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Parliamentary report calls for major changes at French museums in the wake of Louvre heist

A French parliamentary report published on 13 May, following the October 19 heist of the crown jewels at the Louvre, issues a damning assessment of the country's museum security and management. The commission heard around 100 testimonies and examined some 2,000 museums, dedicating a special chapter to the Louvre. It blames former director Laurence des Cars's leadership for a "dysfunctional drift" that prioritized contemporary art interventions and fashion shows over basic infrastructure and collection protection, allowing the heist to occur. The report lists rising threats including riots, burglaries, cyberattacks (which forced the National Museum of Natural History in Paris to cancel an exhibition after a ransomware attack in July 2025), and terrorist plots. It proposes 40 recommendations, including raising budgets by an estimated €20–25 billion over a decade, enhancing staff training, and overhauling museum leadership.

Man Arrested for Allegedly Planning Terrorist Attack at Louvre

French authorities arrested a 27-year-old Tunisian man, identified as Dhafer M., on May 7 for allegedly planning a terrorist attack at the Louvre in Paris. The arrest, confirmed by the National Anti-Terrorism Prosecutor’s Office (PNAT) and first reported by Le Monde, followed an investigation that began in late April after a traffic stop. Investigators found jihadist propaganda videos, photos of weapons, and searches for bomb-making instructions on his phone, as well as messages discussing access points to the Louvre and plans to make poison. The man has denied the allegations and was brought before an anti-terrorism judge to be formally charged.

America’s Museums Have a Building Problem

A new report from the Government Accountability Office, analyzed by The Art Newspaper, reveals that roughly 85 percent of American museums are dealing with deferred maintenance or major repair needs, and about 77 percent have at least one structural issue that could endanger their collections. Many of the country's 16,700 museums are small, under-resourced operations housed in aging or historic buildings, with half reporting over $100,000 in deferred maintenance. Basic repairs like roofs or HVAC systems can consume large portions of annual budgets, forcing some institutions to store artworks in makeshift spaces like garages or bathrooms.

No money, more problems: 85% of US museums in urgent need of building repairs

A recent survey by the US Government Accountability Office (GAO) found that approximately 85% of US museums face a costly backlog of maintenance or building repairs, with 77% having at least one structural issue that puts their collections at risk. Based on a survey of around 300 museums and 17 site visits, the report reveals that institutions across the country struggle to keep buildings updated and safe due to a lack of funding, with challenges especially pronounced in rural and remote locations where shipping materials and finding skilled workers is prohibitively expensive. Many museums are housed in historic homes or sites that are part of their collections, adding further complexity, and smaller museums often lack the budget to address major problems like new roofs or HVAC systems.

Hermitage Museum Director and Putin Ally Mikhail Piotrovsky Sanctioned by European Union

The European Union has sanctioned Mikhail Piotrovsky, the longtime director of the State Hermitage Museum in St. Petersburg, for his close association with Vladimir Putin and his active support of Russia's war against Ukraine. Announced on April 23, the sanctions are part of a broader package targeting over a hundred individuals and entities, including other cultural figures like Sergei Obryvalin, Igor Solonin, and Andrey Polyakov, for their roles in the seizure of Ukrainian cultural property and the spread of Russian propaganda in occupied regions.

Tourist Damages Florence’s Neptune Fountain in Pre-Wedding Stunt

A 28-year-old tourist in Florence climbed the Neptune Fountain in Piazza della Signoria and caused €5,000 ($5,800) in damage while attempting to touch the statue's genitals as part of a pre-wedding challenge. Police intervened, and specialists from the Fabbrica di Palazzo Vecchio later found damage to a horse's legs and a frieze. The woman has been reported to judicial authorities but is presumed innocent until a verdict.

Centuries-Old Love Letter Deciphered With Help From A.I.

MyHeritage's new Scribe A.I. tool has successfully transcribed and translated the earliest surviving Valentine's letter written in English, a 1477 note from Margery Brews to her fiancé John Paston. The tool provides a full transcript, historical context, and research suggestions, making the dense Middle English script accessible.

Tiffany Window From Connecticut Church Could Fetch $2 M. at Christie’s

A late 19th-century stained-glass window by Tiffany Studios, known as the Boyd Family Memorial Window (The Falls), is set to be auctioned at Christie's New York in June with an estimate of up to $2 million. The window, commissioned in 1898 and installed in 1899 at the Second Congregational Church in Winsted, Connecticut, depicts a waterfall landscape and has been in the church for about 125 years.

