Apre a Venezia una nuova fondazione per l’arte. Il progetto dell’artista curdo Ahmet Güneştekin a Palazzo Gradenigo

Kurdish artist Ahmet Güneştekin has opened a new foundation in Venice at Palazzo Gradenigo, a 16th-century building in the Castello district. The foundation's inaugural exhibition, titled "Sessizlik/Silenzio/Silence," will open on May 6 during the Venice Biennale. The show features 11 new bronze sculptures and 11 oil paintings. The palace, closed to the public for 17 years, was purchased by the artist and is undergoing a conservative restoration led by architects Alberto Torsello and Elisa Santoro, set to complete by late 2026. The foundation, entirely self-funded through sales of Güneştekin's works and royalties, aims to provide exhibition and training opportunities for young artists, especially from Turkey, in an international context.

Milan Design Week 2026: A Guide to What to See in the Isola District (Celebrating its 10th Anniversary)

Milano Design Week 2026: guida sulle cose da vedere al distretto di Isola (che compie 10 anni)

The Isola Design Festival is celebrating its 10th anniversary during Milan Design Week 2026 with the theme "TEN: The Evolving Now." Originally founded to provide an affordable platform for independent and young designers, the festival has expanded from a local neighborhood initiative into a global organization with a permanent presence in Dubai. The 2026 edition centers on the historic Fabbrica Sassetti, a 1930s wool mill, alongside various venues across the Isola district including Fondazione Catella and Stecca3.

New exhibit at Art Museum of Eastern Idaho celebrates region's agricultural identity

A new exhibition titled "Sacred Spaces: Visions of the West from the Prosaic to the Sublime" has opened at The Art Museum of Eastern Idaho in Idaho Falls, featuring works by six contemporary artists—David Dibble, Bryan Mark Taylor, Josh Clare, Allie Zeyer, Louisa Lorenz, and Carson Thompson. The show, curated by museum Executive Director Alexa Stanger, focuses on the agricultural landscapes of the American West, portraying farms, ranches, and working spaces not as scenic backdrops but as living environments shaped by labor, memory, and generational stewardship. It runs through July 3.

How a Loveland wilderness photographer is turning his art into a career, and finding gratitude in the process

Dean Allen, a wilderness photographer from Loveland, Colorado, is hosting a free outdoor photography showcase at the Wilderness Art Quarry on Sunday, displaying his images of Colorado's northern lights, mountains, and aspen trees. Allen, who grew up in Loveland and learned photography at Thompson Valley High School, began pursuing photography full-time after selling the electronics company he co-owned in 2023, using the financial cushion to fund his passion. His work reflects a deep gratitude for natural beauty and aims to inspire viewers to appreciate the world around them.

Before Language: An Interview with Song E Yoon at Biennale Arte 2026

Song E Yoon's exhibition "Songs Across Time" at Spazio 996/A in Venice, presented as a Collateral Event of the 61st International Art Exhibition – La Biennale di Venezia, pairs her Song E Code with Frédéric Bruly Bouabré's Bété alphabet. In an interview with Kun Sok, Yoon discusses how her work uses dots, intervals, and repetition to create a visual language that exists before conventional meaning, emphasizing bodily encounter, sensation, and the productive role of misreading.

Interconnectedness through Indigenous art

Seven local Indigenous artists were featured in this year's Indigenous Art exhibition at Gallery 121 in Belleville, Ontario. The exhibition, curated by Maureen Swann, showcased works including Tyler Tabobondung Rushnell's painting "Howling into the Sunset," alongside pieces by Mohawk artists David R. Maracle, Janice Brant, and Jennifer Brant, among others. The artists emphasized personal storytelling, cultural heritage, and the use of traditional materials and themes.

The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant

The Center for Art, Research and Alliances in New York presents "The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant," running from February 28 to May 10, 2026. The exhibition focuses on the Martinican poet and philosopher Édouard Glissant's personal art collection, tracing how his key concepts—opacity, relation, and creolization—emerged through his engagement with artworks and artists. It features works by artists such as Agustín Cárdenas, Victor Anicet, Eduardo Zamora, Gerardo Chávez, José Gamarra, and M. Emile, and travels from Instituto Tomie Ohtake in São Paulo.

