Giorgio Vasari beyond the Lives: what the exhibition at the Capitoline Museums in Rome looks like

An exhibition titled "Vasari and Rome" has opened at the Capitoline Museums in Rome, running until July 19, 2026. Curated by Alessandra Baroni and promoted by Roma Capitale, the show features over seventy works—including drawings, prints, engravings, letters, medals, sculptures, and paintings—that trace Giorgio Vasari's relationship with 16th-century Rome. Sixteen autograph works and seven drawings are among the highlights, arranged in four sections that follow the chronology of Vasari's Roman sojourns, from his arrival in 1532 under Cardinal Ippolito de' Medici to his later engagements with patrons like Bindo Altoviti and Cardinal Alessandro Farnese. The exhibition is staged in an intimate, chamber-like setting on the top floor of Palazzo Caffarelli, contrasting the small space with the vast theme of Vasari's role in papal Rome's political and cultural life.

Panel Discussion: Regeneration — Long Island’s History of Ecological Care at Parrish Art Museum

The Parrish Art Museum is hosting a panel discussion on May 24, 2026, featuring artist Sara Siestreem and members of the Shinnecock Kelp Farmers, moderated by Associate Curator Scout Hutchinson. The conversation celebrates their collaborative work in the exhibition "Regeneration: Long Island’s History of Ecological Art and Care," which runs through June 14, 2026. The Shinnecock Kelp Farmers, an intergenerational collective of Indigenous women, restore ancestral seaweed harvesting traditions to address water pollution, while Siestreem’s artistic practice incorporates abstract mark making, basket weaving, and Xerox transfers to highlight Indigenous land rights and ecological restoration.

Taipei Fine Arts Museum unveils 'Surrealism: The World in Dialogue'

Taipei Fine Arts Museum (TFAM), in collaboration with the Institute for Cultural Exchange in Tübingen, Germany, has launched its major spring exhibition "Surrealism: The World in Dialogue." Featuring over 120 works by nearly 60 international artists, the exhibition marks a century since André Breton's 1924 "Surrealist Manifesto." It juxtaposes historical avant-garde works with contemporary practices, organized into sections such as "Collective Dreams," "Body of Desire," and "Absurd Play." Highlights include Yves Tanguy's dreamscapes, Lauren Moffatt's augmented reality installation, Max Ernst's scraping-method works, Patricia Piccinini's hybrid sculptures, and works by Man Ray, Meret Oppenheim, Sarah Lucas, Luis Buñuel, and Salvador Dalí.

Bright future for the next generation of artistic talent

Hong Kong Secretary for Culture, Sports and Tourism Rosanna Law Shuk-pui visited Venice to support the Hong Kong Collateral Event at the 61st Venice Biennale, themed “Fermata: Hong Kong in Venice.” The exhibition features artists Kingsley Ng and Angel Hui, with five installations exploring poetic rhythms in everyday life, curated by the Hong Kong Museum of Art (HKMoA). Law also viewed American artist Nick Cave’s sculpture *Amalga (Plot)* and announced the Venice Biennale Internship Programme 2026, which will send six arts-background interns to Venice for a six-week residency.

At this year's Venice Biennale, a clash of politics and art exposes the need for a rethink

The 2026 Venice Biennale is plagued by controversy and structural issues. Curator Koyo Kouoh died of cancer in 2025, leaving her team to execute the main exhibition "In Minor Keys" without her. The Biennale's jury resigned after refusing to judge entries from countries charged with war crimes, and media coverage during preview week focused on protests against the Israeli and Russian pavilions rather than the art. The sprawling exhibition features 96 national pavilions and 110 artists, with works ranging from Daniel Lind-Ramos's found-material figures to María Magdalena Campos-Pons's tribute to Toni Morrison and Kouoh.