Catalan Museum Has Yet to Follow Through on Court Order to Return Contested Murals to Aragon Monastery

The National Art Museum of Catalonia (MNAC) in Barcelona has failed to comply with a May 2025 Spanish Supreme Court ruling ordering the return of 13th-century Romanesque murals to the Sijena Monastery in Aragon. Despite the legal mandate ending a decade-long dispute, the museum continues to house the works, citing significant technical and conservation risks associated with transporting the delicate canvases.

Go big or go home: how The Lost Giants revived the ancient art of goliath-making

The Lost Giants (TLG), an art collective based in Lostwithiel, Cornwall, is reviving the British tradition of making processional giants—large, community-built figures made from wood, cloth, and papier-mâché. Founded three years ago by theatre designer Ruth Webb and her sister-in-law Amy Webb, the group has created giants for events ranging from local lantern parades to a harvest procession at Hauser & Wirth’s Somerset gallery. This New Year’s Eve, environmentalist Lisa Schneidau joined a massive procession of these giants in Lostwithiel, describing it as an extraordinary experience. The collective recently issued a public callout for an environmental group to collaborate on making a new beastie.

The Metropolitan Museum of Art Unveils Its Fashion Galleries, Highlighting Fashion’s Place in Museums

The Metropolitan Museum of Art has unveiled the new Condé M. Nast Galleries, a nearly 12,000-square-foot suite of exhibition spaces designed by Brooklyn-based architecture firm Peterson Rich Office. Located adjacent to the museum's Great Hall, the galleries relocate fashion exhibitions from a previously tucked-away basement space to one of the museum's most visible and architecturally significant locations. The new spaces debuted with "Costume Art," an exhibition organized by The Costume Institute and curated by Andrew Bolton, which places roughly 200 garments and accessories in dialogue with 200 artworks from the museum's collection, exploring themes such as "The Classical Body," "The Aging Body," and "The Disabled Body." The design, by architects Miriam Peterson and Nathan Rich, uses a restrained material palette of grey marmorino plaster and oak doors framed by limestone arches to create permanent-feeling yet flexible spaces that harmonize with the museum's historic Beaux-Arts architecture.

M+ in multi-year strategic partnership with Centre Pompidou

M+, Hong Kong's premier art museum, has signed a multi-year strategic partnership with Paris's Centre Pompidou. The agreement, signed on May 15, 2026, by Centre Pompidou President Laurent Le Bon and M+ Museum Director Suhanya Raffel, covers joint curatorial research, exhibition development and sharing, co-commissions and artwork displays, and collection exchange. A major co-curated exhibition will be presented at both venues, with a series of jointly developed exhibitions staged at M+ from 2027 onwards, featuring works from both institutions' collections.

Racine Art Museum announces sizzling slate of summer events

The Racine Art Museum (RAM) and its Charles A. Wustum Museum of Fine Arts campus have announced a packed schedule of summer events for 2026, including new programs like the Twilight Garden Series, which combines cocktails, creativity, and themed activities. Highlights include Free First Friday, a Master Workshop with artist Liandra Skenandore on black ash plaiting, Kids Day inspired by the Handcrafted exhibition, and City Movie Night featuring a screening of Lilo & Stitch (2025). Wustum also offers one of Wisconsin's largest museum-based studio arts programs with over 60 class options in ceramics, drawing, glass, fiber, jewelry, painting, and paper arts.

Generations A Solo Exhibition by Julie Torres May 15 – July 11, 2026

Julie Miller Torres, a Tallahassee native and Maclay School graduate now based in Atlanta, is presenting a solo exhibition titled "Generations" at the Gadsden Arts Center & Museum in Quincy, Florida, from May 15 to July 11, 2026. The exhibition showcases her signature works—woven screenprints and paper quilts—that blend everyday materials like crochet and weaving with themes of freedom and empowerment. One of her most recognized pieces, "Super Diva," a portrait of Justice Ruth Bader Ginsburg, is part of the permanent collection at the Metropolitan Museum of Art in New York. Torres holds degrees from the University of Florida, the University of Miami, and the Savannah College of Art and Design (SCAD), and her work appears in major collections including Delta Airlines, the Ritz-Carlton, SCAD, and the Jordan Schnitzer Family Foundation.

The Picasso of India: Amrita Sher-Gil exhibit opens in Drents Museum

The Drents Museum in Assen, Netherlands, has opened a major exhibition of works by Amrita Sher-Gil (1913-1941), the Hungarian-Indian painter often called the Picasso of India. Titled “Europe is Picasso’s, India is Mine,” the show features nearly 50 paintings and drawings on loan from the National Gallery of Modern Art in New Delhi, marking the first-ever Sher-Gil exhibition in the Netherlands and the first in Europe in nearly two decades. Originally scheduled for March, the opening was delayed due to geopolitical tensions linked to the war in Iran, which postponed the transport of the artworks. The museum worked for six years to secure the loan, and 23 Dutch museums stepped in to create an alternative exhibition during the delay.

