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Black Designers as Fine Artists: Fashion Meets Sculpture

The article from Ebony.com explores the intersection of fashion and fine art, highlighting how Black designers are increasingly being recognized as fine artists whose work bridges clothing design and sculpture. It profiles several contemporary Black designers who create garments that function as sculptural objects, exhibited in galleries and museums rather than solely on runways. The piece examines how these creators challenge traditional boundaries between fashion and art, using materials and techniques that elevate their work into the realm of fine art.

“Drifting Until Caught” at Brooklyn Navy Yard: Three Artists and the Objectivity of Method

Three artists—Veronika Georgieva, Stephen j Shanabrook, and Shura Skaya—have transformed an industrial venue at the Brooklyn Navy Yard into a pop-up exhibition titled “Drifting Until Caught.” The show, accessible only by appointment, features works that range from pressed plastic sculptures and chocolate casts to wax crayon drawings and acrylic paintings, all exploring the boundary between figuration and abstraction. Each artist employs mechanical or chance-based methods, such as Shanabrook’s hydraulic press or Georgieva’s video projections, to create images that embrace distortion and materiality.

Robot dogs with Elon Musk's head 'poo' AI art in bizarre exhibition

Artist Beeple (Mike Winkelmann) has installed "Regular Animals" at Berlin's Neue Nationalgalerie, featuring robot dogs with hyper-realistic silicone heads of Elon Musk, Mark Zuckerberg, Jeff Bezos, Andy Warhol, Pablo Picasso, and Beeple himself. The dogs roam the gallery and periodically "poo" printed images of their surroundings that have been transformed by artificial intelligence, with each dog's output reflecting the style of its figurehead—for example, the Picasso dog produces Cubist-style images. The work premiered at Art Basel Miami Beach 2025, where Beeple distributed the prints with certificates reading "100% organic GMO-free dog s**t" and QR codes for free NFTs.

Inside A Nation of Artists, Philly’s New Must-See Exhibition

The Philadelphia Museum of Art (PMA) and the Pennsylvania Academy of the Fine Arts (PAFA) have launched "A Nation of Artists," a massive dual-museum exhibition running through late 2027. The show features over 1,000 works, including the public debut of 120 pieces from the private Middleton Family Collection, owned by Philadelphia Phillies owner John Middleton. While the PMA presents the works chronologically from 1700 to 1960, PAFA offers a thematic exploration, both aiming to integrate underrepresented Black, Indigenous, and immigrant artists alongside canonical figures like Georgia O’Keeffe and Jackson Pollock.

Review: The new LACMA is divisive. It’s also ambitious, disorienting — and radically alive

The Los Angeles County Museum of Art (LACMA) has unveiled its $724-million David Geffen Galleries, a massive concrete structure designed by Swiss architect Peter Zumthor that spans Wilshire Boulevard. Replacing several older pavilions, the new building rejects traditional museum conventions like white-cube galleries and encyclopedic organization in favor of a sinuous, organic form that emphasizes light, atmosphere, and a visceral connection to the surrounding landscape.

The Art Diary April 2026 – Revd Jonathan Evens

The April 2026 Art Diary highlights a global trend of exhibitions exploring the intersection of spirituality, art, and the environment. Key highlights include a new scholarly essay by Hassan Vawda reinterpreting the Kettle’s Yard collection through the religious beliefs of its founders, Jim and Helen Ede, and a major group exhibition at ICA LA titled 'Speaking in Tongues.' The latter features indigenous and diasporic artists from the Global South who utilize art as a conduit for the sacred, ritual, and ecstatic expression.

Strong sales and cross-market demand define Art Basel Hong Kong opening

Art Basel Hong Kong opened with robust sales and high energy, signaling a strong recovery for the Asia-Pacific art market. Blue-chip galleries reported several seven-figure transactions early on, including a $4 million Picasso at Bastian and a $3.8 million Liu Ye painting at David Zwirner. The fair's debut of the digital-focused 'Zero 10' initiative and a significant presence of regional collectors underscored a diverse appetite for both postwar masters and contemporary digital works.

Valuing the Invisible Art Market

A new report from UBS and Art Basel, authored by Dr. Clare McAndrew, reveals that the global art market reached an estimated $67.8 billion in 2023, marking a 4% increase from the previous year. The growth was primarily driven by the high-end segment, with sales over $10 million rising by 11%, while the lower and middle markets experienced a decline.