There's still a time to catch Matisse's "Jazz" at the Art Institute of Chicago

The Art Institute of Chicago is currently hosting "Matisse's Jazz: Rhythms in Color," an exhibition centered on Henri Matisse's 1947 artist's book "Jazz." The show, on view until June 1, features the iconic cut-paper works Matisse created after a 1941 surgery left him unable to paint. Visitors enter directly into the "Jazz" gallery before backtracking through earlier works, offering a chronological journey that culminates in the cut-paper technique. Wait times can exceed 90 minutes, but the museum recommends joining a virtual queue and exploring other galleries in the meantime.

Three Venice shows everyone is talking about

The Korea Herald recommends three must-visit museum shows in Venice during the Venice Biennale. At Palazzo Grassi, the Pinault Collection presents "Michael Armitage. The Promise of Change," featuring the Kenya-born British painter's vivid works addressing sociopolitical tensions and migration. At Gallerie dell'Accademia, "Transforming Energy" by Marina Abramovic marks her 80th birthday, creating a dialogue between her performance art and Renaissance masterpieces. The Peggy Guggenheim Collection hosts "Peggy Guggenheim in London: The Making of a Collector," revisiting her formative years and her short-lived London gallery Guggenheim Jeune.

American Miners Photo Exhibition 'Beneath the Surface' Tour: National Gallery (DC)-Milwaukee Art Museum-Amon Carter Museum (Fort Worth, TX)

미국의 광부들 사진전 'Beneath the Surface' 순회: 내셔널 갤러리(DC)-밀워키미술관-에이먼카터미술관(포트워스, TX)

The National Gallery of Art in Washington, D.C., will present 'Beneath the Surface: Mining and American Photography' from May 23 to August 23, 2026, the first exhibition to focus exclusively on the relationship between resource extraction and American photography. Featuring 150 photographs by over 100 artists—including Richard Avedon, Walker Evans, Lewis Hine, LaToya Ruby Frazier, Dorothea Lange, and Gordon Parks—the show spans nearly 200 years, from early daguerreotypes of the California Gold Rush to contemporary large-scale works. After its Washington run, the exhibition will travel to the Milwaukee Art Museum (October 23, 2026–January 18, 2027) and the Amon Carter Museum of American Art in Fort Worth, Texas (February 14–May 9, 2027).

Koyo Kouoh’s Venice Biennale Looks to Ancient Wisdom to Mend a Fractured Present

Koyo Kouoh's Venice Biennale, titled after ancient wisdom, opens with a focus on healing and historical reimagination. The exhibition features works by artists such as Alexa Kumiko Hatanaka, Khaled Sabsabi, Daniel Lind-Ramos, Guadalupe Maravilla, Kennedy Yanko, and Ayrson Heráclito, alongside a strong emphasis on artist-led schools and institutions like Denniston Hill, blaxTARLINES KUMASI, and RAW Material Company. During the opening, the Koyo Kouoh Foundation was announced, set to launch in Basel to support Pan-African cultural infrastructure. The show includes Refaat Alareer's poem "If I Must Die" and addresses political realities, blending spiritual, ecological, and technological themes to explore collective care and restoration.

Marina Abramović’s Transforming Energy Reframes Performance Art in Venice

Marina Abramović has unveiled "Transforming Energy," a landmark exhibition at the Gallerie dell’Accademia in Venice, on view through October 19, 2026. The show marks the museum’s first major solo presentation dedicated to a living woman artist, arriving during the Venice Biennale. It places Abramović’s most significant performance works, including "Pietà (with Ulay)" (1983), in direct dialogue with Renaissance masterpieces such as Titian’s "Pietà," exploring themes of spirituality, grief, endurance, and transcendence. The exhibition is curated by Shai Baitel and features iconic works like "Balkan Baroque" (1997), for which Abramović won the Golden Lion.

5 exhibitions across the globe celebrating women who shaped art and culture

Five museums across the globe are opening exhibitions this month that celebrate women who have shaped art and culture. The shows include Björk's multidisciplinary "Echolalia" at the National Gallery of Iceland in Reykjavík, Iris van Herpen's New York exhibition, Marina Abramović's historic showing at Venice's Gallerie dell'Accademia, the Tate Modern's first major Frida Kahlo retrospective, and centenary tributes to Marilyn Monroe. The article notes that despite women making up 51% of visual artists worldwide, their work remains underrepresented in public institutions, with 78% of London galleries showing more male than female artists.