Rollstone Bank commits $100K to Fitchburg Art Museum

Rollstone Bank & Trust has committed $100,000 to sponsor free admission at the Fitchburg Art Museum (FAM) through 2029, the final year of the museum's Centennial celebration. The gift eliminates all admission fees, replacing previous categorical free programs with universal access, and is expected to significantly increase the museum's annual attendance of 14,000 visitors.

3 to See: Ballet at Kravis; Conservation cinema; Boca Museum of Art

The Palm Beach County Cultural Council highlights three deals for MOSAIC (Month of Shows, Art, Ideas and Culture) in The Palm Beaches. Ballet Palm Beach presents 'Giselle' at the Kravis Center for the Performing Arts, Audubon Everglades hosts 'Flyway: A Conservation Cinema Series' at Lake Worth Playhouse, and the Boca Raton Museum of Art offers buy-one-get-one-free admission throughout May.

Venice exhibition rethinks curating and creativity in the AI era

A new exhibition titled *Metamorphosis: Beyond the Real. Searching for Victoria Lu – When Humans and AI Think Together, the Story Begins* has opened at Ca' Foscari Esposizioni in Venice, running parallel to the 2026 Venice Biennale. The show centers on Victoria Lu, a pioneering Chinese curator whose five-decade career helped shape contemporary Asian art. It features archival materials, AI-generated works, and collaborative experiments exploring the intersection of human creativity and artificial intelligence.

Sacramental Value: “The Holy Sepulcher” at the Kimbell Art Museum, Fort Worth

The Kimbell Art Museum in Fort Worth is hosting "The Holy Sepulcher: Treasures from the Terra Sancta Museum, Jerusalem," a rare exhibition of sacred objects from the Church of the Holy Sepulcher. Curated by Xavier F. Salomon, the show features ornate metalwork, textiles, and vestments dating from the 16th to 18th centuries, drawn from the Terra Sancta Museum's collection and traveling to only two U.S. venues. The exhibition includes pieces such as a gilt silver reliquary from 1628-29 and a gold crucifix from 1756, displayed in low lighting to evoke a candlelit church atmosphere.

Syracuse-born artist Peter McGough hand-painted Anne Hathaway’s Met Gala dress

Syracuse-born artist Peter McGough hand-painted a custom Michael Kors gown worn by Anne Hathaway to the 2026 Met Gala. The dress, a strapless black Mikado silk ball gown with a plunging neckline and high-leg slit, features intricate Grecian patterns inspired by the Met's urns and statues, including a goddess with a dove on the back. McGough, a former classmate of Michael Kors at the Fashion Institute of Technology, painted directly on the silk and wool gown over a week using three layers of fabric paint. The design aligns with the gala's 'Fashion Is Art' dress code and references John Keats' poem 'Ode on a Grecian Urn,' also tying into Hathaway's upcoming film 'The Odyssey.'

Akron Art Museum transforms church’s stained glass windows into exhibit

The Akron Art Museum is presenting "Transfiguration: Rachel Libeskind and the Tiffany Window," an exhibition centered on a 137-square-foot stained glass window crafted by Frederick Wilson of Tiffany Studios in 1917. The window, originally installed at St. Paul’s Episcopal Church, was rescued after a 2018 fire destroyed the church. Developer Tony Troppe purchased the property in 2022, and Whitney Stained Glass Studio restored the panels. New York-based artist Rachel Libeskind created accompanying works that reframe the window as art rather than a devotional object, with the show running through July 5.

Unsung modernist artist's work back in Christchurch after 45 years

A major exhibition of works by pioneering New Zealand modernist painter Edith Collier has opened at Christchurch Art Gallery Te Puna o Waiwhetū, marking the first time in 45 years that Christchurch audiences can see a wide range of her work. The show, titled 'Edith Collier: Early New Zealand Modernist,' features over 60 pieces including studies, sketches, watercolours, prints, and archival material, drawn from the permanent collection of Te Whare o Rehua Sarjeant Gallery in Whanganui. Collier, born in 1885, developed a bold post-impressionist style during a nine-year stay in London alongside artist Frances Hodgkins, but faced harsh criticism upon returning to conservative New Zealand, leading her father to destroy some of her paintings.