Sotheby’s to sell around £2m of art to support the Royal Academy in London

Sotheby's is auctioning ten works of art donated by Royal Academicians and honorary RAs, with an estimated total value of up to £2.6 million, to provide financial support for the Royal Academy in London. The lots, including pieces by El Anatsui and Sean Scully, will be featured in the auction house's flagship March contemporary sales.

David A. Ross resigns from New York's School of Visual Arts over friendship with Jeffrey Epstein

David A. Ross, chair of the Master of Fine Arts in art practice department at New York's School of Visual Arts (SVA), resigned from his position following the release of documents revealing his long-standing friendly correspondence with convicted sex offender Jeffrey Epstein. The emails, dating from 2009 to 2016, show Ross praising Epstein's ideas for controversial exhibitions and offering him personal sympathy, even after Epstein's 2008 criminal conviction.

Glasgow’s Centre for Contemporary Arts to close permanently

Glasgow's Centre for Contemporary Arts (CCA) is closing permanently and entering liquidation, effective January 30. The 33-year-old venue, a key hub for experimental art, has cancelled all programs and made its 39 staff redundant. The closure follows a series of financial and operational crises, including a fire-related closure, the pandemic, a staff dispute, and protests over its stance on Israel.

Renowned gallerist Marian Goodman has died, aged 97

Marian Goodman, the renowned contemporary art dealer, died on 22 January at the age of 97. Her eponymous gallery confirmed she passed peacefully of natural causes. Over a 60-year career, Goodman built a reputation for representing challenging, conceptually ambitious artists, including Gerhard Richter, Nan Goldin, Anselm Kiefer, Julie Mehretu, William Kentridge, and Nairy Baghramian. She opened her first gallery in New York in 1977 and later expanded to Paris and London, before closing the London space in 2020. In her final decade, the gallery saw high-profile departures but also added new artists and opened a Los Angeles location in 2023 and a new Tribeca space in 2024. A succession plan was announced in 2021, and the gallery is now led by partners Emily-Jane Kirwan, Rose Lord, Leslie Nolen, and Junette Teng.

Our pick of the shows to see in the world's great art cities in 2026

The article presents a curated selection of upcoming art exhibitions across major global cities in 2026, highlighting key shows in Paris, New York, and Tokyo. In Paris, notable exhibitions include a Georges de la Tour show at the Musée Jacquemand-André, a Renoir retrospective at the Musée d'Orsay, and a Henri Rousseau exhibition at the Musée de l'Orangerie. New York features solo shows of Egon Schiele at the Neue Galerie, Thomas Gainsborough at the Frick Collection, and Paul Klee at the Jewish Museum, while Tokyo focuses on women artists from the 1950s and 60s at the National Museum of Modern Art and a centennial exhibition at the Tokyo Metropolitan Art Museum.

The art world in 2025: our review of the biggest stories and shows—podcast

The final episode of The Week in Art podcast for 2025 reviews the year's biggest stories and exhibitions. Host Ben Luke is joined by The Art Newspaper's contemporary art correspondent Louisa Buck, art market editor Kabir Jhala, and Americas editor-in-chief Ben Sutton to discuss topics ranging from the Los Angeles wildfires in January and President Trump's cultural policies to the crisis at the Louvre, the National Gallery in London's expansion plans and their impact on its relationship with Tate, and the art market's shift toward the Middle East for fairs and auctions. The guests also select their top exhibitions and works of the year, featuring artists such as Kerry James Marshall, Helen Chadwick, Coco Fusco, Jack Whitten, Henri Matisse, and Hamad Butt.

Harlem’s Studio Museum reopening was a fitting reflection of its history and work

The Studio Museum in Harlem reopened in November 2025 after a seven-year reconstruction, unveiling a new building designed by Adjaye Associates and Cooper Robertson that incorporates architectural elements of Harlem, such as masonry-framed windows and a staircase evoking brownstone stoops. The reopening featured a major exhibition highlighting alumni from its renowned artist-in-residence program, which began in 1968 with Tom Lloyd as the first recipient. Founded by Charles E. Innis and a coalition of artists, activists, and philanthropists, the museum has long served as a nexus for artists of African descent, expanding the canon of Black art during the civil rights and Black Power movements.

At Tokyo's National Museum of Modern Art, the anti-action art of Japan’s women artists finds a new lease of life

The National Museum of Modern Art, Tokyo (Momat) is presenting "Anti-Action: Artist-Women’s Challenges and Responses in Post-war Japan," an exhibition that highlights the work of women artists in 1950s and 1960s Japan. Curated by Hajime Nariai, the show features Yayoi Kusama alongside figures like Atsuko Tanaka, Tsuruko Yamazaki, and Hideko Fukushima, as well as ten lesser-known artists whose names have been largely forgotten. The exhibition uses the term "anti-action," coined by art historian Izumi Nakajima, to describe these artists' shared determination to resist the dominant masculine ethos of action painting and Eurocentric art trends, instead forging their own unique practices.

