Sculptor and author Barbara Chase-Riboud has publicly declined an invitation to represent the United States at the 2026 Venice Biennale, stating it was "not the moment" for her to do so. She was among the artists initially considered by the newly formed American Arts Conservancy (AAC), which is organizing the US pavilion after both she and photographer William Eggleston turned down the opportunity.
Four Indianapolis-based artists—Salma Taman, Alejandra Carrillo, Bailey Jörk, and Iryna Bondar—are creating work that directly responds to contemporary political and social crises, including the war in Gaza, immigration, and political division. Their art, ranging from Taman's Arabic calligraphy painting promoting forgiveness to Carrillo's digital drawing protesting a migrant detention center, serves as a form of personal and communal expression in a fraught global climate.
The Rijksmuseum in Amsterdam has opened a major exhibition titled 'Metamorphoses,' inspired by Ovid's poem. The show brings together Renaissance masterpieces, antiquities, and contemporary works, grouping them by the myths they depict to explore themes of transformation, desire, and gender through striking visual juxtapositions.
Nella Milano della Design Week in un giardino i designer emergenti possono esporre gratis. “Abbiamo ricevuto quasi 100 richieste alla call”
During Milan Design Week, the venue enoteca/naturale launched the initiative "Entra pure," offering its garden and interior space for free to emerging designers under 35. The open call received nearly 100 applications, with eight selected projects being displayed and utilized within the space from April 21-26, providing an alternative platform during the city's major design event.
The Laurel Arts League announced the winners of its inaugural Community-Wide Art Contest during a ceremony at the Lauren Rogers Museum of Art. First-grader Libby Morgan from Laurel Christian School was among the honorees, celebrated for her first-place win.
Théâtre à Paris : le Studio Hébertot fait revivre les compagnes de Pablo Picasso, de Fernande Olivier à Françoise Gilot
A theatrical production titled 'Les Amours de Pablo' is being staged at the Studio Hébertot in Paris until the end of May 2026. The play, created by the Compagnie Bille en Tête, focuses on the intimate and tumultuous relationships of Pablo Picasso, but primarily aims to give voice and substance to seven of his romantic partners, portraying them as complex individuals and artists in their own right.
A new immersive film exhibition titled 'David Bowie: You’re Not Alone' has opened at London's Lightroom. Directed by Mark Grimmer, who previously designed the V&A's 2013 Bowie exhibition, the hour-long 360-degree film focuses on the artist's most-streamed hits and features unseen performance footage, including from his 1978 Earls Court show. It aims to appeal to both die-hard fans and a younger audience.
Isaac Julien has created a new site-responsive film installation titled 'All That Changes You. Metamorphosis' at The Cosmic House in London. The work, which features protagonists Lilith and Naomi, explores themes of transformation, cosmology, and interdependence through a non-linear narrative that moves from Californian redwoods to Renaissance interiors, using the postmodern architecture as an active participant in the dialogue.
Nigerian artist Damola Adepoju has opened his third solo exhibition, titled 'Light', at Mydrim Gallery in Lagos. The show, curated by Idowu Bankole to commemorate Adepoju's 50th birthday, features 30 paintings and mixed-media works created between 2015 and the present, focusing on Lagos cityscapes and employing his signature technique of newspaper prints, acrylic, and soft gold on a grey palette.
Quelles sont les œuvres d’art englouties à bord du Titanic ?
The RMS Titanic, which sank in 1912, was carrying over 300 paintings, drawings, prints, and art objects according to its cargo manifest. The most famous artwork lost was the 1814 neoclassical painting 'La Circassienne au bain' by French artist Merry-Joseph Blondel, owned by Swedish businessman Mauritz Håkan Björnström-Steffansson, which was insured for $100,000. Also lost was the legendary 'Grand Omar,' a jewel-encrusted luxury edition of the Rubaiyat of Omar Khayyam, created by the London bindery Sangorski & Sutcliffe.
Il processo per assegnare il titolo di Capitale Italiana della Cultura andrebbe ripensato. Ecco perché
An analysis of the selection process for Italy's "Capital of Culture" title reveals a consistent pattern: cities chosen for the prestigious designation are almost exclusively administered by political coalitions aligned with the national government in power at the time of selection. The sole exceptions were Bergamo and Brescia, which were jointly awarded the title via a special parliamentary decree in recognition of their suffering during the pandemic, bypassing the standard procedure. This political alignment has persisted across different legislatures and changes in government.
La galleria d’arte che fa rigenerazione urbana a sud di Milano (dopo averla fatta a New York)
Scaramouche Gallery has opened a new space in Milan's Scalo Romana district, marking its third location after establishing itself in New York's Chelsea and Lower East Side neighborhoods. The gallery, founded by gallerist Daniele Ugolini, is part of a wave of cultural institutions, including Fondazione Prada and Fondazione ICA, driving the urban regeneration of this former agro-industrial zone near the 2026 Winter Olympic Village.
The He Art Museum (HEM) in Shunde, China, a private institution founded by the family behind appliance giant Midea Group, is shifting its programming strategy. Under director Shao Shu, the museum is moving away from hosting major international exhibitions to focus on amplifying local and regional artists, particularly from the Greater Bay Area, and exploring themes of Lingnan culture.
Marina Abramović has opened a major solo exhibition, "Balkan Erotic Epic. The Exhibition," at Berlin's Gropius Bau, marking her first solo show in the city since the 1990s. The expansive presentation features historical and recent works across film, installation, sculpture, and live performance, focusing on themes of ritual, eroticism, death, and the body as a site of political and spiritual intensity. The opening included a live performance by Svetlana Spajić and a video work, Tito’s Funeral (2025).
James Hayward, a West Coast painter known for his thickly applied monochrome abstractions, died on April 16 at the age of 82. His work, which developed a dedicated following among fellow artists, was characterized by a deliberate, eccentric process that set it apart from other minimalist painting of his era.