Patricia Li: An Art And Design Guide To Venice

Patricia Li, writing for Vogue Circle, shares a curated guide to art and design destinations in Venice beyond the main venues of the Venice Biennale. Her recommendations include the Peggy Guggenheim Collection, Gallerie dell’Accademia, Palazzo Grassi and Punta della Dogana (part of the Pinault Collection), the newly opened Fondazione Dries Van Noten, and Fondazione Prada, each hosting special exhibitions timed to the Biennale.

Mr.’s New Museum Show Is All About Otaku Fantasy

Japanese Superflat artist Mr. has opened 'We’ll Meet Again', his first major museum solo exhibition in Japan in over a decade, at the Fukuoka Asian Art Museum. Running through June 21, 2026, the show features over 80 works including paintings, sculptures, installations, and video pieces, exploring themes of nostalgia, video games, manga, and the yanki subculture. Highlights include an immersive bedroom installation filled with beer cans and manga, a screening of his 2008 film 'Nobody Dies', and a new motorcycle work called 'itasha'.

Met Gala 2026: Celebrities Wearing Art — Decoding the Inspirations Behind Their Looks

At the 2026 Met Gala, held on May 4 at New York's Metropolitan Museum of Art, celebrities interpreted the dress code 'Fashion is Art' with looks inspired by iconic artworks. ROSÉ wore a Saint Laurent gown based on Georges Braque's 'The Birds,' Emma Chamberlain's dress fused Vincent van Gogh's 'The Garden at Arles' and 'The Starry Night,' and Ben Platt donned a jacket reimagining Georges-Pierre Seurat's 'A Sunday Afternoon on the Island of La Grande Jatte' through bead embroidery.

All the Looks That Made It From the Runway Into the Met’s “Costume Art” Exhibition

The Skylands Museum of Art presents "FINI...pas fini!"

The Skylands Museum of Art in Lafayette, New Jersey, presents "FINI...pas fini!" from May 16 to September 26, 2026, a temporary exhibition of over 30 works by the internationally recognized artist Leonor Fini (1907-1996). Drawn from the museum's permanent collection, the show includes original drawings, etchings, silkscreens, and lithographs featuring portraits, sphinxes, female figures, cats, and fantastical beings. Special events include an opening reception on May 16 and a gallery talk by art appraiser Carol Curci, a friend and authority on Fini, who will discuss the artist's life and work.

Black Artists Featured in Monet to Matisse Exhibition at Birmingham Museum of Art

The Birmingham Museum of Art (BMA) has opened its presentation of the traveling exhibition "Monet to Matisse: French Moderns, 1850–1950," which features over 100 masterworks from the Brooklyn Museum. Uniquely, the BMA version includes more than 40 additional works from its own collection, among them paintings by two Black American artists—Henry Ossawa Tanner and Charles Ethan Porter—who lived and worked in France during the period. Curator Dr. Maggie Crosland emphasized the importance of including these artists to highlight the contributions of Black Americans to French modernism, especially given the political climate that drove many to Paris between 1850 and 1950.

Musée d’Orsay displays Renoir and Degas works looted by Nazis

The Musée d’Orsay in Paris has opened a new gallery dedicated exclusively to artworks suspected of being looted or forcibly sold during the Nazi occupation of France. Among the 13 works on display is Edgar Degas's *Dinner at the Ball* (1919), originally owned by Jewish collector Fernand Ochsé, who was deported to Auschwitz with his wife in 1941. The painting passed through multiple hands before being identified as one of over 100,000 artworks plundered by the Nazis. The museum has assembled a team of six provenance researchers to spend three years tracing the original owners of these works, which are part of the "MNR" (Musées nationaux récupération) collection—some 2,200 pieces deemed too important to sell but whose owners remain unknown.