We Are the Drum and the Scribe: Black Art In America Collection at the Bo Bartlett Center

The Bo Bartlett Center in Columbus, Georgia, is hosting the exhibition "We Are the Drum and the Scribe: Black Art In America Collection" from January 20 to May 16. The show features over 40 works from the private collection of Najee & Seteria Dorsey and Black Art In America (BAIA), including pieces by Kerry James Marshall, Wadsworth Jarrell, David Driskell, and contemporary artists like Dr Fahamu Pecou and Alfred Conteh. A public reception is scheduled for February 19th.

Remembering Frank Gehry, legendary architect of Guggenheim Museum Bilbao

Frank Gehry, the legendary architect who transformed the global architectural landscape with his deconstructivist style, has died in Santa Monica on 5 December. The article traces his career from his early days remodeling his own Santa Monica home—a controversial project that used corrugated metal, plywood, and chain-link fencing—to his rise as a Pritzker Prize winner and the creator of the iconic Guggenheim Museum Bilbao (1997). Gehry, born Ephraim Goldberg in Toronto in 1929, studied at the University of Southern California and Harvard before founding Frank O. Gehry & Associates in 1962, and spent over six decades championing buildings that embraced emotion and movement over cold minimalism.

Political statements at Art Basel Miami Beach are sparse but strident

At Art Basel Miami Beach, one year into Donald Trump’s second presidential administration, most galleries are avoiding overt political themes, though a few notable exceptions stand out. The most talked-about piece is Maurizio Cattelan’s marble sculpture *Bones (2025)*, a crashing eagle metaphor for the nation’s state, shown on Gagosian’s stand. Other politically charged works include Nicholas Galanin’s burned totem pole and drone-inspired rug, David Hammons’ *African American Flag (1990)*, and Tim Youd’s typewriter performance of Hunter S. Thompson’s book. Most exhibitors, however, focus on apolitical American iconography or market-driven choices.

Christie’s $700M Night, Trump’s $7.25M Rockwell & Bonhams’ Big Names

The article reports on major auction results from Christie's, Bonhams, and other houses, including a $700 million evening sale at Christie's and a Norman Rockwell painting sold for $7.25 million linked to former President Donald Trump. It also highlights notable consignments and bidding activity from high-profile collectors and estates.

Gold toilet, Klimt portrait sell for millions at Sotheby’s

A portrait by Gustav Klimt, *Portrait of Elisabeth Lederer* (1914–1916), sold for $236 million at Sotheby's in New York, setting a record for the auction house. The painting, depicting the daughter of Klimt's patron, was part of the collection of late billionaire Leonard A. Lauder. In the same sale, Maurizio Cattelan's solid gold toilet *America* (2016) fetched $12.1 million, with the piece satirizing superwealth. The toilet had previously been exhibited at the Guggenheim Museum and was stolen from Blenheim Palace in 2019; its current whereabouts remain unknown.

Cattelan's famous gold toilet goes up for auction: America for sale at Sotheby's

Maurizio Cattelan's iconic 2016 gold toilet sculpture, 'America,' will be auctioned at Sotheby's on November 18, 2025, during The Now and Contemporary evening auction. The starting bid will be tied to the fluctuating gold market price, currently around $10 million based on its 101.2 kg weight, and Sotheby's will accept cryptocurrency as payment. The work, a fully functional toilet made of 18-karat gold, was famously installed at the Solomon R. Guggenheim Museum in New York in 2016, where over 100,000 visitors used it, and was later stolen from Blenheim Palace in 2019. This is the only surviving version of the two originally made.

Stefan Edlis and Gael Neeson built an unforgettable collection defined by humanity and humour

Christie's will auction over 40 works from the collection of the late Stefan Edlis and his wife Gael Neeson, beginning with the 21st Century Evening Sale on 19 November and the Post-War & Contemporary Art Day Sale on 20 November in New York, with additional offerings continuing through 2026. The collection, housed in the couple's Chicago residence, includes iconic pieces by artists such as Ed Ruscha, Urs Fischer, Jeff Koons, Cindy Sherman, and Diego Giacometti, reflecting a blend of avant-garde, Pop, and Art Deco design.

