may marquee auctions recap analysis christies sothebys

Christie's marquee auctions in New York generated $489 million across two sales, led by the $272 million 'Leonard & Louise Riggio: Collected Works' sale and a $217 million 20th century art evening auction. The house guaranteed all 39 lots in the Riggio sale and used third-party guarantees on many others to mitigate risk in a soft market. Top lots included Piet Mondrian's *Composition with Large Red Plane, Bluish Gray, Yellow, Black, and Blue* (1922) at $47.6 million, Claude Monet's *Peupliers au bord de l'Epte, crépuscule* (1891) at $49.2 million, and Mark Rothko's *No. 4 (Two Dominants) [Orange, Plum, Black]* (1950–51) at nearly $39 million. Two Warhols were pulled before the sale, highlighting ongoing challenges in selling high-value works at auction.

new talent art in america 2025

Art in America, the sister publication of ARTnews, has released its Summer 2025 issue featuring profiles of 20 emerging artists selected as "New Talent." The list includes artists from around the world working in various mediums, such as Agnes Questionmark, Aislan Pankararu, Alejandro García Contreras, Alison Nguyen, and others. This marks a continuation of the magazine's long-running "New Talent" designation, which began in 1954 and ran regularly until 1966, was relaunched in summer 2021, and has continued since.

sothebys modern art may 2025 sale report giacometti

Sotheby's modern art evening sale in New York on Tuesday night achieved $186.4 million with buyer's premium across 60 lots, with a sell-through rate of 83.3%. Top lots included Pablo Picasso's *Homme assis* ($15.1 million), Georgia O'Keeffe's *Leaves of a Plant* ($13 million), and a new auction record for Paul Signac's *Saint-Georges. Couchant (Venise)* ($8.1 million). However, the sale was overshadowed by the failure of Alberto Giacometti's *Grande tête mince*, a 1955 bronze bust estimated north of $70 million, which went unsold after bidding stalled at $64 million.

art bites dali yoko ono blade of grass

The article recounts a bizarre anecdote from art history involving Salvador Dalí and Yoko Ono. After meeting in 1969 during Ono's honeymoon with John Lennon, Ono later requested a hair from Dalí's mustache, offering $10,000. Dalí, suspicious that Ono might use the hair for occult purposes, instead sent her a dry blade of grass in a pretty box, as recalled by his muse Amanda Lear.

munch the scream bird droppings

Edvard Munch, the Norwegian Expressionist and Symbolist painter, often worked and stored his paintings outdoors on the grounds of his 45-acre estate, Ekely. This unconventional approach led to many works suffering damage from the elements, including water damage, dog paw prints, and an enduring urban legend that white smears on his iconic painting *The Scream* (1893) were bird droppings. In 2016, researchers at the University of Antwerp used X-ray radiation to debunk this myth, proving the marks were actually candle wax.

smith partner art investment firm 11m fraud

Smith and Partner, a London-based art investment firm, has been accused of defrauding over a thousand investors out of $11 million through a scheme involving high-pressure sales of limited edition art prints with promises of future returns that rarely materialized. The company, founded by Austrian citizen Peter Paul Adam in 2015, faced complaints from 2020 onward, leading to its bank freezing accounts and an investigation by British Trading Standards. Liquidators are seeking $17 million in compensation, and a High Court judge has upheld asset freeze orders against former director Luke Sparkes and his company Zeno Fine Art, which allegedly inflated print prices by nearly 500 percent.

who was joan shogren computer art

Joan Shogren, a chemistry graduate from San José State University (SJSU) in the early 1950s, created some of the world's first computer-generated art in 1963 while working as a secretary in the chemistry department. Collaborating with graduate student Jim Larson and assistant professor Ralph Fessenden, she developed a theory that computers could create art if given "rules" of proportion, balance, and center of interest. Fessenden translated her "laws of art" into code on an IBM 1620 computer, producing artworks that were printed as number arrays and later hand-colored by artist Marvin Coon. Shogren exhibited these works in May 1963 at the campus bookstore, recognized as the first public display of computer art. Two decades later, she was commissioned by software company T/Maker to create the first clip art, "ClickArt," released in 1984 for Macintosh computers, designed pixel by pixel.