The Art Museum of Eastern Idaho opens up new art exhibition this Friday

The Art Museum of Eastern Idaho in Rexburg will open a new exhibition titled "Sacred Spaces: Visions of the West from the Prosaic to the Sublime" this Friday. The show features works by six contemporary artists from Idaho and Utah—David Dibble, Bryan Mark Taylor, Josh Clare, Allie Zeyer, Louisa Lorenz, and Carson Thompson—primarily in oil paintings, alongside historic farm photographs from the Museum of Idaho and private collection photos from executive director Alexa Stanger. Free public events include an Art Walk on Thursday, an opening reception on Friday with an audio tour featuring artists' voices, and art demos with a Q&A on Saturday.

Maine Gallery Adds New Artists For 2026 Season

Maine Art Collective's (MAC) Gallery in Portland, Maine, has added five new artists to its roster for the 2026 season: Ann Tracy, Bill Elinoff, Sheri Oliva, donnersmith, and Tracy Hehmeyer. The gallery, which transitioned from a pop-up to a full-time space about a year ago, now features 17 artists total. Founder Susan Vittner, an artist herself, emphasizes the gallery's mission to support emerging artists through a cooperative model where artists retain most of their profits.

Beyond the Gallery Walls: Solo Studios 2025 Transforms the Riebeek Valley into a Living Canvas, South Africa

Solo Studios 2025 returns to the Riebeek Valley in South Africa from 24–26 October, transforming the twin towns of Riebeek Kasteel and Riebeek West into a living canvas. Over sixty artists will participate in open studios, curated exhibitions, performances, and culinary events, with highlights including the LANDscape[s] exhibition at Die Kunshuis featuring works from the Modern Art Projects South Africa collection, a group show at EcoPlace made from recycled materials, and talks on art collecting led by Strauss & Co.'s Elmarie van Straten. The weekend also features music, a marketplace of ceramicists, and exhibitions such as 'Red Hot, Pink Spot' at the Church Hall.

Furniture gets a performative boost at Collectible design fair

Collectible design fair returned for its second edition in New York, taking over the entire 39th floor of the WSA building in Manhattan’s Financial District. The fair featured 123 exhibitors, many local, presenting limited-edition and unique design objects. Highlights included Tuleste Factory's lighting-heavy stand 'Afterglow' with ceramic lamps by Ethan Streicher, a collaborative living-room set by Streicher and Ian Love called the Kindred Collection, and a special-projects section with a performance dinner and a piercing station. Co-founder Liv Vaisberg emphasized the fair's curated, designer-centered approach and experimental spirit.

Emerging student artists explore expression in Kapiʻolani CC exhibit

Kapiʻolani Community College’s Koa Gallery hosted "Crafting Voices," an exhibition showcasing student artwork from fine arts courses including drawing, painting, photography, sculpture, ceramics, metalwork, and design. Featured artists included Sophia Villalobos, Arthur Kastler, and Ava McIntyre, whose works explored themes of perception, personal influence, and everyday beauty. The show ran from April 24 to May 8 and marked many students' first public exhibition.

Pavilions of the Venice Biennale go on strike

Pavillons der Venedig-Biennale werden bestreikt

Cultural workers and participants of the Venice Biennale went on strike on Friday, protesting Israel's participation in the art exhibition. Organized by the Art Not Genocide Alliance (ANGA) alongside several cultural groups and Italian grassroots unions, the 24-hour walkout led to the closure of several national pavilions on the final preview day. A rally was planned near the Arsenale grounds. The strike aims to oppose the "normalization of genocide in culture" and poor working conditions at the Biennale, following an earlier open letter signed by over 230 artists and curators demanding the exclusion of the Israeli pavilion. Israel is represented by sculptor Belu-Simion Fainaru, who opposes cultural boycotts and advocates for dialogue. The Biennale's leadership has distanced itself from the strike, emphasizing adherence to regulations and support for freedom of speech and pluralism.

Around the World

Einmal um die Welt

The article previews the national pavilions at the Venice Biennale, where 99 countries present exhibitions across the Giardini, Arsenale, and venues throughout the city. It highlights Iceland's pavilion, featuring Ásta Fanney Sigurðardóttir's project "Pocket Universe" at the Docks Cantieri Cucchini, a multimedia work combining performance, sound, moving image, and installation centered on a film about a creature.

The Most Important Thing is That Art Remains Accessible

"Das Wichtigste ist, dass die Kunst zugänglich bleibt"

Gilles Neiens has been appointed as the first-ever artistic director of Art Düsseldorf, marking a strategic shift for the eight-year-old regional art fair. In his new role, Neiens aims to elevate the fair's profile by focusing on high-quality curation, thematic depth, and fostering closer collaborative relationships with participating galleries. This structural change signals a move away from purely organizational management toward a more distinct, content-driven identity.

