening marks the culmination of a multi-year capital project that began during the museum's temporary closure.

Van Gogh’s love of Hiroshige, the Japanese master of the landscape, is reflected in a British Museum exhibition

The British Museum's exhibition "Hiroshige: Artist of the Open Road" (through September 7) showcases over 100 prints by the Japanese master Utagawa Hiroshige, including rare loans that highlight his influence on European avant-garde artists. A key display is Vincent van Gogh's own copy of Hiroshige's "The Plum Garden at Kameido" (1857), on loan from the Van Gogh Museum in Amsterdam, along with Van Gogh's squared-up tracing used for his painting. New research by British Museum senior scientist Capucine Korenberg reveals a short pencil line on the print that confirms Van Gogh used this exact copy as a guide for his tracing and subsequent painting.

Swiss mega gallery tied to Laurene Powell Jobs to open in Palo Alto near her offices

Hauser & Wirth, the Swiss mega-gallery, will open its first Northern California location this spring in downtown Palo Alto, inside a former post office at 201–225 Hamilton Ave. The move is widely seen as a bid to be closer to Silicon Valley clients, particularly billionaire philanthropist Laurene Powell Jobs, whose Emerson Collective offices are two blocks away. Powell Jobs, rumored to be one of Hauser & Wirth's top clients, shifted her business from Pace Gallery to Hauser & Wirth in 2022. The renovation is led by Paris-based architect Luis Laplace, who is also designing Powell Jobs' renovation of the San Francisco Art Institute. The gallery will be the third Hauser & Wirth in California, joining two Los Angeles locations.

On View: 'Amy Sherald: American Sublime' at Whitney Museum of American Art in New York Charts Artist's Two-Decade Career

The Whitney Museum of American Art in New York has opened "Amy Sherald: American Sublime," the largest exhibition of the artist's work and her first solo museum show in the city. Featuring over 40 paintings created between 2007 and 2024, the exhibition includes iconic portraits of Michelle Obama and Breonna Taylor, as well as works inspired by Alfred Eisenstaedt's famous photograph and filmmaker Wes Anderson. The show is organized chronologically, beginning with the rarely seen "Hangman" (2007), and includes "If You Surrendered to the Air, You Could Ride It" (2020), shown for the first time since its acquisition by the Whitney five years ago.

Amy Sherald Withdrew 'American Sublime' Exhibition From Smithsonian National Portrait Gallery, Citing 'Culture of Censorship'

Amy Sherald has withdrawn her exhibition 'American Sublime' from the Smithsonian's National Portrait Gallery, citing a 'culture of censorship' after the museum raised concerns about including her painting 'Trans Forming Liberty' (2024), a portrait of a trans woman posed like the Statue of Liberty. The show, slated to open in September, would have been the first solo exhibition of a Black female artist at the museum since it opened in 1968. Sherald stated that institutional fear shaped by political hostility toward trans lives influenced the museum's request to remove the work, and she decided to cancel the show to preserve the integrity of her vision.

Van Gogh was not fantasising when he painted mountain landscapes with ‘The Two Holes’

Martin Bailey, a leading Van Gogh specialist, reveals that the distinctive rock formation known as Le Rocher des Deux Trous (The Rock of the Two Holes), which appears in two of Vincent van Gogh's paintings—The Olive Trees (June 1889) and Mountains at Saint-Rémy (July 1889)—is a real geological feature near the asylum in Saint-Rémy-de-Provence, not a figment of the artist's imagination. The two paintings, held by the Museum of Modern Art and the Solomon R. Guggenheim Museum in New York, were recently displayed together at London's National Gallery exhibition Van Gogh: Poets & Lovers (14 September 2024–19 January 2025), offering a rare chance to compare them. Bailey traces the history of the formation, noting that an anonymous 17th-century artist also depicted it, and describes a walking route from the former asylum to the site.

What’s on now at San Francisco museums, July 2025

The article provides a roundup of current and upcoming exhibitions at San Francisco museums and galleries in July 2025. Highlights include 'People Make This Place: SFAI Stories' opening July 26 at SFMOMA, 'Jess Young: Return' at 500 Capp Street, and 'Ferlinghetti for San Francisco' at the Legion of Honor. Shows closing soon include 'Yuan Goang-Ming: Everyday War' at the Asian Art Museum and 'Wayne Thiebaud: Art Comes from Art' at the Legion of Honor. The gallery scene is covered with mentions of Voss Gallery, Incline Gallery, and Hosfelt Gallery, along with ongoing exhibitions like 'Kunié Sugiura: Photopainting' and 'Ruth Asawa: Retrospective' at SFMOMA.

Jenny Saville: The Anatomy of Painting

The National Portrait Gallery in London is hosting a major exhibition of Jenny Saville's work, titled "Jenny Saville: The Anatomy of Painting," running from 20 June to 7 September 2025. The show brings together some of Saville's most monumental paintings, including works like "Hyphen" (1999) and "Reverse" (2002-03), drawn from private collections and courtesy of Gagosian. The article traces Saville's career from her early days as a committed child artist, through her studies at Glasgow School of Art and the University of Cincinnati, to her breakthrough when collector Charles Saatchi purchased her entire degree show in 1992, enabling her to create large-scale works for a solo exhibition.

The flesh artist: Jenny Saville returns to the spotlight with a US$2.7m drawing and major London retrospective

British figurative painter Jenny Saville has returned to the spotlight with a new auction record and a major retrospective. Her charcoal drawing *Mirror* (2011-12) sold for £2.11 million (US$2.7 million) at Sotheby’s London, setting a record for a work on paper by the artist. The sale coincides with *Jenny Saville: The Anatomy of Painting*, a retrospective at London’s National Portrait Gallery running through 7 September, which features 45 works tracing her evolution from early oil paintings to recent charcoals.