how much should an art fair cost

Frieze, the international art fair group, has been sold to Ari Emanuel, the Hollywood power broker who previously owned it through Endeavor. Emanuel acquired Frieze via a new, unnamed company from his former entertainment conglomerate, which was recently taken private by Silver Lake. The deal, valued at approximately $200 million according to sources, includes all seven fairs, Frieze magazine, and the No. 9 Cork Street exhibition space. Simon Fox will remain CEO. The sale comes just days before Frieze New York’s 2025 edition and follows months of speculation about the fair's future ownership.

east fork matisse collection

Alex Matisse, the great-grandson of Henri Matisse and co-founder of the ceramics company East Fork, has launched a permanent collection in partnership with the estate of Henri Matisse. The collection features plates, platters, and mugs adorned with iconic motifs from the artist's work, including his "Nu Bleu" series, cut-outs like "Femmes et singes" (1954), and drawings such as "Le Platane" (1951). Alex Matisse, who deliberately avoided painting and drawing to forge his own path in clay, describes the project as a coming-full-circle moment that merges his family lineage with the craft that has defined his creative life.

olo new color yolo stuart semple

Researchers at the University of California, Berkeley, have discovered a new color called "olo" that cannot be seen under normal conditions. The color, described as a highly saturated blue-green, was perceived by five human subjects during tests using a complex laser system and custom software named Oz. The team published their findings in *Science Advances* on April 18, explaining that olo results from stimulating only the medium-wavelength cone cells in the retina, a feat not possible with natural light. British artist Stuart Semple has since created a physical paint called YOLO, claiming it is the closest approximation to this elusive color, priced at $10,000 per 150ml bottle.

switzerland buhrle foundation settlement manet jewish heirs

The foundation overseeing the Emil G. Bührle collection has reached a settlement with the heirs of Jewish collector Max Silberberg over Édouard Manet's painting *La Sultane* (c.1871), allowing the work to remain on view at the Kunsthaus Zurich. Bührle, a German Swiss industrialist who profited from arms sales to Nazi Germany and used slave labor, amassed a collection now known to include many Nazi-looted artworks. The settlement follows a 2021 report by Raphael Gross finding that over a quarter of the 205 loaned works likely belonged to Jewish owners, sparking public protests and artist Miriam Cahn's withdrawal of her works from the museum.

mural rialto venice restoration

A rare 16th-century mural has been discovered on an apartment building near the Rialto Bridge in Venice, hidden for centuries beneath layers of plaster. The painting, featuring three life-sized allegorical figures by an unknown artist, was uncovered during a routine restoration of the building on Riva del Ferro. After being reported to Venice’s Superintendency for Archaeology, Fine Arts, and Landscape, a major restoration project was undertaken by the private company Seres srl. Conservators cleaned the heavily deteriorated work, removing dirt, calcium oxalates, and a modern convenience store sign, revealing the mural's vivid palette and dynamic composition.

‘Love Is a Sensation’ Spotlights the Boundless Creativity of L.V. Hull

The Mississippi Museum of Art is hosting "Love Is a Sensation," a major exhibition dedicated to the work of L.V. Hull, a self-taught Black artist who transformed her Kosciusko home into a vibrant, immersive art environment. The show features a diverse array of Hull’s assemblages and painted found objects, ranging from Rock’Em Sock’Em Robots to glass bottles and straw hats, many of which were preserved by the Kohler Foundation.

Julia Heyward “Voices of Many Voices” at Westfälischer Kunstverein, Münster

The Westfälischer Kunstverein in Münster is presenting "Voices of Many Voices," a significant exhibition dedicated to the pioneering work of Julia Heyward. The show highlights Heyward’s multidisciplinary practice, which emerged from the 1970s New York performance scene, blending vocal experimentation, monologues, and complex multimedia orchestrations. By juxtaposing music, image, and language, the exhibition captures the artist's unique ability to navigate emotional extremes and the "simultaneity of opposites."

