A 35-year-old man wearing a kilt was arrested at Perth Museum in Scotland on July 12, 2025, after allegedly breaking the glass protecting the Stone of Destiny, a 336-pound historical artifact central to British coronations. The museum was evacuated as a precaution, and no artifacts were damaged. The man is set to appear at Perth Sheriff Court, and the Stone of Destiny display remains closed.
The Pompeii Archaeological Park has unveiled the restored Garden of Hercules, replanted with 1,200 violets, 1,000 ruscus plants, 800 antique roses, vines, and fruit trees to mirror its appearance 2,000 years ago. The restoration is based on botanical research from the 1950s by Wilhelmina Jashemski, who identified pollen, spores, and plant fossils at the site. The garden, located on Regio VIII, Insula 2, also features a recreated ancient irrigation system and a terracotta statue of Hercules, and was once used for commercial perfume production.
The Ford Foundation has appointed Heather Gerken, dean of Yale Law School, as its next president. She will succeed Darren Walker and become the 11th president of the foundation, as well as the second woman to lead the organization in its nearly 90-year history. Gerken will officially assume the role on November 1, following a national search launched after Walker announced his departure after 12 years.
A team of researchers has successfully recreated Egyptian blue, the world's oldest synthetic pigment, which was used by ancient Egyptians from as early as 3100 B.C.E. The study, published in NPJ Heritage Science, was led by John S. McCloy of Washington State University and Edward P. Vicenzi of the Smithsonian Institution's Museum Conservation Institute, in collaboration with the Carnegie Museum of Natural History. The researchers experimented with various minerals, heating them in ovens at around 1,000 degrees Celsius for up to 11 hours, and used modern microscopy and analysis techniques to compare their results with ancient artifacts from the Carnegie Museum's collection.
Archaeologist Juan de Lara of Oxford University has published a paper challenging the long-held belief that the Parthenon in Athens was a brightly lit, open space. Using a 3D model that simulates natural and artificial light, Lara argues the temple was actually dark and dim, with sunlight barely reaching the statue of Athena's waist and a wooden ceiling blocking any translucency from marble roof tiles. He also suggests that hand-held torches, rather than numerous lamps, were used for artificial light, and that the reflective pool in front of Athena's statue did little to illuminate the space.
A newly discovered mold species, aspergillus section restricti, is damaging artworks and cultural objects across Denmark. Detected in 12 museums including the National Museum of Denmark and Skagens Museum, the fungus thrives in dry environments—the very conditions used to preserve artifacts. Conservators describe it as an "epidemic" that also poses health risks to visitors. The National Museum is relocating affected works to a new warehouse near Copenhagen, but no solution has been found yet. Preliminary studies are underway at 150 additional cultural sites to assess the spread.
Researchers have identified the title and author of a charred scroll from Herculaneum, which was buried by the 79 CE eruption of Mount Vesuvius. Using X-ray imaging and AI analysis at the Diamond synchrotron facility in Oxfordshire, they determined the scroll is part of the multivolume work *On Vices* by the Epicurean philosopher Philodemus, dating to the 1st century CE. The scroll is one of three from the Villa of the Papyri housed at the Bodleian Libraries, Oxford University, and its contents had been unknown for 2,000 years. The discovery was awarded the $60,000 first title prize from the Vesuvius Challenge, an international competition that uses AI to decipher the unopenable scrolls.
A federal district court judge has indicated he is inclined to block the Trump administration's dismantling of the Institute of Museum and Library Services (IMLS). The agency, which distributes federal funding to museums and libraries nationwide, was gutted last month by the Department of Government Efficiency (DOGE), with its entire 75-person staff placed on leave. A lawsuit seeking a preliminary injunction was filed by the American Library Association and the American Federation of State, County and Municipal Employees. Judge Richard J. Leon, appointed by George W. Bush, said in court he is inclined to grant a temporary restraining order and is expected to rule shortly.
Dutch police arrested two more suspects, a 20-year-old and an 18-year-old from Heerhugowaard, in connection with the January 2025 theft of Romanian gold artifacts from the Drents Museum in Assen. The stolen items include the golden helmet of Coțofenești and three gold bracelets from 450 BCE, valued at over €5.8 million. The suspects were identified via security camera footage from a hardware store where they purchased tools similar to those used in the heist. Police searched properties in Heerhugowaard and Opmeer, seizing digital evidence, but the artifacts remain missing.
Over the weekend of the Cannes Film Festival, director Ron Howard premiered his documentary *Avedon*, which traces photographer Richard Avedon's rise from a working-class Jewish immigrant background to a defining chronicler of American culture. The film received a second life aboard the Renaissance superyacht with a party hosted by editor Graydon Carter, Ancient chairman and CEO Alexander Klabin, and Burgess chief executive John Beckett. Guests included actors Natasha Lyonne and Rosemarie Dewitt, photographer Jean Pigozzi, model Eddie Mitsou, Avedon's grandchildren Michael, Matthew, and Caroline Avedon, and producers Courtney Kivowitz, Sara Bernstein, Darcie Reisler, Dallas Rexer, Chris St. John, and Justin Wilkes. The after-hours cocktail allowed attendees to relive the film's most impactful scenes while mingling with the producers and the photographer's family.