Marina Abramović in Venice: “Don’t treat me like an icon”

Marina Abramović has opened a new exhibition titled "Transforming Energy" at the Gallerie dell’Accademia in Venice, running concurrently with the Venice Biennale. Curated by Shai Baitel, the show spans the museum’s permanent collection and temporary exhibition spaces, featuring a timeline of the artist’s biography, video works, and interactive installations with crystals and stone objects. Abramović is the first living woman artist to receive a major solo exhibition at the museum, and the exhibition includes a digital avatar and rituals designed to slow down the viewer’s experience.

The Artists Who Put Their Bodies Into the Work

This article from Google News, dated May 3, 2026, profiles a selection of artists who have used their own bodies as central elements in their work. It draws a connection to the Metropolitan Museum of Art's spring Costume Institute exhibition, "Costume Art," which places fashion in dialogue with other artworks. The roundup includes Marina Abramović, known for her 2010 MoMA performance "The Artist Is Present"; Chris Burden, who staged dangerous works like "Shoot" (1971); David Hammons, creator of the "Body Prints" series; Frida Kahlo, whose painting "The Broken Column" (1944) depicts her own physical pain; Ana Mendieta, whose "Silueta" series used her figure in the landscape; and Yoko Ono, a conceptual artist with a significant body-based practice.

“Persona” Crafts a Lineage of Performed Identity

Boston Art Review (BAR) has published an article titled “Persona” Crafts a Lineage of Performed Identity, exploring how contemporary artists use persona and self-performance to trace a lineage of identity construction. The piece examines works by artists who adopt alter egos or theatrical roles to challenge fixed notions of selfhood, drawing connections to historical precedents in art and culture.

What’s on now at San Francisco museums, May 2026

San Francisco museums are navigating a mix of upcoming exhibitions and financial challenges in May 2026. SFMOMA is closing "KAWS: Family" on May 3 and opening "Matisse’s Femme au chapeau: A Modern Scandal" from May 16 to September 13. The Mission Cultural Center for Latino Arts has suspended operations due to funding issues, and SOMArts is also facing a budget gap. Meanwhile, the Museum of Craft and Design presents "Video Craft" through August 16, and the Letterform Archive hosts "Black Memory Scholar: The Language of Storytellers" and "Piet Zwart: Brand Architect." SFMOMA has announced three SECA award winners—CrossLypka, Em Kettner, and Chanell Stone—who will exhibit from December 2026 to May 2027, and the museum continues to showcase "Reimagined: The Fisher Collection at 10" and new installations by Alexander Calder, Claes Oldenburg + Coosje van Bruggen, and Rose B Simpson.

Larissa Sansour: Rogue Agents of History

Wereldmuseum Amsterdam is presenting "Rogue Agents of History," the first solo exhibition in the Netherlands by Palestinian artist Larissa Sansour. Running from April 24 to September 27, 2026, the show features three films—including the premiere of "A Sunken Tale of Losses Delayed" commissioned by the museum—alongside Sansour's artworks, personal heirlooms, film props, and historical objects. Curated by Nat Muller, the exhibition explores themes of identity, memory, belonging, and loss through a science-fiction lens, drawing on the Palestinian context and blurring boundaries between fact and fiction.

27 Best Museums in the World for Art, History, and Cultural Wonders

This article from Travel + Leisure lists 27 of the best museums in the world, covering art, history, science, and culture. Featured institutions include the Louvre in Paris, the Metropolitan Museum of Art in New York, the Vatican Museums, the National Museum of China in Beijing, the National Gallery and Tate Modern in London, the Natural History Museum in London, the Griffin Museum of Science and Industry in Chicago, and Miraikan in Tokyo. The piece highlights iconic artworks such as the Mona Lisa, Venus de Milo, and the Sistine Chapel ceiling, as well as notable architectural features like I.M. Pei's glass pyramid at the Louvre.