Monopol is giving away 1 × 2 tickets for "Arv og miljø" at the Schaubühne Berlin

Monopol verlost 1 × 2 Tickets für "Arv og miljø" in der Schaubühne Berlin

The Schaubühne Berlin is hosting the Norwegian production "Arv og miljø" (Will and Testament) as part of the Festival Internationale Neue Dramatik (FIND). Based on Vigdis Hjorth’s controversial novel, the play follows Bergljot, a woman who confronts her estranged family during an inheritance dispute over summer houses, leading to a harrowing clash over suppressed childhood memories and the nature of truth.

337 œuvres et objets volés récupérés : la vaste opération italienne de lutte contre le trafic de biens culturels aux États-Unis

On April 29, Italy's carabinieri dedicated to cultural heritage protection announced the recovery of 337 looted or stolen artworks and objects repatriated from the United States between December 2025 and April 2026. The haul includes archaeological artifacts, archival documents, and other artworks, such as a marble head of Alexander the Great from the 1st century AD, a bronze sculpture stolen from Herculaneum, and two Egyptian basalt sculptures. The objects were dispersed through international markets using forged provenance documents, and their return involved U.S. agencies including the FBI.

Bespoke Glass Studio’s Sculptures Challenge Traditional Conventions of Stained Glass

Lesley Green, founder of Bespoke Glass Studio, creates stained glass sculptures that break from traditional window-mounted forms. Her work includes three-dimensional pieces that project colored light onto walls, functional room dividers, and sculptural objects made using hand-cut copper foil techniques. Green aims to shift perception of stained glass from architectural feature to standalone art object, emphasizing pure color and texture.

Irina Werning Chronicles 18 Years of Photographing ‘Las Pelilargas’ in a New Book

Photographer Irina Werning has spent 18 years traveling across Latin America to document Indigenous women with exceptionally long hair for her series "Las Pelilargas." Her new book, published by GOST Books, features nearly 90 portraits taken between 2006 and 2024, starting with the Kolla community in Argentina. Werning sought subjects by posting signs in remote mountain towns and organizing hair competitions, capturing a tradition rooted in ancestral beliefs that hair connects to life, thoughts, and the land.

An Interactive Archive Celebrates the Wide Ranging Projects Inviting ‘Unruly Play’

Amsterdam-based studio Imagination of Things, co-founded by Vitor Freire and Monique Grimord, has launched "Unruly Play," an interactive digital archive featuring 169 artworks, designs, games, and participatory projects. The repository includes notable works such as Rael San Fratello's "Teeter-Totter Wall" and the Wind Phone project, alongside a 12-foot puppet that travels the world. The archive is searchable by theme or through a shuffle feature, aiming to showcase projects that invite surprise, camaraderie, and unexpected encounters with imagination and joy.

NAFRICA–MASCHERE: The Mask Strikes Back

Curator Simon Njami discusses his exhibition 'NAFRICA–MASCHERE' at the Museo e Real Bosco di Capodimonte, which juxtaposes the fascist anthropological archives of Lidio Cipriani with contemporary artworks. The show utilizes the metaphor of the mask to explore the tension between how individuals are perceived and how they project themselves, specifically addressing the persistence of colonial logic in the modern world. By including artists from Africa, America, and Italy, Njami seeks to move beyond a binary 'colonizer vs. colonized' narrative toward a broader inquiry into human representation and power.

FORGING PATHS: AFRO-BRAZILIAN ANCESTRY AND FEMININE POWER IN THE WORK OF NÁDIA TAQUARY

FORJAR CAMINOS: ANCESTRALIDAD AFROBRASILEÑA Y PODER FEMENINO EN LA OBRA DE NÁDIA TAQUARY

The exhibition "Ònà Irin: caminho de ferro" by artist Nádia Taquary has opened at Sesc Belenzinho in São Paulo, featuring large-scale sculptures and an immersive video installation. Curated by Amanda Bonan, Ayrson Heráclito, and Marcelo Campos, the show centers on a massive installation of iron rails that symbolize the Yoruba deity Ogum, the opener of paths. The works integrate traditional Afro-Brazilian materials such as cowrie shells, beads, and metals to explore spiritual protection and the historical significance of jewelry as a form of resistance and identity for enslaved and freed Black women.