Harmonia Rosales, an Afro-Cuban artist known for reimagining Renaissance and baroque iconography with Black bodies, and Ingrid Best, an Afro-Latina wine entrepreneur and art collector, discuss their friendship and mutual support in an interview for Cultured. They first connected at Rosales’s 2022 show at UTA in Los Angeles, where Best was part of a collective that purchased Rosales’s work, including the piece *Strangler Fig: Adam and Eve*. Rosales later became the first artist to invest in Best’s wine business, IBEST Wines, which sources from underrepresented regions. Their conversation covers ownership, community, and creating structures that sustain women’s legacies beyond mere representation.
Jonathan Anderson made his debut as the new men's artistic director of Dior with the Men's Spring/Summer 2026 collection, presented in June. The collection riffs on French history while incorporating Anderson's signature gestures: painstaking handiwork, reverence for craft, and touches of the absurd. Highlights include a collaboration with textile artist Sheila Hicks on the Lady Dior bag, literary tributes on the Book Tote (featuring works by Bram Stoker, James Joyce, and Charles Baudelaire), and intricate embroidery requiring up to 3,271 hours per coat. The collection also features Brandebourg detailing, sculptural silhouettes, and reimagined heritage pieces like a 1960s-inspired cape.
Anthony Vaccarello, creative director of Saint Laurent, has opened a new Paris flagship store at 37 Avenue Montaigne, housed in the former Canadian embassy. The store reflects his vision with a mix of modern design and vintage furniture, including pieces by Jean-Michel Frank and François-Xavier Lalanne, alongside contemporary artworks by Mark Bradford, Camille Henrot, and Thomas Houseago on loan from the Pinault Collection. Vaccarello discusses the two-year transformation, his approach to retail as a context for the clothes, and his broader creative expansions into film with Saint Laurent Productions and the revival of Charlotte Perriand furniture designs.
Eiesha Bharti Pasricha, co-creative director of the Estelle Manor hotel and members' club in Oxfordshire, discusses her role in shaping the aesthetic and sensory experience of the property. The article profiles her background, from a childhood split between New Delhi and Scotland to her work in fashion and hospitality, and details how she developed the fictional muse 'Estelle' to guide the design of both Maison Estelle in London and the 108-room country estate, including art selection, fragrance, and a new capsule collection called Lady E.
Colette Thiebaud and Leon Barhoum founded Artmosphere, a nonprofit that delivers curated art education boxes called ARTicles to underserved schools across five U.S. states. Launched as a tribute to Thiebaud’s grandfather, the late artist Wayne Thiebaud, the organization recently received its largest donation from philanthropist Maria Manetti Shrem and has partnered with FOG Design+Art to debut a family program. The founders are now planning an event at Art Basel Miami called Confections & Connections for emerging collectors and patrons.
Nasan Tur sammelt Beiträge für "Archiv der Gefühle" zur Manifesta 16
Berlin-based artist Nasan Tur is calling on people from the Ruhr region and beyond to submit contributions to his "Archive of Feelings" via an online portal. The project is part of his commissioned work for the 16th edition of the nomadic biennial Manifesta, which opens on June 21 across several cities in the Ruhr area. Tur's installation, titled "Elevation," will be housed in St. Gertrud Church in Essen, where excerpts from anonymous submissions—expressing hopes, fears, wounds, ideas, wishes, and everyday observations—will be carved into old church pews.
"Als Kanonenfutter behandelt"
Artist Mario Pfeifer has created a new film, "Wutame / Caché," which portrays two men from Cameroon who fought for Russia in the war against Ukraine before deserting. The film is currently featured in the "Tirailleurs" exhibition at Berlin's Haus der Kulturen der Welt (HKW). Pfeifer's work focuses on the men's personal accounts of being deceived, poorly treated, and used as "cannon fodder," employing anonymized voices and altered imagery to protect their identities while allowing their stories to unfold.
Glasgow-based painter Michael Fullerton is presenting a two-part exhibition that critically examines the politics of portraiture. The first section features 11 oil portraits of male asylum seekers he lived alongside while working as live-in staff at the Hilltop Hotel in Carlisle. These works, painted in a traditional style, depict the men with care against ambiguous landscapes, deliberately restricting personal information to names and origins, highlighting their status within systems of power.
Russia's pavilion at the 2026 Venice Biennale will be closed to the public for the duration of the exhibition, from May 9 to November 22, following escalating controversy over the country's participation. The group show, titled “The tree is rooted in the sky,” will only be open to press and industry insiders during the preview days (May 5–8). The move comes after the International Criminal Court accused Russia of crimes against humanity, leading the Biennale to bar Russia and Israel from competing for awards. Italian culture minister Alessandro Giuli has also boycotted the preview and opening ceremony in protest.
