American artist Maria Kreyn opened her first solo exhibition in Milan, titled "Continuum," at the gallery Robilant+Voena. The show presents a selection of her new paintings, which are characterized by atmospheric renderings that blend figuration with abstract geometry.
Warren Feeney's article highlights 10 exhibitions opening in May 2026, primarily in Christchurch, New Zealand. Featured shows include Stone Maka's 'MONO' at Jonathan Smart Gallery, exploring Tongan tapa cloth traditions; Jess Nicholson's 'Ka maumahara te uku (the clay remembers)' at CoCA Toi Moroki, focusing on Ngāi Tahu culture and land connections; and a group exhibition 'Indigo' at Art on the Quay, featuring seven Central Otago artists. Other notable shows include Jane Barry, Sandra Hussey, and Laurie Roodt's 'Three Exhibitions' at Chambers Art Gallery, and Stephanie Postles' 'What These Walls Remember' at City Art Depot's new Up Stairs space.
The Birmingham Museum of Art (BMA) announced it will unveil a landmark exhibition titled "Roll Call: Two Hundred Years of Black American Art" in September 2026. The show features 99 works drawn entirely from the museum's permanent collection, tracing two centuries of Black artistic production. Organized in four thematic sections—The Ground We Stand On, Ujima: Collective Work and Responsibility, What Freedom Feels Like, and In the Heart of It All—the exhibition highlights the museum's history of collecting Black art, which began in 1971 and now includes over 1,000 works by 250 Black artists. The exhibition coincides with the museum's 75th anniversary and runs from September 26, 2026 to January 17, 2027.
The Mead Art Museum at Amherst College is currently hosting two concurrent exhibitions celebrating Black art. The first is 'Kwame Brathwaite: Revolutionary Movements,' a photography exhibition showcasing the work of the late photographer Kwame Brathwaite, curated in partnership with his family. The second is the ninth annual Black Art Matters exhibition, featuring works by current Amherst students, organized in collaboration with several campus cultural organizations.
Grosvenor Gallery has announced the availability of a significant 1969 oil painting by M.F. Husain titled "Untitled (Head of a Horse)." The work, which features the artist's signature equine subject matter with bared teeth and exaggerated features, was recently showcased at Frieze Masters 2024 as part of the "South Asian Modernists in Paris" exhibition. The painting has a documented provenance involving the Vadehra Art Gallery and has been held in a private London collection since 2007.
The Republic of Cuba has announced its participation in the 61st Venice Biennale with a solo exhibition by artist Roberto Diago titled "Hombres Libres" (Free Man). Curated by Nelson Ramirez de Arellano Conde and located at Il Giardino Bianco, the installation features a series of sculptural heads crafted from salvaged materials like oxidized metal, wood, and plastic. These works, characterized by prominent surface scars, are designed to confront viewers and provoke a dialogue about the enduring nature of memory and dignity.
The Boulder County arts scene is currently hosting a wide array of exhibitions across its galleries and museums, ranging from contemporary lithographs and multimedia installations to community-focused craft displays. Key highlights include the Boulder Museum of Contemporary Art’s eclectic group show "Yes &…" and the Dairy Arts Center’s exploration of Indigenous ecological identity in "Native Niches." Other notable presentations include Albert Chong’s Jamaican portraits at East Window and Jessica Rohrer’s solo exhibition at Nick Ryan Gallery.
The artistic center of gravity in Mexico City is shifting from established gallery districts like Condesa and Roma to the Santa María la Ribera neighborhood. Over the past five years, a wave of artists has moved there, drawn by affordable rents, large studio spaces, and a central location, transforming the area into a vibrant, organic hub for artistic production and new, non-traditional exhibition spaces.
Cannupa Hanska Luger's exhibition 'Dripping Earth' at the Joslyn Art Museum in Omaha, Nebraska, runs until March 8, 2026. The show explores Indigenous futurity through material and conceptual responses to 19th-century watercolors by Swiss artist Karl Bodmer, who documented Luger's ancestral Mandan, Hidatsa, Arikara, and Lakota communities during an 1832-1834 expedition. Luger's works include speculative lithographs, a giant buffalo-shaped abacus, and hand-woven bison regalia, addressing colonization's violent legacy and the unreliability of colonial archives.
London-based multimedia artist Lawrence Lek presents his latest work, NOX Pavilion, at the Bass Museum of Art in Miami Beach during Miami Art Week. The installation is part of his ongoing fictional universe NOX ("nonhuman excellence"), which imagines a rehabilitation program for rogue self-driving cars. This year alone, Lek has staged NOX-related works at Tate Modern, the Hammer Museum, and Goldsmiths Centre for Contemporary Art, demonstrating his growing international presence. In an interview, Lek discusses how his practice spans architecture, video, gaming, and music, treating immersion as a critical state of perception rather than mere spectacle.