Unbound Narratives: Embodied Language at Atlanta Contemporary, Atlanta

The Atlanta Contemporary is presenting the group exhibition 'Unbound Narratives: Embodied Language,' curated by Karen Comer Lowe. It features works by artists February James, Bethany Collins, Gabi Madrid, and a’driane nieves across film, painting, and mixed media, focusing on how each translates personal and embodied experience into visual and linguistic forms. Key pieces include nieves's monumental painting on grief and rage, Collins's text-based interrogation of racial identity, James's debut stop-motion film exploring stillness, and Madrid's inscribed headboards addressing healing and cultural memory.

Lenz Geerk’s Theatre of the Mind: painting as regulation of appearance

Fondazione Sandretto Re Rebaudengo in Turin presents "Theatre of the Mind," the first Italian institutional solo exhibition by German-born painter Lenz Geerk. The show features recent works from 2022 to 2024, exploring painting as a perceptual device where figures, objects, and domestic interiors exist in unstable, unresolved configurations. Installation views by Giorgio Perrottino accompany the exhibition, which runs at the foundation's space.

Exhibition explores revolutionary artists the Scottish Colourists in a new light

A major exhibition opening at The Arc Gallery in Winchester places the Scottish Colourists—SJ Peploe, JD Fergusson, GL Hunter, and FCB Cadell—in dialogue with their European and UK contemporaries for the first time. Running until September, the show features 70 artworks including André Derain's *The Pool of London* (1906) on loan from the Tate, alongside works by Vanessa Bell, Duncan Grant, Walter Sickert, Augustus John, and Roderic O'Connor. The exhibition is presented by Hampshire Cultural Trust in partnership with the Fleming Collection and explores the international "colour revolution" from 1905 to 1914, examining influences of Cubism and Vorticism.

Exhibitions set to open in Paris in May 2026: what's new to discover this month

A roundup of new art and cultural exhibitions opening in Paris and the Île-de-France region in May 2026 is announced. Highlights include the annual Rambolitrain toy train fair at Rambolitrain museum on May 1, free evening hours at the Bourse de Commerce on May 2, free entry to castles and museums in Yvelines and Seine-et-Marne on May 3, the Tour Auto classic car display under the Grand Palais glass roof on May 3-4, the Circle of Parisian Artists' 24th annual exhibition at Parc Floral from May 4-31, a new garden art exhibition "Jardin des Lumières" at the Grand Trianon in Versailles from May 5 to September 27, and a major Hilma af Klint exhibition at the Grand Palais.

One Art Space Tribeca Presents “The Space Between Us”

One Art Space in Tribeca presented “The Space Between Us,” a group exhibition curated by Mitchell Rodbell featuring 13 artists including Rodbell, Miyuki Fuji, Madhu Powar Garg, Marietta Gavaris, and others. The weeklong show ran from January 12 to January 18, 2026, with many works sold during the VIP opening night. Notable attendees included co-owner MaryAnn Giella McCulloh, Dr. Robi Ludwig, Melanie Goodreaux, and Bruce Morrow.

Where to see art in Houston now: 9 fun new exhibits opening in July

Nine new art exhibitions are opening in Houston in July, spanning traditional paintings, sculptures, high-tech immersive shows, and textile works. Highlights include Nick Vaughan and Jake Margolin's "Town Meeting 1978-2028" at Art League Houston, which uses wind-drawing techniques to explore pre-Stonewall queer histories; Jeffly Gabriela Molina's "Fragmentos de un sueño que yo también soñé," focusing on immigrant experiences of home and memory; and Lin Qiqing's "Every Fiber of Their Bodies," weaving narratives of gender, immigration, and human relationships. The Menil Collection also re-installs René Magritte paintings after their return from a major retrospective in Sydney.

A Deep Dive Into Westchester’s Arts Scene Right Now

This article surveys the visual arts scene in Westchester County, New York, highlighting museums, galleries, public displays, and artist profiles north of Manhattan. It features institutions such as the Neuberger Museum of Art, ArtsWestchester, Hammond Museum & Japanese Stroll Garden, Hudson River Museum, and Hudson Valley MOCA, noting specific exhibitions like "Smoke in Our Hair: Native Memory and Unsettled Time" and "Bill Viola: Moving Stillness." The piece emphasizes that Westchester offers a vibrant, bucolic alternative to New York City's art scene, with historic estates and contemporary spaces showcasing both established and emerging artists.