The European Commission has formally accused the Venice Biennale of violating EU sanctions against Russia by planning to reopen the Russian Pavilion for the 2026 edition. In a letter to the Biennale's president, the Commission argues that hosting a government-funded national pavilion constitutes accepting indirect support from the Russian state during its ongoing war in Ukraine. The organization has threatened to withhold a $2.3 million grant intended for the 2028 edition unless the Biennale addresses these concerns by May 11.
Chandler Jones founded Room 412, a small, appointment-only gallery in a Birmingham, Alabama loft, in March 2022. The space functions as an intimate, immersive exhibition environment, described as a cross between a gallery and a mystical hotel room, designed to showcase Alabama artists and foster community connection. Jones, a musician, was motivated by a desire to create a visually and energetically compelling gathering place after being inspired by the historic Chelsea Hotel in New York.
Jag Gallery in Key West has announced an open call for its 7th annual "Poolside" juried exhibition, seeking 2D and 3D original artwork with swimming pools as the subject. The show opens with a reception on August 5, and selected artists will be notified by July 12, with an entry fee of $35 per artwork and a 50/50 commission split. The article also highlights current shows at other local Key West venues: Harrison Gallery is featuring vibrant paintings by Santa Fe artist Melinda K. Hall, Shade Ceramics and Shutter Photography is displaying pottery by Mark Klammer and landscape photography by Sarah Carleton, and it notes the legacy of the late textile artist Suzie dePoo.
The National Museum of Mexican Art (NMMA) in Chicago was founded in 1987 by a group of public school educators, led by Carlos Tortolero, to address a lack of Mexican history and culture in the curriculum. It has grown into a 48,000-square-foot institution with a collection of over 20,000 objects, spanning from Pre-Columbian times to the present, and was the first Latino museum in the U.S. to be accredited by the American Alliance of Museums.
Birmingham Museum & Art Gallery will host a weekend of special events from November 28 to 30 to mark its 140th anniversary. Activities include a birthday cake-cutting, live poetry by Bradley Taylor, a performance by the Royal Birmingham Conservatoire Trumpet Club, behind-the-scenes 'hidden spaces' tours, a party hat trail, and 'my first museum' tours for young children. The museum originally opened on November 28, 1885, by the Prince of Wales (later Edward VII), and has welcomed an estimated 100 million visitors since. After closing in March 2020 for pandemic-related essential maintenance, it reopened in phases starting October 2024, with new galleries, displays, and full access to the Staffordshire Hoard by October 2025.
L’intima corrispondenza tra l’artista Maria Lai e lo stilista Antonio Marras è in mostra a Milano
The exhibition "Paso Doble" at Galleria M77 in Milan brings together over 200 works by artist Maria Lai (1919–2013) and fashion designer Antonio Marras, curated by Francesca Alfano Miglietti. The show explores the deep creative and personal dialogue between the two, rooted in a transformative encounter that Marras describes as a turning point in his artistic language. Works range from historical pieces by Lai—including textile books, thread installations, and stone-embedded works—to Marras's own mixed-media creations using humble materials like cardboard, fabric scraps, and pastry trays. The exhibition culminates in collaborative installations such as "Llencols de aigua" (Water Sheets) and "Janas," immersive environments where viewers become part of a silent choreography of memory and imagination.
Una delle fiere in corso a Milano durante questa Art Week sarà visitabile fino a mezzanotte (e ci puoi anche cenare)
MEGA Art Fair has announced an unconventional schedule for its third edition during Milan Art Week 2026, extending its opening hours until midnight. Located in the former Esperis perfume factory known as PROFUMO, the fair will occupy over 3,000 square meters of industrial space. The event features a multidisciplinary public program and a unique "sensory dinner" titled The Perfume Table, which translates the olfactory structure of perfumes into a gastronomic experience set among artworks.
The Vilcek Foundation is accepting applications for its 2026 grant cycle, offering up to $20,000 per grant to nonprofit organizations that highlight immigrant contributions in the arts, sciences, and culture. The total funding pool is $200,000, with a deadline of April 30, 2026. This initiative marks the second year of this specific grant program, expanding the foundation's long-standing mission as it celebrates its 25th anniversary.
Artist Frances Bailey is presenting a solo exhibition titled 'This Native Land of Mine' at Clare Museum, running from April 27 to May 29. The show celebrates her nearly 50-year career as a painter, focusing on landscape works inspired by her deep connection to County Clare.
The historic Hopton Hall Estate has opened a new gallery in Ashbourne, England, called the Hopton Hall Gallery. The gallery, housed in an 18th-century building that previously served as a butcher's, clockmaker's, and draper's shop, is the creation of estate owners Chris and Andi Harvey. Its inaugural exhibition, 'Brushed Light: Atmospheric Watercolours,' features works by local artists, and the gallery will host a rotating program of exhibitions and events through at least May 2027.
A generation of Native American artists, emerging from the Institute of American Indian Arts (IAIA) in Santa Fe from the 1960s onward, reclaimed Indigenous representation in American art. Figures like Fritz Scholder, T.C. Cannon, Kevin Red Star, and Earl Biss used modernism, irony, and cultural specificity to dismantle colonial stereotypes of Native peoples as romanticized relics, instead portraying them as contemporary individuals with agency and living traditions.