Art Mumbai returned for its third edition at the Mahalaxmi Racecourse on November 13, 2025, with 82 galleries—up from 50 in 2023—including international participants like Galleria Continua and Lisson Gallery. The fair saw strong sales on VIP day, with most leading Indian galleries selling the majority of their displays. Notable collectors Kiran Nadar and Kito De Boer participated in a fireside chat, where Nadar outlined plans to open a new museum space in New Delhi by early 2028. The article highlights five emerging artists to discover, including Neha Vedpathak, who uses a self-invented "plucking" technique with handmade Japanese paper.
Reverend Joyce McDonald, a 74-year-old artist and minister, is the subject of her first museum survey, 'Ministry: Reverend Joyce McDonald,' at the Bronx Museum. The exhibition showcases her ceramic sculptures, which she began creating after an HIV diagnosis in 1995 while struggling with heroin addiction and sex work. McDonald discovered ceramics through an art therapy program with the Jewish Board of Family Services and later connected with Visual Aids, a New York organization supporting HIV-positive artists. Her works, often depicting figures praying or embracing, are held in collections including the Hammer Museum, Brooklyn Museum, and CCS Hessel Museum of Art.
NEXTpittsburgh's August gallery guide highlights a wave of Pittsburgh-made art appearing in streets, coffeehouses, open studios, and even a warehouse in Brooklyn. Featured exhibitions include the Pittsburgh Photography Club's 140-year retrospective at Manos Gallery, Monica Matthews' graphite pencil drawings at Ruckus Coffee Gallery & Café, the juried group show "Living Canvas III" at Studio 4, Kristin Divers' pastel solo show at Mark Rengers Gallery, the multimedia group exhibition "Horizons" at Castle Consortia, and Annie Heisey's paintings at Sweetwater Center for the Arts. The month also includes a one-night solo show by New Orleans muralist Dago at Studio 4.
Zero Art Fair, debuting its second edition at the FLAG Art Foundation in New York City from July 10 to 12, offers a radical alternative to traditional art fairs: attendees can take home selected artworks for free. The fair uses a "store-to-own" contract developed by artist William Powhida, NYU professor Amy Whitaker, and artist-attorney Alfred Steiner. Participants commit to a five-year vesting period before ownership transfers, during which artists retain rights to sell or borrow the work. After transfer, artists receive 50 percent of any sale price and a 10 percent royalty on subsequent resales. The fair was conceived by Powhida and artist Jennifer Dalton, rooted in their experiences with unsold work and structural gaps in the art market.
NEXTpittsburgh's July gallery guide highlights a range of new exhibitions and events across Pittsburgh. Featured shows include Nathan Van Patter's 'Medieval Pittsburgh' at Irma Freeman Center for Imagination, which reimagines the city's modern figures and landmarks in a medieval fantasy style; 'Five on Five' at Spinning Plate Gallery presenting new works by five local painters; Ben Schonberger's 'Hi-NRG' at 707 Penn Gallery, drawing from gay underground visual culture and disco music; and Ashley Andrykovitch's 'LAN Party' at UnSmoke Systems Artspace, inspired by 1990s local area network gaming gatherings.
NEXTpittsburgh's June gallery guide highlights a packed month of art events across Pittsburgh, including the Dollar Bank Three Rivers Arts Festival (June 5-8) with 191 artists, a Juried Visual Arts Exhibition at SPACE Gallery, and a rare photography exhibit by May Pang documenting John Lennon's "lost weekend" at Atithi Studios. Other openings include ceramicist Philip Soucy's solo show, painter Caroline Heckman's portraits at Revel, Stephanie Gonzalez's cosmic "Nebulas" at BoxHeart Gallery, the Fiberart International 2025 triennial at Contemporary Craft and Brew House Arts, and Natalie Westbrook's "Corners of My Mind" at ZYNKA Gallery.
Untitled Art has announced the 84 exhibitors for its inaugural fair in Houston, set to take place September 18–21 at the George R. Brown Convention Center. Originally planned for around 50 participants, the fair expanded due to overwhelming interest from galleries worldwide. The event will feature a curated, boutique format and will donate a portion of ticket sales to the Rothko Chapel.
Royal Academician Emma Stibbon opens a new exhibition, "Melting Ice | Rising Tides," at The Burton at Bideford on May 10. The show features monumental drawings and prints inspired by field trips to Svalbard and the Weddell Sea, alongside a five-metre-wide installation responding to erosion in Bideford Bay. It includes a film with contributions from Andy Bell, Caroline Lucas, and Dr. Dylan Rood, and a limited edition print, "Atlantic Edge" (2025), priced at £390 to support the gallery.
The French state has preempted four drawings by Jean-Michel Moreau le Jeune at a Christie's Paris auction, securing them for the Palace of Versailles. The works, sold in two lots, depict the festivities in Paris following the birth of the Dauphin Louis Joseph in autumn 1781, including the arrival of the Queen at the Hôtel de Ville and a fireworks display. The drawings were commissioned by the City of Paris and were intended to be engraved, marking a high point of public commissions under the ancien régime. The preemption was made possible through the support of the Friends of the Louvre, echoing a similar acquisition of Hubert Robert works from the same Veil-Picard sale.