Modern & Contemporary African and Middle Eastern Art at Olympia Auctions

Olympia Auctions will hold a sale of Modern & Contemporary African and Middle Eastern Art on 29 October 2025, featuring 66 lots curated by specialists Janet Rady and Elikem Logan. Highlights include works by Ben Enwonwu, Oluwole Omofemi, Johnson Ocheja, Jacob Hendrik Pierneef, and South African women weavers from the Rorke’s Drift Art and Craft Centre, with estimates ranging from £1,000 to £25,000.

When is art sacred? A Jesuit artist on what makes the absurd, the abstract and the ordinary holy

The article is a first-person reflection by Jesuit artist Nick Leeper on the 2024 Biennale d'Art Contemporain Sacré in Menton, France. Leeper describes entering the Grand Hôtel des Ambassadeurs expecting a traditional sacred art show but finding instead a mix of abstract sculptures, Venetian glassworks, and works by Man Ray, alongside more conventional religious pieces. The biennale, founded in 2019 by Liana Marabini, features 180 artists from 29 countries exploring the theme of "forgiveness," including major names like Damien Hirst, Yayoi Kusama, and Gerhard Richter, as well as artists from religious orders. Leeper recounts how visitors at the opening asked what makes such diverse works sacred.

Sound and vision: artists take to the decks for Peter Doig’s Serpentine show

Peter Doig's exhibition 'House of Music' at Serpentine South in London centers on the relationship between visual art and sound, featuring paintings like 'Maracas' (2002-08) and 'Music of the Future' (2002-07) alongside a restored Western Electric/Bell Labs sound system from the late 1920s. The show includes a series of live Sunday events called 'Sound Service,' where Doig, Ed Ruscha, Arthur Jafa, and others play records, transforming the gallery into an immersive audio-visual experience.

Freedom of expression: Tate exhibition offers an overdue showcase of Nigeria’s Modernist artists

Tate Modern's exhibition "Nigerian Modernism" showcases over 300 works by 59 Nigerian modernist artists, curated by Osei Bonsu and Bilal Akkouche. The show follows the 2018 record sale of Ben Enwonwu's portrait "Tutu" at Bonham's for £1.2 million, which highlighted the neglect of modern African artists in art history. It features pioneers like Aina Onabolu, the first African student at an English art school, and Uche Okeke of the Zaria Art Society, whose work blends Western techniques with Nigerian traditions, Islamic aesthetics, and uli mural painting.

'I want to show the real deal': property developer Rajan Bijlani on his Modernist design collection

Property developer Rajan Bijlani, based in north London, has turned his home Fonthill Pottery—formerly the residence and studio of ceramicist Emmanuel Cooper—into a showcase for his collection of 20th-century design, sculpture, and paintings. His focus is Modernist furniture, particularly works by Pierre Jeanneret, one of the architects of Chandigarh, India. Bijlani owns over 500 pieces, including Jeanneret's 1960 Dining Table and Easy Chairs (1956), as well as works by Le Corbusier and George Nakashima. He staged his first home exhibition last year featuring South Asian diaspora artists, and this year presents 'Electric Kiln,' pairing Jeanneret and Le Corbusier pieces with works by Cooper, Lucie Rie, and Frank Auerbach. Some works are for sale to fund future shows, including a Japan-themed exhibition and one timed to London Gallery Weekend.

Yayoi Kusama Retrospective Becomes Most Visited Exhibition in Australian History

Yayoi Kusama's retrospective at the National Gallery of Victoria (NGV) in Melbourne became the most visited exhibition in Australian history, drawing 570,537 ticket holders from December 2024 to April 2025. The show broke the museum's previous record set by the 2017 exhibition "Van Gogh and the Seasons," which sold 462,262 tickets. Featuring over 200 artworks spanning nine decades, including 10 infinity rooms and early drawings from age nine, the exhibition attracted a diverse audience that included celebrities like Billie Eilish, Dua Lipa, Troye Sivan, and Finneas.

Allen Rosenbaum, former director of Princeton University Art Museum with a keen curatorial eye and astute administrative foresight, dies at 88

Allen Rosenbaum, the former director of the Princeton University Art Museum who led the institution from 1980 to 1999, died on August 3, 2025, at Calvary Hospital in New York City at age 88. Rosenbaum joined Princeton in 1974 as assistant director under Peter Bunnell, and during his 25-year tenure as director, he significantly expanded the museum's collections, adding major works such as Giulio Cesare Procaccini's "The Martyrdom of Saint Justina," Pinturicchio's "Saint Bartholomew," and Pietro da Cortona's "Saint Martina Refuses to Adore the Idols." He also oversaw the 1989 opening of the Mitchell Wolfson Jr. Wing, which added 27,000 square feet of exhibition space.