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Chefs Lucho Martínez, Elena Reygadas, Gabriela Cámara, and Tyler Henry share their personal recommendations for navigating Mexico City's food scene during Zona Maco week. The article covers best breakfast spots, chilaquiles, bakeries, quick bites, tacos al pastor, and other tacos, with specific restaurant names and dishes highlighted by each chef.

art blunk house mariah nielson collector

Mariah Nielson, director of the JB Blunk Estate, reflects on growing up in the Blunk House—a home built by her father, artist JB Blunk, in the 1950s from salvaged materials in Point Reyes Station, California. She describes the house as a living sculpture where art, craft, and daily life merge. Today, she runs Blunk Space, the estate's gallery, and currently presents the exhibition “100 Candleholders,” featuring works by artists connected to the Blunk legacy. Nielson shares how her father's philosophy of functional, un-precious art shapes her collecting and curatorial practice.

literature kathryn scanlan audrey wollens interview

The article describes a visit to the American Academy of Arts and Letters in New York to see two concurrent exhibitions: Sam Contis's "Phases," featuring black-and-white motion portraits and a three-channel film of teenage girls running a five-kilometer race, and Diane Simpson's "Formal Wear," a sculptural exploration of femininity's exoskeletons using industrial materials. Literary accompaniments were commissioned for both shows—Kathryn Scanlan wrote a story for Contis's exhibition, and critic Audrey Wollen contributed an essay for Simpson's—blending visual art with prose to examine themes of adolescence, identity, and self-construction.

hamptons guide hidden gems beaches restaurants

A group of Hamptons locals—including fashion designer Ulla Johnson, hotelier Sean MacPherson, and landscape designer Edwina Von Gal—share their favorite under-the-radar spots in the East End for CULTURED's July/August Hamptons issue. Recommendations range from the curated art and design space Galerie Sardine in Amagansett to secluded beaches like Culloden Point, hiking trails at Camp Hero and Shadmoor, and nature preserves such as the Walking Dunes. The guide emphasizes quiet, scenic alternatives to crowded hotspots, with personal anecdotes about kayaking, bonfires, and local services like barber Danny Dimauro.

pride penthouse moss stonewall inn manhattan

Social club Moss hosted its inaugural Pride celebration in partnership with the Stonewall Inn Gives Back Initiative at its temporary Moss Studio in Midtown Manhattan. The event brought together a mix of artists, tastemakers, and fashion figures, including Luar designer Raul Lopez, artist Roberto Maria Lino, gallerist Cierra Britton, and art advisor Jonathan Gardenhire, for an evening of cocktails, dancing, and community celebration ahead of Moss's official opening this fall at 520 Fifth Avenue.

The Kaldea street-art exhibition at Espace Cinko plunges us into kawaii Japan — photos

French street artist Kaldea has unveiled a major solo exhibition titled "Identity" at Espace Cinko in Paris’s 2nd arrondissement. Hosted by Galerie Roussard, the immersive show transforms a 200-square-meter former printing press into a reconstructed Japanese landscape complete with sakura blossoms and paper lanterns. The exhibition features approximately forty works across five thematic narratives, ranging from porcelain animal figures to reimagined manga icons like Godzilla and Pikachu, blending Art Deco, futuristic, and Asian influences.

オノ・ヨーコ「A statue was here　一つの像がここにあった」@ 小山登美夫ギャラリー六本木／天王洲

Yoko Ono's solo exhibition "A statue was here" is being held simultaneously at Tomio Koyama Gallery's Roppongi and Tennozu spaces from June 10 to July 5, 2025. The show features conceptual objects and participatory works spanning Ono's career, including early pieces like *Mind Object I* (1960/1966) and *Mind Object II* (1966/1967), as well as *Mend Piece* using porcelain fragments damaged in the Noto Peninsula earthquake, and the debut of *Three Lives* (2019). The Roppongi space focuses on conceptual objects, while Tennozu emphasizes audience participation and performance.

Raheleh Filsoofi’s Deep Listening and Raheleh Filsoofi and Reza Filsoofi’s Listening: The Fourth String at the Ismaili Center, Houston, TX

Raheleh Filsoofi and Reza Filsoofi presented a collaborative sound performance titled *Listening: The Fourth String* at the Ismaili Center in Houston on April 11, 2026, alongside a participatory installation of the *ShahTár* (شهتار), a large Persian rug fitted with two four-string instruments. The performance featured Houston musicians Will Adams, Tom Carter, Parham Daighighi, Laura Dykes, Ruthie Langston, Gabriel Martinez, and Firuz Shukrikhudoev, blending improvisational music, poetry, and vocals. Audience members were invited to touch their own bodies and eventually join the stage, fostering an immersive, embodied experience.