Deux Hubert Robert de Madame Geoffrin offerts au musée par les Amis du Louvre
Two paintings by Hubert Robert, once owned by Madame Geoffrin, were acquired by the Musée du Louvre through a preemptive purchase at Christie’s Paris on March 25. The works sold for €1,950,000 hammer (€2,439,000 with fees) and are being donated to the museum by the Société des Amis du Louvre. The paintings, described as 18th-century snapshots, were part of the historic Veil-Picard collection and will undergo restoration before being displayed.
Le non renouvellement de Sébastien Allard confirme la métamorphose du Louvre
Christophe Leribault, the new president of the Louvre, has decided not to renew the contract of Sébastien Allard as director of the painting department, a position Allard held since 2014. This move is part of a broader shift in leadership style and institutional direction under Leribault, who is described as fostering genuine social dialogue and actively participating in meetings, in contrast to his predecessor.
Deux ventes chez Christie's
Christie's in Paris is hosting two significant sales featuring masterpieces from the legendary Veil-Picard collection, which had been largely inaccessible to the public and scholars for decades. Highlights include a perfect Watteau drawing unseen on the market since 1900 and two major Hubert Robert paintings commissioned by the famed salonnière Madame Geoffrin, offering a rare glimpse into 18th-century Parisian interiors.
Morven Museum & Garden in Princeton, New Jersey, is presenting "Five Independent Souls: The Signers from New Jersey," an exhibition opening May 3, 2026, through January 17, 2027. The show examines the lives of five lesser-known signers of the Declaration of Independence—Abraham Clark, John Hart, Francis Hopkinson, Richard Stockton, and John Witherspoon—through over 100 historic artifacts including manuscripts, paintings, furniture, and personal objects. It confronts the paradox that these men fought for liberty while enslaving people, and also addresses the impact of American independence on New Jersey's indigenous population. Highlights include the painting "Congress Voting Independence" (1796-1817), the first known American depiction of the vote for Independence.
Palazzo Madama in Turin, Italy, has introduced a four-foot-tall robot named R1 as a docent for its Baroque collection. The robot, developed by the Italian Institute of Technology (IIT) under Project Convince with €4 million in EU funding, guides visitors through the former royal apartments, narrating the history of the House of Savoy and detailing paintings, tapestries, and furniture. R1 can interact with visitors via LED eyes, answer questions, and autonomously navigate the museum's first floor, though it cannot climb stairs. It has been learning on the job since 2025, completing 30 tours in December 2025, and uses corrective software to relocalize itself if lost.
The Aya Kese, a massive 16th-century northern European brass basin, is currently on display at the British Museum while its complex history remains under scrutiny. Looted by British officer Robert Baden-Powell in 1896 from the Asante kingdom’s royal mausoleum in present-day Ghana, the object was long sensationalized by colonial accounts as a vessel for human sacrifice. Recent scholarship and historical records from Asante King Prempeh I contest these claims, asserting the basin’s sacred role as a spiritual repository for the souls of the Asante people.
A long-lost film by French cinema pioneer Georges Méliès has been discovered in a garage in Grand Rapids, Michigan, after sitting in a trunk for two decades. The 45-second silent short, titled 'Gugusse and the Automaton' (1897), was identified by specialists at the Library of Congress after the owner, Bill McFarland, donated a collection of nitrate reels that had belonged to his showman great-grandfather.
Brady Lum, the chief operating officer of Atlanta’s High Museum of Art, has resigned following an internal investigation into the alleged misappropriation of approximately $600,000. The Woodruff Arts Center, which oversees the museum, discovered financial irregularities in early December and subsequently referred the matter to the U.S. Attorney’s Office for the Northern District of Georgia for potential criminal prosecution. The organization believes Lum acted alone over a period of three to four years.
The British Museum's proposal to redesign its forecourt with two permanent security pavilions and a Mediterranean-style garden has drawn opposition from conservation groups. The Georgian Group and the Victorian Society argue the additions would disrupt the historic symmetry and formal setting of Robert Smirke's 19th-century Greek Revival building, urging Camden Council to reject the plan.
Art Karlsruhe returns for its 23rd edition from February 5–8, 2026, at Messe Karlsruhe in Rheinstetten, Germany. The fair brings together roughly 180 galleries from 18 countries, spanning 120 years of art history with dedicated halls for classical Modernism and contemporary art. New participants include Boston's Chase Young Gallery and Tehran's Maryam Fasihi Harandi Gallery, alongside a strong German contingent. Special sculpture areas feature works by Robert Schad, Martin Hollebecq, Koloman Wagner, and Sonja Edle von Hoeßle.
The Walker Art Center and the Minneapolis Institute of Art closed on January 20, 2026, in protest of escalating Immigration and Customs Enforcement (ICE) operations in the Twin Cities. The closures follow the fatal shooting of Renee Good, a 37-year-old mother of three, by ICE agent Jonathan Ross, which sparked nationwide outrage. The museums canceled scheduled events, including a performance by Nile Harris, and joined a broader one-day economic blackout called "A Day of Truth and Freedom" organized by Minnesota union leaders and community groups. Other cultural institutions participating include the Bakken Museum, the Minnesota Museum of American Art, the Weisman Art Center, and the Museum of Russian Art.