Headfirst into Eternity

Kopfüber in die Ewigkeit

Conceptual artist Timm Ulrichs, who died on April 29 at age 86, has been buried in a self-designed grave in the Künstlernekropole (artists' necropolis) near Kassel, Germany. His tomb features a life-size bronze cast of his body buried head-first in the earth, with only the soles of his feet visible above ground. Ulrichs, a pioneer of West German postwar conceptual art known for provocative works like tattooing himself and locking himself inside a hollowed boulder, was laid to rest in the forest cemetery founded by artist Harry Kramer in 1992.

Without Consciousness, No Creativity

"Ohne Bewusstsein keine Kreativität"

Matthias Hornschuh, a speaker at the German Creative Economy Summit in Hamburg, discusses artificial intelligence and its impact on art and creativity in an interview with Monopol. He argues that AI systems lack intentionality and true creativity, describing them as "probability-based imitation" rather than genuine creative tools. Hornschuh warns against the hype surrounding AI, noting that efficiency gains are often overstated and that users can become trapped in unproductive interactions with these systems.

Venice Biennale Jury Bars Israel and Russia from Official Prizes

The international jury of the 61st Venice Biennale announced on April 23 that it will not consider the Israeli and Russian pavilions for official prizes, including the Golden Lion for national participation. The five-member, all-women panel—comprising Solange Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—said it would exclude countries whose leaders are currently charged with crimes against humanity by the International Criminal Court, a criterion that applies to Israel and Russia due to ICC arrest warrants for Benjamin Netanyahu and Vladimir Putin. The decision comes amid mounting controversy over the Biennale's decision to host both pavilions, with Russia returning after its artists withdrew in 2022 over the Ukraine invasion and Israel reopening after its 2024 pavilion remained closed pending a Gaza ceasefire. The European Commission had also threatened to suspend a €2 million grant over the Russian pavilion's reopening.

$100 Million Award Made in Suit Over Unlicensed Robert Indiana Art

A New York jury has awarded $100 million in damages to the company that managed artist Robert Indiana's copyrights, ruling that an art publisher produced and sold unlicensed works derived from Indiana's iconic images. The publisher had created derivative pieces based on Indiana's designs without authorization, infringing on the exclusive rights held by the artist's longtime partner.

Flowery Films Whose Plant Life Lingers in the Mind

Ten prominent artists and designers have curated a selection of cinematic flora that has significantly influenced their creative practices. From the surreal, hand-shaped topiaries in *Edward Scissorhands* to the symbolic, scene-setting bouquets in *The Age of Innocence*, these creators analyze how botanical elements on screen transcend mere decoration to become vital narrative and aesthetic tools.

Sharjah Biennial announces theme and artists

‘Transcription’ by Ben Lerner Review: No Phones

Ben Lerner’s latest novel, Transcription, marks a departure from his previous sprawling autofiction like The Topeka School, opting instead for a spare, three-part structure set during the COVID-19 pandemic. The narrative unfolds through three pivotal conversations involving the protagonist, his aging mentor Thomas, a curator, and Thomas’s son Max. Central to the plot is the protagonist’s failure to record a final interview with Thomas due to a broken phone, forcing a reliance on fallible memory and reconstruction.

Art Lovers Movie Club: The Archive

ArtReview's Art Lovers Movie Club has published a comprehensive online archive of all the artists' videos it has screened monthly on its website. The archive lists dozens of films from 2021 through 2026, featuring works by a diverse, international roster of artists including Hikaru Fujii, Mary Helena Clark, Gê Viana, and many others, with specific screening dates for each.

Primitivism to Reinvent Art

Le primitivisme pour réinventer l’art

Philippe Dagen has published the third and final volume of his series on primitivism, covering the period from World War II to the late 1970s. The book traces how Western artists, from Barnett Newman and Jackson Pollock to members of the CoBrA movement and figures like Jean Dubuffet, Lucio Fontana, and Yayoi Kusama, engaged with so-called "primitive" art from Africa, Oceania, and the Americas, often as a means of rejecting or redefining modern civilization. Dagen also examines the intellectual debates surrounding primitivism, including the critiques of colonized peoples who refused the label "primitive," and the shifting attitudes of thinkers like Claude Lévi-Strauss, Michel Leiris, and Aimé Césaire.