Remembering Peter Phillips, the pioneering British Pop artist, who has died, aged 86

British Pop artist Peter Phillips has died at age 86. Known for his collage-like, saturated compositions incorporating mechanical parts, comic books, and pin-up imagery, Phillips emerged from Birmingham's industrial landscape and studied at the Royal College of Art alongside peers like David Hockney and R.B. Kitaj. His work, such as *The Entertainment Machine* (1961) and the *Custom Painting* series, reflected his working-class upbringing and fascination with car manufacturing and commercial design.

The Royal Academy’s Kiefer-Van Gogh show offers a soaring spectacle

The Royal Academy of Arts in London is hosting "Kiefer/Van Gogh" (28 June–26 October), a focused exhibition pairing Anselm Kiefer's monumental multimedia works with Vincent van Gogh's paintings and drawings. The show, curated by Julien Domercq, features seven huge Kiefer pieces including the 8.4m-wide "The Starry Night" (2019) and a single sculpture, alongside 11 Van Gogh works—five on loan from the Van Gogh Museum. It previously ran at the Van Gogh Museum in Amsterdam, where it drew 340,000 visitors. The London iteration is smaller but includes different works, with a central room dedicated to Van Gogh's pieces spanning his career.

What’s on now at San Francisco museums, June 2025

This article from Mission Local provides a roundup of current and upcoming exhibitions at San Francisco museums and galleries in June 2025. Highlights include the reopening of 500 Capp Street with "Mildred Howard Collaborating with the Muses Part 2" and a forthcoming show celebrating the 50th anniversary of Ant Farm's "Media Burn." At the de Young Museum, Henri Matisse's "Jazz Unbound" closes July 6, Isaac Julien's first U.S. retrospective runs until July 13, and Paul McCartney's photography exhibition has been extended to October. SFMOMA's "Around Group f.64" closes July 13, and the Asian Art Museum features "Yuan Goang-Ming: Everyday War" through August 4. The piece also notes Ashley Voss's local gallery guide and a Q&A with Isaac Julien.

9 Must-See Museum Shows Across the U.S.

The article highlights nine must-see museum exhibitions across the United States for summer 2025, offering escapes from heat and virtual travel through art. Featured shows include "Lisa Yuskavage: Drawings" at the Morgan Library and Museum (June 27, 2025–January 4, 2026), the first comprehensive museum presentation of her drawings; "Gustave Caillebotte: Painting His World" at the Art Institute of Chicago (June 29–October 5, 2025), featuring over 120 works including the recent Musée d'Orsay acquisition *Boating Party*; and "Anicka Yi" at the Museum of Fine Arts, Houston (June 29–September 7, 2025), showcasing the bio-tech artist's imaginative works on karmic debt.

On View: 'Jack Whitten: The Messenger' at Museum of Modern Art in New York is First Full Retrospective of Pioneering Artist

The Museum of Modern Art (MoMA) in New York has opened "Jack Whitten: The Messenger," the first full-scale retrospective of the pioneering abstract artist Jack Whitten (1939-2018). The exhibition features over 175 works spanning six decades, including paintings, sculptures, and works on paper, alongside archival materials. Whitten, known for his inventive techniques such as using squeegees, rakes, and Afro combs to manipulate paint, explored themes of race, identity, history, and technology. Key works include "Birmingham 1964," inspired by the 1963 church bombing, and "9.11.01," responding to the September 11 attacks. The show runs from March 23 to August 2, 2025, exclusively at MoMA.

With the help of conservators, one of Van Gogh’s finest Arles landscapes will be heading to Japan

Conservator Margje Leeuwestein has examined Vincent van Gogh's "Bridge at Arles (Pont de Langlois)" (March 1888) at the Kröller-Müller Museum in Otterlo to confirm it is fit for travel. The painting will be the centerpiece of an exhibition touring three Japanese cities in 2027. The article details the painting's history, including Van Gogh's intended gift to Hermanus Tersteeg of the Goupil gallery, a later-scraped dedication, and a rare 1929 photograph of the bridge by Johannes Reiher that mirrors the composition.

Art Basel 2025: Masterpieces, new galleries, and swimming the Rhine

Art Basel 2025 will feature a large-scale public artwork by Katharina Grosse transforming Basel's Messeplatz, along with a new sector called Premiere for mid-career galleries, the inaugural Art Basel Awards, and 20 first-time exhibitors. Director Maike Cruse highlights major works on offer, including a late-career Pablo Picasso painting at Pace, a Joan Mitchell abstract at Pace, Helen Frankenthaler's 'Swan Lake I' at Yares Art, Leonora Carrington's rare triptych at Di Donna Galleries, and a Heidi Bucher latex imprint at Lehmann Maupin. The Unlimited sector will present 67 monumental works, including Martin Kippenberger's 'Transportable Subway Entrance' and daily performances by Cairo-based dance collective nasa4nasa.

Have we reached peak painting?

The article examines the enduring dominance of painting in the art world, despite repeated predictions of its demise. It cites record-breaking sales—Leonardo's *Salvator Mundi* ($450m), Jasper Johns's *Flag* ($110m), and Marlene Dumas's *Miss January* ($13.6m)—and highlights the upcoming Jenny Saville survey at the National Portrait Gallery in London. The Turner Prize shortlist includes painter Mohammed Sami, whose work *Poor Folk II* sold for $571,500 at Sotheby's, far exceeding estimates. Exhibitions like *Painting after Painting* at SMAK in Ghent and *R U Still Painting???* in New York explore how artists continue to use the medium, with curators and market figures affirming painting's resilience.