50 years of art-inspired floral installations at the MFA

The Museum of Fine Arts, Boston, is celebrating the 50th anniversary of its annual 'Art in Bloom' event, where floral designers and volunteers from 50 garden clubs and community organizations create arrangements inspired by artworks in the museum's collection. This year, participants were assigned to 50 objects, including John Singer Sargent's 1895 painting 'Helen Sears,' which was featured in the inaugural 1976 event. The tradition was conceived by Chuck Thomas to boost early spring attendance, and has grown from 18 arrangements drawing 4,300 visitors to becoming the museum's largest public event, attracting 29,000 visitors in 2025.

Experience 'Mona Lisa' and Renaissance Art at Hong Kong Heritage Museum Exhibition Starting Tomorrow

The Hong Kong Heritage Museum is launching 'The Hong Kong Jockey Club Series: Meet Mona Lisa & Portraying the Renaissance' exhibition from May 1 to July 27. The show offers a multimedia immersive experience centered on Leonardo da Vinci's 'Mona Lisa' and features Renaissance art treasures on loan from French and Italian cultural institutions, including the Musée du Louvre and the Musée national de la Renaissance. The opening ceremony on April 30 was attended by Hong Kong Secretary for Culture, Sports and Tourism Rosanna Law, French Consul General Christile Drulhe, and other dignitaries.

Still in Sound Exhibition Opens on May 16 at the Clyfford Still Museum

The Clyfford Still Museum in Denver will open a multisensory exhibition titled "Still in Sound" on May 16, exploring how visitors can experience abstract visual language through sound. Co-curated by Bailey Placzek, the museum's curator of collections, and British multidisciplinary artist Ben Coleman, the exhibition features original sonic interpretations by contemporary artists Maria Chávez, Maya Dunietz, Kalyn Heffernan, Matana Roberts, and Michael Schumacher, each responding to a specific Clyfford Still artwork. The museum will also open a special-feature exhibition, "Celebrating 15 Years: 15 New Paintings in 15 Months," unveiling one previously unseen painting each month for 15 months. The exhibition runs through February 14, 2027.

The Female Artists To See at This Year's Venice Biennale

The 61st Venice Biennale returns amid controversy, including calls to exclude Israel, scrutiny over Russia's participation, and the reinstatement of Australian artist Khaled Sabsabi. Despite the political tensions, the exhibition will feature a strong lineup of female artists, from established names like Marina Abramović and Jenny Saville to emerging voices such as Maja Malou Lyse, who becomes the youngest artist to represent Denmark. The 2026 edition also introduces dedicated spaces for Black and Indigenous artists for the first time, with works exploring themes from male fertility to patriarchal violence and resilience.

New Perspectives: "Roy Lichtenstein in the Studio"

The Dallas Museum of Art (DMA) and the Nasher Sculpture Center have jointly opened "Roy Lichtenstein in the Studio," a landmark two-venue exhibition celebrating the pop artist's centennial. Organized by curators Dr. Catherine Craft, Ade Omotosho, and Dr. Emily Friedman, the show features over 50 works gifted by the Roy Lichtenstein Foundation, which is closing its operations. The exhibition marks the first collaboration between the neighboring institutions since "Matisse as Sculptor" nearly 20 years ago, and includes prints, drawings, maquettes, and sculptures that establish Dallas as a study center for Lichtenstein's work.

Losing Frida Kahlo in "The Making of an Icon"

The article critiques the Museum of Fine Arts, Houston's (MFAH) exhibition "Frida: The Making of an Icon," arguing that it perpetuates a fetishized, commercialized view of Frida Kahlo by focusing on her biography—her marriage to Diego Rivera, her affairs, her accident—rather than her artistic skill. The author contrasts this with a visit to the Museo de Arte Moderno (MAM) in Mexico City, where the exhibition "Relatos modernos. Obras emblemáticas de la Colección Gelman Santander" presents Kahlo's work alongside other Mexican masters in a quiet, understated manner that allows viewers to appreciate her technical abilities without overwhelming narrative.