New exhibition charts motherhood from the 15th century to today

The National Gallery of Victoria (NGV) has opened a new exhibition titled 'Mother,' curated almost entirely from its existing collection. The show traces the experience of motherhood from the 15th century to the present, beginning with a juxtaposition of Giovanni Toscani's Madonna and Child and a 1998 birth mat by Elizabeth Birritjama Ngalandjarri. Co-curators Sophie Gerhard and Katharina Prugger organized the exhibition around the 'life cycle' of a mother, covering themes from matrescence to loss. It features works by artists including Kate Just, Kyra Mancktelow, Destiny Deacon, and Hannah Brontë, with a strong emphasis on First Nations perspectives and fiber arts.

Marina Abramovic on bringing audiences inside art

Performance art pioneer Marina Abramović, now 80, has opened a major exhibition titled "Transforming Energy" at the Gallerie dell'Accademia in Venice, making her the first living woman to receive such a show at the institution. The exhibition, running until October, features interactive "transitory objects" like crystal structures and minerals, alongside re-enactments of her iconic works including a performance with her late partner Ulay. In an interview with Reuters, Abramović discusses her shift from being the subject of her work to focusing on audience participation, a realization she had after her landmark 2010 performance "The Artist Is Present" at MoMA.

Currents of the 61st Biennale: Inside Venice’s Flow of Art and Power

The 61st Venice Biennale jury, composed of five curators—Solange Oliveira Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—resigned on April 30th amid internal tensions over decisions that conflicted with the late Koyo Kouoh's curatorial vision. The jury had previously stated it would refrain from considering countries whose leaders are charged with crimes against humanity by the International Criminal Court. Meanwhile, Filipino artist Jon Cuyson prepares to present his installation at the Philippine Pavilion, featuring works shipped 60 days before geopolitical conflict escalated, navigating unstable maritime routes. His project includes the film series "Sea of Love (Dagat ng Pag-ibig)" and a new fourth film, "Sea of Echoes," exploring themes of migration, queer experience, and ecological resilience through mussels as non-human protagonists.

Met Inaugurates ‘Costume Art’ for the Spring 2026 Exhibition

The Metropolitan Museum of Art will open 'Costume Art' in spring 2026, a major exhibition that positions fashion as a lens for examining the human body across cultures and history. Housed in a new 12,000-square-foot gallery adjacent to the Great Hall, the show pairs garments from The Costume Institute with ancient statues, artworks, and paintings, organized around thematic body types such as idealized, distorted, exposed, and reclaimed. The exhibition design by Peterson Rich Office uses sheer scrims and varied ceiling heights to create an immersive, interconnected experience.

Bvlgari enters the inner circle of the Venice Biennale

Bvlgari has become the first Exclusive Partner of La Biennale di Venezia, a landmark agreement that extends through 2030. The Roman jeweler will inaugurate its role at the 2026 Venice Biennale with two major initiatives: a newly created Bvlgari Pavilion at the Giardini featuring Canadian artist Lotus L. Kang, and an exhibition at the Biblioteca Nazionale Marciana curated by Fondazione Bvlgari, presenting works by Italian artists Lara Favaretto and Monia Ben Hamouda.

Healing From the Burns: How The Getty Recovered From the LA Fires

On January 7, 2025, a wildfire driven by extreme winds reached the Getty Villa in Los Angeles. Thanks to years of preparation, staff efforts, and firefighter support, the museum buildings and art collection survived undamaged, though the landscape suffered severe damage. The Villa closed for about six months, during which staff removed 1,400 burned trees, cleaned soot and ash, restored water service, and installed a new exhibition. It reopened in late June 2025, welcoming visitors back to the galleries and gardens.

INSIDE THE 2026 MET EXHIBITION ON FASHION AS ART

The Metropolitan Museum of Art's 2026 exhibition 'Costume Art' explores how standards of form, modesty, and exposure have evolved across history and cultures. The show is organized into sections examining the classical body, distorted bodies through corsets and bustles, and reclaimed bodies by designers like Rei Kawakubo, Duran Lantink, and Michaela Stark. Another section focuses on the 'Anatomical' and 'Mortal' bodies, highlighting universal experiences such as aging and mortality. Mannequins represent diverse body types—pregnant, plus-size, disabled, and non-conforming—modeled after real people including Sinéad Burke, Aariana Rose Philip, Aimee Mullins, and Yseult, with reflective steel faces designed by artist Samar Hejazi.

take a first look at 'costume art' as fashion meets art history at the MET

The Metropolitan Museum of Art has opened a new exhibition titled 'Costume Art,' which explores the intersection of fashion and art history. The installation view, captured by designboom, showcases how garments and accessories are presented as artistic objects within the museum's galleries, blurring the boundaries between costume design and fine art.